What Is Hollywood Hiding?
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Eligible Subject Matter at the Patent Office: an Empirical Study of the Influence of Alice on Patent Examiners and Patent Applicants
University of Minnesota Law School Scholarship Repository Minnesota Law Review 2020 Eligible Subject Matter at the Patent Office: An Empirical Study of the Influence of Alice on Patent Examiners and Patent Applicants Jay P. Kesan Wang, Runhua Follow this and additional works at: https://scholarship.law.umn.edu/mlr Part of the Law Commons Recommended Citation Kesan, Jay P. Wang, Runhua, "Eligible Subject Matter at the Patent Office: An Empirical Study of the Influence of Alice on atentP Examiners and Patent Applicants" (2020). Minnesota Law Review. 3212. https://scholarship.law.umn.edu/mlr/3212 This Article is brought to you for free and open access by the University of Minnesota Law School. It has been accepted for inclusion in Minnesota Law Review collection by an authorized administrator of the Scholarship Repository. For more information, please contact [email protected]. Article Eligible Subject Matter at the Patent Office: An Empirical Study of the Influence of Alice on Patent Examiners and Patent Applicants Jay P. Kesan† and Runhua Wang†† Introduction ............................................................................................................ 528 I. The Supreme Court Decision in Alice Corp. v. CLS Bank .................. 536 A. The Alice Decision Regarding Eligible Subject Matter ......... 537 1. Abstract Idea and Statutory Limits ..................................... 537 2. Implementation by the PTO ................................................... 543 B. Uncertainties in Eligible Subject Matter ................................... -
VIEW Nominates Its Keynote Speakers!
This page was exported from - Digital meets Culture Export date: Wed Sep 29 3:14:46 2021 / +0000 GMT VIEW nominates its keynote speakers! Pixar's short "Lava" Italy's premiere computer graphics conference proudly announces: Mark Osborne, director of "The Little Prince" and two-time Oscar nominee Randy Thom, director of Sound at Skywalker Sound and two-time Oscar winner Jorge R. Gutierrez, director of "The Book of Life", Annie and Emmy award winner Shannon Tindle, director of the Google Spotlight Story ?On Ice? and a Primetime Emmy award winner. Turin, Italy, September 2, 2015 ? «We are honoured and thrilled to welcome these four amazing artists to Turin for the VIEW conference» Professor Maria Elena Gutierrez, director of the annual conference, declares. «I know their presence will inspire our audience of students and professionals». The VIEW conference will take place on October from 19 to 23 in Turin, Italy. The curated conference, which celebrates its 16th year, features talks, panel sessions, workshops, awards for outstanding work and this year four remarkable keynote speakers: ?Mark Osborne, multiple award-winning director of a beloved animated feature film, recently directed the animated feature film version of a beloved novel. Osborne received Oscar nominations for directing the animated feature film "Kung Fu Panda" and for the short animated film "More". He also won an Annie award for directing "Kung Fu Panda" as well as many film festival awards. His latest film is "The Little Prince", based on Antoine de Saint-Exupéry's novel. After initial screenings, the animated story of a pilot who meets a little boy from another planet received a 100% approval rating from critics, tallied on the Rotten Tomatoes website. -
Introduction the American Movie Industry Has Been Much Studied, As Befits What Is Not Only a Cultural Institution in Its Native
