DOCSLIB.ORG

|||GRATIS||| Jan Van Gilse Stryder En Idealist Ebook

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
|||GRATIS||| Jan Van Gilse Stryder En Idealist Ebook JAN VAN GILSE STRYDER EN IDEALIST GRATIS EPUB Auteur: Dyk Aantal pagina's: none pagina's Verschijningsdatum: none Uitgever: none||9789060275375 EAN: nl Taal: Link: Download hier Download PDF Online Stormwind Jan Pieter Hendrik van Gilse Rotterdam11 mei — Oegstgeest8 september was een Nederlandse componistdirigentvoorvechter van auteursrechten voor musici en verzetsman. Jan van Gilse was de zoon van journalist en politicus Jan Albert van Gilse. Dit stelde hem in staat om een jaar lang in Rome te studeren. Hierdoor werd het mogelijk de rechten van componisten te verdedigen en ook vergoedingen Jan van gilse stryder en idealist te eisen die de componisten toekwamen. Jan van gilse stryder en idealist Gilse dirigeerde vanaf eerst enige jaren in Bremen. Hij had succes bij het Utrechtse publiek, maar trad af wegens een conflict met het bestuur. Het ging over Van Gilses verzoek om de componist en muziek criticus Willem Pijper — die in het Utrechts Dagblad zijn inspanningen "fnuikend voor het muziekleven" noemde — de toegang tot de concerten te ontzeggen. De sarcastische toon van Pijpers recensies was zeer onaangenaam jegens Van Gilse, die dit conflict niet kon winnen. Hij gooide, moegestreden en overspannen, in Jan van gilse stryder en idealist bijltje Jan van gilse stryder en idealist neer. De diepere achtergrond was een langdurig meningsverschil over de bespeling van de Utrechtse concertzaal Tivoli. Van Gilse verweet het USO-bestuur een belangentegenstelling, omdat het tegelijk de zeggenschap had over de zaal in de rol van verhuurder en het orkest als huurder. Willem Pijper, schoonzoon van de voorzitter, had hierin ondubbelzinnig de kant van het bestuur gekozen. Daarnaast ontstond in een heftige persoonlijke vete tussen Van Gilse en Pijper, die elkaar eerst wel hadden kunnen waarderen. Pijpers Eerste symfonie zou door het USO worden uitgevoerd, maar in plaats daarvan gunde hij de première aan het Concertgebouworkest onder Willem Mengelberg. Acht jaar later, toen hij het gevoel had enige afstand van de hele kwestie genomen te hebben, zette Van Gilse de geschiedenis van zijn Utrechtse periode op papier. Hij ging in dit autobiografisch geschrift niet over één nacht ijs: het voltooide relaas telt circa Hij nam evenmin een blad voor de mond. Catalogus van de Provinciale Bibliotheek van Zeeland » » - Pag. | Delpher Vertaalt en met Vaarsen verrykt door A. Tan Hie, Naspeuring van Bybel-tyden, of Tydtreekenkundige Bybel-openingen, van Genesis tot de Openbaaring van Joannes, met wegneeming van Schynstrydigheden, duidelijk en volzeeker, in hunne ordre aangeweezen. Met eenige weinige aanmerkingen, en noodige Registers door F. Amsteldam, Bijbelselie geschiedverhalen in tweemaal twee en vijftig lessen. In het Makassaarsch vertaald door B. Uitgegeven voor rekening van het Nederl. Met plu. In het Boegineesch vertaald door B. Uitgegeven voor rekening van liet Nederl. Bijbelselie verhalen, vertaald in het Niassisch dialect van de Batoe-eilanden door C. Jan van gilse stryder en idealist, Hikayet Isa, kaluar deri dalam indjil. The history of Jesus, extracted from the Gospels. Batavia, Terug naar Jan van gilse stryder en idealist. Permanente URL Titel. Zoomen en navigeren. Gevonden in dit boek Geen zoekvraag opgegeven. Full text of "Winkler Prins' Geïllustreerde encyclopaedie" Jan van Gilse received his musical education in