Newsletter No 19 2014
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THE SUBSTANCE Albert Hofmann’S LSD
THE SUBSTANCE Albert Hofmann’s LSD Un film de Martin Witz Durée: 89 min. Sortie: le 25 avril 2012 Download for pictures: www.frenetic.ch/films/847/pro/index.php RELATIONS PRESSE DISTRIBUTION Eric Bouzigon FRENETIC FILMS AG prochaine ag Bachstrasse 9 • 8038 Zürich Tél. 079 320 63 82 1 Tél. 044 488 44 00 • Fax 044 488 44 11 [email protected] www.frenetic.ch SYNOPSIS “ Three drops of this colorless, odorless, tasteless liquid would put you out of your mind for hours! – If you haven’t heard of LSD, you will! “ En 1943, le chimiste Albert Hofmann fait dans son laboratoire bâlois la découverte d’une substance jusqu’alors inconnue. La testant sur lui-même, il prend conscience de l’extrême puissance de ce principe actif permettant de modifier radicalement la perception humaine. Il ignore encore que son LSD va changer le monde. Dans les années 1950, les psychiatres recourent au LSD comme médicament et celui-ci devient un outil d’exploration de la psyché humaine. Le phénomène prend toute son ampleur lorsque cette « bombe atomique de l’esprit » se propage hors de l’hôpital au début des années 1960 : le LSD semble fait pour les gens en marge de la société d’abondance. Au début des années 1970, cette substance à l’effet traître est mise sur liste noire. À l’heure où certaines drogues psychédéliques pourraient être utilisées dans un cadre légal, s’apprête- t-on à reconsidérer aujourd’hui le LSD comme un médicament, à l’instar d’Albert Hofmann ? THE SUBSTANCE raconte l'histoire de notre relation trouble avec le LSD, depuis ses origines jusqu'à aujourd'hui. -
List of Films Considered the Best
Create account Log in Article Talk Read View source View history Search List of films considered the best From Wikipedia, the free encyclopedia Main page This list needs additional citations for verification. Please Contents help improve this article by adding citations to reliable sources. Featured content Current events Unsourced material may be challenged and removed. (November Random article 2008) Donate to Wikipedia Wikimedia Shop While there is no general agreement upon the greatest film, many publications and organizations have tried to determine the films considered the best. Each film listed here has been mentioned Interaction in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources Help About Wikipedia focus on American films or were polls of English-speaking film-goers, but those considered the Community portal greatest within their respective countries are also included here. Many films are widely considered Recent changes among the best ever made, whether they appear at number one on each list or not. For example, Contact page many believe that Orson Welles' Citizen Kane is the best movie ever made, and it appears as #1 Tools on AFI's Best Movies list, whereas The Shawshank Redemption is #1 on the IMDB Top 250, whilst What links here Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. Related changes None of the surveys that produced these citations should be viewed as a scientific measure of the Upload file Special pages film-watching world. Each may suffer the effects of vote stacking or skewed demographics. -
Film Education (Levan Koghuashvili, Maia Gugunava, Tato Kotetishvili) 139 1001 Ingredients for Making Films from Nana Jorjadze 146
~ editors letter ~ The year of 2015 started with our becoming members of the Creative Europe, while by the end of the year, with the purpose of supporting the cinema industry, Geor- gian government introduced a cash rebate system, we have been working on since 2009. I believe both of these initiatives will make a huge contribution to the develop- ment of our industry. 