The Pseudo-Senecan Seneca on the Good Old Days: the Motif of the Golden Age in the Octavia
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Donovan B.A., Cornell University, 2003
Literary and Ideological Memory in the Octavia by Lauren Marie Donovan B.A., Cornell University, 2003 A dissertation submitted in partial fulfillment of the requirements for the Degree of Doctor of Philosophy in the Department of Classics at Brown University PROVIDENCE, RHODE ISLAND MAY 2011 © Copyright 2011 by Lauren M. Donovan This dissertation by Lauren Marie Donovan is accepted in its present form by the Department of Classics as satisfying the dissertation requirement for the degree of Doctor of Philosophy Date John Bodel, Advisor Recommended to the Graduate Council Date Shadi Bartsch, Reader Date Jeri DeBrohun, Reader Date Joseph Reed, Reader Approved by the Graduate Council Date Peter M. Weber, Dean of the Graduate School iii Curriculum Vitae Lauren Donovan was born in 1981 in Illinois, and spent her formative years in Concord, Massachusetts. She earned a B. A. summa cum laude in Classics from Cornell University in 2003, with a thesis titled “Ilia and Early Imperial Rome: The Roman Origin Legend in Text and Art” and received the Department of Classics prize in Latin upon graduation. Before beginning her graduate work at Brown University, Lauren taught Latin and Greek at the high school level for two years. During her graduate career, Lauren has presented talks on many topics including the idea of learnedness in Apuleius’ Metamorphoses, the role of Prometheus in Apollonius’ Argonautica, and various aspects of her dissertation work on the Octavia. She has also been the recipient of the Andrew W. Mellon Fellowship in Humanistic Studies (2005) and the Memoria Romana Dissertation Fellowship (2010). She is currently a visiting instructor at Wesleyan University. -
Notes on Seneca's Trojan Women for Vce Students
NOTES ON SENECA’S TROJAN WOMEN FOR VCE STUDENTS Betty Gabriel-Jones Seneca’s Trojan Women, is, like most of his plays, modelled on a Greek original, Eurip- ides’ Women of Troy. However, he brings a distinctly Roman attitude to his plays, an attitude no doubt at least partly formed by a life led in and around the courts of the Julio-Claudian emperors. Seneca thrived under Tiberius, fell out of favour with Caligula, returned to Rome on Caligula’s death, was exiled by Claudius, then recalled, became influential at the court of Nero (indeed was probably the second most powerful man in Rome, after the emperor) and was eventually sentenced to death by Nero. This eventful and, one assumes, stressful life surely played a part in his somewhat pessimistic view of life. It is hard to see how this could not be the case. After all, his protégé, Nero, murdered his own stepbrother, his stepsister/wife and his mother Agrippina. His second wife, whom he supposedly loved, he kicked to death in a drunken rage. Witnessing such events, even if one were not involved, would not lead one to see life as a sunny, cheerful affair. And Seneca was not uninvolved. He was no innocent, and may even have condoned the killing of Agrippina; certainly he composed a speech for Nero in which he justified his action. In addition to all this, Seneca lived in a Rome where bloody and murderous games were the staple entertainment of the masses. By philosophy, Seneca was a stoic—that is to say, he advised a life designed around ra- tional behaviour, modesty, and discipline. -
The Portrayal of Seneca in the Octavia and in Tacitus’ Annals
SYMBOLAE PHILOLOGORUM POSNANIENSIUM GRAECAE ET LATINAE XXVII/3 • 2017 pp. 169–187. ISSN 0302-7384 dOI: 10.14746/sppgl.2017.XXVII.3.11 JAkub Pigoń University of wrocław THE PORTRAYAL OF SENECA IN THE OCTAViA AND IN TACITUS’ ANNALs abstraCt. Pigoń Jakub, The Portrayal of Seneca in the Octavia and in Tacitus’ Annals The paper examines the representation of Seneca in two literary works of the late 1st and early 2nd centuries Ad, the anonymous tragedy Octavia and the Annals by Tacitus. In the Octavia Seneca appears as the emperor Nero’s upright but unhappy teacher trying in vain to inculcate salutary advice to his master. There