Introduction the American Movie Industry Has Been Much Studied, As Befits What Is Not Only a Cultural Institution in Its Native
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VIEW Nominates Its Keynote Speakers!
This page was exported from - Digital meets Culture Export date: Wed Sep 29 3:14:46 2021 / +0000 GMT VIEW nominates its keynote speakers! Pixar's short "Lava" Italy's premiere computer graphics conference proudly announces: Mark Osborne, director of "The Little Prince" and two-time Oscar nominee Randy Thom, director of Sound at Skywalker Sound and two-time Oscar winner Jorge R. Gutierrez, director of "The Book of Life", Annie and Emmy award winner Shannon Tindle, director of the Google Spotlight Story ?On Ice? and a Primetime Emmy award winner. Turin, Italy, September 2, 2015 ? «We are honoured and thrilled to welcome these four amazing artists to Turin for the VIEW conference» Professor Maria Elena Gutierrez, director of the annual conference, declares. «I know their presence will inspire our audience of students and professionals». The VIEW conference will take place on October from 19 to 23 in Turin, Italy. The curated conference, which celebrates its 16th year, features talks, panel sessions, workshops, awards for outstanding work and this year four remarkable keynote speakers: ?Mark Osborne, multiple award-winning director of a beloved animated feature film, recently directed the animated feature film version of a beloved novel. Osborne received Oscar nominations for directing the animated feature film "Kung Fu Panda" and for the short animated film "More". He also won an Annie award for directing "Kung Fu Panda" as well as many film festival awards. His latest film is "The Little Prince", based on Antoine de Saint-Exupéry's novel. After initial screenings, the animated story of a pilot who meets a little boy from another planet received a 100% approval rating from critics, tallied on the Rotten Tomatoes website. -
Communication & Media
SMC ASSOCIATES SPRING 2019 LECTURE SERIES COMMUNICATION & MEDIA 02.28.19 A CONVERSATION WITH: Former LA Radio Personality Ben Kelly and Entertainment Project Manager Joi Hardy 03.26.19 Seating is on a first arrival basis. Public parking is limited during the RAHA LEWIS day at SMC. Please allow extra time A Career in Journalism with when attending events. See smc.edu/ Entertainment Reporter Raha Lewis transportation for parking options. If you need an accommodation due to a disability to participate in 03.28.19 any of these events, please contact Stephanie Schlatter at schlatter_ [email protected] or 310-434-4313, ADELE LIM at least 5 business days in advance. Crazy Rich Asians Behind-the-Scenes with Co-writer Adele Lim The Santa Monica College Associates is a community-based support group that brings outstanding speakers, performers, and special events to 05.07.19 SMC to enhance student excellence. Associates members receive UNDOCUMENTED AND invitations to special receptions and advance notices of lectures. Annual MUÑECAS Associates memberships are entirely tax-deductible. Call 310-434-4100 or Short Film Screenings and visit smc.edu/associates for Q&A with SMC Student and Alumni Filmmakers more information. A CONVERSATION WITH: ADELE LIM Former LA Radio Personality Crazy Rich Asians Ben Kelly and Entertainment Behind-the-Scenes with Project Manager Joi Hardy Co-writer Adele Lim Ben Kelly and Joi Hardy will talk Screenwriter Adele Lim presents behind-the-scenes about career strategies in radio and stories and clips from Crazy Rich Asians, which she entertainment media. Kelly covered co-wrote with Peter Chiarelli, based on the novel benchmark events like the O.J. -
『Freeze Ray Sliders』