Germany. His music developed into a synthesis of French impressionism and German romanticism. During the war, this socially engaged human being was fiercely anti-German. He had to pay a heavy price for his fighting spirit. He had two brothers and two sisters. His father was a lawyer, journalist and involved in political activism; from tohe Jan van gilse stryder en idealist a member of the government Liberal Union Party. At an early age, Jan knew that he wanted become a conductor and composer. He enrolled at the Conservatory Jan van gilse stryder en idealist Cologne in His teachers were Franz Wüllner for conducting and composition, and Max van de Sandt for piano. Still a student, he already enjoyed his first successes with his Concert Overture and 1st Symphony. After leaving Cologne, he continued his studies for some years with Engelbert Humperdinck in Berlin. Invan Gilse got his first job: rehearsal conductor at the Stadt Theater in Bremen. That same year he completed and conducted the performances of his 3rd symphony Erhebungin Bremen and Amsterdam. The work received a prestigious German music award, enabling him to work in Rome for two years. https://static.s123-cdn-static.com/uploads/4571150/normal_5fc5586357870.pdf https://cdn.sqhk.co/natalieraelim/jagej2n/the-rules-of-seduction-24.pdf https://static.s123-cdn-static.com/uploads/4574750/normal_5fc6a5db24ba3.pdf https://cdn-cms.f-static.net/uploads/4570567/normal_5fc386f05aa18.pdf https://cdn.sqhk.co/amymilleroo/clgggfS/the-body-ecology-guide-to-growing-younger-anti-ageing-wisdom-for-every-generation-89.pdf https://cdn.sqhk.co/ericaevansdv/fge6jdw/the-works-of-jonathan-edwards-freedom-of-the-will-volume-1-24.pdf.
Load more

Recommended publications
  • Augustin Hadelich Conor Hanick
    AUGUSTIN HADELICH VIOLIN CONOR HANICK DENVER PIANO NOVEMBER 8, 2017 LUDWIG VAN Sonata No. 4 in A minor, Op. 23 BEETHOVEN Presto (1770-1827) Andante scherzoso, più Allegretto Allegro molto JOHANNES Sonata No. 2 in A major, Op. 100 BRAHMS Allegro amabile (1833-1897) Andante tranquillo Allegretto grazioso (quasi andante) INTERMISSION STEPHEN HARTKE Netsuke: Six Miniatures for Violin and Piano (2011) (b. 1952) Tengu, the shapeshifter that feeds on the falsely holy Tadamori and the Oil-Thief Tanuki playing the samisen Baku, the monster that devours nightmares Demons carrying a rich man to Hell Jewel of Wisdom with mountain pavilions MAURICE RAVEL Sonata No. 2 in G major, Op. 77 (1875-1937) Allegretto Blues. Moderato Perpetuum mobile. Allegro PABLO DE “Zapateado” from Spanish Dances, Op. 23 SARASATE (1844-1908) AUGUSTIN AUGUSTIN HADELICH, VIOLIN HADELICH violin Augustin Hadelich has established himself as one of the great violinists of today. He has performed with every major orchestra in the U.S. as well as an ever-growing number of major orchestras in the UK, Europe, and Asia. One of the highlights of Mr. Hadelich’s 2017/2018 season will be a return to the Boston Symphony, performing the Ligeti Concerto with Thomas Adès on the podium, and featuring the U.S. premiere of Adès’s new cadenza for the concerto. Additional highlights include performances with the San Francisco Symphony and the symphony orchestras of Atlanta, Detroit, Houston, Indianapolis, Milwaukee, Nashville, Oregon, Pittsburgh, Seattle, St. Louis, and Utah. Abroad, Mr. Hadelich will play with the Seoul Philharmonic Orchestra, Polish National Radio Orchestra, the Lahti Symphony, Royal Scottish National Orchestra, The Hallé Orchestra, and the Orquesta Sinfónica de Castilla y León.
