CLAA Newsletter – Summer 2017
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The South East and the Midwest of England Tour of Castles And
Welcome to The South East and the Midwest of England Tour of Castles and Mansions Explore and Feel the History A 14 day packaged Tour starting August 30, 2019 Leave your luggage at a Hotel location and enjoy up to 11 separate guided day tour trips staying at only 3 hotels returning to your accommodation each evening No daily unpacking and packing Total one price package to include: Domestic and International flights – Transportation to and from the Airport Hotel accommodation Bed and Breakfast Entrance Fees and Day time lunches as indicated From $2,573.00 Per Person Sharing plus Flight Costs $846.00 Supplement for Single Person Call Barry Devo 330 284 4709 (Est) Or email [email protected] Prepco Island Vacations and Tours LLC 3687 Dauphin Drive NE., Canton, OH 44721 ITINERARY OVERVIEW for A Tour of English Castles and Mansions DAY DATE DAY 1 Aug 30 Friday Depart US location 2 Aug 31 Saturday Arrive London Heathrow Airport. Lunch will be provided but dependent on flight arrival time. Meet and travel 10 Miles West to Windsor Hotel Bed and Breakfast for 2 nights 3 Sept 1 Sunday Day at Windsor Castle. Entrance Fee and Lunch included 4 Sept 2 Monday Check out Windsor Hotel travel 30 Miles to Tower of London. Entrance Fee and Lunch included followed by onward Travel 62 Miles to Canterbury Hotel Bed and Breakfast for 5 nights 5 Sept 3 Tuesday Travel 30 Miles to Leeds Castle. Entrance Fee and Lunch included 6 Sept 4 Wednesday Travel 65 Miles to Hever Castle. Entrance Fee and lunch included 7 Sept 5 Thursday Travel 37 Miles to Scotney Castle. -
The Capital Sculpture of Wells Cathedral: Masons, Patrons and The
The Capital Sculpture of Wells Cathedral: Masons, Patrons and the Margins of English Gothic Architecture MATTHEW M. REEVE For Eric Fernie This paper considers the sculpted capitals in Wells cathedral. Although integral to the early Gothic fabric, they have hitherto eluded close examination as either a component of the building or as an important cycle of ecclesiastical imagery in their own right. Consideration of the archaeological evidence suggests that the capitals were introduced mid-way through the building campaigns and were likely the products of the cathedral’s masons rather than part of an original scheme for the cathedral as a whole. Possible sources for the images are considered. The distribution of the capitals in lay and clerical spaces of the cathedral leads to discussion of how the imagery might have been meaningful to diCerent audiences on either side of the choir screen. introduction THE capital sculpture of Wells Cathedral has the dubious honour of being one of the most frequently published but least studied image cycles in English medieval art. The capitals of the nave, transepts, and north porch of the early Gothic church are ornamented with a rich array of figural sculptures ranging from hybrid human-animals, dragons, and Old Testament prophets, to representations of the trades that inhabit stiC-leaf foliage, which were originally highlighted with paint (Figs 1, 2).1 The capitals sit upon a highly sophisticated pier design formed by a central cruciform support with triple shafts at each termination and in the angles, which oCered the possibility for a range of continuous and individual sculpted designs in the capitals above (Fig. -
Worcester Cathedral
WORCESTER CATHEDRAL NEWS Autumn/Winter 2019 Inside this issue Installation Undercroft Mayor’s of new Learning Charity Canon Centre Event Page 3 Page 7 Page 15 Plus, full events calendar and details of regular Cathedral services From the Dean Community News Autumn/Winter 2019 Canon Stephen Contents Edwards installation 3-6 Community News 7 Development To live is to change The Revd Dr Stephen Edwards was installed 8 Maggs Day Centre as a Residentiary Canon of Worcester Cathedral 9-11 Events and to be perfect is in a special service of Evensong on Sunday 12-13 Events Guide 15 September 2019. 14-15 Christmas at to have changed often At the service Helen Dimmock MBE, the Cathedral Ecclesiastical Secretary to the Crown, presented 16 Enterprises Stephen to Bishop John on behalf of the Queen. 17 Time For Reflection The autumn has seen new faces in the Cathedral community - in the Chapter, in music, in education, Also present was the Mayor of Worcester, 18 Cathedral Information the Vice-Lieutenant and High Sheriff of and in the office. With the new faces come new points 19 Gift Aid Form Worcestershire and the former Bishop of 20 Tidings of Joy of view, new ideas, and new opportunities for creative Dudley, David Walker, who is now Bishop of Christmas Concert and imaginative collaboration among the different Manchester. Stephen was also supported by cathedral organisations and departments. The physical friends and family from across the country. appearance of the site is changing as well: the coming Stephen said: ‘The service was a joyous occasion Editorial Team down of the scaffolding on Edgar Tower is the last Susan Macleod and Emily Green through which I felt blessed by the warmth and major repair project on the exterior of the Cathedral Photography generosity of welcome and the prayerful support buildings for the foreseeable future; but the building Chris Guy, James Atkinson of all those who attended. -
