DOCSLIB.ORG

The Charles B. W Ang Cen

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Charles B. W Ang Cen THE CHARLES B. WANG CENTER FALL 2016 CULTURAL PROGRAMS HER WALSH T EA H Y B O T PHO Dear Friends, The Charles B. Wang Center at Stony Brook University is a unique cultural center devoted to promoting Asian art and culture. Founded in 2002, we are widely renowned for the remarkable quality, quantity, and variety of our exhibitions and programs. Thus we are proud to be able to provide high-quality exhibitions and other cultural offerings through- out the year. The Center is fortunate to have the scholarly support of many international collaborators for our current exhibition, The Power and Pleasure of Possessions in Korean Painted Screens. This exhibit is dedicated to chaekgeori, a fascinating genre of Korean still-life painting devoted to Image Credit (front and back cover) book culture dating back to the eighteenth century and still Chaekgeori with the Scholar’s Accoutrements, from late eighteenth-century Korea. Ten-panel screen, ink and color on paper. 78 (H)x 151 (W) inches. Private Collection. influencing many artists today. We are grateful to the Korea Foundation for their enthusiastic organizing of this exhibition and for supporting the publication of the exhibition catalogue. We also extend our thanks to Gallery Hyundai for generously lending us masterpieces sourced from many individual collectors. In addition, our goal to more completely represent various Asian cultures has been significantly aided by an exciting and eclectic mix of programming featuring Chinese Peking opera, a shadow puppet performance of Jataka, and our own celebration of Diwali. We will also be offering a series of lectures and hands-on art workshops on origami and other crafts. 4 6 We hope you will join us! 14 18 22 24 34 Jinyoung Jin 36 Director of Cultural Programs 3 9/29 LECTURE | FROM EUROPE TO KOREA: 11:30 AM THE MARVELOUS JOURNEY OF COLLECTIBLES Fall ‘16 IN PAINTING EXHIBITIONS Theatre 9/29 ART CRAWL | CURATOR’S TOUR 4:20 PM Skylight Gallery Thursday, 9/29 | 5 PM | Skylight Gallery 9/29 FALL 2016 EXHIBITIONS OPENING RECEPTION 5 PM Skylight Gallery THE POWER AND PLEASURE OF POSSESSIONS IN KOREAN WORKSHOP | ORIGAMI HEAVEN 1 PM PAINTED SCREENS Lecture Hall II ON VIEW 9/29–12/23 10/5 FASHION ORIGAMI Skylight Gallery 10/12 FOLDING AUTUMN LEAVES SPACE DRAWING 10/13 FABRIC TESSELLATIONS BY SUN K. KWAK 10/19 ORIGAMI ANIMALS Long Term Installation Theatre Gallery 10/26 CUTE (KAWAII) ORIGAMI 10/7, 21, 28 WORKSHOP | MAKING MY OWN BOOK BAG 1 PM WITH KOREAN CHAEKGEORI PAINTING Chapel 10/8 WORKSHOP | TRICK OR TREAT: MITSUKo’s GARDEN: A BIT OF 1:30 PM SHADOW PUPPET MAKING KYOTO IN STONY BROOK Theatre Lobby Long Term Installation Garden View Gallery 10/8 PERFORMANCE | JATAKA: FOUR FABLES 4 PM OF THE LIVES OF THE BUDDHA IN SHADOW PUPPETRY Theatre 10/12 FILM | CHONGQING HOT POT 5:30 PM Theatre 9/21 WORKSHOP | 1 PM TAPE DRAWING WITH SUN K. KWAK 11/2 LECTURE | ORIGAMI HEAVEN: 1 PM Chapel MODULAR ORIGAMI & KIRIGAMI WITH FELTRO Theatre, Theatre Lobby 9/23 WORKSHOP | 11/2 FESTIVAL | DIWALI: LIGHTS UP 1 PM PEKING OPERA 5:30 PM Chapel, Theatre Lobby COSTUME DRESS-UP Theatre Lobby 11/11 CONFERENCE | DIVERSE TECHNIQUES OF 11:30 AM ASIAN ARTS AND CRAFTS 9/23 PERFORMANCE | 6 PM