is no question of his being responsible for the crimes of Nero; the picture of him drawn in the play is wholly favourable. The portrayal of Seneca in Tacitus’ Annals is more complex and nuanced, and only seldom does the historian give his own views about Nero’s advisor. However, it would be wrong to suppose that Seneca is harshly criticised by Tacitus. keywords: Seneca the Younger; Octavia praetexta; Tacitus; Nero; characterisation in literature; Roman literature (1st and 2nd cent. Ad); Roman Empire Seneca the Younger as a man, philosopher, statesman and writer, was judged by his contemporaries and posteriors in many various ways, arousing great emotions (both positive and negative) – and leaving few indifferent. I have written elsewhere about the way he was presented in the Roman literature of the Early Empire (from Seneca the Elder to Aulus Gellius).1 Here, I would like to take a closer look at two texts particularly important in the history of the early reception of Seneca – an unknown author’s tragedy Octavia (probably written right after Nero’s death in June 68 or in the 70s of the 1st century2), and Cornelius Tacitus’ historical work, the Annals (usually dated to the second decade of the 2nd century). -
The Darkness of Man: a Study of Light and Dark Imagery in Seneca's
The Darkness of Man: A Study of Light and Dark Imagery in Seneca’s Thyestes and Agamemnon A Senior Thesis in Classics The Colorado College In Partial Fulfillment of the Requirements for the Degree Bachelor of Arts By Emily Kohut May 2016 Kohut 1 Acknowledgments I would like to give my deepest and heartfelt thanks to Colorado College’s Classics department. Thank you Owen Cramer, Sanjaya Thakur, Marcia Dobson, and Richard Buxton for all of your help, edits, and advice throughout the course of my time here at CC and especially while working on this project. Thank you to my family and friends for supporting me through this whole process and to the many others who have been involved in my time here at CC. This has been an amazing experience and I could not have done it without all of you. Thank you very much. Kohut 2 The Darkness of Man: A Study of Light and Dark Imagery in Seneca’s Thyestes and Agamemnon Seneca’s Thyestes and Agamemnon are texts in which light rarely presents itself, instead it is dark that is present from start to finish. Throughout the course of these texts, I take note of the use and presence, or lack, of light. There appear to be two specific uses of light that serve specific purposes in Thyestes and Agamemnon: natural light (generally indicated with primarily die- or luc-1 based words), and artificial light (referenced by words related to/derived from flamma or ardeo2). Natural light is prominently used only when discussing its being consumed by darkness, while artificial light appears in passages saturated with destruction and chaos. -
AGAMEMNON PROLOGUE: Lines 1-39
AGAMEMNON PROLOGUE: Lines 1-39 GUARD: Watching from a WatchTower in Argos for the beacon of light announcing the fall of Troy! Laments of how long he has waited and watched with “elbow-bent, doglike,” without sleep. At prologues end, the beacon of light has brightened the sky. Guard has much joy, and hope that this will turn the house around. Imagery: Light/ Dark Lines 16-18: We know there is something amiss with how the house is being “administered.” The mix of anticipation and foreboding sets mood of the play. Something’s Coming. PARADOS: Prelude Lines 40- 103 What Character is the Chorus Playing? Lines 72-76 PRELUDE Continued WHAT’S GOING ON? - Trojan War has just ended after 10 years, but how did it began? MENELAUS- KING OF SPARTA AGAMEMNON- KING OF ARGOS/ BROTHER OF MENELAUS Vs. PARIS (ALEXANDER)- PRINCE OF TROY HELEN- Once Wife of Menelaus now Wife of Paris (Clytemnestra's Sister) “Promiscuous Girl, Stop Teasing Me” NESTRA: WAIT, SO MY HUSBAND LEFT TO FIGHT A WAR TO FORCE MY \ SISTER TO STAY MARRIED TO HIS BROTHER? CHORUS: YES, CLYTEMNESTRA. NESTRA: ALRIGHT, COOL. SO, I’M JUST GONNA TRY TO TAKE CARE OF THIS KINGDOM OF ARGOS THEN, I GUESS. CHORUS: BUT, WHY ARE YOU BURNING ALL THESE SACRIFICES FOR THE GODS AND ORDERING ALL THESE CELEBRATIONS? NESTRA: WELL… CHORUS: IMMA LET YOU FINISH BUT, I GOTTA TELL YOU ABOUT THIS OTHER MESS REAL QUICK.. PARADOS: Three-Part ODE Part One: STROPHE (East To West, or From Stage Right) ANTISTROPHE (West to East, or From Stage Left) EPODE (From Center, could be by one member of chorus or multiple) CALCHAS: I’m a Soothsayer and those two eagles eating that pregnant rabbit means VICTORY for the two brothers! ARTEMIS: Yes, but those eagles killed a pregnant rabbit. -
