Tina Turner One of the Living (Special Club Mix) Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Tina Turner One Of The Living (Special Club Mix) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: One Of The Living (Special Club Mix) Country: Europe Released: 1985 Style: Pop Rock MP3 version RAR size: 1430 mb FLAC version RAR size: 1847 mb WMA version RAR size: 1577 mb Rating: 4.9 Votes: 420 Other Formats: AA FLAC RA MP1 ADX TTA AU Tracklist A One Of The Living (Special Club Mix) 7:35 B1 One Of The Living (Dub Version) 4:45 B2 One Of The Living (Instrumental Version) 5:58 Companies, etc. Phonographic Copyright (p) – Capitol Records, Inc. Copyright (c) – Warner Bros. Records Inc. Published By – Media Sound NYC Marketed By – EMI Services Benelux B.V. Manufactured By – EMI Services Benelux B.V. Distributed By – EMI Services Benelux B.V. Distributed By – EMI Pathé Marconi S.A. Credits Co-producer, Mixed By – Steve Thompson & Michael Barbiero Engineer [Assistant] – Alexander Haas* Producer – Mike Chapman Written-By – Holly Knight Notes From The Original Soundtrack Of The Warner Bros. Motion Picture Mad Max - Beyond Thunderdome. 1st Category on labels 2nd Category on back sleeve Marketed, manufactured and distributed by EMI Printed in Holland by EMI Services Benelux B.V., Uden ℗ 1985 Capitol Records, Inc. © 1985 Warner Bros. Inc. Barcode and Other Identifiers Matrix / Runout (Side A runout groove, stamped): 2008426-A1-C Matrix / Runout (Side B runout groove, stamped): 2008426-B1-C Matrix / Runout (Side A label): 1A K060-20 0842 6 A Matrix / Runout (Side B label): 1A K060-20 0842 6 B Rights Society: BIEM / STEMRA Barcode (Text cover): 5 099920 084264 Label Code: LC 0148 Other versions Category Artist Title (Format) Label Category Country Year One Of The Living (7", B-5518 Tina Turner Capitol Records B-5518 US 1985 Single) V 75119 Tina Turner One Of The Living (12") Capitol Records V 75119 Canada 1985 One Of The Living (7", K9776 Tina Turner Interfusion K9776 New Zealand 1985 Single) One Of The Living (7", CL 376 Tina Turner Capitol Records CL 376 UK 1985 Single, Pap) One Of The Living (7", K 9776 Tina Turner Interfusion K 9776 Australia 1985 Ltd) Related Music albums to One Of The Living (Special Club Mix) by Tina Turner Various - Mad Max Beyond Thunderdome - Original Motion Picture Soundtrack Curtis Mayfield - Back To Living Again View From The Hill - On The Corner Tina Turner / Maurice Jarre - Mad Max Beyond Thunderdome - Original Motion Picture Soundtrack Linkin Park - Living Things Tina Turner - Better Be Good To Me [Extended Version] a-ha - The Living Daylights Tina Turner - Let's Stay Together.

Copy Link

Recommended publications

1 Ext. the Empty Street of a City - Day
DAY OF THE DEAD (The original script) by George A. Romero FADE IN: 1 EXT. THE EMPTY STREET OF A CITY - DAY No people. A FEW CARS AND TRUCKS are parked at odd angles, abandoned. A TITLE FADES IN, one phrase at a time. FIVE YEARS... SINCE THE DEAD FIRST WALKED. 2 EXT. THE CITY - DAY We hear THE SOUND OF A STRONG WIND. DEBRIS flutters through the streets. A LARGE ALLIGATOR slithers into frame, stops and looks around. MONTAGE: as MORE GATORS explore the empty streets, knocking over GARBAGE CANS, upsetting the MANNEQUINS in A DEPARTMENT STORE WINDOW. A GATOR crawls out through the open doors of AN ABANDONED BANK. LOOSE BILLS are dragged along under the animal's tail. They flutter away on the WIND. 3 EXT. THE CITY - DAY GATORS crawl over A '79 CADELLIC. A FEMALE SKELETON sits slumped over the steering wheel. In the back a BABY'S BONES are strapped into AN INFANT'S SAFETY SEAT. One of the gators THUMPS its tail maddeningly against the windshield. ANOTHER TITLE APPEAR: FLORIDA - 1987 4 EXT. THE CITY - DAY CLOSE ON A SECTION OF PAVEMENT as we hear THE SOUND OF SLUGGISH FOOTSTEPS approaching. A SHADOW appears at the bottom of the frame. It gets longer and takes on the shape of a man. TIGHT ON THE AFTERNOON SUN, blinding us. Into the FOREGROUND lurches THE FIGURE which cast the shadow. Glare obscures all facial detail until the head jogs into position directly in front of the fiery ball in the sky. Then we see its hideous, dead eyes, its blue-grey colour, the blackened wound where a large portion of jaw has been ripped away.