CHINESE PEKING Lecture Hall I OPERA & MAGIC SHOW 11/16 FILM | THE MONKEY KING 2 Theatre 5:30 PM Theatre 5 OPENING RECEPTION THURSDAY, SEPT 29 at 5 PM Skylight Gallery Free and Open to the Public RSVP at thewangcenter.org THE POWER AND PLEASURE OF POSSESSIONS IN KOREAN PAINTED SCREENS Skylight Gallery The Power and Pleasure of Possessions in Korean Painted Screens explores the genre of Korean still-life painting known as chaekgeori. Chaekgeori was one of the most enduring and prolific art forms of Korea’s Joseon dynasty ONS (1392–1910), and it emphasizes books and other material commodities as symbolic embodiments of knowledge, power, and social reform. Today, a diverse body of artists continues this tradition into the twenty-first century, coming together to examine modern Korean society and its social, cultural, and political attitudes and ideals. Drawing on a long artistic lineage and making comparisons to the traditional form and objectives of chaekgeori with the works of contemporary artists (including Seongmin Ahn, Kyoungtack Hong, Airan Kang, Youngshik Kim, Stephanie S. Lee, IBITI Sungpa, and Patrick Hughes), this exhibition facilitates a better understanding of a still changing Korean society, from the ascetic Confucian Joseon era to the hyper-materialistic culture of today. All of the screens are on loan from both private collections and Korean national institutions, including the Leeum, Samsung Museum of Art; the Seoul Museum; the Korean Folk Village; the Chosun Minhwa Museum; and the Gahoe Museum. XH The exhibition is curated by Jinyoung Jin (Director of Cultural Programs, Charles B. Wang Center), Sooa Im McCormick (Assistant Curator of Asian Art, Cleveland Museum of Art), and Kris Imants Ercums (Curator of Global Contemporary and Asian Art, Spencer Museum of Art). E The exhibition is organized by Byungmo Chung (Gyeongju University) and Sunglim Kim (Dartmouth College), and co-hosted by the Korea Foundation and Gallery Hyundai. ON VIEW SEPTEMBER 29 — DeCEMBER 23, 2016 Image Credit: Chaekgeori with the Scholar’s Accoutrements, from late eighteenth-century Korea. Six-panel screen, ink and color on silk. 52 (H) x 21 (W) inches (each panel). Collection of the Leeum, Samsung Museum of Art The Power and Pleasure of Possessions in Korean Painted THE POWER AND PLEASURE Screens is the first international exhibition to focus on the theme of chaekgeori (literally, “books and things”) painting in OF POSSESSIONS IN a comprehensive manner and to explore this genre’s artistic, social, historical, and cross-cultural significance in early KOREAN PAINTED SCREENS modern East Asian visual culture. With possible origins in ON VIEW SEPTEMBER 29 — DeCEMBER 23, 2016 the traditional Renaissance studioli, chaekgeori screens are Skylight Gallery the first Korean works of art to employ the European trompe l’oeil technique and the other Western techniques such RELATED PROGRAMS as modeling and linear perspective. The exhibition showcases twenty-four visually stunning chaekgeori screens from the LECTURE | FROM EUROPE TO KOREA: THE MARVELOUS JOURNEY OF eighteenth and nineteenth centuries as well as the works of COLLECTIBLES IN PAINTING | SEPT 29, 11:30 AM | THEATRE (PAGE 19) contemporary artists Seongmin Ahn, Kyoungtack Hong, ART CRAWL | CURATOR’S TOUR | SEPT 29, 4:20 