    [Show full text]
  • Radio 3 Listings for 20 – 26 June 2020 Page 1
    Radio 3 Listings for 20 – 26 June 2020 Page 1 of 23 SATURDAY 20 JUNE 2020 Der Geist hilft unser Schwacheit, BWV.226 Choir of Latvian Radio, Aivars Kalejs (organ), Sigvards Klava SAT 01:00 Through the Night (m000k3dq) (conductor) Chamber music from Belgrade 04:51 AM Concert by the Colluvio Chamber Music Academy in a Unico Wilhelm Van Wassenaer (1692-1766) programme of Beethoven, Shostakovich, Ravel and Copland. Concerto armonico no 6 in E flat major (from Sei Concerti Jonathan Swain presents. Armonici, 1740) Combattimento Consort Amsterdam, Jan Willem de Vriend 01:01 AM (conductor) Ludwig van Beethoven (1770-1827) Piano Trio in G, op. 121a, 'Ten Variations on ‘Ich bin der 05:01 AM Schneider Kakadu’' Antonio Vivaldi (1678-1741) Anastasia Galenina (piano), Hans Christian Aavik (violin), Pavle Trio sonata in D minor RV.63, Op.1`12 (La Follia) for 2 violins Popovic (cello) and continuo Il Giardino Armonico, Giovanni Antonini (director) 01:19 AM Dmitry Shostakovich (1906 -1975) 05:11 AM Piano Quintet in G minor, Op 57 Johan Peter Emilius Hartmann (1805-1900) Elena Ovcharenko (piano), Izmaylovsky Quartet 4 Caprices (Op.18:I) (1835) Nina Gade (piano) 01:54 AM Maurice Ravel (1875-1937) 05:22 AM Piano Trio in A minor Johannes Brahms (1833-1897) Pavle Popovic (cello), Ljubomir Trujanovic (violin), Antoine 3 Songs for chorus, Op 42 Pichon (violin) Danish National Radio Choir, Stefan Parkman (conductor) 02:21 AM 05:32 AM Aaron Copland (1900-1990) Alexis Contant (1858-1918) Vitebsk ('Study on a Jewish Theme') Les Deux Ames - overture Hans Christian
    [Show full text]
  • Deutsche Nationalbibliografie 2012 T 09
    Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2012 T 09 Stand: 19. September 2012 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2012 ISSN 1613-8945 urn:nbn:de:101-ReiheT09_2012-0 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde.
    [Show full text]
  • BENELUX and SWISS SYMPHONIES from the 19Th Century to the Present
    BENELUX AND SWISS SYMPHONIES From the 19th Century to the Present A Discography of CDs And LPs Prepared by Michael Herman JEAN ABSIL (1893-1974) BELGIUM Born in Bonsecours, Hainaut. After organ studies in his home town, he attended classes at the Royal Music Conservatory of Brussels where his orchestration and composition teacher was Paul Gilson. He also took some private lessons from Florent Schmitt. In addition to composing, he had a distinguished academic career with posts at the Royal Music Conservatory of Brussels and at the Queen Elisabeth Music Chapel and as the long-time director of the Music Academy in Etterbeek that was renamed to honor him. He composed an enormous amount of music that encompasses all genres. His orchestral output is centered on his 5 Symphonies, the unrecorded ones are as follows: No. 1 in D minor, Op. 1 (1920), No. 3, Op. 57 (1943), No. 4, Op. 142 (1969) and No. 5, Op. 148 (1970). Among his other numerous orchestral works are 3 Piano Concertos, 2 Violin Concertos, Viola Concerto. "La mort de Tintagiles" and 7 Rhapsodies. Symphony No. 2, Op. 25 (1936) René Defossez/Belgian National Orchestra ( + Piano Concerto No. 1, Andante and Serenade in 5 Movements) CYPRÈS (MUSIQUE EN WALLONIE) CYP 3602 (1996) (original LP release: DECCA 173.290) (1958) RAFFAELE D'ALESSANDRO (1911-1959) SWITZERLAND Born in St. Gallen. After some early musical training, he studied in Paris under the tutelage of Marcel Dupré (organ), Paul Roës (piano) and Nadia Boulanger (counterpoint). He eventually gave up composing in order to earn a living as an organist.
