Learn to Weave on the Table Loom Welcome to the Wonderful World of Weaving
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Study on Improving the Production Rate by Rapier Looms in Textile Industry Aby Chummar, Soni Kuriakose, George Mathew
ISSN: 2277-3754 ISO 9001:2008 Certified International Journal of Engineering and Innovative Technology (IJEIT) Volume 2, Issue 7, January 2013 Study on Improving the Production Rate by Rapier Looms in Textile Industry Aby Chummar, Soni Kuriakose, George Mathew the company. It is mainly manufactured by the shuttle looms. Abstract— In India the textile industry is growing very fast. Conventional shuttle looms are mainly used during the Most of the earlier established textile industries are using weaving process in the industry. All these shuttle looms are conventional shuttle looms for the production of the cloth. But the too old. In these present conventional shuttle looms, it is advancement in the technology made the textile industry more competitive. The effective usage of the new methods of the necessary to pass a shuttle weighing around half a kilogram weaving technology, which is more energy efficient, makes the through the warp shed to insert a length of weft yarn which production more economical. It is found out that the usage of the weighs only few grams. The shuttle has to be accelerated conventional looms badly affects the cloth production. This study rapidly at the starting of picking cycle and also to be focuses on identifying the problems associated with the low decelerated, stopped abruptly at the opposite end. This production by the shuttle loom and suggesting suitable methods process creates heavy noise and shock and consumes by which these problems can be reduced. considerable energy. Beat-up is done by slay motion which again weighs a few hundred kilograms. The wear life of the Index Terms—Greige Fabric Picks, Rapier Loom, Shuttle Loom. -
History of Weaving
A Woven World Teaching Youth Diversity through Weaving Joanne Roueche, CFCS USU Extension, Davis County History of Weaving •Archaeologists believe that basket weaving and weaving were the earliest crafts •Weaving in Mesopotamia in Turkey dates back as far as 7000 to 8000 BC •Sealed tombs in Egypt have evidence of fabrics dating back as far as 5000 BC •Evidence of a weavers workshop found in an Egyptian tomb 19th Century BC •Ancient fabrics from the Hebrew world date back as early as 3000 BC History of Weaving (continued) •China – the discovery of silk in the 27th Century BCE •Swiss Lake Dwellers – woven linen scraps 5000 BCE •Early Peruvian textiles and weaving tools dating back to 5800 BCE •The Zapotecs were weaving in Oaxaca as early as 500 BC Weavers From Around the World Master weaver Jose Cotacachi in his studio in Peguche, Ecuador. Jose’s studio is about two and a half miles from Otavalo. Weavers making and selling their fabrics at the Saturday market in Otavalo, Ecuador. This tiny cottage on the small island of Mederia, Portugal is filled with spinning and weaving. Weavers selling their fabrics at an open market in Egypt. The painting depicts making linen cloth, spinning and warping a loom. (Painting in the Royal Ontario Museum.) Malaysian weavers making traditional Songket – fabric woven with gold or silver weft threads. A local Tarahumara Indian weaving on a small backstrap loom at the train station in Los Mochis. Weavers In Our Neighborhood George Aposhian learned Armenian pile carpets from his father and grandparents who immigrated to Salt Lake City in the early 1900’s. -
E Mb R O Id Erie's