[Show full text]
A Creed to Live by Don't Undermine Your Worth by Comparing Yourself
A Creed To Live By A Hundred Years From Now Don't undermine your worth by comparing yourself A hundred years from now it will not matter what my with others. bank account was, the sort of house I lived in, or the It is because we are different that each of us is kind of car I drove but the world may be different special. because I was important in the life of a child. Don't set your goals by what other people deem A Man important. Only you know what is best for you. A man that made an impression on strangers and friends. Don't take for granted the things closest to your heart. Quiet but firm and even more stern. Cling to them as you would your life, for without Strength and courage I have learned from you, them life is meaningless. but being without you is hard to do. Don't let your life slip through your fingers by living A man with pride in every step he made. in the past or for the future. A man with vigor in every phrase. By living your life one day at a time, you live all the days of your life. The tears I’ve shed cannot surpass the smiles and the laughs we had with you. Don't give up when you still have something to give. To feel your pain I could not do, Nothing is really over until the moment you stop to feel your joy I cannot explain, trying. but being without you is hard to do.
[Show full text]
Tina Turner Simply the Best Mp3, Flac, Wma
Tina Turner Simply The Best mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Funk / Soul / Pop Album: Simply The Best Country: Australia Released: 1991 Style: Pop Rock MP3 version RAR size: 1906 mb FLAC version RAR size: 1948 mb WMA version RAR size: 1930 mb Rating: 4.1 Votes: 115 Other Formats: VOX APE AA MIDI MP1 DXD AUD Tracklist Hide Credits The Best Acoustic Guitar – Dan HartmanBacking Vocals – Dan Hartman, Lance EllingtonBass – T.M. StevensBass [Bass Pulse] – Phil AshleyDrums – Art WoodGuitar [Power Theme Guitar] – Pat 1 ThrallKeyboards – Dan Hartman, Phil AshleyKeyboards [Additional Bridge Keyboards] – 4:08 Philippe SaisseKeyboards [Additional Theme Keyboards], Strings – Elliot LewisProducer, Arranged By – Tina TurnerRhythm Guitar – Gene Black, James RalstonSaxophone – Edgar WinterWritten-By – H. Knight*, M. Chapman* What's Love Got To Do With It 2 Drums – Graham JarvisKeyboards – Billy LivseyPercussion – Simon MortonWritten-By – G. 3:48 Lyle*, T. Britten* I Can't Stand The Rain 3 3:42 Drums – Graham BroadWritten-By – Peebles*, Miller*, Bryant* I Don't Wanna Lose You Backing Vocals – Albert Hammond, Graham Lyle, Holly Knight, Tina TurnerBass [Synth 4 Bass] – Greg MathiesonDrums – Geoff DugmoreKeyboards – Casey YoungProducer – Albert 4:18 Hammond, Graham LyleRecorded By – Mike Ging, Tommy VicariShaker – Albert HammondStrings – Nick Glennie-SmithWritten-By – A. Hammond*, G. Lyle* Nutbush City Limits (The 90's Version) Engineer – Robin HancockGuitar – Phil PalmerHorns – Steve HamiltonKeyboards – Richard 5 CottlePercussion –
[Show full text]
THE LIVING THEATRE & SYMBOLIC CAPITAL By