Stoicism and the Virtue of Toleration
STOICISM AND THE VIRTUE OF TOLERATION John Lombardini1 Abstract: This article argues that the Stoics possessed a conception of toleration as a personal and social virtue. In contrast with previous scholarship, I argue that such a conception of toleration only emerges as a product of the novel conceptions of the vir- tue of endurance offered by Epictetus and Marcus Aurelius. The first section provides a survey of the Stoic conception of endurance in order to demonstrate how the distinc- tive treatments of endurance in Epictetus and Marcus Aurelius merit classification of a conception of toleration; the second section offers a brief reconstruction of the argu- ments for toleration in the Meditations. Introduction In his history of the concept of toleration, Rainer Forst identifies its earliest articulation with the use of tolerantia in Stoic philosophy. Though the word tolerantia first occurs in Cicero, it is used to explicate Stoic doctrine. In the Paradoxa Stoicorum, Cicero identifies the tolerantia fortunae (the endurance of what befalls one) as a virtue characteristic of the sage, and connects it with a contempt for human affairs (rerum humanarum contemptione);2 in De Finibus, endurance (toleratio) is contrasted with Epicurus’ maxim that severe pain is brief while long-lasting pain is light as a truer method for dealing with pain.3 Seneca, in his Epistulae Morales, also identifies tolerantia as a virtue, defending it as such against those Stoics who maintain that a strong endurance (fortem tolerantiam) is undesirable, and linking it -
Seneca: Apocolocyntosis Free
FREE SENECA: APOCOLOCYNTOSIS PDF Lucius Annaeus Seneca,P.T. Eden,P. E. Easterling,Philip Hardie,Richard Hunter,E. J. Kenney | 192 pages | 27 Apr 1984 | CAMBRIDGE UNIVERSITY PRESS | 9780521288361 | English | Cambridge, United Kingdom SENECA THE YOUNGER, Apocolocyntosis | Loeb Classical Library Rome,there have been published many other editions and also many translations. The following are specially noteworthy:. The English translation with accompanying largely plain text by W. Graves appended a translation to his Claudius the GodLondon The Satire of Seneca on the Apotheosis of Claudius. Ball, New York,has introduction, notes, and translation. Weinreich, Berlin, with German translation. Bibliographical surveys : M. Coffey, Seneca: Apocolocyntosis, Apocol. More Contact Us How to Subscribe. Search Publications Pages Publications Seneca: Apocolocyntosis. Advanced Search Help. Go To Section. Find in a Library View cloth edition. Print Email. Hide annotations Display: View facing pages View left- hand pages View right-hand pages Enter full screen mode. Eine Satire des Annaeus SenecaF. Buecheler, Symbola Philologorum Bonnensium. Leipzig, —Seneca: Apocolocyntosis. Petronii Saturae et liber Priapeorumed. Heraeus, ; and edition 6, revision and augmentation by W. Heraeus, Annaei Senecae Divi Claudii Apotheosis. Seneca: Apocolocyntosis, Bonn, Waltz, text and French translation and notes. Seneca, Apokolokyntosis Inzuccatura del divo Claudio. Text and Italian translation A. Rostagni, Seneca: Apocolocyntosis, Senecae Apokolokyntosis. Text, critical notes, and Italian translation. A Ronconi, Milan, Filologia Latina. Introduction, Seneca: Apocolocyntosis, and critical notes, Italian translation, and copious commentary, bibliography, and appendix. This work contains much information. A new text by P. Eden is expected. Sedgwick advises for various allusions to read also some account of Claudius. That advice indeed is good. -
CLAS 4000 Seminar in Classics on Seneca's Thyestes and LATN 4002 Roman Drama