    [Show full text]
  • Symphonies Nos. 1 & 3
    FELIX MENDELSSOHN Symphonies nos. 1 & 3 Complete symphonies vol. 2 THE NETHERLANDS SYMPHONY ORCHESTRA Jan Willem de Vriend 1 FELIX MENDELSSOHN Symphonies nos. 1 & 3 Complete symphonies vol. 2 THE NETHERLANDS SYMPHONY ORCHESTRA Jan Willem de Vriend FELIX MENDELSSOHN (1809-1847) Symphony no. 1 op. 11 in C minor [1] Allegro di molto 10:20 [2] Andante 6:20 [3] Menuetto: allegro molto 6:01 [4] Allegro con fuoco 8:22 Symphony no. 3 op. 56 (Scottish) in A minor [5] Introduction und Allegro agitato 15:38 [6] Scherzo assai vivace 4:17 [7] Adagio cantabile 8:25 [8] Allegro guerriero und Finale maestoso 10:20 Total time: 69:50 4 5 6 7 Where is Mendelssohn? that his music isn’t being played more often. There are Beethoven, Brahms or Schumann programs all over the place, but where is Mendelssohn? Jan Willem de Vriend and the Netherlands Symphony Orchestra set out to Let me repeat: where is Mendelssohn?” record the complete symphonies of Felix Mendelssohn. Ruud Meijer talks to him about his love for one of the most neglected geniuses. Why has Mendelssohn’s music been neglected for so long? What is so special about the Mendelssohn symphonies? “Maybe it was hard for us to accept that a 15-year-old boy (or a 17-year-old, or a 19-year-old for that matter) was able to compose music in such a masterly “What is particularly amazing about the Mendelssohn symphonies is the fact way. He composed his first symphony when he was only 15 – and it is a masterly that he is both harking back to old masters like Bach, and, as a child of his time, score.
    [Show full text]
  • LUDWIG VAN BEETHOVEN the Complete Piano Concertos Hannes Minnaar Jan Willem De Vriend the NETHERLANDS SYMPHONY ORCHESTRA Orkest Van Het Oosten
    3 CD-SET LUDWIG VAN BEETHOVEN The Complete Piano Concertos Hannes Minnaar Jan Willem de Vriend THE NETHERLANDS SYMPHONY ORCHESTRA 1 LUDWIG VAN BEETHOVEN The Complete Piano Concertos Hannes Minnaar Jan Willem de Vriend THE NETHERLANDS SYMPHONY ORCHESTRA orkest van het oosten 2 CD1 CD2 LUDWIG VAN BEETHOVEN (1770-1827) LUDWIG VAN BEETHOVEN (1770-1827) Piano Concerto No. 2 in B flat Major, Op. 19 Piano Concerto No. 3 in C Minor, Op. 37 [1] Allegro con brio 14:23 [1] Allegro con brio 17:10 [2] Adagio 7:29 [2] Largo 7:47 [3] Rondo: Allegro molto 6:11 [3] Rondo: Allegro 9:40 Piano Concerto No. 1 in C Major, Op. 15 [4] Allegro con brio 17:49 total time 34:40 [5] Largo 10:13 [6] Rondo: Allegro 8:50 total time 64:59 4 5 CD3 Beethoven wrote five concertos for piano and orchestra. It doesn’t sound like much; his near-contemporary Mozart composed 27. But although it may be a LUDWIG VAN BEETHOVEN (1770-1827) bit smaller, Beethoven’s contribution is a true monument in the history of music. He used the first two concertos to move away from his example, Mozart (whose Piano Concerto No. 4 in G Major, Op. 58 last piano concerto was from 1791, while Beethoven completed his first in 1795); [1] Allegro moderato 17:23 in Concerto No. 3 Beethoven carved out new dimensions for the genre’s dramatic [2] Andante con moto 4:52 possibilities. And Concertos nos 4 and 5 have proved to be unmatched in their [3] Rondo: Vivace 10:16 genre: the radiant Concerto No.