) 12 TITE OMAHA DAILY BEE: FJITDAY, ATOIL 24. 1903. n xt a n es n n n sa m n m m j a ti 6 Friday Is Remnant Day 1 li.iL.0V.?W,:,:.:1 V Valnes Offer IlrlnK This Ad Mb Omaha's rnre Food Center. jjjj I v y I ed Yon 'II Find P With Yoir. il Yon Can't Du- rry la a Restaurant on 2d Floor i i mm ( Itrm Where dainty meals are served R plicate Else on Monry Paver N dm NEW WHITE GOODS at moderate prices. U trhcre. TMB RKLIABL.R STOftS for You. PRETTY NEW WASH FABRICS Open 7 a. m. Closes 7 p. m. J? ' ' AN KOLA COFFEE. Go on Sale Friday in Basement If 'you are paying 35c a pound jv for your coffee and not getting $ In the Famous Domestic Room Ankola you are not getting your O Bargain Friday in the Wide Lingerie Cloth, the finest and most desirable, cloth money's worth. 25,000 yards of Mill Lengths and Remnants from our Rcady-to-We- ar made for undermuslins and lingerie dresses. r FISH DEPARTMENT Cools Dept. High Grade Wash Goods and White Goods Departments. Daby Halibut, lb. .. .12 Vic Regular 25c value, Friday off the bolt; at, yard. .16 2v Brings These Two Rattling 50c AND 39c WASH GOODS 12iac, 15c, 19c . AND 25c Fresh Lake Trout, lb 17Vcsg 9 V to Pretty Plaid and Striped Voiles with mercerized embroid Fine Fresh Croppies, lb 14cJJ Good Bargains V YARD WASH GOODS, YD., Fancy Cod Fish, (middles) lb.lScy v 10c 5c Ib.-lOcJ- Arnold's Printed Sllka, 60c value; 6,000 In Mill Lengths ered effects that are new. -
“Direct Pattern on Loom”-An Innovative Method of Garment Construction
Science ile & xt Ukey et al., J Textile Sci Eng 2013, 3:2 e E T n f g i DOI: 10.4172/2165-8064.1000131 o n l e a e n r r i n u Journal of Textile Science & Engineering g o J ISSN: 2165-8064 Research Article OpeOpen nAccess Access “Direct Pattern on Loom”-An Innovative Method of Garment Construction Pravin Ukey*, P V Kadole and Sarika Borikar Department of Textiles (Fashion Technology) DKTE’s Textile & Engineering Institute, Ichalkaranji, (M.S) India Abstract The impact of the fast fashion phenomenon is seen both in apparel and textile manufactures since the manufacturing time of apparels is considered as the most potential factor in reducing the overall time of the fashion cycle. In addition to the need for reduction in lead time, there is an increase in levels of quality expectations, resulting in higher cost of manufacture. Hence, in the present scenario, for high fashion garments, there is a need for technology which can minimize lead time and fabric losses, in addition to the production of garments as per the requirement of the customers in a short span of time. A DPOL (Direct Pattern on Loom) method for weaving fabric in the shape of garment panels (pieces) finished at the edges that could considerably reduce fabric loss and lead time is developed by using the electronic jacquard weaving machine. The main aim of the project is to study the feasibility of the production of Direct pattern on Loom especially on jacquard and to check the lead time required with conventional and this modern method. -
Textile Periods in Ancient Peru: Ii Paracas Caverns and the Grand Necropolis
TEXTILE PERIODS IN ANCIENT PERU: II PARACAS CAVERNS AND THE GRAND NECROPOLIS BY LILA M O';EALE- UNRERSITY OF CFORNIA PUBLTICATIONS IN EwasN AROOY AND ETENOLOG#Y Volnme 39, No. 2, pp. 14>202, plates 1-6, 20 figures in text ,, ,, .. vE \ . # :. UNIVERSITY 0t CALIP6RNIA PRESS BERKELEY AND tOS ANGBLES 1942 TEXTILE PERIODS IN ANCIENT PERU: II PARACAS CAVERNS AND THE GRAND NECROPOLIS BY LILA M. O'NEALE UNIVERSITY OF CALIFORNIA PRESS BERKELEY AND LOS ANGELES 1942 UNIVERSITY Or CALIFORNIA PUBLICATIONS IN AMERICAN ARCHAEOGY AND ETHNOLOGY EDITORS: A. L. KRoEBER, R. H. LoWIE, T. D. MCCowN, R. L. OLSON Volume 39, No. 2, pp. 143-202, plates 1-5, 20 figures in text Submitted by editors March 12, 1941 Issued October 23, 1942 Price, 75 cents UNIVESITY OF CALIFORNIA PRESS BERKELEY, CALIFORNIA CAM1BRDGE UNIVERSITY PRESS LONDON, ENGLAND PRINTED IN THE UNITED STATES OF AMERIOA CONTENTS PAGE METHOD AND MATERIAL ..................................................... 143 Revisions . ............................................................... 144 Paracas time periods: Caverns and Necropolis ................................ 145 TRAITS COMMON TO ALL PERIODS .............................................. 148 Paracas yarns . .......................................................... 149 Paracas loom types ....................................................... 151 Technical processes at Paracas ............................................. 152 Warp-weft techniques ................................................... 152 Plain weaves ................. ...................................... -
