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A Christmas Carol by Charles Dickens
A Christmas Carol by Charles Dickens Stave V "The End of It" Yes! and the bedpost was his own. The bed was his own, the room was his own. Best and happiest of all, the Time before him was his own, to make amends in! “I will live in the Past, the Present, and the Future!” Scrooge repeated, as he scrambled out of bed. “The Spirits of all Three shall strive within me. Oh Jacob Marley! Heaven, and the Christmas Time be praised for this. I say it on my knees, old Jacob, on my knees!” He was so fluttered and so glowing with his good intentions, that his broken voice would scarcely answer to his call. He had been sobbing violently in his conflict with the Spirit, and his face was wet with tears. “They are not torn down!” cried Scrooge, folding one of his bed- curtains in his arms, “they are not torn down, rings and all. They are here – I am here – the shadows of the things that would have been, may be dispelled. They will be! I know they will.” His hands were busy with his garments all this time; turning them inside out, putting them on upside down, tearing them, mislaying them, making them parties to every kind of extravagance. “I don’t know what to do!” cried Scrooge, laughing and crying in the same breath; and making a perfect Laocoon of himself with his stockings. “I am as light as a feather, I am as happy as an angel, I am as merry as a schoolboy. -
New Stage Theatre Presents a Christmas Arol a C GHOST STORY of CHRISTMAS by Charles Dickens Adapted by Michael Wilson Directed by Peppy Biddy
New Stage Theatre Presents A ChriStmas arol A C GHOST STORY OF CHRISTMAS by Charles Dickens adapted by Michael Wilson directed by Peppy Biddy musical director Carol Joy Sparkman choreographer Drew Stark EBENEZER SCROOGE December 3-22, 2019 Sponsored by Production Manager / Stage Manager Lighting Designer Scenic Designer Technical Director Josh Harris Bronwyn Teague Chris Rich Richard Lawrence Sound Design and Costume Designer Properties Designer Original Music Caleb Blackwell Marie Venters John Gromada acc_program_final.indd 1 12/2/19 2:09 PM A ChriStmas Carol By Charles Dickens Adapted by Michael Wilson Originally produced by the Alley Theatre, Houston, Texas, Gregory Boyd, Artistic Director; Paul R. Tetreault, Managing Director Sound Design and Original Music by John Gromada “A CHRISTMAS CAROL – A GHOST STORY OF CHRISTMAS is presented by special arrangement with Dramatists Play Service, Inc., New York.” The videotaping or other video or audio recording of this production is strictly prohibited. Theatrical Fog and Smoke are used in this production There will be one 15-minute intermission Please silence your cell phone THE SETTING London, 1843 acc_program_final.indd 2 12/2/19 2:09 PM THE CAST (in order of appearance) EBENEZER SCROOGE ........................................Turner Crumbley* MRS. DILBER/PARTY GUEST .......................................Jenn Harris BOB CRATCHIT ..............................................Christopher Sferra FRED/YOUNG SCROOGE .......................................... Sam Lovorn FIRST SOLICITOR/UNDERTAKER/PARTY GUEST ......................Drew Stark SECOND SOLICITOR/MR. FEZZIWIG ......................... Christan McLaurine DOLL VENDOR (MRS. PIDGEON)/SPIRIT OF CHRISTMAS PAST .....Mandy Kate Myers FRUIT VENDOR (BERT)/SPIRIT OF CHRISTMAS PRESENT . Joseph Frost CLOCK VENDOR (MR. MARVEL)/PARTY GUEST/ ..................Cameron Pitre SPIRIT OF CHRISTMAS FUTURE THE GHOST OF JACOB MARLEY/OLD JOE .........................Chris Roebuck MRS. -
A Christmas Carol- the Plot Stave 1: Marley's Ghost
A Christmas Carol- The Plot Stave 1: Marley's Ghost Here the reader meets Ebenezer Scrooge, a miserable but wealthy old man. Scrooge works in his ……...........................................with his clerk,………………………………………………. Bob writes out records of accounts and Scrooge oversees the business but we don't know (it's not important) what it exactly does. (There may be a clue in the next chapter, where we see Scrooge as an apprentice with ……………………………………………..) It is Christmas…………………….., and Scrooge receives several visitors. One is his nephew……………………………..who invites Scrooge to dine with him for Christmas. Then come two gentlemen who are collecting for ……………………………….. We learn here that Scrooge had a partner……………………………………….., who died on Christmas Eve seven years previously. Scrooge refuses to give the gentlemen anything, saying he helps the poor already through supporting prisons and workhouses. Scrooge allows Bob to have Christmas Day as a holiday, but insists that he……………………………………………………………………………………………………………... (Boxing Day was not usually a holiday in the 19th century, but was the day when tradesmen collected their Christmas "boxes" - gifts from their customers.) When Scrooge returns to his lodging he is visited by the Ghost of Jacob Marley who is weighed down by ………………………………………………………………………………. The ghost says that any spirit which does not mix with other people in life must travel among them after death. Marley tells Scrooge that he, too, wears a chain, larger than Marley's. Marley has often sat by him unseen. Now he tells him that……………………………………………………………………………………………………………. Stave 2: The First of the Three Spirits This is the Ghost of ……………………………………………………………………. - Scrooge's own past. The ghost has a strange changing form and gives out brilliant …………………………………. -