PM | SKYLIGHT Airan Kang, Youngshik Kim, Stephanie S. Lee, Sungpa, and GALLERY Patrick Hughes. By drawing on the lineage of chaekgeori and making comparisons to the traditional form with modern WORKSHOP | MAKING MY OWN BOOK BAG WITH KOREAN CHAEKGEORI PAINTING | OCT 7, 21, 28, 1 PM | CHAPEL (PAGE 30) examples, the exhibition facilitates a better understanding of Korean society that, from Confucian Joseon to the hyper-materialistic culture of today, is in constant flux. Image Credit: Kyoungtack Hong, Library-Mt. Everest, 2014. Acrylic and oil on linen. 76 (H) x 101 (W) inches 8 New York-based Korean American artist Sun K. Kwak’s canvas is architectural space and her primary medium is black masking tape. Kwak achieves the effect of SPACE painterly strokes by tearing away tape from the surfaces of architectural spaces. Her sprawling freehand strokes weave designs over surfaces to dramatic effect. Kwak creates a site-specific installation at the Charles B. Wang Center DRAWING by creating lines that liberate the space, and in doing BY SUN K. KWAK so, transforms the space into a new pictorial reality. Theatre Gallery The Charles B. Wang Center thanks Shurtape for its donation of materials in support of this exhibition. RELATED PROGRAMS WORKSHOP | TapE DRAWING WITH SUN K. KWAK | SEPT 21, 1 PM | ON VIEW CHAPEL (PAGE 24) LONG-TERM INSTALLATION Photo by Heather Walsh 11 EXPLORE History Expand your definition of what an exhibition can be with Explore History: Objects from Asia, a project that examines Asian and Asian American material culture. A collaborative exhibition curated by faculty, students, and community members, Explore History gives the Charles B. Wang Center’s contributors an opportunity to display their own heritages and experiences. Please visit our website and make your contribution! MITSUKO’S GARDEN A BIT OF KYOTO IN STONY BROOK Garden View Gallery In 1971, sociology professor O. Andrew Collver began building a Japanese garden in his backyard near the SBU campus for his wife Mitsuko Watanabe (1932–2015), who missed her family in Kyoto, Japan. On display are pictures of the garden and the couple, a miniature model of Mitsuko’s garden, and the couple’s love letters from 1953, the year Mr. Collver first met his wife in Kyoto during his army service in South Korea. Since Mitsuko’s death in 2015 from Alzheimer’s disease, Professor Collver has been looking for a way to keep the garden alive not only as a memorial to her but also as a little bit of Japan that people of all backgrounds will be able to learn from and enjoy for many years to come. ON VIEW LONG-TERM INSTALLATION Photo Credit: Mitsuko and Andrew Collver with the Happy Coat, 1954 13 SEPT 23 at 6 PM CHINESE PEKING OPERA Theatre Admission: $10 (General) $5 (Students/Seniors) AND MAGIC SHOW FREE for children under 12 Tickets at thewangcenter.org ES To celebrate Global Confucius Day, the Confucius Institute at Stony Brook University will present a Peking opera. Peking Presented in partnership opera is a form of traditional Chinese theatre that combines with the Confucius Institute music, vocal performance, dance, and magic tricks. It was C at Stony Brook University. extremely popular in the court of the Qing dynasty (1644– 1912) and has come to be regarded as a Chinese cultural treasure.