Introduction The American movie industry has been much studied, as befits what is not only a cultural institution in its native country, but a major export to other nations as well. Academic articles on film have frequently been critical or historical studies focused on one or a few films (Bordwell & Caroll 2012). At the same time, film studios and distributors, and the consultants they hire, have compiled detailed sales and marketing analyses of movie performance - but these studies remain proprietary and do not appear in the open literature. We submit that there is a clear need for studies of American movies as a whole, looking for trends in both the film industry and popular culture, and including as many movies as possible. Quantitative methods are ideal for such a study, because they make relatively few theoretical assumptions and easily scale up to incorporate many data sources. The key to such studies is to identify measurable quantities of interest (variables) that provide insight into research questions, and to use as large and complete a dataset as possible. The main research question we seek to answer in this paper is: What, if anything, are the relationships between a movie’s perceived artistic merit as ranked by critics, a movie’s quality as ranked by viewers, a movie’s gross box office take, and its release date? The relationship between these four categories is an important one. As much as one may decry the ties between art and commerce, they always exist, and perhaps nowhere more so than in film. Even as the word “film” itself becomes increasingly obsolete with the rising prominence of digital video, movies remain fantastically expensive, with professional product well beyond the reach of almost any one person to fund. -
Communication & Media
SMC ASSOCIATES SPRING 2019 LECTURE SERIES COMMUNICATION & MEDIA 02.28.19 A CONVERSATION WITH: Former LA Radio Personality Ben Kelly and Entertainment Project Manager Joi Hardy 03.26.19 Seating is on a first arrival basis. Public parking is limited during the RAHA LEWIS day at SMC. Please allow extra time A Career in Journalism with when attending events. See smc.edu/ Entertainment Reporter Raha Lewis transportation for parking options. If you need an accommodation due to a disability to participate in 03.28.19 any of these events, please contact Stephanie Schlatter at schlatter_ [email protected] or 310-434-4313, ADELE LIM at least 5 business days in advance. Crazy Rich Asians Behind-the-Scenes with Co-writer Adele Lim The Santa Monica College Associates is a community-based support group that brings outstanding speakers, performers, and special events to 05.07.19 SMC to enhance student excellence. Associates members receive UNDOCUMENTED AND invitations to special receptions and advance notices of lectures. Annual MUÑECAS Associates memberships are entirely tax-deductible. Call 310-434-4100 or Short Film Screenings and visit smc.edu/associates for Q&A with SMC Student and Alumni Filmmakers more information. A CONVERSATION WITH: ADELE LIM Former LA Radio Personality Crazy Rich Asians Ben Kelly and Entertainment Behind-the-Scenes with Project Manager Joi Hardy Co-writer Adele Lim Ben Kelly and Joi Hardy will talk Screenwriter Adele Lim presents behind-the-scenes about career strategies in radio and stories and clips from Crazy Rich Asians, which she entertainment media. Kelly covered co-wrote with Peter Chiarelli, based on the novel benchmark events like the O.J. -
List of Brands
Global Consumer 2019 List of Brands Table of Contents 1. Digital music 2 2. Video-on-Demand 4 3. Video game stores 7 4. Digital video games shops 11 5. Video game streaming services 13 6. Book stores 15 7. eBook shops 19 8. Daily newspapers 22 9. Online newspapers 26 10. Magazines & weekly newspapers 30 11. Online magazines 34 12. Smartphones 38 13. Mobile carriers 39 14. Internet providers 42 15. Cable & satellite TV provider 46 16. Refrigerators 49 17. Washing machines 51 18. TVs 53 19. Speakers 55 20. Headphones 57 21. Laptops 59 22. Tablets 61 23. Desktop PC 63 24. Smart home 65 25. Smart speaker 67 26. Wearables 68 27. Fitness and health apps 70 28. Messenger services 73 29. Social networks 75 30. eCommerce 77 31. Search Engines 81 32. Online hotels & accommodation 82 33. Online flight portals 85 34. Airlines 88 35. Online package holiday portals 91 36. Online car rental provider 94 37. Online car sharing 96 38. Online ride sharing 98 39. Grocery stores 100 40. Banks 104 41. Online payment 108 42. Mobile payment 111 43. Liability insurance 114 44. Online dating services 117 45. Online event ticket provider 119 46. Food & restaurant delivery 122 47. Grocery delivery 125 48. Car Makes 129 Statista GmbH Johannes-Brahms-Platz 1 20355 Hamburg Tel. +49 40 2848 41 0 Fax +49 40 2848 41 999 [email protected] www.statista.com Steuernummer: 48/760/00518 Amtsgericht Köln: HRB 87129 Geschäftsführung: Dr. Friedrich Schwandt, Tim Kröger Commerzbank AG IBAN: DE60 2004 0000 0631 5915 00 BIC: COBADEFFXXX Umsatzsteuer-ID: DE 258551386 1. -