(TUE) April 24th, 2018 New ride to bring more mayhem to Universal Studios Japan! 『FREEZE RAY SLIDERS』 GRAND OPENING: SAT, JUNE 30TH, 2018 Universal Studios Japan is proud to announce the upcoming grand opening of the new Freeze Ray Sliders ride in “the World’s Largest Minion-themed Area”, on Saturday June 30th, 2018. The Minions, from Illumination’s Despicable Me franchise are going to be causing even more mayhem across Minion Park. They have transformed the Minion Park pool into an ice rink with their giant freeze ray! Now, guests will get to experience an exciting sliding race on flash-frozen ice. Despicable Me, Minion Made and all related marks and characters are trademarks and copyrights of Universal Studios. Licensed by Universal Studios Licensing LLC. All Rights Reserved. TM & © Universal Studios. All rights reserved. 【About “Freeze Ray Sliders”】 ★The Story of the Attraction★ One summer day, with the fierce heat beating down on them, the Minions came up with a plan… They take over the public swimming pool in the Minions Park and bring the giant Freeze Ray gun out of Gru’s lab, fire the ray at the pool and instantly create an ice rink in the middle of the park! As soon as this happens, the Minions explode in excitement, riding the ice making machines (ride vehicle) out onto the ice, slipping and sliding all over. Guests are caught up in the mayhem with cold mist falling from all around in this unpredictable race around the ice. The attraction area also features scenes of Minions using a periscope under the ice, trying to free their fellow trapped Minions and other comical scenes, which are sure to bring a smile in this original story only available at Universal Studios Japan. -
Theaters 3 & 4 the Grand Lodge on Peak 7
The Grand Lodge on Peak 7 Theaters 3 & 4 NOTE: 3D option is only available in theater 3 Note: Theater reservations are for 2 hours 45 minutes. Movie durations highlighted in Orange are 2 hours 20 minutes or more. Note: Movies with durations highlighted in red are only viewable during the 9PM start time, due to their excess length Title: Genre: Rating: Lead Actor: Director: Year: Type: Duration: (Mins.) The Avengers: Age of Ultron 3D Action PG-13 Robert Downey Jr. Joss Whedon 2015 3D 141 Born to be Wild 3D Family G Morgan Freeman David Lickley 2011 3D 40 Captain America : The Winter Soldier 3D Action PG-13 Chris Evans Anthony Russo/ Jay Russo 2014 3D 136 The Chronicles of Narnia: The Voyage of the Dawn Treader 3D Adventure PG Georgie Henley Michael Apted 2010 3D 113 Cirque Du Soleil: Worlds Away 3D Fantasy PG Erica Linz Andrew Adamson 2012 3D 91 Cloudy with a Chance of Meatballs 2 3D Animation PG Ana Faris Cody Cameron 2013 3D 95 Despicable Me 3D Animation PG Steve Carell Pierre Coffin 2010 3D 95 Despicable Me 2 3D Animation PG Steve Carell Pierre Coffin 2013 3D 98 Finding Nemo 3D Animation G Ellen DeGeneres Andrew Stanton 2003 3D 100 Gravity 3D Drama PG-13 Sandra Bullock Alfonso Cuaron 2013 3D 91 Hercules 3D Action PG-13 Dwayne Johnson Brett Ratner 2014 3D 97 Hotel Transylvania Animation PG Adam Sandler Genndy Tartakovsky 2012 3D 91 Ice Age: Continetal Drift 3D Animation PG Ray Romano Steve Martino 2012 3D 88 I, Frankenstein 3D Action PG-13 Aaron Eckhart Stuart Beattie 2014 3D 92 Imax Under the Sea 3D Documentary G Jim Carrey Howard Hall -
EDITED TRANSCRIPT CMCSA.OQ - Q3 2020 Comcast Corp Earnings Call
REFINITIV STREETEVENTS EDITED TRANSCRIPT CMCSA.OQ - Q3 2020 Comcast Corp Earnings Call EVENT DATE/TIME: OCTOBER 29, 2020 / 12:30PM GMT OVERVIEW: Co. reported 3Q20 consolidated revenue of $25.5b. REFINITIV STREETEVENTS | www.refinitiv.com | Contact Us ©2020 Refinitiv. All rights reserved. Republication or redistribution of Refinitiv content, including by framing or similar means, is prohibited without the prior written consent of Refinitiv. 'Refinitiv' and the Refinitiv logo are registered trademarks of Refinitiv and its affiliated companies. OCTOBER 29, 2020 / 12:30PM, CMCSA.OQ - Q3 2020 Comcast Corp Earnings Call CORPORATE PARTICIPANTS Brian L. Roberts Comcast Corporation - Chairman & CEO David N. Watson Comcast Corporation - President & CEO, Comcast Cable Jeff Shell Comcast Corporation - CEO, NBCUniversal Jeremy Darroch Comcast Corporation - Group Chief Executive, Sky Marci Ryvicker Comcast Corporation - SVP of IR Michael J. Cavanagh Comcast Corporation - CFO CONFERENCE CALL PARTICIPANTS Benjamin Daniel Swinburne Morgan Stanley, Research Division - MD Craig Eder Moffett MoffettNathanson LLC - Founding Partner Douglas David Mitchelson Crédit Suisse AG, Research Division - MD Jessica Jean Reif Ehrlich BofA Merrill Lynch, Research Division - MD in Equity Research John Christopher Hodulik UBS Investment Bank, Research Division - MD, Sector Head of the United States Communications Group and Telco & Pay TV Analyst Philip A. Cusick JPMorgan Chase & Co, Research Division - MD and Senior Analyst PRESENTATION Operator Good morning, ladies and gentlemen, and welcome to Comcast's Third Quarter 2020 Earnings Conference Call. (Operator Instructions) Please note that this conference call is being recorded. I will now turn the call over to Senior Vice President, Investor Relations, Ms. Marci Ryvicker. Please go ahead, Ms. Ryvicker. Marci Ryvicker - Comcast Corporation - SVP of IR Thank you, operator, and welcome, everyone. -