Load more

Recommended publications
  • Top 300 Masters 2020
    TOP 300 MASTERS 2020 2020 Top 300 MASTERS 1 About Broadcom MASTERS Broadcom MASTERS® (Math, Applied Science, Technology and Engineering for Rising Stars), a program of Society for Science & the Public, is the premier middle school science and engineering fair competition, inspiring the next generation of scientists, engineers and innovators who will solve the grand challenges of the 21st century and beyond. We believe middle school is a critical time when young people identify their personal passion, and if they discover an interest in STEM, they can be inspired to follow their passion by taking STEM courses in high school. Broadcom MASTERS is the only middle school STEM competition that leverages Society- affiliated science fairs as a critical component of the STEM talent pipeline. In 2020, all 6th, 7th, and 8th grade students around the country who were registered for their local or state Broadcom MASTERS affiliated fair were eligible to compete. After submitting the online application, the Top 300 MASTERS are selected by a panel of scientists, engineers, and educators from around the nation. The Top 300 MASTERS are honored for their work with a $125 cash prize, through the Society’s partnership with the U.S. Department of Defense as a member of the Defense STEM education Consortium (DSEC). Top 300 MASTERS also receive a prize package that includes an award ribbon, a Top 300 MASTERS certificate of accomplishment, a Broadcom MASTERS backpack, a Broadcom MASTERS decal, a one-year family digital subscription to Science News magazine, an Inventor's Notebook, courtesy of The Lemelson Foundation, a one-year subscription to Wolfram Mathematica software, courtesy of Wolfram Research, and a special prize from Jeff Glassman, CEO of Covington Capital Management.
    [Show full text]
  • Agastya International Foundation Synopsys
    In Partnership with Student Projects Technical Record Released on the occasion of Science & Engineering Fair of Selected Projects at Shikshakara Sadana, K G Road Bangalore on th th th 26 , 27 & 28 February 2018 Organised by Agastya International Foundation In support with Synopsys Anveshana 2017-18- BANGALORE - Abstract Book Page 1 of 209 CONTENTS 1. FOREWORD 2. ABOUT AGASTYA INTERNATIONAL FOUNDATION 3. ABOUT SYNOPSYS 4. ABOUT ANVESHANA 5. PROJECT SCREENING COMMITTEE 6. COPY OF INVITATION 7. PROGRAM CHART 8. LIST OF PROJECTS EXHIBITED IN THE FAIR 9. PROJECT DESCRIPTION Anveshana 2017-18- BANGALORE - Abstract Book Page 2 of 209 FOREWORD In a world where recent events suggest that we may be entering a period of greater uncertainties, it is disturbing that India's educational system is not (in general) internationally competitive. In an age where the state of the economy is driven more and more by knowledge and skill, it is clear that the future of our country will depend crucially on education at all levels – from elementary schools to research universities. It is equally clear that the question is not one of talent or innate abilities of our country men, as more and more Indians begin to win top jobs in US business and industry, government and academia. Indian talent is almost universally acknowledged, as demonstrated by the multiplying number of R&D centres being set up in India by an increasing number of multinational companies. So what is the real problem? There are many problems ranging from poor talent management to an inadequate teaching system in most schools and colleges where there is little effort to make contact with the real world in general rather than only prescribed text books.
    [Show full text]
  • Christian Communication and Its Impact on Korean Society : Past, Present and Future Soon Nim Lee University of Wollongong
    University of Wollongong Thesis Collections University of Wollongong Thesis Collection University of Wollongong Year Christian communication and its impact on Korean society : past, present and future Soon Nim Lee University of Wollongong Lee, Soon Nim, Christian communication and its impact on Korean society : past, present and future, Doctor of Philosphy thesis, School of Journalism and Creative Writing - Faculty of Creative Arts, University of Wollongong, 2009. http://ro.uow.edu.au/theses/3051 This paper is posted at Research Online. Christian Communication and Its Impact on Korean Society: Past, Present and Future Thesis submitted in fulfilment of the requirements for the award of the degree of Doctor of Philosophy University of Wollongong Soon Nim Lee Faculty of Creative Arts School of Journalism & Creative writing October 2009 i CERTIFICATION I, Soon Nim, Lee, declare that this thesis, submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy, in the Department of Creative Arts and Writings (School of Journalism), University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Soon Nim, Lee 18 March 2009. i Table of Contents Certification i Table of Contents ii List of Tables vii Abstract viii Acknowledgements x Chapter 1: Introduction 1 Chapter 2: Christianity awakens the sleeping Hangeul 12 Introduction 12 2.1 What is the Hangeul? 12 2.2 Praise of Hangeul by Christian missionaries