OVERTURNING MAMMON: THE LIVING THEATRE & SYMBOLIC CAPITAL by Peter Wood BA, Rhode Island College, 2000 MA, University of Maryland, 2004 Submitted to the Graduate Faculty of Te Dietrich School of Arts & Sciences in partial fulfllment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH THE DIETRICH SCHOOL OF ARTS & SCIENCES Tis dissertation was presented by Peter Wood It was defended on March 3, 2016 and approved by Peter Karsten, Professor, History Lisa Jackson-Schebetta, Assistant Professor, Teatre Arts Dissertation Co-Advisor: Michelle Granshaw, Assistant Professor, Teatre Arts Dissertation Co-Advisor: Bruce McConachie, Professor Emeritus, Teatre Arts ii Copyright © by Peter Wood 2016 iii OVERTURNING MAMMON: THE LIVING THEATRE & SYMBOLIC CAPITAL Peter Wood, PhD University of Pittsburgh, 2016 Abstract: Overturning Mammon: Te Living Teatre and Symbolic Capital focuses on the frst thirteen years of the Living Teatre, founded by Judith Malina and Julian Beck. Pierre Bourdieu’s theories of cultural production provide the theoretical tools to approach the company as a cultural producer and not only as theatre artists. Te Living Teatre has produced largely unpopular avant-garde and political theatre for seventy years. I argue that the company’s early years demonstrate a growing reserve of symbolic capital that helps explain the company’s longevity. Furthermore, the manner in which certain events in the company’s history have been mythologized, by company members, critics, and scholars, has led to some historically inaccurate accounts. In particular, accounts of the closing of the company’s production of Te Brig in 1963 and the subsequent trial of Beck and Malina in 1964 have often been infuenced by an acceptance of company member’s anecdotal, “tall tales” approach to history rather than historical evidence and archival documents.
[Show full text]
GUMBO a Full-Length Musical
GUMBO A full-length musical For New Orleans "I wonder if Katrina is becoming like one of those fairytales for Americans. It's something we can't get our imaginations around. It's too large for that, and so instead it seems to be fragmenting into a thousand parables, some of them right, some of them very wrong, and most of them defying categorization all together." ―Rivka Galchen, The New Yorker * SETTING - Above, around and inside the bowl of a Crescent City―the City is a mythic representation of the great city of New Orleans. - The Gumbo Pot, an underwater speakeasy of today Note: There should be virtually no set—the people/ The City should embody the ever- shifting worlds. TIME In and around a timeless August 29 to late September 2005 NOTES ON ACCENT/DIALOGUE "Mrs. Reilly called it that accent that occurs south of New Jersey only in New Orleans, that Hoboken near the Gulf of Mexico." ―John Kennedy Toole, A Confederacy of Dunces - Not your “traditional” Southern accent. No Streetcar, please. It’s about attitude more than accent: an easiness on the words that reflects the City’s approach toward life. - Slashes (/) and dashes (--) indicate when a line is cut off and the next person begins speaking. CAST BREAKDOWN (9M, 5W) DR. HOWARD HART: mid thirties, Caucasian, textbook Midwesterner, stoic, works E.R.; loves two things: his work and his wife, Martha (unexpected, Billy Bigelow voice, not necessarily look; Gorgeous, lush Baritone with an Earthy soul to it. Bb2-A4) MARTHA LEDOUX (Hart): mid-thirties, African-American of Creole descent; full of life & love with the voice of an angel.