Film Review Aggregators and Their Effect on Sustained Box Office Performance" (2011)
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2011 Film Review Aggregators and Their ffecE t on Sustained Box Officee P rformance Nicholas Krishnamurthy Claremont McKenna College Recommended Citation Krishnamurthy, Nicholas, "Film Review Aggregators and Their Effect on Sustained Box Office Performance" (2011). CMC Senior Theses. Paper 291. http://scholarship.claremont.edu/cmc_theses/291 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. CLAREMONT McKENNA COLLEGE FILM REVIEW AGGREGATORS AND THEIR EFFECT ON SUSTAINED BOX OFFICE PERFORMANCE SUBMITTED TO PROFESSOR DARREN FILSON AND DEAN GREGORY HESS BY NICHOLAS KRISHNAMURTHY FOR SENIOR THESIS FALL / 2011 November 28, 2011 Acknowledgements I would like to thank my parents for their constant support of my academic and career endeavors, my brother for his advice throughout college, and my friends for always helping to keep things in perspective. I would also like to thank Professor Filson for his help and support during the development and execution of this thesis. Abstract This thesis will discuss the emerging influence of film review aggregators and their effect on the changing landscape for reviews in the film industry. Specifically, this study will look at the top 150 domestic grossing films of 2010 to empirically study the effects of two specific review aggregators. A time-delayed approach to regression analysis is used to measure the influencing effects of these aggregators in the long run. Subsequently, other factors crucial to predicting film success are also analyzed in the context of sustained earnings. -
Rotten Tomatoes and Chill? Mras and Their Impact on Decision-Making
Allman & Medeiros, Rotten Tomatoes and Chill? MRAs and Their Impact on Decision-making Rotten Tomatoes and Chill? MRAs and Their Impact on Decision-Making Sharon Allman and Jenny Lee-De Medeiros Abstract : The purpose of this research was to examine whether young adults (aged 18-32) look at user- and/or critic-generated movie review aggregates (MRAs) to decide which film to watch, or whether other factors impact their decision-making. The literature on this topic most notably shows a correlation between highly rated movies and better box office results, a preference for MRAs, and potential market benefits of MRAs. This research, which fo- cused on the North American context, contained both quantitative and qualitative methods in the form of an online survey, focus groups, and key informant interviews. The results in- dicate that MRAs are not the preferred method to decide what movie to watch, and instead factors such as family or friends’ recommendations and marketing decisions of the film most affect young adults’ decisions about which films to watch. Keywords: movie review aggregate, MRA, movies, ratings, rating metric, scoring system DOI 10.33137/ijournal.v6i1.35269 © 2020 Allman, S. Medeiros, J. Rotten Tomatoes and Chill? MRAs and Their Impact on Decision-Making. This is an Open Access article distributed under CC-BY. iJournal, Vol 6, No. 1, 1 Allman & Medeiros, Rotten Tomatoes and Chill? MRAs and Their Impact on Decision-making Introductory Statement of Significance Rotten Tomatoes is a movie review aggregate (MRA) available online that assigns a score to a movie based on critic and/or user reviews. -
Case Study: the Secret Life of Pets, Minions, and Animation IT