4A. the Characters
A Christmas Carol 4a. T he Characters Read and listen to the descriptions of the characters in the play. Use the information to help you with the exercise on the next page, and then listen to see if your answers are correct. 1. Ebenezer Scrooge is about 60 years old. He works 6. The Ghost of Christmas Present is green and cov- in an office for many hours every day and return home, ered in leaves. He is very jolly and quite large. He has where he lives alone, in the evenings. His business is 2000 brothers and sisters — one for every year. He shows called Scrooge and Marley, but his business partner died Scrooge his present life and people’s opinion of him. seven years before. He is an unkind and ungenerous man. 7. The Ghost of Christmas Future doesn’t speak and He thinks Christmas is a waste of time and money. He has is very scary. It wears a dark cape with a hood, and grey hair, brown eyes and is quite thin. He wears a dark it’s impossible to see its face. It is very tall and thin. suit to work and a dressing gown at night. He doesn’t be- It shows Scrooge what will happen in the future if he lieve in ghosts but is scared when he sees them. doesn’t change his way of life. 2. Bob Cratchit works for Scrooge in his office and is 8. Belle was Scrooge’s girlfriend when he was a young very poor. He is 32 years old and is married with five apprentice. -
Charles Dickens' a Christmas Carol Celebrates 20 Years
31 W. Patrick Street Frederick, MD 21701 CONTACT: Dan Brick 301.694.4744 PRESS RELEASE (301) 694-4744 ext. 303 marylandensemble.org [email protected] CHARLES DICKENS’ A CHRISTMAS CAROL CELEBRATES 20 YEARS AS A FREDERICK HOLIDAY TRADITION FREDERICK, MD (October 30, 2013) - Charles Dickens’ classic A Christmas Carol is returning to Frederick for the twentieth straight year with Maryland Ensemble Theatre’s production December 20 through 22 at the Weinberg Center for the Arts. The cast of over two dozen actors portraying the ghosts of Christmas Past, Present, Future and Tiny Tim will transport audiences to Victorian England as the penny-pinching Ebenezer Scrooge learns the error of his miserly ways and embraces the true spirit of Christmas. “We really do feel like it’s a holiday gift we can give to our community,” said the show’s director Julie Herber. “The spirit of the show is infectious, the energy we feel greeting the audience after the show is always so cheerful and heartwarming.” A Christmas Carol is a stirring tale that has endured and delighted since being greeted with critical and popular acclaim upon its publication in 1843. Dickens himself was the first to add a performance element to the story personally performing 127 public readings of A Christmas Carol. Since then it has been adapted hundreds of times to nearly every medium possible including the first surviving film version in 1901, Orson Wells on CBS Radio in 1938, both opera and ballet adaptations, a Muppets’ movie and a Broadway musical. Maryland Ensemble Theatre’s version was adapted by Theatricks, a theater company co-founded by MET Associate Artistic Director Julie Herber. -
Jacob Marley Was Dead
Jacob marley was dead Continue I personally love the Book of Christmas Song and I read it every December. It's not a long book, which is probably why it's a favorite classic of an overworked high school student, and this librarian with a read list a mile long. I'm also a big fan of Christmas, and Christmas special, and books about Christmas. I admit that I've never been a big fan of Dickens's more works. In high school we read Great Expectations and I remember very little, except that it was particularly hard to follow, which kind of turned me away from everything he had written for a while. But a few years ago I decided to give a Christmas carol a chance and it became one of my favorite books. The language That Dickens used is unlike anything we use in everyday communication in 2014. Never has Tiny Tim ever lol, and none of the ghosts will ever smh Scrooge and his ignorance. Honestly, I can see how difficult it can be for some to sit down and read page after page of the lengthy descriptions Of the Dickens used-after-all, we want to get to the meat of ghost stories and a grumpy old man learning to appreciate kindness and friendship for money, but when we don't have the time to read what Dickens has written he draws some amazing images in our heads. Take the opening lines: Marley was dead: for starters. As for the first lines in the book to go, that one is damn good. -