Make Your Own Cardboard Loom
Make Your Own Cardboard Loom Overview Though hand weaving was not as prevalent in the 1830s as it had been in the late 18th century, there were still people in rural communities who practiced the art of weaving on a loom. Participants in this activity will make their own simple loom from cardboard and try out a weaving project! Background Wool comes from sheep. Sheep were sheared by hand with a pair of shears (they look like big scissors). Sturbridge farmers clipped between 7000 and 9000 pounds of wool in 1835! The wool was then picked and cleaned, carded, spun, and woven into cloth. OSV’s sheep are bred to resemble the types of sheep you might have seen in New England during the time period. Before the Industrial Revolution, all cloth was woven on a loom, operated by a person. At OSV, you can see costumed historians making fabric on a loom at the Fenno House. Supplies ● Piece of cardboard--it doesn’t matter how big your cardboard is. It can be a square or a rectangle, long or wide. ● Scissors ● Ruler ● Pencil ● Yarn for weaving ● String for warping ● Fork (optional) ● Blunt sewing needle OR popsicle stick/small piece of cardboard to act as a shuttle Directions 1. Lay your ruler along the top of the cardboard. Use your pencil to make marks every ¼”. You will also want your notches to be about ¼” deep, so you can draw a full line if it will help you make the cuts all the same length. 2. Repeat step 1 along the bottom of your cardboard. -
Newsletter 39
77 ` DIARY DATES – (WHAT’S ON) LFHHS IRISH ANCESTRY GROUP The Gazette All meetings held at The LFHHS Resource Centre, 2 Straits, Oswaldtwistle. § www.lfhhs-pendleandburnley.org.uk Advice & Research Workshop Pendle & Burnley Saturday 14th August 2010, 1 pm to 4.30 pm Branch Issue 39 - July 2010 § Irish War Memorials Mike Coyle Saturday 9th October 2010, 1pm to 4.30pm Inside this Issue Archive Closures & News 14 LancashireBMD 3 Programme 3 § Advice & Research Workshop Diary Dates 2 Lancashire R.O. 15 Query Corner 18 Saturday 4th December 2010, 1 pm to 4.30 pm Federation News 15 Library 3 Society Resource Centre 2 Enquiries – Shaun O'Hara, 8 Liddington Close, Newfield Park, Blackburn, Heirs House, Colne 14 News from TNA 13 Society Special offer 3 BB2 3WP. e-mail: [email protected] Heritage Open Days List 18 Probate Records in 15 Sutcliffes of Pendleton 4 LFHHS CHORLEY BRANCH "Celebration of Family History" Nelson and areas around Astley Hall, Chorley PR7 1NP Saturday 7th August 2010 11am to 5 pm Admission Free HERITAGE OPEN DAYS 9th to 12th September 2010 THE NATIONAL FAMILY HISTORY FAIR Explore the heritage buildings in our area or even further afield – Barnoldswick, Newcastle Central Premier Inn, Newbridge St., Newcastle Upon Tyne, NE1 8BS Blackburn, Blackpool, Chorley, Fleetwood, Lancaster, Nelson, Ormskirk, Preston. Saturday 11th September 2010, 10am to 4pm See the website http://www.heritageopendays.org.uk/directory/county/Lancashire Admission £3, Children under 15 free for a list of many of the places that will be open. Examples in our area DONCASTER LOCAL HISTORY FAIR Queen Street Mill Textile Museum, Queen Street, Harle Syke, Burnley BB10 2HX Doncaster Museum and Art Gallery, Chequer Road, Doncaster, DN1 2AE open Sun 12th September, 12noon to 5pm Saturday, 18th September 2010, Gawthorpe Hall, Padiham open Sun 12th September, 1pm to 4.30pm 10am to 4pm St Mary's Church, Manchester Road, Nelson and Higherford Mill, Barrowford NORTH MEOLS (SOUTHPORT) FHS ANNUAL OPEN DAY open Thurs 9th September to Sunday 12th September 11am to 4 pm on all days. -
A Special and Unusual Loom Frame from the First Half of the Nine