1 In 2016, movies of different genres will be released. It is notable that three feature films among those are directed by women. Projects we are currently working on are very important. We have announced new types of competitions on script development, including comedy and children’s movies, adaptation of Georgian prose of the 21st century, scripts dedicated to the 100th anniver- sary of Georgia’s independence, and animation. Winners are given long- term work- shops by European script doctors, so 2016 will be dedicated to the script development. The young generation has become active in the field: we had premieres of six short films and a short film by Data Pirtskhalava “Father” was the winner of the main prize in this category at Locarno International Film Festival. Other films – “Ogasavara”, “Fa- ther”, “Exit”, “Preparation”, “The First Day” – are also participating at different festivals. Masters of Georgian cinema are also making films side-by-side with the young genera- tion. I have to mention a film by Rezo Esadze “Day as a Month” with its extraordinary nar- rative structure and visualaspect, which will take its noteworthy place in our film collection. One of the most important goals this year will be to return Georgian cinema heritage from archives in Moscow and design a suitable storage facility for it. -
Saqartvelos Inteleqtualuri Sakutrebis Erovnuli Centris Saqpatentis Perioduli Gamocema Saqartvelo Gamodis Sam Tvesiiertxel © Saqpatenti, 2014
gazafxuli SPRING #7 2014 saqarTvelos inteleqtualuri sakuTrebis erovnuli centris saqpatentis perioduli gamocema saqarTvelo gamodis sam TveSiIerTxel © saqpatenti, 2014 PERIODICAL PUBLICATION OF NATIONAL INTELLECTUAL PROPERTY CENTER OF GEORGIA “SAKPATENTI” GEORGIA PUBLISHED QUARTERLY dabeWdilia saqpatentis poligrafiaSi PRINTED AT SAKPATENTI PUBLISHING HOUSE mis.: 0179, Tbilisi, nino ramiSvilis q. 31 ADDRESS: 0179 TBILISI, NINO RAMISHVILI STR. 31 © SAKPATENTI, 2014 tel.: (+995 32) 291-71-82 TEL.: (+995 32) 291-71-82 www.sakpatenti.org.ge [email protected] Tavmjdomaris sveti CHAIRMAN’S COLUMN Dear Reader, 26 April is the World Intellectual Property Day. The World Intellectual Property Organization (WIPO) celebrates this date since 2001 and every year defines the theme and slogan of the day. This year the World Intellectual Property Day is dedicated to cinematography Zvirfaso mkiTxvelo, and, respectively, to the people working in this field, 26 aprili inteleqtualuri sakuTrebis msoflio who indeed deserve universal admiration by their work. dRea. am dRes inteleqtualuri sakuTrebis msof And the slogan Movies – A Global Passion, selected by lio organizacia (ismo) 2001 wlidan aRniSnavs da WIPO for this day, is very accurate. yovelwliurad gansazRvravs masTan dakavSirebul Cinematography has always been a sensitive and re Tematikasa da slogans. wels es dRe mieZRvna kine levant issue for Georgia. At the Georgian Film Archives matografias da, Sesabamisad, am sferoSi moRvawe ada numerous films are preserved which have gained mianebs, romlebic Tavisi SemoqmedebiT marTlac sa international recognition as the best directing, acting, yovelTao aRtacebas iwveven. Zalian zustia am dRisTvis SerCeuli sloganic _ „kino _ sayovelTao aRtaceba“. artistic or musical works. It is extremely important that kinematografiis Tema yovelTvis Zalian mgrZno this high standard of Georgian cinematography was biare da aqtualuri iyo saqarTvelosTvis. -
Everywhere, Even in Africa
1 IDZE N Marika Bakuradze with EVERYWHERE, EVEN IN AFRICA MERAB NI 2 It was April when I was first sent the script from Munich and called to casting. Filming was due to begin the following January, and when I looked over the script and saw the long strings of letters that are so characteristic of German texts, I became nervous. I felt there was no way I would be able to mem- orize it all in such a short time, and I decided instantly to refuse the part. However, my agent pointed out to me that for Caroline – the film’s director – my case was not unusual since a precedent had been set in a previous film of hers, Beyond Silence, “Nowhere in Africa”. Shooting movie. 2001 which had been made under similar circumstanc- es with the French actress Sylvie Testud. Testud’s character had been completely overdubbed in post-production, and if necessary my role would be handled in the same way. Hearing the voice of another in place of my own has always been, and remains to this day, one of the things I find most unpleasant and intolerable. When I saw Nowhere in Africa for the first time and heard somebody else’s voice I was devastated. Only twice over the course of the entire film can my real voice be heard: once when I speak English and once when I talk in the local African language, Kiswahili. Eventually, though, my agent won me over and I 3 went for an interview. The first round went well and the director asked to see me again. -