Encountering Christ in Charles Dickens' a Christmas Carol
DAILY DEVOTIONS FOR ADVENT Encountering Christ in Charles Dickens’ A Christmas Carol AUTHOR’S INTRODUCTION Charles Dickens’ A Christmas Carol has been a delightful part of the celebration of Christmas since it was first written in 1843. Dickens deeply, and penitently, understands that Scrooge is really a reflection of himself and so many of us in our sinful state; yet the transformation of this central character, and us, is the blessing we receive from the Child of Christmas. There are five sections, or staves, in this classic, and each of them is represented in part in the selections to follow: The first stave (Marley’s Ghost)—an introduction to Ebeneezer Scrooge and his life before his transformation: The first week of Advent to Tuesday after the Second Sunday of Advent. The next three staves (The Three Spirits of Christmas Past, Present, and Yet-to-Come)—Scrooge’s journey through repentance and renewal: Wednesday after the Second Sunday of Advent to Saturday after the Third Sunday of Advent. The final stave (The End)—Scrooge’s transformed-self that now embraces the joy of Christmas: The final week of Advent. I hope my own reflections for each of these days in Advent will help to lift up the Child who was not ashamed to take upon himself the poverty of our being and makes us all new—for our sake, and for the sake of the whole world! FIRST SUNDAY of ADVENT The grass withers, the flower fades, when the breath of the Lord blows upon it; surely the people are grass. -
Accessible Arts Calendar Summary 2019 Current Venues and Shows
Accessible Arts Calendar Summary 2019 Current Venues and Shows Updated 9-4-19 – The VSA Minnesota Accessible Arts Calendar lists arts events that proactively offer accessibility accommodations such as: ASL (American Sign Language Interpreting), AD (Audio Description), CC (Closed Captioning), OC (Open or Scripted Captioning), DIS (performers with disabilities), or SENS (Sensory-friendly accommodations) which are inclusive for children on the autism spectrum. The main Accessible Arts Calendar listings (emailed monthly through August 2019 and online at http://vsamn.org/community/calendar) offer descriptions of shows, authors, directors, describer & interpreter names, ticket prices, discounts, dates for Pay What You Can (PWYC), and more. This Current Venues and Shows list supplements the Accessible Arts Calendar. On our website as a Resource under Community (http://vsamn.org/community/resources-community/), it summarizes shows at arts venues across Minnesota: plays, concerts, exhibits, films, storytelling, etc. It’s limited to what we learn about and have time to include. The venues are organized alphabetically by Twin Cities venues and then by Greater Minnesota venues. They may offer accessible performances proactively or upon request. Words in GREEN identify some accessibility accommodations. We assume all auditoriums and bathrooms are wheelchair-accessible and theatres with fixed seating have assistive listening devices, unless noted otherwise. Both calendars will be discontinued after September 2019 when VSA Minnesota ceases operation. -
The Man Who Invented Christmas Film Adaptations of Dickens’ a Christmas Carol Dr Christine Corton
10TH DECEMBER 2019 The Man Who Invented Christmas Film Adaptations of Dickens’ A Christmas Carol Dr Christine Corton A Christmas Carol is now over 175 years old. Written in 1843, it is certainly the most televised of Dickens’s works and equals if not beats, its closest rival, Oliver Twist (1837-39) for cinema releases. It’s had a huge influence on the way we understand the Christmas festival. It was written at a time when the festival was being revived after centuries of neglect. And its impact was almost immediate. A Christmas Carol quickly achieved iconic status, far more so than any of Dickens’s other Christmas stories. You have to have been living on some far-off planet not to have heard of the story – the word ‘Scrooge’ has come to represent miserliness and ‘Bah, Humbug’ is a phrase often resorted to when indicating someone is a curmudgeon. Even, Field Marshall Montgomery concluded his Christmas Eve message to the Eighth Army on the battlefield with Tiny Tim’s blessing. In 1836 Dickens described Christmas at Dingley Dell in The Pickwick Papers in which of course one of the most famous of the interpolated tales appears, The Story of the Goblins who Stole a Sexton and for those who know the tale, the miserable and mean Gabriel Grub is not a million miles away from Scrooge. Both Mr Pickwick’s Christmas at Wardle’s (1901) and Gabriel Grub: The Surly Sexton (1904) were used as the basis for silent films at around the same time as the first silent version of the 11 minute long: Scrooge: Or Marley’s Ghost which was released in 1901. -
By Charles Dickens, Adapted by Romulus Linney a Christmas Carol