FINDING THE THREAD RESTORATION OF A PROFESSIONAL WEAVER'S LOOM Rabbit Goody A special and unusual loom frame from the first half of the nine teenth century now in the collection of the Ontario Agricultural Mu seum, Milton, Ontario,1 has provided an opportunity to examine some of the specialized equipment used by weavers in the nineteenth century to weave cloth with speed, intricate geometric patterns, and/or accommodate longer lengths of cloth. Surviving examples of cloth have made it apparent that trained weavers, weaving fancy cloth during the nineteenth century were using more complex equipment than that commonly associated with home textile produc tion. However, until now surviving examples of the equipment have been scarce. The museum's loom is one of a small number that can be linked to the production of the more complex cloths of this pe riod. At least, it has specialized equipment which professional weavers might choose to place on their looms. It is the most com plete example currently known. In their book, "Keep Me Warm One Night", Dorothy and Harold Burnham have identified this loom as being a professional weaver's loom because of its specialized features.2 It is being restored for the purpose of reproducing some of the more intricate cloth woven by professional weavers in the Niagara Peninsula. The survival of this loom frame, with its special features, has made it possible to set certain criteria for identifying other looms used by professionals and to corroborate the descrip tions of equipment and methods found in publications and manuscripts from the last half of the eighteenth century and early nineteenth century used to weave fancy cloth rapidly by profes sionals. -
Cotton and the Community: Exploring Changing Concepts of Identity and Community on Lancashire’S Cotton Frontier C.1890-1950
Cotton and the Community: Exploring Changing Concepts of Identity and Community on Lancashire’s Cotton Frontier c.1890-1950 By Jack Southern A thesis submitted in partial fulfillment for the requirements for the degree of a PhD, at the University of Central Lancashire April 2016 1 i University of Central Lancashire STUDENT DECLARATION FORM I declare that whilst being registered as a candidate of the research degree, I have not been a registered candidate or enrolled student for another aware of the University or other academic or professional institution. I declare that no material contained in this thesis has been used for any other submission for an academic award and is solely my own work. Signature of Candidate ________________________________________________ Type of Award: Doctor of Philosophy School: Education and Social Sciences ii ABSTRACT This thesis explores the evolution of identity and community within north east Lancashire during a period when the area gained regional and national prominence through its involvement in the cotton industry. It examines how the overarching shared culture of the area could evolve under altering economic conditions, and how expressions of identity fluctuated through the cotton industry’s peak and decline. In effect, it explores how local populations could shape and be shaped by the cotton industry. By focusing on a compact area with diverse settlements, this thesis contributes to the wider understanding of what it was to live in an area dominated by a single industry. The complex legacy that the cotton industry’s decline has had is explored through a range of settlement types, from large town to small village. -
The Textile Machinery Collection at the American Textile History Museum a Historic Mechanical Engineering Heritage Collection
THE TEXTILE MACHINERY COLLECTION AT THE AMERICAN TEXTILE HISTORY MUSEUM A HISTORIC MECHANICAL ENGINEERING HERITAGE COLLECTION Textiles are an important part of our everyday lives. They clothe and comfort us, protect our first-responders, Introduction filter the air in our automobiles, and form the core of the fuselage in our newest aircraft. We enjoy their bright colors, wrap up in their warmth, and seldom give a second thought to how they make bicycles stronger and lighter or how they might be used to repair our vital organs. As textiles have changed from the first simple twisted fibers to high-tech smart fabrics, the tools and machinery used to make them have evolved as well. Drop spindles and spinning wheels have given way to long lines of spinning frames. And looms now use puffs of air instead of the human hand to insert the weft thread in a growing length of fabric. During the eighteenth and nineteenth centuries, textile manufacture was