CLAS 4000 Seminar in Classics on Seneca’s Thyestes and LATN 4002 Roman Drama http://myweb.ecu.edu/stevensj/CLAS4000/2016syllabus.pdf Prof. John A. Stevens Spring 2016 Office: Ragsdale 133 [email protected] Office Hours: TTh 11-1:30 and by appt. (252) 328-6056 Objectives. Upon completion of this course, you will be able to: • Situate Senecan tragedy in the contexts of Roman literature, history and political philosophy • Analyze the elements of Roman Stoicism present in Seneca’s Thyestes • Characterize contemporary literary approaches to the play • Evaluate the play’s literary and philosophical elements as an integral whole Writing Intensive (WI) CLAS 4000 is a writing intensive course in the Writing Across the Curriculum Program at East Carolina University. With committee approval, this course contributes to the twelve-hour WI requirement for students at ECU. Additional information is available at: http://www.ecu.edu/writing/wac/. WI Course goals: • Use writing to investigate complex, relevant topics and address significant questions through engagement with and effective use of credible sources; • Produce writing that reflects an awareness of context, purpose, and audience, particularly within the written genres (including genres that integrate writing with visuals, audio or other multi-modal components) of their major disciplines and/or career fields; • Understand that writing as a process made more effective through drafts and revision; • Produce writing that is proofread and edited to avoid grammatical and mechanical errors; • Ability to assess and explain the major choices made in the writing process. • Students are responsible for uploading the following to iWebfolio (via Courses/Student Portfolio in OneStop): 1) A final draft of a major writing project from the WI course, 2) A description of the assignment for which the project was written, and 3) A writing self-analysis document (a component of our QEP). -
The Imperial Cult and the Individual
THE IMPERIAL CULT AND THE INDIVIDUAL: THE NEGOTIATION OF AUGUSTUS' PRIVATE WORSHIP DURING HIS LIFETIME AT ROME _______________________________________ A Dissertation presented to the Faculty of the Department of Ancient Mediterranean Studies at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by CLAIRE McGRAW Dr. Dennis Trout, Dissertation Supervisor MAY 2019 The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled THE IMPERIAL CULT AND THE INDIVIDUAL: THE NEGOTIATION OF AUGUSTUS' PRIVATE WORSHIP DURING HIS LIFETIME AT ROME presented by Claire McGraw, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. _______________________________________________ Professor Dennis Trout _______________________________________________ Professor Anatole Mori _______________________________________________ Professor Raymond Marks _______________________________________________ Professor Marcello Mogetta _______________________________________________ Professor Sean Gurd DEDICATION There are many people who deserve to be mentioned here, and I hope I have not forgotten anyone. I must begin with my family, Tom, Michael, Lisa, and Mom. Their love and support throughout this entire process have meant so much to me. I dedicate this project to my Mom especially; I must acknowledge that nearly every good thing I know and good decision I’ve made is because of her. She has (literally and figuratively) pushed me to achieve this dream. Mom has been my rock, my wall to lean upon, every single day. I love you, Mom. Tom, Michael, and Lisa have been the best siblings and sister-in-law. Tom thinks what I do is cool, and that means the world to a little sister. -
Augustine's Criticisms of the Stoic Theory of Passions