By Charles Dickens, Adapted by Romulus Linney A Christmas Carol is a novella by Charles Dickens, first published in London in 1843. The novella met with instant success and critical acclaim. A Christmas Carol tells the story of a bitter old miser named Ebenezer Scrooge and his transformation into a gentler, kindlier man after visitations by the ghost of his former business partner Jacob Marley and the Ghosts of Christmases Past, Present and Yet to Come. The book was written at a time when the British were examining and exploring Christmas traditions from the past as well as new customs such as Christmas cards and Christmas trees. Carol singing took a new lease on life during this time. Dickens' sources for the tale appear to be many and varied, but are, principally, the humiliating experiences of his childhood, his sympathy for the poor, and various Christmas stories and fairy tales. Dickens' A Christmas Carol was one of the greatest influences in rejuvenating the old Christmas traditions of England, but, while it brings to the reader images of light, joy, warmth and life, it also brings strong and unforgettable images of darkness, despair, coldness, sadness, and death. Scrooge himself is the embodiment of winter, and, just as winter is followed by spring and the renewal of life, so too is Scrooge's cold, pinched heart restored to the innocent goodwill he had known in his childhood and youth. A Christmas Carol remains popular—having never been out of print—and has been adapted many times to film, stage, opera, and other media. -
A Christmas Carol
November 29 - December 23, 2018 A Christmas Carol By Charles Dickens Adapted by Dennis Garnhum At Theatre Calgary we strive to create a welcoming, inclusive and safe environment for diverse communities. To formally open our productions, Theatre Calgary will pay tribute and recognize the Indigenous people of the Treaty 7 region as the past, present and future stewards of this land where our performance takes place. In response to the release of the Truth and Reconciliation Commission’s 94 Calls to Action, the act of giving territorial or land acknowledgement has now become best practice across Canada. In our efforts to embrace the language and spirit of reconciliation, we recognize that our practice will evolve as Theatre Calgary strengthens our relationships within local Indigenous communities and with artists. Theatre Calgary is committed to maintaining regular engagement with Indigenous and community leaders for consultation on best practices. Territorial Acknowledgement Welcome to Theatre Calgary. We would like to take this opportunity to acknowledge that this performance is taking place on Treaty 7, signed at Blackfoot Crossing in 1877. We are on the traditional territories of the peoples of Treaty 7 including the three Blackfoot Nations: consisting of the Siksika, Piikani, Kainai Nations; the Stoney Nakoda Nations: consisting of the Bearspaw, Wesley and Chiniki Nations; and the Tsuu T’ina Nation. The city of Calgary is also home to Métis Nation of Alberta, Region III. We are grateful to have the opportunity to present in this territory. am so grateful that we have the opportunity to congregate in a theatre to celebrate the joy of I the holiday season with A Christmas Carol. -
Finding Meaning in a Christmas Carol
Finding meaning in A Christmas Carol As the Christmas season approaches, people around the Archdiocese of Baltimore are feeling the sting of Ebenezer Scrooge’s words, “Bah humbug!” once again. Charles Dickens’ novella “A Christmas Carol,” made the miser’s catchphrase part of popular lexicon when it was published in 1843. Since then, countless adaptations have been staged as plays. Movies and television versions have been filmed and it has been recorded for radio. Even the Muppets and Mickey Mouse have chipped in with their own take on the story. The story’s been translated so much, people can finish Tiny Tim’s “God bless us, every one,” before the sick boy closes the story. “They’re all generally quite good,” said Brian Murray, a professor of writing at Loyola University Maryland in Baltimore. “You can’t go wrong with the story. It’s the pleasure of the familiar now. You enjoy knowing precisely how it’s going to end. People like to see how Jim Carrey or Alastair Sim are going to play those parts.” A Christmas Carol is, outside of the birth of Jesus Christ, the most re-told Christmas- themed story. Yet, as Murray noted, there are few mentions of Jesus or Christianity in Dickens’ book. Murray is an expert on the author and wrote a book called “The Bedside, Bathtub & Armchair Companion to Dickens” “None of his characters are explicitly Christian,” Murray said. “It’s a story of secular redemption. The story shows how mortal and how miserable (Scrooge) is. The only way he is renewed is by reconnecting with the community.” Still, Murray said, the characters that dominate the story’s landscape are imbued with Christian values.