the catalyst for the Industrial Revolution in America. It was the leading edge in the transformation from an agricultural to a manufacturing economy and started the move of significant numbers of people from rural areas to urban centers. With industrialization came a change in the way people worked. No longer controlled by natural rhythms, the workday demanded a life governed by the factory bell. On the consumer side, industrialization transformed textiles from one of a person’s most valuable possessions to a product widely available at incredibly low prices. For more than a century, textile mills in Great Britain and the United States dominated textile production and led the industrial revolution in both Europe and North America. -
Sebuah Kajian Pustaka
International Journal of Engineering, Science and Mathematics Vol. 6Issue 7, November 2017, ISSN: 2320-0294 Impact Factor: 6.765 Journal Homepage: http://www.ijesm.co.in, Email: [email protected] Double-Blind Peer Reviewed Refereed Open Access International Journal - Included in the International Serial Directories Indexed & Listed at: Ulrich's Periodicals Directory ©, U.S.A., Open J-Gage as well as in Cabell’s Directories of Publishing Opportunities, U.S.A POWER DRIVEN LOOMS: THE INDIAN DECENTRALISED TEXTILE SECTOR* * Dr. Durgesh Kumar Srivastava, Assistant Prof. Sociology, Pt. Deen Dayal Upadhyaya Government Degree College, Saidpur, Ghazipur U.P., Abstract The powerloom industry came to be a successor and extension of the handloom industry. It was therefore obvious that handloom centers in the country developed into powerloom centers also. Of course, there were some other centers which developed independently as powerloom centers for different reasons. The main ailment of the power loom industry is that a large portion of it depends upon the private spinners for the supply of yarn and on the master weavers for the processing of cloth, its sale, etc. The imbalance in the weaving and spinning capacity and lack of a co-operative infrastructure for pre and post weaving facilities have been causing acute economic hardships to the weavers. Besides, as their services are not institutionalized, they have to forgo the commercial gains of their labour and have been reduced to the position of hired labour. The vast majorities of power loom weavers fall in the lowest income group. Majority of them work for master weavers who exploit them by manipulating the prices of raw materials as well as finished goods to their own advantage. -
NEEDLEWORK / FIBER Introduction to Inkle Weaving
Inkle and Tablet Weaving Next Steps – Beyond the Basics A lecture and discussion class covering inkle and tablet (card) weaving techniques that go beyond warp based designs. Class will cover: Patterning using brocading and pickup work; adding beads, loops, bells, and fringe; adding and removing warp threads; using multiple shuttles. There are no hands on activity in the class; we’ll have descriptive handouts, samples, demos, and discussion. I. Who am I: Mistress Lynnette de Sandoval del Valle de los Unicornios … [email protected] II. Who are you? A. Lots of Inkle? B. Other weaving? C. Bring anything to share? III. Art vs. Functionality A. What does that mean? B. Who cares? C. Is inkle weaving Period? 1. The looms we use – no 2. Warp faced weaving – yes! D. What do you expect in the way of wear and tear IV. Adding stuff to the Warp and Weft threads A. Adding sticks / feathers / etc 1. Lay in while weaving 2. Sticks wider than loom 3. Should you glue at edge ???? 4. Christmas Tree 5. Spacing: Count Warp threads / measure B. Measure: Pre-measured / knotted non-stretch cord 1. Weaving Multiple, measured strips in one warping C. Concept: Secondary Weft 1. What is it? a) Additional Weft thread(s) 2. Why? a) Main Weft holds the weaving together b) Secondary Weft adds style elements 3. Disadvantages a) Adds thickness to rows 1) Use thinner / softer yarn if possible 2) Beat down harder b) Shows at salvages 1) Use same or complementary color if possible 2) Monofilament thread / fish line @Debbie Coyle (Unicorn Fiber Arts) & Angela of Rosebury p.