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2004 Nfl Tv Plans, Announcers, Programming
NFL KICKS OFF WITH NATIONAL TV THURSDAY NIGHT GAME; NFL TV 2004 THE NFL is the only sports league that televises all regular-season and postseason games on free, over-the-air network television. This year, the league will kick off its 85th season with a national television Thursday night game in a rematch of the 2003 AFC Championship Game when the Indianapolis Colts visit the Super Bowl champion New England Patriots on September 9 (ABC, 9:00 PM ET). Following is a guide to the “new look” for the NFL on television in 2004: • GREG GUMBEL will host CBS’ The NFL Today. Also joining the CBS pregame show are former NFL tight end SHANNON SHARPE and reporter BONNIE BERNSTEIN. • JIM NANTZ teams with analyst PHIL SIMMS as CBS’ No. 1 announce team. LESLEY VISSER joins the duo as the lead sideline reporter. • Sideline reporter MICHELE TAFOYA joins game analyst JOHN MADDEN and play-by-play announcer AL MICHAELS on ABC’s NFL Monday Night Football. • FOX’s pregame show, FOX NFL Sunday, will hit the road for up to seven special broadcasts from the sites of some of the biggest games of the season. • JAY GLAZER joins FOX NFL Sunday as the show’s NFL insider. • Joining ESPN is Pro Football Hall of Fame member MIKE DITKA. Ditka will serve as an analyst on a variety of shows, including Monday Night Countdown, NFL Live, SportsCenter and Monday Quarterback. • SAL PAOLANTONIO will host ESPN’s EA Sports NFL Match-Up (formerly Edge NFL Match-Up). NFL ANNOUNCER LINEUP FOR 2004 ABC NFL Monday Night Football: Al Michaels-John Madden-Michele Tafoya (Reporter). -
Andrea Kremer Named Winner of Prestigious Pete Rozelle
Honor the Heroes of the Game, Preserve its History, Promote its Values & Celebrate Excellence EVERYWHERE FOR IMMEDIATE RELEASE 06/13/2018 ANDREA KREMER NAMED WINNER OF PRESTIGIOUS PETE ROZELLE RADIO-TELEVISION AWARD MULTI-EMMY AWARD WINNER TO BE HONORED DURING 2018 ENSHRINEMENT WEEK POWERED BY JOHNSON CONTROLS CANTON, OHIO – Andrea Kremer has been named the 2018 recipient of the prestigious Pete Rozelle Radio-Television Award. The award, presented annually by the Pro Football Hall of Fame, recognizes “longtime exceptional contributions to radio and television in professional football.” Kremer will be honored during the 2018 Enshrinement Week Powered by Johnson Controls at the Enshrinees’ Gold Jacket Dinner in downtown Canton on Friday, Aug. 3 and presented with the award at the 2018 Enshrinement Ceremony on Saturday, August 4 in Tom Benson Hall of Fame Stadium. Kremer (@Andrea_Kremer) is regarded as one of the most accomplished journalists in the industry. Her illustrious journalism career has been recognized by numerous awards and honors including two Emmys and a Peabody. She was named one of the 10 greatest female sportscasters of all-time; and described by TV Guide as “among TV’s best sports correspondents of either sex.” Kremer is currently Chief Correspondent for the NFL Network and led the network’s coverage on health and safety. She contributes critically acclaimed stories for HBO's "Real Sports with Bryant Gumbel" and is also a co-host of “WE NEED TO TALK,” the first ever all-female nationally televised weekly sports show on CBS. Kremer earned the reputation for breaking news stories and investigative pieces on social issues as they relate to sports. -
Touchstones of Popular Culture Among Contemporary College Students in the United States
Minnesota State University Moorhead RED: a Repository of Digital Collections Dissertations, Theses, and Projects Graduate Studies Spring 5-17-2019 Touchstones of Popular Culture Among Contemporary College Students in the United States Margaret Thoemke [email protected] Follow this and additional works at: https://red.mnstate.edu/thesis Part of the Higher Education and Teaching Commons Recommended Citation Thoemke, Margaret, "Touchstones of Popular Culture Among Contemporary College Students in the United States" (2019). Dissertations, Theses, and Projects. 167. https://red.mnstate.edu/thesis/167 This Thesis (699 registration) is brought to you for free and open access by the Graduate Studies at RED: a Repository of Digital Collections. It has been accepted for inclusion in Dissertations, Theses, and Projects by an authorized administrator of RED: a Repository of Digital Collections. For more information, please contact [email protected]. Touchstones of Popular Culture Among Contemporary College Students in the United States A Thesis Presented to The Graduate Faculty of Minnesota State University Moorhead By Margaret Elizabeth Thoemke In Partial Fulfillment of the Requirements for the Degree of Master of Arts in Teaching English as a Second Language May 2019 Moorhead, Minnesota iii Copyright 2019 Margaret Elizabeth Thoemke iv Dedication I would like to dedicate this thesis to my three most favorite people in the world. To my mother, Heather Flaherty, for always supporting me and guiding me to where I am today. To my husband, Jake Thoemke, for pushing me to be the best I can be and reminding me that I’m okay. Lastly, to my son, Liam, who is my biggest fan and my reason to be the best person I can be. -