CASE STUDY The Secret Life of Pets, Minions, and Animation IT Company Profile Illumination Mac Guff was founded in 2011 and is entirely dedicated to making animated feature films for Universal Pictures. The company is known for such global blockbusters as the Despicable Me franchise, The Lorax, Minions, The Secret Life of Pets, and Sing—all produced by Chris Meledandri’s Illumination Entertainment for Universal Pictures. Challenge Fast NAS + Petabyte-Scale Object Archive with Avere • Keeping up with archive capacity requirements and ActiveScale • Building the next-level infrastructure for growth With the astounding popularity of the animated feature films from Paris-based Illumination Mac Guff, it would seem the whole world already knows about the secret lives of pets and the villainous plots of Gru and his goggle-eyed minions. But few moviegoers—or even the studio’s own digital artists—would guess the inner workings of the production systems Solution behind the stories. And that, says Illumination Mac Guff Head of Technology Bruno Mahe, is An Avere FXT Edge filer cluster with ActiveScale™ by design. “Our primary objective in IT is to protect the artistic intention for every project. We object storage system offers a cost-effective archive do that by prioritizing support for digital artists, delivering maximum responsiveness to their workstations and providing seamless access to digital assets, regardless of the load on the solution for seamless access to petabytes of data. underlying IT infrastructure or the location of datasets.” “Avere Systems FXT Edge filers in front of our storage systems ensure highest performance Results to both desktops and the studio’s 80,000-core render farm. -
What Is Hollywood Hiding?
WHAT IS HOLLYWOOD HIDING? How the entertainment industry downplays the danger to kids from smoking on screen Jonathan R. Polansky Onbeyond LLC, Fairfax, California Stanton A. Glantz, PhD University of California, San Francisco _______________________________ University of California, San Francisco This publication is available at https://escholarship.org/uc/item/3pw661mg April 2020 What is Hollywood Hiding? | 1 EXECUTIVE SUMMARY • The U.S. Surgeon General has concluded that exposure to onscreen tobacco imagery causes young people to smoke. The U.S. CDC has projected that this exposure will recruit more than six million new young smokers in the U.S. in this generation, of whom two million will die from tobacco-induced diseases. • More than half of U.S. top-grossing films released since 2002 include smoking,1 including 51 percent of films in 2019. The number of tobacco incidents in youth-rated films has grown by 63% since 2015. • By 2019, three-quarters of U.S. households subscribed to at least one video-in-demand (VOD) channel. Films comprise the majority of the titles offered on popular video-on-demand (VOD) services, while TV series account for the majority of programming hours they offer. • Per capita, in 2019 films were viewed fourteen times more on digital media than in theaters. Advance notice to parents • Neither the Motion Picture Association (MPA) nor TV Parental Guidelines (TVPG) treat tobacco as an explicit rating factor. The MPA only applies its bland “smoking” descriptors to 13 percent of top-grossing youth-rated films with tobacco content. • A survey of nine popular VOD services finds that three VOD services do not display film and TV ratings reasons with their video content and six other VOD services show ratings reasons only after the user selects a film or TV show and the video is rolling. -
Movies Showing Movies Opening Michigan • 603 E
Movies Showing Movies opening Michigan • 603 E. Liberty St. • 734-668-TIME • http://michtheater.org Thursday Friday Saturday Sunday Monday Tuesday Wednesday Thursday “DESPICABLE ME 2” The Minions (and super villain Gru) are back in the follow-up to one of the Much Ado About Nothing 4:30, 7:00, 9:30 4:45, 7:15, 9:40 4:45, 7:15, 9:40 4:30, 9:30 7:00 4:45, 7:15, 9:40 4:45, 7:15, 9:30 4:15, 6:45 most successful animated movies ever. Running time: 98 minutes. Rating: The Kings of Summer 4:30, 7:00, 9:20 4:30, 7:00, 9:20 2:00, 7:00 4:45, 9:30 4:30, 9:20 4:30, 7:00, 9:15 4:45, 9:45 PG (rude humor and mild action). At Quality 16, Ann Arbor 20, Brighton. Frances Ha 9:45 Love Is All You Need 4:00, 6:45 “KEVIN HART: LET ME EXPLAIN” A movie arising from the popular Summer Classics: 1:30 7:00 comedian’s successful 2012 tour. Dirty Dancing Summer Classics After 10:00 Running time: 75 minutes. Rating: R Dark: Eraserhead (pervasive language including sexual references). At Ann Arbor 20. The Voice of the Moon 7:00 “THE KINGS OF SUMMER” This Sundance favorite is a coming- of-age story about three friends who decide to spend the summer building State • 233 S. State St. • 734-761-8667 • http://michtheater.org/state a house in the woods and living off the Thursday Friday Saturday Sunday Monday Tuesday Wednesday Thursday land. -