    [Show full text]
  • 30 November 2018 Page 1 of 21
    Radio 3 Listings for 24 – 30 November 2018 Page 1 of 21 SATURDAY 24 NOVEMBER 2018 Scherzo No 2 in B flat minor, Op 31 Alex Slobodyanik (Piano) SAT 01:00 Through the Night (m00018bq) Chamber music from Switzerland 04:50 AM Camerata Variabile Basel in a programme of Debussy, Jolivet, John Carmichael (b.1930), Michael Hurst (Arranger) Couperin and Ravel. Catriona Young presents. A Country Fair arr. Hurst for orchestra Jack Harrison (Clarinet), West Australian Symphony Orchestra, 01:01 AM Richard Mills (Conductor) Claude Debussy (1862-1918) Premiere Rhapsodie 05:01 AM Camerata Variabile Basel Ludwig van Beethoven Coriolan - overture Op.62 01:09 AM BBC Scottish Symphony Orchestra, Donald Runnicles Andre Jolivet (1905-1974) (Conductor) Le Chant de Linos Camerata Variabile Basel 05:09 AM Giovanni Battista Vitali (1632-1692),Francesco Corbetta 01:21 AM Toccata, Chiaccona (Vitali); Caprice de chaccone (Corbetta) Thomas Kessler (b.1937) United Continuo Ensemble Lost Paradise Camerata Variabile Basel 05:19 AM Joseph Haydn (1732-1809) 01:37 AM (Grosses) Te Deum in C major (Hob XXIIIc:2) Rudolf Kelterborn (b.1931) Netherlands Radio Choir, Netherlands Radio Chamber Lichtmomente Orchestra, Antoni Ros-Marbà (Conductor) Camerata Variabile Basel 05:28 AM 01:49 AM Wolfgang Amadeus Mozart (1756-1791) François Couperin (1668-1733) Sonata for piano duet in B flat major (K.358) Forlane Leonore von Stauss (Fortepiano), Wolfgang Brunner Camerata Variabile Basel (Fortepiano) 01:53 AM 05:40 AM Maurice Ravel (1875-1937) Johann David Heinichen (1683-1729) Le Tombeau de Couperin Concerto in G major for flute, bassoon, cello, double bass and Camerata Variabile Basel harpsichord Vladislav Brunner jr.
    [Show full text]
  • Willem Pijper: an Aper.;Ul
    AUGUSTINUS P. DIERICK, UNIVERSITY OF TORONTO Willem Pijper: an aper.;ul "After Sweelinck the Netherlands produced all Mahler. At the same time, Dutch composi­ practically no composers for three hundred tions were being published by A. A Noske in years. But the 20th century has seen the birth Middelburg. Finally, a new generation of of a flourishing school which, in reacting composers began to make itself heard. against the strong influence of the 19th century, accepted the hegemony of French First and foremost among these was music." Thus the Larousse Encyclopedia of Bernard Zweers. Although trained in Leipzig, Music. 2 Although in its baldness this state­ Zweers was the first to make a serious bid for ment is correct neither about the lack of an independent nationalistic style, especially composers nor, in this radical form, about the in his Third Symphony, To My Fatherland, of hegemony of French music, it is nevertheless 1890. He was followed closely by Alphons true that the 17th, 18th and 19th centuries Diepenbrock, a composer of large choral and were heavily dominated by foreign compos­ orchestral works. It was Diepenbrock above ers and performers, with the result that, all who initiated the shift from Germanic to without national content and without inter­ French influences mentioned above: from national quality, the music of this period is at Wagner to Debussy, and from German Lieder best competent, often only of historical on texts of the Romantics (e.g. Hymnen an die interest. 3 Nacht on texts by Novalis) to vocal works on poems by Baudelaire, Verlaine and Laforgue.
    [Show full text]
  • Stanislav Kochanovsky - Direttore D'orchestra
    Stanislav Kochanovsky - direttore d'orchestra Stanislav Kochanovsky nasce e studia a San Pietroburgo ed è oggi considerato tra i più brillanti e promettenti giovani direttori russi. Con una profonda conoscenza ed esperienza del repertorio sinfonico ed operistico maturata durante i suoi anni formativi come direttore residente del Mikhailovsky Theatre e come Direttore Principale della State Safonov Philharmonic Orchestra, Kochanovsky sta ora ricevendo attenzione dalle orchestre e teatri d’opera di tutto il mondo. Ospite regolare dell'Orchestre de Paris, dell'Orchestra dell'Accademia Nazionale di Santa Cecilia, della Rotterdam Philharmonic, Netherlands Radio Philharmonic, Philharmonia Orchestra londinese, Oslo Philharmonic, Danish National Symphony, Netherlands Philharmonic, Dresden Philharmonie, Orchestre Philharmonique di Monte-Carlo, Malaysian Philharmonic e delle principali orchestre russe fra le quali la St. Petersburg Philharmonic, la Mariinsky Orchestra, la Russian National Orchestra, la National Philharmonic of Russia e la Moscow Philharmonic Orchestra, Stanislav Kochanovsky ha recentemente riscosso un grande successo nei suoi debutti con la Royal Concertgebouw Orchestra, i Wiener Symphoniker, la City of Birmingham Symphony Orchestra, la HR-Sinfonieorchester di Francoforte, la Royal Stockholm Philharmonic e la Israel Philharmonic. In seguito al grande successo del suo debutto al Verbier Festival nel 2017 con la Verbier Festival Academy, è ormai ospite regolare dirigendo ogni anno un’opera in concerto: Eugene Onegin (2017), Rigoletto (2018), Die Zauberflöte (2019), e un programma sinfonico con i solisti Lucas Debargue e Mikhail Pletnev. Tornerà al prestigioso festival svizzero nel 2022 con Hansel e Gretel. È inoltre ospite regolare dello Stars of the White Nights di San Pietroburgo, del Klarafestival di Bruxelles e di MITO SettembreMusica di Milano e Torino.