EDITED TRANSCRIPT CMCSA.OQ - Q3 2020 Comcast Corp Earnings Call
REFINITIV STREETEVENTS EDITED TRANSCRIPT CMCSA.OQ - Q3 2020 Comcast Corp Earnings Call EVENT DATE/TIME: OCTOBER 29, 2020 / 12:30PM GMT OVERVIEW: Co. reported 3Q20 consolidated revenue of $25.5b. REFINITIV STREETEVENTS | www.refinitiv.com | Contact Us ©2020 Refinitiv. All rights reserved. Republication or redistribution of Refinitiv content, including by framing or similar means, is prohibited without the prior written consent of Refinitiv. 'Refinitiv' and the Refinitiv logo are registered trademarks of Refinitiv and its affiliated companies. OCTOBER 29, 2020 / 12:30PM, CMCSA.OQ - Q3 2020 Comcast Corp Earnings Call CORPORATE PARTICIPANTS Brian L. Roberts Comcast Corporation - Chairman & CEO David N. Watson Comcast Corporation - President & CEO, Comcast Cable Jeff Shell Comcast Corporation - CEO, NBCUniversal Jeremy Darroch Comcast Corporation - Group Chief Executive, Sky Marci Ryvicker Comcast Corporation - SVP of IR Michael J. Cavanagh Comcast Corporation - CFO CONFERENCE CALL PARTICIPANTS Benjamin Daniel Swinburne Morgan Stanley, Research Division - MD Craig Eder Moffett MoffettNathanson LLC - Founding Partner Douglas David Mitchelson Crédit Suisse AG, Research Division - MD Jessica Jean Reif Ehrlich BofA Merrill Lynch, Research Division - MD in Equity Research John Christopher Hodulik UBS Investment Bank, Research Division - MD, Sector Head of the United States Communications Group and Telco & Pay TV Analyst Philip A. Cusick JPMorgan Chase & Co, Research Division - MD and Senior Analyst PRESENTATION Operator Good morning, ladies and gentlemen, and welcome to Comcast's Third Quarter 2020 Earnings Conference Call. (Operator Instructions) Please note that this conference call is being recorded. I will now turn the call over to Senior Vice President, Investor Relations, Ms. Marci Ryvicker. Please go ahead, Ms. Ryvicker. Marci Ryvicker - Comcast Corporation - SVP of IR Thank you, operator, and welcome, everyone. -
Film Review Aggregators and Their Effect on Sustained Box Office Performance" (2011)
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2011 Film Review Aggregators and Their ffecE t on Sustained Box Officee P rformance Nicholas Krishnamurthy Claremont McKenna College Recommended Citation Krishnamurthy, Nicholas, "Film Review Aggregators and Their Effect on Sustained Box Office Performance" (2011). CMC Senior Theses. Paper 291. http://scholarship.claremont.edu/cmc_theses/291 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. CLAREMONT McKENNA COLLEGE FILM REVIEW AGGREGATORS AND THEIR EFFECT ON SUSTAINED BOX OFFICE PERFORMANCE SUBMITTED TO PROFESSOR DARREN FILSON AND DEAN GREGORY HESS BY NICHOLAS KRISHNAMURTHY FOR SENIOR THESIS FALL / 2011 November 28, 2011 Acknowledgements I would like to thank my parents for their constant support of my academic and career endeavors, my brother for his advice throughout college, and my friends for always helping to keep things in perspective. I would also like to thank Professor Filson for his help and support during the development and execution of this thesis. Abstract This thesis will discuss the emerging influence of film review aggregators and their effect on the changing landscape for reviews in the film industry. Specifically, this study will look at the top 150 domestic grossing films of 2010 to empirically study the effects of two specific review aggregators. A time-delayed approach to regression analysis is used to measure the influencing effects of these aggregators in the long run. Subsequently, other factors crucial to predicting film success are also analyzed in the context of sustained earnings. -
Persmap Skate Kitchen Een Film Van Crystal Moselle