THE Permanent Crisis of FILM Criticism
mattias FILM THEORY FILM THEORY the PermaNENT Crisis of IN MEDIA HISTORY IN MEDIA HISTORY film CritiCism frey the ANXiety of AUthority mattias frey Film criticism is in crisis. Dwelling on the Kingdom, and the United States to dem the many film journalists made redundant at onstrate that film criticism has, since its P newspapers, magazines, and other “old origins, always found itself in crisis. The erma media” in past years, commentators need to assert critical authority and have voiced existential questions about anxieties over challenges to that author N E the purpose and worth of the profession ity are longstanding concerns; indeed, N T in the age of WordPress blogospheres these issues have animated and choreo C and proclaimed the “death of the critic.” graphed the trajectory of international risis Bemoaning the current anarchy of inter film criticism since its origins. net amateurs and the lack of authorita of tive critics, many journalists and acade Mattias Frey is Senior Lecturer in Film at film mics claim that in the digital age, cultural the University of Kent, author of Postwall commentary has become dumbed down German Cinema: History, Film History, C and fragmented into niche markets. and Cinephilia, coeditor of Cine-Ethics: riti Arguing against these claims, this book Ethical Dimensions of Film Theory, Prac- C examines the history of film critical dis tice, and Spectatorship, and editor of the ism course in France, Germany, the United journal Film Studies. AUP.nl 9789089647177 9789089648167 The Permanent Crisis of Film Criticism Film Theory in Media History explores the epistemological and theoretical founda- tions of the study of film through texts by classical authors as well as anthologies and monographs on key issues and developments in film theory. -
Does Conflict of Interest Lead to Biased Coverage? Evidence From
Does Conflict of Interest Lead to Biased Coverage? Evidence from Movie Reviews∗ Stefano DellaVigna Johannes Hermle UC Berkeley and NBER UC Berkeley [email protected] [email protected] December 13, 2016 Abstract Media outlets are increasingly owned by conglomerates, inducing a conflict of interest: a media outlet can bias its coverage to benefit companies in the same group. We test for bias by examining movie reviews in media outlets owned by News Corp, such as the Wall Street Journal, and Time Warner, such as Time. We find higher ratings for 20th Century Fox movies in News Corp. outlets compared to movies by other studios. To disentangle bias from correlation of taste, we introduce and validate a novel matching procedure using individual movie ratings from online platforms. Using this procedure, we find no evidence of bias in News Corp. nor Time Warner outlets. We reject even small effects, such as bias of one extra star (out of four) every 13 movies. We test for differential bias when the return to bias is plausibly higher, examine bias by media outlet and by journalist, as well as editorial bias. We also consider bias by omission–whether media outlets are more likely to review highly-rated movies by affiliated studios–and conflict of interest within a movie aggregator. In none of these dimensions do we find evidence of bias. We relate to previous work and discuss three explanations for the lack of bias in our setting: high values of media reputation, organizational features in a conglomerate, and low returns to bias. ∗A previous version of this paper circulated in 2011 with the title ‘Does Media Concentration Lead to Biased Coverage? Evidence from Movie Reviews’ with Alec Kennedy as collaborator.