Disappearance
DISAPPEARANCE NEW ACQUISITION by Boudewijn Koole Drama, The Netherlands/Norway 2017, 92 min Roos visits her mother in Norway yearly, but this time it’s different: she brings a bad news. However, old pain and numerous reproaches keep Roos from sharing anything with her mother. With the help of her half brother and an old love, the two women reconcile and Roos is ready to take her next and inescapable step. Market Screening: Friday Feb 10, 15:00 CinemaxX 18 Original Title: Verdwijnen Written by: Jolein Laarman Director of Photography: Melle van Essen Cast: Rifka Lodeizen, Elsie de Brauw, Jakob Oftebro, Marcus Hanssen Original Language: Dutch, Norwegian, English The idyllic family life set in a beautiful snowy countryside of Norway is shaken Production Company: The Film Kitchen Produced by: Jan van der Zanden, Ineke Kanters after Roos returns home and eventually finds a way to say goodbye. Co-production Company: Sweet Films THE OTHER END NEW ACQUISITION by Felipe Sholl Drama, Brazil 2016, 92 min, 1st feature Diogo (17) likes to make anonymous phone calls to his psychoanalyst mother’s patients. That’s how he meets Angela (43), who had just been left by her husband. Although she is first irritated by learning about Diogo and his secret, Angela feels attracted and he brings a new sense to her life. Feeling a true bond between each other, Angela and Diogo fall in love. Yet, they have to face disagreement of his parents and fight for their relationship. Festivals (e.g.): Rio de Janeiro IFF 2016 – Best Film and Best Actress Market Screenings: Monday Feb 13, 12:40 dffb-Kino Tuesday Feb 14, 10:50 CinemaxX 11 Original Title: Fala comigo Written by: Felipe Sholl Director of Photography: Léo Bittencourt In love, Angela and Diogo want nothing else than to be together. -
A Film by Alexey German Jr
A film by Alexey German Jr. Russia | Poland | Serbia - 2018 - HD - 1:2.39 - 5.1 - 126 min - Russian références PANTONE : références CMJN : TRES IMPORTANT ! Pantone fluo 814 Violet C=55% ; M=60 ; J=0% ; N=0% Lors de changement d’échel du logo pensez à agrandir et/ou réduir proportionnellement Pantone Process Black Noir C=40% ; M=0% ; J=0 % ; N=100% le flou gaussien qui est de 12 pix pour le symbole “alpha” et de 8 pix pour le mot “violet”. Dovlatov is the new film by Alexey German Jr. (Silver Bear for Under Electric Clouds, Silver Lion for Paper Soldier) who for the first time turns his camera on his hometown, ‘70s Leningrad (St. Petersburg) to portray the lives of young Soviet writers Sergei Dovlatov, Joseph Brodsky and other repressed artists in the ‘70s. Logline Dovlatov charts six days in the life of the brilliant, ironic writer Sergei Dovlatov who saw far beyond the rigid limits of 70s Soviet Russia. Together with his friend and poet Joseph, he fought preserve his own talent and integrity while seeing their artist friends getting crushed by the iron-willed state machinery, which they would later escape by emigrating to New York, losing all they had back home. Dovlatov - by Alexey German Jr. Page 2 / 14 Director Alexey German Jr “I got to read Dovlatov very late in life – when I was 26 or 27 – but all in one sitting. Back then I already thought that it would be great to make a film about him, but for almost 15 years I could not figure out how. -
PLUTO FILM Is a World Sales and Festival Distribution Company for Feature Films from Germany and Around the Globe