PERSMAP SKATE KITCHEN EEN FILM VAN CRYSTAL MOSELLE Drama - 2018 - VS - 107 minuten VOD releasedatum: 28 mei 2020 iTunes | Cinetree | Cinemember | Ziggo | KPN Meer over de film:Cineart.nl/films/skate-kitchen Persmaterialen: Cineart.nl/pers/skate-kitchen Distributie: Contact: Cinéart Nederland Julia van Berlo Herengracht 328-III T: +31 20 5308840 1016 CE Amsterdam M: +31 6 83785238 T: +31 20 530 88 48 [email protected] SKATE KITCHEN EEN FILM VAN CRYSTAL MOSELLE SYNOPSIS SKATE KITCHEN is het speelfilmdebuut van regisseur Crystal Moselle (THE WOLFPACK); een ‘intens aangenaam en sympathieke’ (The Guardian) coming-of-age film over een groep vrouwelijke skateboarders, die zich door New York bewegen op wielen. De 18-jarige Camille (Rachelle Vinberg) doet niets liever dan hele dagen skateboarden, maar moet na een heftige valpartij haar moeder beloven om het nooit meer te doen. De liefde voor het skaten is echter te groot, en dus sluipt ze elke dag stiekem het huis uit met haar skateboard. Via Instagram komt Camille in contact met ‘The Skate Kitchen’, meiden die stuk voor stuk ‘leven om te skaten’. Ze voelt zich meteen welkom bij de groep en dankzij hun wilde levensstijl gaat er een nieuwe wereld voor haar open. Crystal Moselle maakte in 2015 veel indruk met de geprezen documentaire THE WOLFPACK over het bizarre levensverhaal van zes broers opgesloten in een appartement in New York. Een jaar later maakte ze de korte film THAT ONE DAY, waarin ze de crew van ‘The Skate Kitchen’ volgde. Ze raakte zo gefascineerd door de wereld van deze meiden, dat ze plannen maakte voor een lange speelfilm over de groep: SKATE KITCHEN. -
Downloading of Movies, Television Shows and Other Video Programming, Some of Which Charge a Nominal Or No Fee for Access
Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K (Mark One) ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE FISCAL YEAR ENDED DECEMBER 31, 2011 OR ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE TRANSITION PERIOD FROM TO Commission file number 001-32871 COMCAST CORPORATION (Exact name of registrant as specified in its charter) PENNSYLVANIA 27-0000798 (State or other jurisdiction of (I.R.S. Employer Identification No.) incorporation or organization) One Comcast Center, Philadelphia, PA 19103-2838 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (215) 286-1700 SECURITIES REGISTERED PURSUANT TO SECTION 12(b) OF THE ACT: Title of Each Class Name of Each Exchange on which Registered Class A Common Stock, $0.01 par value NASDAQ Global Select Market Class A Special Common Stock, $0.01 par value NASDAQ Global Select Market 2.0% Exchangeable Subordinated Debentures due 2029 New York Stock Exchange 5.50% Notes due 2029 New York Stock Exchange 6.625% Notes due 2056 New York Stock Exchange 7.00% Notes due 2055 New York Stock Exchange 8.375% Guaranteed Notes due 2013 New York Stock Exchange 9.455% Guaranteed Notes due 2022 New York Stock Exchange SECURITIES REGISTERED PURSUANT TO SECTION 12(g) OF THE ACT: NONE Indicate by check mark if the Registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ☒ No ☐ Indicate by check mark if the Registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. -
Fox and Nbcuniversal in Talks to Acquire Streaming Platforms: Report 22 February 2020
Fox and NBCUniversal in talks to acquire streaming platforms: report 22 February 2020 NBCUniversal, a subsidiary of Comcast, is meanwhile engaged in what the WSJ called advanced talks with Vudu, a Walmart-owned, ad- supported service that allows users to rent and buy movies or watch them online via a free streaming platform. NBCUniversal already has plans to launch a new streaming television service called Peacock in April, which can be accessed both ad-free or with ads at different payment tiers. The potential Fox and NBCUniversal acquisitions come as internet platforms and entertainment groups are launching streaming and on-demand The ad-supported free streaming service Tubi is drawing services as part of a larger trend to attract viewers interest from Rupert Murdoch's Fox Corp., according to who are veering away from traditional television. a report Media groups Fox Corp. and NBCUniversal are looking to buy ad-supported streaming platforms meant to lure customers who don't want to spend money on subscriptions, the Wall Street Journal reported Friday. Fox, the Murdoch-family controlled media group which owns the Fox News Channel, has said it would be willing to shell out some $500 million for Tubi, a streaming platform which airs mostly older movies and TV shows, the report said. A tie-up could help expand the footprint of Fox, NBCUniversal, a subsidiary of Comcast, is engaged in which last year sold much of its film and television what the WSJ called advanced talks with video platform assets to Disney but retained its broadcast Vudu television network in the deal. -