    [Show full text]
  • ACDOH114-2.Pdf
    Canto Ostinato Simeon Ten Holt Noord Nederlands Orkest Conducted By: David Porcelijn Assistant conductor: Kent Moussault Blu-ray Disc Canto Ostinato - 48:10 - (CD 1) Una Musique Blanche for Orchestra - 14:59 (CD 2, Track 1) Centrifuga - 48:51 (CD 2, Track 2) Pure Audio Blu-ray can be operated in two ways: by on-screen menu navigation or by remote control without a TV screen. Remote control operation is as easy as with a CD: besides the standard transport controls the numeric keys directly access the corresponding track number and the desired audio stream can be selected by the coloured keys on the remote control. For example, press the red button for 5.1 DTS HD Master or yellow for 2.0 LPCM. Pure Audio Blu-ray plays back on every Blu-ray player. 5.1 DTS HD MA 24/192kHz 2.0 LPCM 24/192kHz 7.1.4 Dolby Atmos 48kHz 5.1.4 Auro-3D 96kHz Plus MP3, MQA and FLAC Noord Nederlands Orkest CantoPhoto © Mariska de Groot Ostinato Simeon ten Holt was born in Bergen (The Netherlands) to painter Henri ten score. After this Ten Holt rearranged the score a number of times leading to the fact that a Holt en Catharina Maria Cox on the 24th of January 1923. After his initial studies in number of different versions of the work exist. In 2016 Anthony Fiumara orchestrated the work composition with Jacob van Domselaer he continued his education in 1949 at the École for the Residentie Orkest in the Hague and through this process the piece took on a new allure.
    [Show full text]
  • Carrying Our Ambitions Forward
    2018 ANNUAL REPORT Carrying our ambitions forward The Utrecht University Fund has made a number of fantastic projects possible in 2018. Young researchers in Internal Medicine are receiving support for their scientific research thanks to a very special legacy. // page 14 Student of Veterinary Medicine Anne Tersmette took part in the European Championship for Haflinger horses. // page 24 FOREWORD CONTENTS Carrying our 2018 ANNUAL FIGURES 4 UTRECHT UNIVERSITY ALUMNI 6 ambitions forward UTRECHT UNIVERSITY FUND 7 In this Annual Report of the Utrecht University Fund, ‘The Bright Minds Fellowship allowed we look back on 2018. It was a year that began with me to discover where my talents lie’ a new initiative and ended with a remarkable bequest. Friends 8 It was also a year in which we raised an exceptional amount of funding to support us as we work to attain The therapeutic effects of our objective: to help our university grow and flourish. exercise on cancer patients Equity fund 12 During a festive dinner in February, we presented the first-ever Agnites Vrolik Award to Daphina Misiedjan, who won the prize for her research into sustainable water management. Through this Award, our fund supports talented scientists who are 1.2 million for contributing to finding answers to current societal issues. At the end of the year, Utrecht University received the largest legacy in its history. The remarkable story of alumna medical research Annie van Leerzem can be found on page 14. In December of last year, the foundation Legacy 14 known as ‘Stichting Jubileumfonds Veeartsenijkundige Hoogeschool 1921’ transferred its assets to the Utrecht University Fund.
    [Show full text]
  • Deutsche Nationalbibliografie
    Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2016 T 09 Stand: 21. September 2016 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2016 ISSN 1613-8945 urn:nbn:de:101-201512111867 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde.
    [Show full text]