    [Show full text]
  • Police Matters: the Everyday State and Caste Politics in South India, 19001975 by Radha Kumar
    PolICe atter P olice M a tte rs T he v eryday tate and aste Politics in South India, 1900–1975 • R a dha Kumar Cornell unIerIt Pre IthaCa an lonon Copyright 2021 by Cornell University The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https:creativecommons.orglicensesby-nc-nd4.0. To use this book, or parts of this book, in any way not covered by the license, please contact Cornell University Press, Sage House, 512 East State Street, Ithaca, New ork 14850. Visit our website at cornellpress.cornell.edu. First published 2021 by Cornell University Press Library of Congress Cataloging-in-Publication Data Names: Kumar, Radha, 1981 author. Title: Police matters: the everyday state and caste politics in south India, 19001975 by Radha Kumar. Description: Ithaca New ork: Cornell University Press, 2021 Includes bibliographical references and index. Identifiers: LCCN 2021005664 (print) LCCN 2021005665 (ebook) ISBN 9781501761065 (paperback) ISBN 9781501760860 (pdf) ISBN 9781501760877 (epub) Subjects: LCSH: Police—India—Tamil Nadu—History—20th century. Law enforcement—India—Tamil Nadu—History—20th century. Caste— Political aspects—India—Tamil Nadu—History. Police-community relations—India—Tamil Nadu—History—20th century. Caste-based discrimination—India—Tamil Nadu—History—20th century. Classification: LCC HV8249.T3 K86 2021 (print) LCC HV8249.T3 (ebook) DDC 363.20954820904—dc23 LC record available at https:lccn.loc.gov2021005664 LC ebook record available at https:lccn.loc.gov2021005665 Cover image: The Car en Route, Srivilliputtur, c. 1935. The British Library Board, Carleston Collection: Album of Snapshot Views in South India, Photo 6281 (40).
    [Show full text]
  • Analecta Nipponica
    5/2016 Analecta Nipponica JOURNAL OF POLISH ASSOCIATION FOR JAPANESE STUDIES Analecta Nipponica JOURNAL OF POLISH ASSOCIATIOn FOR JapanESE STUDIES 5/2016 Analecta Nipponica JOURNAL OF POLISH ASSOCIATIOn FOR JapanESE STUDIES Analecta Nipponica JOURNAL OF POLISH ASSOCIATIOn FOR JapanESE STUDIES Editor-in-Chief Alfred F. Majewicz Nicolaus Copernicus University, Toruń Editorial Board Agnieszka Kozyra University of Warsaw, Jagiellonian University in Kraków Iwona Kordzińska-Nawrocka University of Warsaw Editing in English Aaron Bryson Editing in Japanese Fujii Yoko-Karpoluk Editorial Advisory Board Moriyuki Itō Gakushūin University in Tokyo Mikołaj Melanowicz University of Warsaw Sadami Suzuki International Research Center for Japanese Studies in Kyoto Hideo Watanabe Shinshū University in Matsumoto Estera Żeromska Adam Mickiewicz University in Poznań The publication was financed by Takashima Foundation Copyright© 2015 by Polish Association for Japanese Studies and Contributing Authors. ANALECTA NIPPONICA: Number 5/2015 ISSN: 2084-2147 Published by: Polish Association for Japanese Studies Krakowskie Przedmieście 26/28, 00-927 Warszawa, Poland www.psbj.orient.uw.edu.pl University of Warsaw Printers (Zakłady Graficzne UW) Order No. 1312/2015 Contents Editor’s preface ...............................................................7 ARTICLES Iijima Teruhito, 日本の伝統芸術―茶の美とその心 .............................11 English Summary of the Article Agnieszka Kozyra, The Oneness of Zen and the Way of Tea in the Zen Tea Record (Zencharoku) .............................................21
    [Show full text]
  • Jeollabuk-Do - Gochang•Buan•Gimje