PLUTO FILM is a world sales and festival distribution company for feature films from Germany and around the globe. It is specialized in distributing arthouse and crossover films as well as debut features by emerging talents. MARKET SCREENINGS BEYOND DREAMS Monday 22 May 2017 - 01:30 PM - Palais B DISAPPEARANCE Tuesday 23 May 2017 - 03:30 PM - Palais D KHIBULA Tuesday 23 May 2017 - 05:30 PM - Palais D (PRIVATE SCREENING ON INVITATION ONLY) 01 BEYOND DREAMS MARKET PREMIERE by Rojda Sekersöz Drama, Sweden 2017, 90 min, 1st feature Rojda Sekersöz’s feature-film debut delivers a much-awaited women power punch. The gang’s friendship and dreams are put to the test when Mirja comes out after having served a prison sentence. Mirja decides to break from her past and try a new life. She faces either being loyal to her sick mother and younger sister or the friends who truly were her family. Beyond Dreams is about who you are expected to be and who you want to be, both in the chosen group and society beyond. A refreshing and funny film about young rebellious women. Festivals (e.g.): Göteborg Film Festival 2017 – Audience Dragon Award Best Nordic Film, Angelo Award Market Screening: Monday 22 May 2017, 01:30 PM - Palais B Original Title: Dröm Vidare Written by: Johanna Emanuelsson Director of Photography: Gabriel Mkrttchian Cast: Evin Ahmad, Ella Åhman, Gizem Erdogan, Segen Tesfai, Rebellious Mirja and her friends have enough of the society they’ve grown up in. Malin Persson, Outi Mäenpää, Anna Bjelkerud, Michael Lindgren Original Language: Swedish They want to get out. -
COMPARTMENT No. 6(
Aamu Film Company Presents PRODUCTION INTERNATIONAL PRESS Aamu Film Company WOLF Consultants [email protected] Gordon Spragg, Laurin Dietrich, Michael Arnon www.aamufilmcompany.fi [email protected] www.wolf-con.com WORLD SALES Download press stills and clips here: TOTEM FILMS www.wolf-con.com/download [email protected] www.totem-films.com SEIDI HAARLA YURIY BORISOV COMPARTMENT No. 6 ( (HYTTI NRO 6 ) A FILM BY JUHO KUOSMANEN 2021 / FINLAND, GERMANY, ESTONIA, RUSSIA / 106 MIN / 35MM/ 1:2.35 / DOLBY ATMOS / RUSSIAN, FINNISH LOGLINE As a train weaves its way up to the arctic circle, two strangers share a journey that will change their perspective on life. SYNOPSIS A young Finnish woman escapes an enigmatic love affair in Moscow by boarding a train to the arctic port of Murmansk. Forced to share the long ride and a tiny sleeping car with a Russian miner, the unexpected encounter leads the occupants of Compartment no. 6 to face the truth about their own yearning for human connection. DIRECTORS NOTE Compartment No 6 is an arctic road movie, perhaps it could be seen as a clumsy attempt to find harmony and peace of mind in a world of chaos and anxiety. The core of the story lies in the notion of acceptance. It’s a hard duty to accept that you are part of this chaotic world, and that you exist as you do. Our hero, Finnish student Laura, takes a long train ride to visit some ancient petroglyphs. She quotes a man she met: ”To know yourself, you need to know your past”. -
Programme Note
Klassiki Cinema on the Hop Tuesday 05 May 2020 Elena (2011) #Klassiki5 by Andrei Zvyagintsev Andrei Zvyagintsev, is Russia’s most prominent contemporary — and I do, in the movie, show her in profile a lot — she looks director. Lauded with awards and international acclaim, the like royalty. She looks aristocratic. And this duality intrigued film world stands to attention whenever he releases a film. me.’ Zvyagintsev’s use of this duality, and Markina’s powerful Elena (2011), his third feature film, won the Special Jury Prize and often wordless performance, imparts much of the film’s in the Un Certain Regard section at Cannes as well as Russia’s message. As Elena travels through Moscow, the capital Golden Eagle for best film. Yet Zvyagintsev’s success can seem diminishing from grandeur to decay the further out she gets, strange. He focuses on intimate family dramas and dark she is often shot from the side. Her profile distinguished and psychology, where individual stories of grief and hardship austere, she contrasts with the dilapidated environment and constitute a piercing critique of contemporary Russia. Critics, scenes of poverty. In conversation with her husband, or his whilst applauding Zvyagintsev himself, are often taken aback daughter, she is often shot face on. Her honest appearance by the tragic scale of his works. And yet, his films for all their betraying a vulnerability in the face of their confidence. specificity and brutality, leave audiences rapt. Despite the vast divide between these worlds, it is made Anyone familiar with Zvyagintsev’s films would be able to evident that money is the guiding principle for both. -
CCF Catalogue 20-21
რედაქტორები: მანანა სურაძე, ნათია კანთელაძე, ნენო ქავთარაძე დიზაინი: ალექსი კახნიაშვილი კორექტორი: ქეთევან კიკნაძე თარჯიმანი: მაია გვიტიძე გარეკანზე: კადრი დეა კულუმბეგაშვილის ფილმიდან „დასაწყისი“ ამ ნიშნით აღნიშნულია საქართველოს კინემატოგრაფიის ეროვნული ცენტრის ფინანსური მხარდაჭერით გადაღებული ფილმები Editors: Manana Suradze, Natia Kanteladze, Neno Kavtaradze Design: Alex Kakhniashvili Editing: Ketevan Kiknadze Translator: Maia Gvitidze Cover: Still from the film “Beginning” by Dea Kulumbegashvili Films financially supported by Georgian National Film Center are marked with this symbol ISBN 978-9941-8-3005-1 სრულმეტრაჟიანი მხატვრული ფილმები 05 FULL-LENGTH FEATURE FILMS მოკლემეტრაჟიანი მხატვრული ფილმები 15 SHORT FEATURE FILMS დოკუმენტური ფილმები 31 DOCUMENTARY FILMS ანიმაციური ფილმები 47 ANIMATED FILMS ფილმები წარმოების პროცესში 55 FILMS IN PRODUCTION აღდგენილი მემკვიდრეობა 119 Restored Heritage სრულმეტრაჟიანი მხატვრული ფილმები FULL-LENGTH FEATURE films სრულმეტრაჟიანი მხატვრული ფილმები FULL-LENGTH FEATURE films დასაწყისი Beginning 120 წთ | 120 Min. სცენარის ავტორები: დეა Screenplay: Dea Kulumbegashvili, კულუმბეგაშვილი, რატი ონელი Rati Oneli რეჟისორი: დეა კულუმბეგაშვილი Director: Dea Kulumbegashvili კო-პროდიუსერები: სტივენ დარტი და Co Producers: Steven Dart, Gaytan გაეტან რუსსო Russo აღმასრულებელი პროდიუსერი: Executive Producer: Carlos კარლოს რეიგადას Reygadas კომპოზიტორი: ნიკოლას ჯაარ Composer: Nikolas Jaar ოპერატორი: არსენ ხაჩატურიანი DOP: Arsen Khachaturian მსახიობები: ია სუხიტაშვილი, კახა Cast: Ia Sukhitashvili, Kakha კინწურაშვილი, რატი -
Film and Animation
58 MOSCOW’S CREATIVE INDUSTRIES – PROFILES FILM CREATIVE INDUSTRY GVA ESTIMATES AND ANIMATION MOSCOW RUSSIA 26.0 38.5 billion roubles billion roubles 0.15% of GRP 0.04% of GDP OKVED2 CODES CONTRIBUTION TO MOSCOW’S CREATIVE ECONOMY 59.11 Production of motion pictures ENTERPRISES AND SPs REVENUE EMPLOYMENT and TV programmes 59.12 Post-production of motion 5.7% 12.6% 6.1% 4.7% pictures and TV programmes 59.13 Distribution of motion pictures and TV programmes 59.14 Motion picture projection 10,158 186.9 22.0 units billion thousand 77.22 Renting of video tapes and roubles persons disks Of which enterprises – 3,309, Provided revenue reports for 2018 – Provided employment reports for 2018 – sole proprietors – 6,849 1,521 enterprises (46.0%) 2,290 enterprises (70.0%) MOSCOW’S CREATIVE INDUSTRIES – PROFILES 59 EMPLOYMENT PERCENTAGE DISTRIBUTION FILM AND ANIMATION: ENTERPRISES: LOCALISATION OF ENTERPRISES micro (under 15 persons) small (16–100 persons) medium-sized large (101–250 persons) (over 250 persons) 46.4% 28.2 are employed in top 50 enterprises 39.6 26.2 6.0 REVENUE PERCENTAGE DISTRIBUTION ENTERPRISES: micro (under 120m roubles) small (800m roubles) medium-sized (2bn roubles) large (over 2bn roubles) 28.1 61.1% revenue is earned by top 50 enterprises 40.9 17.2 13.8 Concentration min max 60 MOSCOW’S CREATIVE INDUSTRIES – PROFILES AWARDS OF LEADING RUSSIAN FILM COMPANIES FOR THE PRODUCED FILMS: 2015–2019 Moscow is a centre of national filming Film company City Number of nominations industry. According to the expert Nika Golden Eagle Kinotavr MIFF Total community, over 90% of films are made here, and 80% of animation studios are CTB Film Company St Petersburg 8 7 9 1 25 located in the capital.