[Show full text]
Mad Max Beyond Thunderdome Music Credits
Original Music Score Composed and Conducted by Maurice Jarre Tail Credits: (Cast) A solo saxophone is allegedly performed by Ton Ton Tattoo, played by Andrew Oh. Assistant to Mr. Jarre Christopher Palmer Music recorded by Dick Lewsey Music Performed by Royal Philharmonic Orchestra Conducted by Maurice Jarre "We Don't Need Another Hero (Thunderdome)" Performed by Tina Turner Written by Produced by Terry Britten Terry Britten & Graham Lyle Copyright © L985 Good Single Music Ltd. & My Axe Music Ltd. "One of the Living" Performed by Tina Turner (with Device) Written by Produced by Holly Knight Mike Chapman Copyright © L985 Makiki Publishing Co. Ltd. Tina Turner Management Roger Davies Original Soundtrack on Capitol Records (Australia/New Zealand - Festival Records) Composer Maurice Jarre was a prolific French composer too well known to dwell on here. He had only an intermittent connection with Australian cinema, though his work with Peter Weir - begun on the 1982 The Year of Living Dangerously - was significant for both their careers. Jarre's score is measurably better than the work done by Brian May on the first two Mad Max films, and while some devotees might quibble about the softening represented by the addition of Tina Turner, there's little doubt that her two title tunes enhanced the film's market presence in the United States. Jarre has a relatively detailed wiki here. It's a measure of the impact of the score that the film's music boasts an individual wiki listing here, a rare distinction for an Australian movie. It's worth noting that Terry "The Twilights" Britten, co-composer of the chart hit and end credits song, "We Don't Need Another Hero", has had many connections with the Australian pop music scene, and he has a relatively detailed wiki here.
[Show full text]
Lessonsforpeace. United Nations Security Council Estonian
2 3 #LessonsForPeace United Nations Security Council Estonian Presidency Arria-Formula Meeting on 8 May 2020 75 Years Since the End of World War II on European Soil – Lessons Learned for Preventing Future Atrocities, Responsibility of the Security Council #LessonsForPeace United Nations Security Council Estonian Presidency Arria-Formula Meeting on 8 May 2020 75 Years Since the End of World War II on European Soil – Lessons Learned for Preventing Future Atrocities, Responsibility of the Security Council Collection of Statements Tallinn 2020 TABLE OF CONTENTS Foreword by Foreign Minister Urmas Reinsalu ......................... 8 1. Josep Borrell Fontelles, European Union ............................ 13 2. Rosemary A. DiCarlo, United Nations .................................. 20 3. Timothy Snyder, Yale University ........................................... 25 4. Germany ......................................................................................... 30 5. Viet Nam ......................................................................................... 33 6. France ............................................................................................... 36 7. Belgium ............................................................................................ 39 8. Dominican Republic .................................................................... 42 9. United Kingdom ........................................................................... 45 10. United States of America ........................................................
[Show full text]
DAN KELLY's Ipod 80S PLAYLIST It's the End of The