    Jeollabuk-do - Gochang•Buan•Gimje 1. Seonunsa Temple, Gochang 2. Gochang Eupseong Fortress 3.Buan Naesosa Temple 4. Chaeseokgang and Jeokbyeokgang, Buan 5. Byeokgolje in Gimje 6. GimjeGeumsansa Temple Seonunsa Temple, Gochang 1. Dosolcheon, the Road that Cleanses Your Soul Title The Road that Cleanses Your Soul Narration: Welcome to Seonunsa Temple in Gochang. The distance between Seonunsa Temple entrance and Dosoram Hermitage is 3.2 kilometers. Follow the trail along Dosolcheon Ravine, if you want to climb Seonunsan Mountain. The name 'Seonunsan' means “a mountain to meditate in the clouds”. It's also called Dosolsan Mountain. It’s a Buddhist name, meaning, “learn the teachings of Buddha”. As its name suggests, it’s a special mountain for those wishing to attain enlightenment and live by the Buddhist doctrines. If you’re here in the summer, the stream in the ravine makes a great place to rest in the shades. After the heat of the summer, you’ll see red spider lilies all around you as you walk on the lower trail of the mountain, making your walk more pleasant. Some people think it's sad that the flowers bloom only after all the leaves have fallen. More people come to this place in the early autumn to see the red tinged leaves. In your walk on the trail, listen to the clear sound of the water flowing. It may relax your mind. 2. A Cup of Tea at Manseru Pavilion Title A Cup of Tea for You Narration: Take a short walk along the trail flanked by maple and zelkova trees, and you’ll reach Cheonwangmun Gate before you know it.
    [Show full text]
  • R Reviving the Times of Namsadang, Korea's Traditional Folk
    r Reviving the Times of Namsadang, Korea’s Traditional Folk Performance Troupe, through Children’s Stories (Author/ Lim Jeong-jin) Republic of Korea 1. The Crisis of Korea’s Traditional Folk Performance Through the generations Koreans have joyfully lived their lives with singing and dancing. While the royal court and the intellectual class considered the liberal arts such as writing poems, playing instruments and drawing pictures important, they also enjoyed the performances of professional folkentertainers as well. Commoners also enjoyed coming together to sing and dance while working and also during the season’s holidays. Passing on cultural assets that reflects a country’s native history to descendants is a very important duty. It is important to preserve and protect tangible cultural assets such as architectural works from damage. However, because traditional performing arts can only be preserved if it 1 is taught, practiced and performed in front of people, so it can be difficult to protect. The legacy of the traditional performing arts was nearly cut off as Korea entered the 20th century and was colonized by Japan for 36 years and afterwards Korea was heavily influenced by Western civilization After overcoming these difficulties Korean traditional folk performances are being continued precariously only through professional folk performers. It is now difficult to see images of a joyous community in which everyone in the neighborhood comes together singing and dancing with the sounds of drums. Korean children’s literature authors are putting all their effort into reviving Korea’s various traditional folk cultures through books. Thus, on October 2012 the author announced a children’s book titled, “Baudeogi” based on the experiences of wandering troupe made up of all males, travelling entertainers that specialize in folk performances.
    [Show full text]
  • Genetic Study of Dravidian Castes of Tamil Nadu
    c Indian Academy of Sciences RESEARCH NOTE Genetic study of Dravidian castes of Tamil Nadu S. KANTHIMATHI, M. VIJAYA and A. RAMESH Department of Genetics, Dr ALM PGIBMS, University of Madras, Taramani, Chennai 600 113, India Introduction The present study was carried out in Tamil Nadu, one of southern states of India, with a population of about 62 million The origin and settlement of Indian people still intrigues sci- people (Census of India 2001). Based on the religion, caste entists studying the impact of past and modern migrations and socio-economic status, over 400 endogamous groups are on the genetic diversity and structure of contemporary pop- present in this state, and their size and distribution varies ulations. About 10,000 years ago, proto-Dravidian Neolithic widely. They are known to have received extensive gene flow farmers from Afghanistan entered the Indian subcontinent, from different caste and linguistic groups of other regions of and were later displaced southwards by a large influx of India. Thus, the biological status of the present-day groups ∼ Indo–European speakers 3500 years ago (Majumder et al. can be considered as ‘immigrants’ at varying periods of time. 1999). The present study aims to describe the genetic diver- Many of the caste groups have subcastes maintaining endog- sity and relationships between the Dravidian caste popula- amous status to some extent (Singh 1998). tions of Tamil Nadu, in an attempt to better understand the Insertion by retroposition of mobile genomic elements contemporary people of this state. We studied nine human- such as the Alu family is a dynamic type of genetic change / specific indels (insertion deletion polymorphisms) in DNA in the human genome (Rowold and Herrera 2000).