REACHING out a Celebration of the Work of the Choir Schools’ Association
REACHING OUT A celebration of the work of the Choir Schools’ Association The Choir Schools’ Association represents 46 schools attached to cathedrals, churches and college chapels educating some 25,000 children. A further 13 cathedral foundations, who draw their choristers from local schools, hold associate membership. In total CSA members look after nearly 1700 boy and girl choristers. Some schools cater for children up to 13. Others are junior schools attached to senior schools through to 18. Many are Church of England but the Roman Catholic, Scottish and Welsh churches are all represented. Most choir schools are independent but five of the country’s finest maintained schools are CSA members. Being a chorister is a huge commitment for children and parents alike. In exchange for their singing they receive an excellent musical training and first-class academic and all-round education. They acquire self- discipline and a passion for music which stay with them for the rest of their lives. CONTENTS Introduction by Katharine, Duchess of Kent ..................................................................... 1 Opportunity for All ................................................................................................................. 2 The Scholarship Scheme ....................................................................................................... 4 CSA’s Chorister Fund ............................................................................................................. 6 Finding Choristers ................................................................................................................. -
Catalogue of Adoption Items Within Worcester Cathedral Adopt a Window
Catalogue of Adoption Items within Worcester Cathedral Adopt a Window The cloister Windows were created between 1916 and 1999 with various artists producing these wonderful pictures. The decision was made to commission a contemplated series of historical Windows, acting both as a history of the English Church and as personal memorials. By adopting your favourite character, event or landscape as shown in the stained glass, you are helping support Worcester Cathedral in keeping its fabric conserved and open for all to see. A £25 example Examples of the types of small decorative panel, there are 13 within each Window. A £50 example Lindisfarne The Armada A £100 example A £200 example St Wulfstan William Caxton Chaucer William Shakespeare Full Catalogue of Cloister Windows Name Location Price Code 13 small decorative pieces East Walk Window 1 £25 CW1 Angel violinist East Walk Window 1 £50 CW2 Angel organist East Walk Window 1 £50 CW3 Angel harpist East Walk Window 1 £50 CW4 Angel singing East Walk Window 1 £50 CW5 Benedictine monk writing East Walk Window 1 £50 CW6 Benedictine monk preaching East Walk Window 1 £50 CW7 Benedictine monk singing East Walk Window 1 £50 CW8 Benedictine monk East Walk Window 1 £50 CW9 stonemason Angel carrying dates 680-743- East Walk Window 1 £50 CW10 983 Angel carrying dates 1089- East Walk Window 1 £50 CW11 1218 Christ and the Blessed Virgin, East Walk Window 1 £100 CW12 to whom this Cathedral is dedicated St Peter, to whom the first East Walk Window 1 £100 CW13 Cathedral was dedicated St Oswald, bishop 961-992, -
The Bells, Clock and Carillon of Worcester Cathedral
The bells, clock and carillon of Worcester Cathedral. Statement of Significance General overview The whole ensemble of clock, carillon and bells (these since recast) was very much a great Victorian showpiece - a wonder of the age. It cost £5000 (£566,000 today) and was paid for by the Earl of Dudley. It was a hugely ambitious project - a co-ordinated inter-disciplinary scheme (new bells, clock and carillon all at the same time) and on an impressively large scale. Everything was done to the very highest technical standards of the time - taking advantage of the latest innovations and at the same time breaking new ground in applying skills and knowledge to create an installation on a scale not previously contemplated or realised. Installed as part of the great Victorian restoration of the Cathedral which took place chiefly between 1864 and 1874, the clock and bells scheme (with the carillon as an afterthought) was the brainchild of Canon Richard Cattley. Cattley who undertook the fund-raising also steered the whole project through from inception to completion, drawing on the expertise of the leading authorities of the day and working with experienced and innovative bellfounders and clockmakers best qualified to undertake such a challenging commission. The professionals and advisers involved were A E Perkins, the Cathedral Surveyor responsible for the tower restoration between 1863-9 and Sir Edmund Beckett Denison (later known as Lord Grimthorpe) who was regarded as the great expert on clocks and bells The principal contractors and suppliers -