DAN KELLY’S iPOD 80s PLAYLIST It’s The End of the 70s Cherry Bomb…The Runaways (9/76) Anarchy in the UK…Sex Pistols (12/76) X Offender…Blondie (1/77) See No Evil…Television (2/77) Police & Thieves…The Clash (3/77) Dancing the Night Away…Motors (4/77) Sound and Vision…David Bowie (4/77) Solsbury Hill…Peter Gabriel (4/77) Sheena is a Punk Rocker…Ramones (7/77) First Time…The Boys (7/77) Lust for Life…Iggy Pop (9/7D7) In the Flesh…Blondie (9/77) The Punk…Cherry Vanilla (10/77) Red Hot…Robert Gordon & Link Wray (10/77) 2-4-6-8 Motorway…Tom Robinson (11/77) Rockaway Beach…Ramones (12/77) Statue of Liberty…XTC (1/78) Psycho Killer…Talking Heads (2/78) Fan Mail…Blondie (2/78) This is Pop…XTC (3/78) Who’s Been Sleeping Here…Tuff Darts (4/78) Because the Night…Patty Smith Group (4/78) Ce Plane Pour Moi…Plastic Bertrand (4/78) Do You Wanna Dance?...Ramones (4/78) The Day the World Turned Day-Glo…X-Ray Specs (4/78) The Model…Kraftwerk (5/78) Keep Your Dreams…Suicide (5/78) Miss You…Rolling Stones (5/78) Hot Child in the City…Nick Gilder (6/78) Just What I Needed…The Cars (6/78) Pump It Up…Elvis Costello (6/78) Airport…Motors (7/78) Top of the Pops…The Rezillos (8/78) Another Girl, Another Planet…The Only Ones (8/78) All for the Love of Rock N Roll…Tuff Darts (9/78) Public Image…PIL (10/78) My Best Friend’s Girl…the Cars (10/78) Here Comes the Night…Nick Gilder (11/78) Europe Endless…Kraftwerk (11/78) Slow Motion…Ultravox (12/78) Roxanne…The Police (2/79) Lucky Number (slavic dance version)…Lene Lovich (3/79) Good Times Roll…The Cars (3/79) Dance
[Show full text]
Dance Music 1985.Qxd
THE TOP DANCE SONGS OF 1985 1. YOU SPIN ME ROUND (LIKE A RECORD) - Dead or Alive (Epic) 51. DO YOU WANNA GET AWAY - Shannon (Mirage) 2. INTO THE GROOVE- Madonna (Sire) 52. DANCING IN THE STREET - Mick Jagger & David Bowie (EMI) 3. LOVER GIRL - Teena Marie (Epic) 53. JUST A GIGOLO/I AIN’T GOT NOBODY- David Lee Roth (Warner Bros.) 4. CONGA - Miami Sound Machine (Epic) 54. TAKE ON ME -A-Ha (Warner Bros.) 5. GLORY DAYS/I’M GOIN’ DOWN - Bruce Springsteen (Columbia) 55. AXEL F. - Harold Faltermeyer (MCA) 6. DRESS YOU UP- Madonna (Sire) 56. ARE YOU FOR REAL - Deodato (Warner Bros.) 7. PARTY ALL THE TIME - Eddie Murphy (Columbia) 57. COLOR MY LOVE - Fun Fun (TSR) 8. FRESH - Kool and the Gang (De Lite) 58. SUGAR WALLS - Sheena Easton (EMI) 9. IN MY HOUSE - Mary Jane Girls (Gordy) 59. SENSE OF PURPOSE/ONE MORE TIME - Third World (Columbia) 10. DARE ME - The Pointer Sisters (RCA) 60. AND SHE WAS -Talking Heads (Sire) 11. UNEXPECTED LOVERS- Lime (TSR) 61. WE BUILT THIS CITY -Starship (Grunt) 12. OH SHEILA - Ready for the World (MCA) 62. SOME LIKE IT HOT- Power Station (Capitol) 13. FREEWAY OF LOVE/WHO’S ZOOMIN’ WHO - Aretha Franklin (Arista) 63. 19 - Paul Hardcastle (Chrysalis) 14. JUNGLE LOVE-The Time (Warner Bros ) 64. RAIN FOREST - Paul Hardcastle (Profile) 15. EASY LOVER-Philip Bailey (Columbia) 65. JUST ANOTHER NIGHT/LUCKY IN LOVE- Mick Jagger (Columbia) 16. MATERIAL GIRL- Madonna (Sire) 66. PADLOCK - Gwen Guthrie (Island) 17. WALKING ON SUNSHINE - Katrina and the Waves (Capitol) 67.
[Show full text]
One of the Living in a Dark Phase of His Life, There Is a Lot of Emphasis on Survival
foreword forewordforeword About ten or more years ago I met Ben for the first time. I was shy, having been just introduced to him as well as a number of other people. He seemed so “nor- mal” to me. I was having a hard time finding a common ground, something to talk about. That is, until he started talking about Return of the Living Dead! I remem- ber the first thing that came flying out of my mouth was: “Oh I love the half dogs!”—that’s not a statement that would normally endear you to a new group of people, but it did. It forged a spookirific friendship with a person I admire not only for his wit & writing talents, but for his vast knowledge on all things horror and ZOMBIES! So much for Ben being “normal.” Ben looks like the sweet boy next door . (and in some respects he is) but his brain is bursting with more zombie facts than anyone I know (and that’s saying something, if you consider the crowd I run around with). I know Ben wrote One of the Living in a dark phase of his life, there is a lot of emphasis on survival . and that may seem like a very basic thing to focus on in a zombie game—but I think it goes deeper than that. As Ben so eloquently mentions, zombies are a metaphor for our fears, our nightmares, and a venue to bring our inner & social struggles to light . and hey, on a lighter note, they’re just plain fun to kill! I think you’ll enjoy what Ben has to say on the subject of zombies, I know I always do .