Portfolio – Cozi Orlen
Cozi Orlen Copywriter/Proofreader Email: [email protected] Phone: (323) 272-3921 Electronic Arts Real Racing 3 iOS App – App Store Description Electronic Arts SCRABBLE iOS App – App Store Description Electronic Arts What's New Copy: Appearing on app marketplace pages, this copy is used to encourage existing app users to install updates. MONOPOLY iPhone App – What's New Copy MONOPOLY Hotels iPhone App – What's New Copy Word Smack iPad App – What's New Copy World Series of YAHTZEE Free iPad App – What's New Copy Electronic Arts Push Note: Sent to users' mobile devices, this short copy can be used to communicate a wide variety of messages. SCRABBLE iOS FREE App – Re-Engagement Push Notes • Putting off that rematch against your old English professor? Get the new SCRABBLE now and practice with random opponents! • It’s been a while. Come back and see who’s playing SCRABBLE! Get the new FREE version today. • The new SCRABBLE FREE is better than ever! Have you tried the latest features? • Want to score some points with the Mensa crowd? SCRABBLE’s a sure-fire winner. Get it now! • Did one of your friends just start a game with a TWO-LETTER WORD?! School’s about to be in session. Get the new SCRABBLE! • Thousands of people are playing SCRABBLE at this very moment. Are any of them as good as you? Find out now in the new SCRABBLE! • Test your word skills with a match against a random opponent! Who will YOU play? Get the new SCRABBLE and find out! Mahalo.com MMA Surge YouTube Channel/Show – Social Media YouTube Channel Descriptions Pinterest Page -
Marble Hornets, the Slender Man, and The
DIGITAL FOLKLORE: MARBLE HORNETS, THE SLENDER MAN, AND THE EMERGENCE OF FOLK HORROR IN ONLINE COMMUNITIES by Dana Keller B.A., The University of British Columbia, 2005 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Film Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) December 2013 © Dana Keller, 2013 Abstract In June 2009 a group of forum-goers on the popular culture website, Something Awful, created a monster called the Slender Man. Inhumanly tall, pale, black-clad, and with the power to control minds, the Slender Man references many classic, canonical horror monsters while simultaneously expressing an acute anxiety about the contemporary digital context that birthed him. This anxiety is apparent in the collective legends that have risen around the Slender Man since 2009, but it figures particularly strongly in the Web series Marble Hornets (Troy Wagner and Joseph DeLage June 2009 - ). This thesis examines Marble Hornets as an example of an emerging trend in digital, online cinema that it defines as “folk horror”: a subgenre of horror that is produced by online communities of everyday people— or folk—as opposed to professional crews working within the film industry. Works of folk horror address the questions and anxieties of our current, digital age by reflecting the changing roles and behaviours of the everyday person, who is becoming increasingly involved with the products of popular culture. After providing a context for understanding folk horror, this thesis analyzes Marble Hornets through the lens of folkloric narrative structures such as legends and folktales, and vernacular modes of filmmaking such as cinéma direct and found footage horror. -
Models of Time Travel
MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened. -
2017 DGA Episodic Director Diversity Report (By STUDIO)
2017 DGA Episodic Director Diversity Report (by STUDIO) Combined # Episodes # Episodes # Episodes # Episodes Combined Total # of Female + Directed by Male Directed by Male Directed by Female Directed by Female Male Female Studio Title Female + Signatory Company Network Episodes Minority Male Caucasian % Male Minority % Female Caucasian % Female Minority % Unknown Unknown Minority % Episodes Caucasian Minority Caucasian Minority A+E Studios, LLC Knightfall 2 0 0% 2 100% 0 0% 0 0% 0 0% 0 0 Frank & Bob Films II, LLC History Channel A+E Studios, LLC Six 8 4 50% 4 50% 1 13% 3 38% 0 0% 0 0 Frank & Bob Films II, LLC History Channel A+E Studios, LLC UnReal 10 4 40% 6 60% 0 0% 2 20% 2 20% 0 0 Frank & Bob Films II, LLC Lifetime Alameda Productions, LLC Love 12 4 33% 8 67% 0 0% 4 33% 0 0% 0 0 Alameda Productions, LLC Netflix Alcon Television Group, Expanse, The 13 2 15% 11 85% 2 15% 0 0% 0 0% 0 0 Expanding Universe Syfy LLC Productions, LLC Amazon Hand of God 10 5 50% 5 50% 2 20% 3 30% 0 0% 0 0 Picrow, Inc. Amazon Prime Amazon I Love Dick 8 7 88% 1 13% 0 0% 7 88% 0 0% 0 0 Picrow Streaming Inc. Amazon Prime Amazon Just Add Magic 26 7 27% 19 73% 0 0% 4 15% 1 4% 0 2 Picrow, Inc. Amazon Prime Amazon Kicks, The 9 2 22% 7 78% 0 0% 0 0% 2 22% 0 0 Picrow, Inc. Amazon Prime Amazon Man in the High Castle, 9 1 11% 8 89% 0 0% 0 0% 1 11% 0 0 Reunion MITHC 2 Amazon Prime The Productions Inc. -
Är Det Här Amerika?