    [Show full text]
  • Editors Seek the Blessings of Mahasaraswathi
    OM GAM GANAPATHAYE NAMAH I MAHASARASWATHYAI NAMAH Editors seek the blessings of MahaSaraswathi Kamala Shankar (Editor-in-Chief) Laxmikant Joshi Chitra Padmanabhan Madhu Ramesh Padma Chari Arjun I Shankar Srikali Varanasi Haranath Gnana Varsha Narasimhan II Thanks to the Authors Adarsh Ravikumar Omsri Bharat Akshay Ravikumar Prerana Gundu Ashwin Mohan Priyanka Saha Anand Kanakam Pranav Raja Arvind Chari Pratap Prasad Aravind Rajagopalan Pavan Kumar Jonnalagadda Ashneel K Reddy Rohit Ramachandran Chandrashekhar Suresh Rohan Jonnalagadda Divya Lambah Samika S Kikkeri Divya Santhanam Shreesha Suresha Dr. Dharwar Achar Srinivasan Venkatachari Girish Kowligi Srinivas Pyda Gokul Kowligi Sahana Kribakaran Gopi Krishna Sruti Bharat Guruganesh Kotta Sumedh Goutam Vedanthi Harsha Koneru Srinath Nandakumar Hamsa Ramesha Sanjana Srinivas HCCC Y&E Balajyothi class S Srinivasan Kapil Gururangan Saurabh Karmarkar Karthik Gururangan Sneha Koneru Komal Sharma Sadhika Malladi Katyayini Satya Srivishnu Goutam Vedanthi Kaushik Amancherla Saransh Gupta Medha Raman Varsha Narasimhan Mahadeva Iyer Vaishnavi Jonnalagadda M L Swamy Vyleen Maheshwari Reddy Mahith Amancherla Varun Mahadevan Nikky Cherukuthota Vaishnavi Kashyap Narasimham Garudadri III Contents Forword VI Preface VIII Chairman’s Message X President’s Message XI Significance of Maha Kumbhabhishekam XII Acharya Bharadwaja 1 Acharya Kapil 3 Adi Shankara 6 Aryabhatta 9 Bhadrachala Ramadas 11 Bhaskaracharya 13 Bheeshma 15 Brahmagupta Bhillamalacarya 17 Chanakya 19 Charaka 21 Dhruva 25 Draupadi 27 Gargi
    [Show full text]
  • P O Litics and Change in the Madras Presidency, L88a~L89^* a Regional
    Politics and change in the Madras Presidency, l88A~l89^* A regional study of Indian Nationalism. Thesis for the Degree of Doctor of Philosophy presented to The U niversity of London by Ramanathan Suntharalingam Ju ly 1966 School of Oriental and African Studies ProQuest Number: 11015594 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11015594 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 2 A bstract The purpose of this thesis is to.describe the process of political change in South India during the decade following the establishment of the Madras Mahajana Sabha in May l88*f. Although the inchoate manifestations of early political consciousness could be traced to the l830*s when the Hindus protested against the proselytizing operations of the Christian missionaries and their official allies, a protest which during the early 1fifties crystallized to give birth to the Madras Native Association, it was not until the formation of the Madras Mahajana Sabha that political activity in South India found its organized and self- su stain in g momentum." The th e s is attem pts to reco n stru c t the events that led to the establishment of the Madras Mahajana Sabha against % the background of political convulsions caused partly by the unpopular rule of Grant Duff and partly by Anglo-Indian opposition to Riponrs policies.