Faith and Philosophy: Journal of the Society of Christian Philosophers Volume 20 Issue 4 Article 3 10-1-2003 Augustine's Criticisms of the Stoic Theory of Passions T.H. Irwin Follow this and additional works at: https://place.asburyseminary.edu/faithandphilosophy Recommended Citation Irwin, T.H. (2003) "Augustine's Criticisms of the Stoic Theory of Passions," Faith and Philosophy: Journal of the Society of Christian Philosophers: Vol. 20 : Iss. 4 , Article 3. DOI: 10.5840/faithphil20032043 Available at: https://place.asburyseminary.edu/faithandphilosophy/vol20/iss4/3 This Article is brought to you for free and open access by the Journals at ePLACE: preserving, learning, and creative exchange. It has been accepted for inclusion in Faith and Philosophy: Journal of the Society of Christian Philosophers by an authorized editor of ePLACE: preserving, learning, and creative exchange. AUGUSTINE'S CRITICISMS OF THE STOIC THEORY OF PASSIONS T.H.Irwin Augustine defends three claims about the passions: (1) The Stoic position dif fers only verbally from the Platonic-Aristotelian position. (2) The Stoic position is wrong and the Platonic-Aristotelian position is right. (3) The will is engaged in the different passions; indeed the different passions are different expressions of the will. The first two claims, properly understood, are defensible. But the most plausible versions of them give us good reason to doubt the third claim. 1. A full exploration of Augustine's reflexions on the nature of the passions would introduce us to some of his central moral and theological concems. I do not intend to undertake this full exploration. I want to discuss his claim about the proper interpretation of the Stoic conception of the passions in relation to the Platonic and Aristotelian view. -
Teknophagy and Tragicomedy: the Mythic Burlesques of Tereus and Thyestes
This is a repository copy of Teknophagy and Tragicomedy: The Mythic Burlesques of Tereus and Thyestes. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/126374/ Version: Accepted Version Article: Haley, M orcid.org/0000-0002-7697-3568 (2018) Teknophagy and Tragicomedy: The Mythic Burlesques of Tereus and Thyestes. Ramus, 47 (2). pp. 152-173. ISSN 0048-671X https://doi.org/10.1017/rmu.2018.12 © Ramus 2019. This article has been published in a revised form in Ramus: https://doi.org/10.1017/rmu.2018.12. This version is free to view and download for private research and study only. Not for re-distribution, re-sale or use in derivative works. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Ramus Submission 2017 Teknophagy and Tragicomedy: The Mythic Burlesques of Tereus and Thyestes Teknophagy (τεκνοφαγία), or child-eating, is an apt subject for tragedy. -
Apocolocyntosis De Providentia
Sêneca Apocolocyntosis De Providentia Belo Horizonte FALE/UFMG 2010 Diretor da Faculdade de Letras Sumário Luiz Francisco Dias Vice-Diretor Introdução . 5 Sandra Bianchet Heloísa Maria Moraes Moreira Penna Comissão editorial Apocolocyntosis Divi Clavdii / Apocoloquintose . 8 Eliana Lourenço de Lima Reis De Providentia / Da Providência . 35 Elisa Amorim Vieira Lucia Castello Branco Maria Cândida Trindade Costa de Seabra Maria Inês de Almeida Sônia Queiroz Capa e projeto gráfico Glória Campos Mangá – Ilustração e Design Gráfico Revisão e normalização Eduardo de Lima Soares Taís Moreira Oliveira Formatação Eduardo de Lima Soares Janaína Sabino Revisão de provas Martha M. Rezende Ramon de Araújo Gomes Endereço para correspondência FALE/UFMG – Setor de Publicações Av. Antônio Carlos, 6627 – sala 2015A 31270-901 – Belo Horizonte/MG Telefax: (31) 3409-6007 e-mail: [email protected] Introdução Na literatura latina, há diversos escritores que muito produziram e influenciaram as gerações posteriores com inúmeras e densas obras. Impressionam até hoje a prosa moral de Cícero, a irreverência lírica de Catulo, a grandiosidade épica de Virgílio, o rigor formal de Horácio, a ousadia contemporânea de Ovídio e a potência filosófica e trágica de Sêneca, só para citar alguns dos grandes nomes dessa literatura abrangente. É desse último autor de textos filosóficos, dramáticos e satíricos que vamos tratar na presente publicação. Lúcio Aneu Sêneca é um dos escritores mais lidos e comentados da literatura latina. Seus textos têm conteúdo atemporal por tratarem da alma humana, dos problemas que a afligem em qualquer época, e por servirem de conselheiros aos espíritos atormentados pelas questões existenciais. É fato que nascera numa época privilegiada e que tirara disso grande proveito: após a chamada Idade de Ouro da literatura latina, em que figuraram poetas de obras imortais, tais como Virgílio, Horácio, Propércio, Tibulo e Ovídio.