Är det här Amerika? En kvalitativ studie om musikvideon “This is America” och dess plats i den samhälleliga kontexten. Is This America? A qualitative study about the music video “This is America” and its position in the social context. Philip Alfredsson & Wictor Palmgren Fakulteten för humaniora och samhällsvetenskap Medie- och kommunikationsvetenskap/Kommunikation & PR (program) C-uppsats - 15 hp Emilia Ljungberg HT 2018 Sammanfattning Att musik väcker känslor är nog något som vi alla kan komma överens om. Musiken kan få oss att skratta, gråta, dansa, ja, alla känslouttryck kan skapas genom den. Och kanske är den ultimata låten den som får oss att känna allting på en och samma gång, och får oss att vilja lyssna på den om och om igen. Vissa låtar med tillhörande musikvideos exploderar och får miljoner, för att inte tala om miljarder, klick. Musiken kan ibland bli mer än bara en låt, och folk kan bli sittandes och diskutera dess mening i timtal. Låten This is America, med tillhörande musikvideo, är en sådan. Den här studien redogör för den videons beståndsdelar, hur den anspelar med den nutida politiska kontexten och vad för eko den har skapat till omvärlden. För att ta reda på hur videon blivit så populär författade vi en övergripande frågeställning som löd: “Hur ska vi förstå meningsskapandet i This is America?”. Utifrån vår forskningsöversikt, kunde vi finna att ett popkulturellt fenomens mångtydighet och öppenhet till tolkning, bäddar för dess popularitet. Genom historien finns det även fog för att musik som är sprungen ur utanförskap och som kritiserar samhället, har möjlighet att bli än mer populär. -
Marble Hornets, the Slender Man, and the Emergence Of
DIGITAL FOLKLORE: MARBLE HORNETS, THE SLENDER MAN, AND THE EMERGENCE OF FOLK HORROR IN ONLINE COMMUNITIES by Dana Keller B.A., The University of British Columbia, 2005 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Film Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) December 2013 © Dana Keller, 2013 Abstract In June 2009 a group of forum-goers on the popular culture website, Something Awful, created a monster called the Slender Man. Inhumanly tall, pale, black-clad, and with the power to control minds, the Slender Man references many classic, canonical horror monsters while simultaneously expressing an acute anxiety about the contemporary digital context that birthed him. This anxiety is apparent in the collective legends that have risen around the Slender Man since 2009, but it figures particularly strongly in the Web series Marble Hornets (Troy Wagner and Joseph DeLage June 2009 - ). This thesis examines Marble Hornets as an example of an emerging trend in digital, online cinema that it defines as “folk horror”: a subgenre of horror that is produced by online communities of everyday people— or folk—as opposed to professional crews working within the film industry. Works of folk horror address the questions and anxieties of our current, digital age by reflecting the changing roles and behaviours of the everyday person, who is becoming increasingly involved with the products of popular culture. After providing a context for understanding folk horror, this thesis analyzes Marble Hornets through the lens of folkloric narrative structures such as legends and folktales, and vernacular modes of filmmaking such as cinéma direct and found footage horror. -
November 12, 2013
volume 14 - issue 11 - tuesday, november, 12, 2013 - uvm, burlington, vt uvm.edu/~watertwr - thewatertower.tumblr.com by mikaelawaters by dustineagar Forgive me UVM, for I have sinned. After four years in a Catholic high Russia has been in the news quite a bit school and a subsequent lately. Allegations of skullduggery at the vow to never again partici- recent G-20 conference, a hardline stance pate in organized religion, against UN intervention into the humani- I confess to believing in a tarian crisis in Syria, an uncharacteristic higher power. Dare I say embrace of NSA leader Edward Snowden, it? After suffering through and a flex of military muscle in the Arctic countless masses, endless have combined with many other episodes religion classes, and a com- in recent years to elevate tensions between plete memorization of both Mother Russia and her capitalist cousins. the Hail Mary and the Our The house Stalin built has likened itself Father in Latin, I confess to that kid in your neighborhood who is to having a different reli- always getting in