[Show full text]
Express Evaluate Exhibit Engage
Middle School Modules engage express evaluate exhibit ModuleTable 1: This of Contents is Senseless Module 1: This is Senseless Table of Contents ABOUT THIS MODULE 3 ACADEMIC VOCABULARY 4 REQUIRED MATERIALS 6 EVENT PLANNER 11 MONDAY: SENSES IN THE WORKS 12 TUESDAY: SENSORYMANIA 30 WEDNESDAY: I’VE GOT A FEELING 47 THURSDAY: EXTRAORDINAIRY SENSES 63 FRIDAY: COMMUNITY SHARING EVENT 72 engage express exhibit evaluate2 2 of 40 Module 1: This is Senseless About This Module This module focuses on the human senses, both traditional and some that are lesser known. Throughout the week, topics will focus on how Objective the senses work in the body and how they can be adapted to our appliances. How do the senses detect energy? How can we make our senses stronger? What if our senses became interconnected so we could smell sounds or taste colors? Driving Questions What kind of sixth sense would you like to develop? Is there a technology that acts in place of eyes/mouth to prepare the sense? Products of the SENSOR’d Appliance Design Week Community SENSOR’d Appliance Expo Sharing Event Our bodies are equipped to sense all kinds of energy–we can feel electric shocks in our fingertips, hear how much energy a sound wave possesses, and even smell energy in the form of food. But how might we perceive energy differently if we had no senses, a sixth sense, or Introduction recombined the senses we already have? This week we’ll work in teams to explore this year’s theme of “Energy of the Future” and create ideas for new inventions that use our senses in ways we’ve never used them before.
[Show full text]
C'est Le 26 Novembre 1939 À Nutbush Dans Le Tennessee Que Naît La Future Star De Musique Planétaire Tina Turner, De Son Vrai Nom Anna Mae Bullock
C'est le 26 novembre 1939 à Nutbush dans le Tennessee que naît la future star de musique planétaire Tina Turner, de son vrai nom Anna Mae Bullock. Fille d’une ouvrière et d’un métayer également ouvrier d’usine, elle est issue d’un milieu modeste. Elevée par sa grand-mère, elle passe son enfance dans le Tennessee avec sa sœur. Petite, elle commence à chanter dans la chorale de l’église. A l’adolescence, elle rejoint sa mère dans le Missouri. Elle est découverte à l’âge de 18 ans à Saint-Louis par le rockeur Ike Turner, qu’elle épouse en 1962 à Mexico. Ike Turner la surnomme Tina en référence à Sheena 'Reine de la jungle', héroïne d'une BD crée en 1937 et à laquelle il vouait une grande passion. Alors que Tina est sur son petit nuage, elle va tomber de haut face au comportement violent d'Ike. Elle attend jusqu'en 1978 pour divorcer. Les années 80, vont lui apporter tout le bonheur d'une reconnaissance internationale d’une chanteuse solo. Tina Turner est une des artistes les plus populaires du monde, avec des ventes dépassant les 200 millions d’albums. Depuis le milieu des années 80, la chanteuse partage la vie de Erwin Bach, un producteur de musique allemand, de seize ans son cadet. En juillet 2013, le couple se marie en Suisse. C’est une chanteuse, danseuse, actrice et compositrice d’origine américaine et naturalisée suisse. Elle est considérée comme la « mamie du rock ». En 1984 sort l’album Private Dancer qui va être un succès grâce au titre « What’s Love Got to Do With It », qui devient rapidement numéro 1 et permet à Tina TURNER de remporter les Grammys pour la chanson de l’année, l’album de l’année, la meilleure chanteuse rock et la meilleure chanteuse pop.
[Show full text]