Teen-Targeted Broadcast TV Can Be Vulgar… but Stranger Things Are
Teen-Targeted Broadcast TV Can Be Vulgar… But Stranger Things Are Happening On Netflix EXECUTIVE SUMMARY The entertainment industry has, for decades, The Parents Television Council renews its call for cautioned parents who want to protect their children wholesale reform to the entertainment industry- from explicit content to rely on the various age- controlled ratings systems and their oversight. based content ratings systems. The movie industry, There should be one uniform age-based content the television industry, the videogame industry rating system for all entertainment media; the and the music industry have, individually, crafted system must be accurate, consistent, transparent medium-specific rating systems as a resource to and accountable to those for whom it is intended to help parents. serve: parents; and oversight of that system should be vested primarily in experts outside of those who In recent years, the Parents Television Council has produce and/or distribute the programming – and produced research documenting a marked increase who might directly or indirectly profit from exposing in profanity airing on primetime broadcast television. children to explicit, adult-themed content. All of the television programming analyzed by the PTC for those research reports was rated as appropriate for children aged 14, or even younger. Today, with much of the nation ostensibly on lockdown as a result of the COVID-19 pandemic, children are at home instead of at school; and as a result, they have far greater access to entertainment media. While all forms of media consumption are up, the volume of entertainment programming being consumed through over-the-top streaming platforms has spiked dramatically. -
Auf Deutsch Dernière Mise À Jour : 18 Août 2020 La Présente Poli
Télécharger les traductions en Español | en français | auf Deutsch Dernière mise à jour : 18 août 2020 La présente Politique de confidentialité explique comment Fandango Media, LLC et ses filiales, y compris les entreprises opérant sous les marques Fandango, FandangoNOW, Vudu, Rotten Tomatoes, Flixster, Movieclips, Movies.com, Activaterewards.com, MovieTickets.com, ou M- GO (« Fandango », « nous », « nos » ou « notre ») recueillent, utilisent et partagent des informations obtenues de votre part ou à votre sujet, lorsque vous utilisez nos sites Web, applications téléchargeables, applications télévisuelles interactives, compétences à commande vocale, et d’autres services numériques, appareils connectés et services hors ligne rattachés à cette politique, ou si vous générez des évaluations/critiques/commentaires publics/contenus sur nos outils propriétaires ou entrez dans une relation d’affaires avec nous (les « Services »). Veuillez noter que la présente Politique de confidentialité ne s’applique pas à notre activité de billetterie de films qui opère en Amérique latine, cette activité étant régie par une politique de confidentialité distincte. Nos propriétaires Lorsque les Services reçoivent ou collectent des informations, ces informations sont reçues et collectées, et sont la propriété, de Fandango et de chacun des « Propriétaires de Fandango » (c.-à-d. chaque société qui détient un droit de propriété dans Fandango). Alors que l’utilisation, le traitement, la divulgation et les pratiques de Fandango en rapport avec ces informations sont régis par la présente Politique de confidentialité, l’utilisation, le traitement, la divulgation et les pratiques de chaque propriétaire de Fandango en rapport avec ces informations seront régis par la politique de confidentialité du propriétaire de Fandango respectif.