Draft Liturgical Plan
Draft Liturgical Plan January 2021 Figure 1: gathering in Cathedral Square before the Palm Sunday procession, 2018 2 Worcester Cathedral Draft Liturgical Plan Contents List of Figures 4 Preface 5 1 Historical Introduction 7 2 The Shape of the Liturgy 12 (a) The eucharist, baptism and other celebrations in the context of the eucharist 12 (b) The daily office 14 (c) Times and seasons 15 (d) Other pastoral and liturgical celebrations 19 (e) Institutions and installations 20 (f) Art and liturgy 21 3 The Chapels 21 4 The Bells 23 5 Events 24 6 Areas for Development 27 (a) Disability access 27 (b) How to furnish the quire? 27 (c) How to furnish the nave? 30 (d) How can the organs best serve the whole cathedral? 33 (e) The font: flexible or fixed? 33 (f) How can we enable visitors to pray? 35 (g) Where to reserve the blessed sacrament? 41 (h) The shrines of the saints 47 3 List of Figures 1 Gathering in Cathedral Square before the Palm Sunday procession, 2018 2 2 Plan of Worcester Cathedral 6 3 Digital reconstruction by the Centre for the Study of Christianity and Culture 9 of the location of the shrines of St Wulfstan and St Oswald, c. 1250 4 The Bodley font 11 5 Bowl on table, currently used as a font 14 6 Processional route from Cathedral Square on Palm Sunday 17 7 Processional route from the cloisters for services in the quire 27 8 Brass quire altar rails 28 9 Wooden altar rails used in the quire 29 10 Processional route from the cloisters for services in the nave 30 11 Assemblage of nave altar, choir stalls, ministers’ seats and platforms -
John Hendrix Keywords Architecture As Cosmology
John Hendrix Keywords Architecture as Cosmology: Lincoln Cathedral and English Gothic Architecture architecture, cosmology, Lincoln Cathedral, Lincoln Academy, English Gothic Architecture, Robert Grosseteste (Commentary on the Physics, Commentary on the Posterior Analytics, Computus Correctorius, Computus Minor, De Artibus Liberalibus, De Calore Solis, De Colore, De Generatione Sonorum, De Generatione Stellarum, De Impressionibus Elementorum, De Iride, De Libero Arbitrio, De Lineis, De Luce, De Motu Corporali at Luce, De Motu Supercaelestium, De Natura Locorum, De Sphaera, Ecclesia Sancta, Epistolae, Hexaemeron), medieval, University of Lincoln, Early English, Decorated, Curvilinear, Perpendicular, Catholic, Durham Cathedral, Canterbury Cathedral, Anselm of Canterbury, Gervase of Canterbury, Thomas Becket, Becket’s Crown, Trinity Chapel, Scholasticism, William of Sens, William the Englishman, Geoffrey de Noyers, Saint Hugh of Avalon, Saint Hugh’s Choir, Bishop’s Eye, Dean’s Eye, Nikolaus Pevsner (Buildings of England, Cathedrals of England, Leaves of Southwell, An Outline of European Architecture), Paul Frankl (Gothic Architecture), Oxford University, Franciscan School, Plato (Republic, Timaeus), Aristotle (De anima, De Caelo, Metaphysics, Physics, Posterior Analytics), Plotinus (Enneads), Wells Cathedral, Ely Cathedral, Hereford Cathedral, Lichfield Cathedral, Winchester Cathedral, Beverley Minster, Chester Cathedral, York Minster, Worcester Cathedral, Salisbury Cathedral, Southwell Minster, Gloucester Cathedral, Westminster Abbey, Elias -
Cathedral News
Cathedral News August 2019 – No. 688 From: The Dean We’ve recently gone through the process of Peer Review. After the Chapter had completed a lengthy self-evaluation questionnaire on matters of governance and finance and so on, three reviewers came from other cathedrals to mark our homework. Or rather, to bring an external perspective to bear, and help us refine our thinking about where we are heading as a cathedral. In spite of our natural wariness in advance, only to be expected given the amount of external scrutiny the cathedral has undergone in recent years, it was an encouraging experience. More of that, however, in a future Cathedral News. For now, I want to pick up on a comment made by all three reviewers. They came to us from Liverpool, Winchester, and Ely, and all expressed delight, and surprise, at the splendour of our cathedral: “We had no idea what a marvellous building it is!” For me, their observations provoked two questions... Is it because we all take the building for granted? Or is it because we’ve failed to tell our story effectively? I suspect there is truth behind both these questions. We all know how ‘distance lends enchantment to the view’; and the converse is also clearly true. It is not that familiarity necessarily breeds contempt, but you cannot live in a perpetual state of wonderment. Sir Simon Jenkins, the author of all those books on beautiful houses and railway stations and churches and cathedrals, told of his visit to Exeter: “I came into the cathedral and sat in silence for half an hour, overwhelmed by the beauty of the place.” I have the benefit of being in the cathedral every day, and will often speak of how our vaulted ceiling lifts my heart daily to heaven. -