trouble—whenever the gion. This religion, power- name comes up you wonder what sort of ful enough to seize my heart half-witted shenanigans have irritated the and bring me back into the community this time. More recently, prob- fold, is Coffee. ably since mass protests erupted in Mos- As definitively sacrile- cow over allegations of election fraud in gious and questionably ab- December 2011, Russia has been throwing surd as this confession may a hissy-fit of global proportion. sound, my relationship with In September, the Russian Navy ar- coffee conforms to the basic rested 30 people at gunpoint aboard the structure of conventional re- Dutch-flagged ship “Arctic Sunrise”. -
Winter 2017 Calendar of Events
winter 2017 Calendar of events Agamemnon by Aeschylus Adapted by Simon Scardifield DIRECTED BY SONNY DAS January 27–February 5 Josephine Louis Theater In this issue The Miraculous Journey of Edward Tulane by Kate DiCamillo 2 Leaders out of the gate Adapted by Dwayne Hartford 4 The Chicago connection Presented by Imagine U DIRECTED BY RIVES COLLINS 8 Innovation’s next generation February 3–12 16 Waa-Mu’s reimagined direction Hal and Martha Hyer Wallis Theater 23 Our community Urinetown: The Musical Music and lyrics by Mark Hollmann 26 Faculty focus Book and lyrics by Greg Kotis 30 Alumni achievements DIRECTED BY SCOTT WEINSTEIN February 10–26 34 In memory Ethel M. Barber Theater 36 Communicating gratitude Danceworks 2017: Current Rhythms ARTISTIC DIRECTION BY JOEL VALENTÍN-MARTÍNEZ February 24–March 5 Josephine Louis Theater Fuente Ovejuna by Lope de Vega DIRECTED BY SUSAN E. BOWEN April 21–30 Ethel M. Barber Theater Waa-Mu 2017: Beyond Belief DIRECTED BY DAVID H. BELL April 28–May 7 Cahn Auditorium Stick Fly by Lydia Diamond DIRECTED BY ILESA DUNCAN May 12–21 Josephine Louis Theater Stage on Screen: National Theatre Live’s In September some 100 alumni from one of the most esteemed, winningest teams in Encore Series Josephine Louis Theater University history returned to campus for an auspicious celebration. Former and current members of the Northwestern Debate Society gathered for a weekend of events surround- No Man’s Land ing the inaugural Debate Hall of Achievement induction ceremony—and to fete the NDS’s February 28 unprecedented 15 National Debate Tournament wins, the most recent of which was in Saint Joan 2015. -
Government Faces Federal Spending
AIDS - page 7 VOL XX, NO. 50 MONDAY, NOVEMBER 11, 1985 an independent student newspaper serving Notre Dame and Saint Mary’s Unwanted Government faces B-ball tickets to be sold federal spending By TRIPP BALTZ Staff Reporter ‘double doomsday’ Student government plans to sell unwanted tickets for home basket Associated Press The shutdown can be averted if ball games to those students who Congress passes a stopgap ap waited in line for season tickets but WASHINGTON - Unless Congress propriations bill to fund govern did not get them. ends its impasse over the federal ment agencies past the expiration of I Ipperclassmen who want to sell a spending this week, the U.S. govern the current temporary spending bill ticket to a home game can take them ment faces a Super Bowl of - midnight Thursday. to the student government office, bureaucratic snafus on Friday, the That is also the deadline for the where they'll be stamped and likes of which the country has never government to run out of money be removed They'll then be sold at the seen. cause Congress has been unable to Rock du Lac record store. For the first time in its history, the agree on a measure to raise the "This is the first time we’ve been governm ent may default on its finan government's borrowing authority allowed to do this, " said Bill Hcaly, cial obligations - bouncing millions above its current limit of $1,823 tril Student Body President. of federal checks. lion. Mike Bobinski, Manager of the In addition, much of the federal An appropriations bill gives the ACC ticket office, has allowed the government could be shut down, government the legal power to tickets to be removed for sale by stu sending a half million or more spend money but it needs an in dent government, provided they "nonessential" workers home on an crease in the borrowing limit to have been stamped unscheduled holiday and closing raise the money to spend since it There will he a lottery for stu government offices from Was will have exhausted its financial dents who bring in their unwanted hington to Anchorage.