    [Show full text]
  • SILBERGELD.CV 1 JEROME SILBERGELD P.Y. and Kinmay W. Tang Professor of Chinese Art History, Emeritus Tang Center for East Asian
    SILBERGELD.CV 1 JEROME SILBERGELD P.Y. and Kinmay W. Tang Professor of Chinese Art History, Emeritus Tang Center for East Asian Art, Director Emeritus Princeton University 105 McCormick HaLL Princeton, New Jersey 08544 [email protected] Education B.A., Stanford University, 1966 (History, with DepartmentaL Honors) M.A., Stanford University, 1967 (History) Stanford University, 1967-68 (Ph.D. Program in History) Princeton University, 1968-69 (Ph.D. Program in Chinese Art and Archaeology) M.A., University of Oregon, 1972 (Art History, with University Honors) Ph.D., Stanford University, 1974 (Art History, with DepartmentaL Distinction) Dissertation: "PoliticaL Symbolism in the Landscape Painting and Poetry of Kung Hsien (ca. 1620-1689)" Faculty Appointments University of Oregon, Department of Art History, Visiting Assistant Professor, 1974-75 University of Washington, Art History Program, China Studies AffiLiate (Jackson School of InternationaL Studies), Cinema Studies Faculty; Assistant Professor, 1975-81; Associate Professor, 1981-87; Professor, 1987-2001; DonaLd E. Petersen Professor of Arts, 2000-2001; AffiLiate Professor of Art History, 2001-2012 Harvard University, Department of Fine Arts, Visiting Professor, 1996 Princeton University, P.Y. and Kinmay W. Tang Professor of Chinese Art History, Director Tang Center for East Asian Art, Departemnt of Art and Archaeology, AffiLiate Professor of East Asian Studies Department, Member of East Asian Studies Program, 2001-2016; Executive Committee, Committee for FiLm Studies, 2005-2016 University
    [Show full text]
  • Book Reviews
    BOOK REVIEWS Copper and Bronze Metallurgy in Late Prehistoric Xinjiang: Its Cultural Context and Relationship with Neighboring Regions. Jianjun Mei. BAR International Series 865. Oxford: Archaeopress. 2000. 187 pp, 31 tables, 12 maps, 155 figures, bibliogra­ phy, £30.00. ISBN 1-84171-068-7. Reviewed by Vincent C. Pigott, Institute ofArchaeology, University College, London The excavation by Chinese archaeologists cal interaction existed between Xinjiang of naturally mummified Caucasoid indivi­ and its neighboring regions during the duals dating as early as the second millen­ Bronze (c. 2000-1000 B.C.) and Iron Ages nium B.C. in the Tarim Basin in Xinjiang, (c. 1000-300 B.C.). His overarching goal China's westernmost province, are of un­ is to furnish an enhanced understanding questionable import in discussions of the of the archaeological and cultural contexts movements of people across Eurasia in later of late prehistoric Xinjiang, while at the prehistory. The cemeteries in which the same time offering a new perspective on Tarim mummies were found mark what how metallurgy spread into the province, is currently the easternmost presence of and how this technology may have reached ancient Europoid peoples, representatives eastwards into the Chinese heartland. of the Eurasian steppe culture (see Barber In his introductory chapter Mei reviews 1999; Mair 1998; Mair and Mallory 2000). both the background of the development Metal artifacts in copper and its alloys stand of archaeology and the foci of pertinent among the most important possible archae­ prior research in Xinjiang. Crucial here is ological markers of these wide-ranging the role of external cultural influences in movements.
    [Show full text]