Catechizing Elgar's Catholic Avatars
© Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. Measure of a Man: Catechizing Elgar’s Catholic Avatars CHARLES EDWARD MCGUIRE In Memoriam (I): The Pan-Christian Avatar, or “What Is the Meaning of Prayers for the Dead?” In the back of the nave of Worcester Cathedral is the Elgar Window, a memorial to the composer Edward Elgar. This window is an adornment the cathedral holds with pride: besides the requisite postcards, pamphlets, and Pitkin guides for sale in the gift shop, signs pointing the way to the window are attached to the walls of the cathedral itself, greeting visitors as they enter from the north door. The window, designed by Archibald Nicholson, was the result of an appeal by Ivor Atkins (friend of Elgar’s and longtime organist of Worcester Cathedral) and the dean of the cathedral, William Moore-Ede. Its construction proceeded rapidly in the ancient building, and the dedication occurred on September 3, 1935 at the Worcester meeting of the Three Choirs Festival, a little over a year after Elgar’s death. As was fitting for a fallen cultural hero, Viscount Cobham, then Lord Lieutenant of Worcester, unveiled the memorial.1 The Elgar window is an idealized representation of several scenes from The Dream of Gerontius. It is constructed of three panels, capped by six smaller arched windows (figure 1). In the center, Gerontius appears in two manifestations. In the lowest panel, he is the sick, dying old man from Part I of the oratorio. -
The Science of Cathedral Studies: Exploring Demographic Profile, Motivational Intentions, and Perceived Impact Among Those Attending the Holly Bough Service in Liverpool Cathedral
religions Article The Science of Cathedral Studies: Exploring Demographic Profile, Motivational Intentions, and Perceived Impact among those Attending the Holly Bough Service in Liverpool Cathedral Leslie J. Francis 1,* , Susan H. Jones 2 , Ursula McKenna 3 , Nelson Pike 2 and Emma Williams 2 1 Centre for Educational Development, Appraisal and Research, University of Warwick, Coventry CV4 7AL, UK 2 Liverpool Cathedral, Liverpool L1 7AZ, UK; [email protected] (S.H.J.); [email protected] (N.P.); [email protected] (E.W.) 3 Warwick Religions and Education Research Unit, Department of Education Studies, University of Warwick, CV4 7AL Coventry, UK; [email protected] * Correspondence: [email protected] Received: 18 August 2020; Accepted: 11 September 2020; Published: 21 September 2020 Abstract: The Holly Bough service is a unique pre-Christmas event, combining musical excellence and theological depth, crafted by the founding dean of Liverpool Cathedral in the early twentieth century for the Fourth Sunday of Advent. Located within the developing science of cathedral studies, this paper analyses the demographic profile, motivational intention (drawing on religious orientation theory) and perceived impact on spiritual wellbeing (drawing on Fisher’s four dimensional model) among 564 participants who completed a detailed survey at the service held in 2019. The data demonstrated a mix of ages, a sense of Anglican commitment to this form of event-belonging by those who return year-on-year and invite friends to join them, and a perceived beneficial impact on all four dimensions of spiritual wellbeing. Keywords: cathedral studies; Christmas; spiritual wellbeing; ways of belonging; religious orientation theory 1. -
The Book Collection at St Guthlac's Priory, Hereford, Before 1200
The Book Collection at St Guthlac’s Priory, Hereford, Before 1200: Acquisition, Adaptation and Use Christopher Ian Tuckley Submitted in accordance with the requirements for the degree of PhD The University of Leeds Institute for Medieval Studies June 2009 The candidate confirms that the work is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. ACKNOWLEDGEMENTS I have been particularly fortunate in having had the benefit of sponsorship throughout my research: the first three years of study were funded by the White Rose Consortium of universities, which also paid a stipend. A generous grant from the Lynne Grundy Trust allowed me to present a paper on the priory book collection at the International Congress on Medieval Studies at Kalamazoo, Michigan, in May 2008. Thanks are due to a number of individuals within the academic community for their assistance and advice in the completion of this thesis. Debby Banham, Orietta Da Rold, Sarah Foot, William Flynn, Richard Gameson, Monica Green, Thom Gobbit, Michael Gullick, Juliet Hewish, Geoffrey Humble, Takako Kato, Bella Millet, Alan Murray, Katie Neville, Clare Pilsworth, Richard Sharpe, Rodney Thomson, Elaine Trehame, Karen Watts, and the staff of the Bodleian, Jesus College, Hereford Cathedral and York Minster libraries have all given guidance at one point or another. I also gratefully acknowledge the help of the Dean and Chapter of Hereford Cathedral. Julia Barrow’s advice has been especially valuable in making sense of a number of medieval charters relating to St Guthlac’s Priory, and I owe her a great debt of gratitude in this respect.