Korean Dance the Evolution of Traditional Forms
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												Representing the 'New Woman' and 'Modern Girl' in Korean Art
Being Modern: Representing the 'New Woman' and 'Modern Girl' in Korean Art Young Na Kim (Seoul National Univ.) 1. Introduction " I was a doll A doll as my father's daughter A doll as my husband's wife I was a toy for them Let Nora go Gently let her go by knocking down the high walls and throwing open the gates at deep inner quarters walls Let her loose into the air filled with freedom I was a human being Even before being a husband 's wife and before a mother of chi Idren First of all, I am a human bei ng ... " (Na He-sok, Maeil Sinba, 3 April 192 1; translated by Kim Yung-hee) Before a woman is a wife, a daughter, and a mother, she is a human being. The content of this 192 1 poem by Korea's first Western style painter, Na He-sok, is significant as a manifesto of women 's liberation in poetic form. In a Confucian patriarchal family system in which the identity and social status of women were defined through their relationships with men, as mothers and Being Modern: Representing the 'New Woman' 217 and 'Modern Girl' in Korean Art Wives, this assertion of independence was an important change that rocked the country. By late nineteenth century, thought about the traditional woman was broadly challenged by the influx of modem Western thought. The first educational institution for women, Ehwa Women's School, was established in 1886. By 1895 the Chong-sin Women's School and other educational institutions for women had cropped up in various places. - 
												
												Two Great Adventurers, Battuta and Polo, Affect the Medieval World
Two Great Adventurers, Battuta and Polo, Affect the Medieval World When you take a trip, how do you record what you did? Do you take pictures, and maybe post some of them on a social media site? Or you do send postcards or emails to your family and friends about your travels? Do you keep a journal to record events as they happen? Ibn Battuta and Marco Polo traveled in a time around the 13th and 14th centuries when recording events was not as easy as it is today. Upon their return to their homes, both Ibn Battuta and Marco Polo wrote about their adventures. Their stories were very influential in stimulating trade and travel in the regions they visited. Ibn Battuta’s desire to see the lands where his fellow Muslims lived led him across Asia, Africa, and Europe and the seas. His nearly thirty years of travel began when he was twenty-one when he set off for a pilgrimage to Mecca. After that, he traveled over 75,000 miles. Ibn Battuta traveled by joining trading caravans. Caravans were bands of travelers who journeyed together for security and mutual aid. He told of his adventures when he returned home to Morocco, and those who heard his stories thought they should be written down. The sultan of Morocco commissioned a young court secretary named Ibn Juzayy to listen to Ibn Battuta’s stories and record them. It took two years to write everything down, and when they were finished, the result was the Rihla, a story of travels centered on a pilgrimage. - 
												
												1St Dan Guide(1)
1st Dan/Poom Grading Guide Last revised July 2012 CONGRATULATIONS! If you are reading this manual, you are more than likely going to grade for your Black Belt some time soon. This is no small thing! It has taken hard work and dedication to get to this point. On average, you have been training for around 5 years in the art of Taekwondo. To give you an idea of how hard you’ve worked in those 5 years, you have: • Participated in over 500 classes • Escaped from over 5,000 attacks during Self Defense • Performed over 10,000 Front Kicks • Kicked or Hit a Bag or Mitt over 20,000 times • Performed over 30,000 Lower Blocks • Performed over 40,000 Chest Punches That’s pretty amazing if you ask us. Your Instructors and I are proud of you and your efforts, but it’s not over yet! YOUR BLACK BELT AWAITS! The most important thing to remember is that you will need to be mentally prepared, no matter how physically ready you are. You could be the best technician in the club, but if you’re not mentally prepared you won’t perform at your best on grading day. Part of your mental preparation is knowing all of the theory related to your grading. This is where this guide comes in. We have included everything you will need to know from Taekwondo and MTC History, to some practice questions that you will be asked on your grading day. Knowing your theory will go a long way to helping you be mentally prepared to tackle you Black Belt grading. - 
												
												Namdaemun Market, Seoul
Namdaemun Market, Seoul Namdaemun Market is one of the largest markets in South Korea The Namdaemun Market is located in South Korea's Seoul district. It is one of the largest markets in South Korea that sells an assorted range of products, including men and women's apparel, children's clothes, kitchenware, accessories, and other products. The market is also known as Sungnyemun. Almost all of these shops have their own manufacturing units and thus are able to sell the products at both wholesale and retail prices. As a result, the visitors are able to buy the products at extremely low rates. Visitors from different countries show unique tastes and preferences. For example, while the tourists from the West are inclined to enjoy just the aura of the market, the Chinese are interested in buying clothes and some miscellaneous items, the Japanese are foodies as they like ginseng, gim, and gimchi. Children wear has captured over 90 percent of the market. You would find children's dresses, socks, shoes, and T- shirts. A major part of the market is covered by women's apparel, including suits, casual wear, clothes for elderly, women suits, etc. The Namdo Market along with the subterranean Doggaebi Market sells infant goods, clothing, liquor, canned food, etc. Ginseng sells dried squid, peanuts, pine nuts, dried cod, laver, etc. The Optician's shops sell corrective glasses, sunglasses, and contact lens. Mountain, Ski, and Fishing Gear such as backpacks, mountain boots, etc., are also sold in the market. The market pulsates day and night. Restraining yourself from buying things is difficult here. - 
												
												History of Tae Kwon Do.Pdf
Tae Kwon Do History Introduction: Although modern Taekwondo has actually only existed for about 50 years (the martial art known Tae Kwon Do was developed between 1945 and 1955 and only became known as Tae Kwon Do in 1955.), it is based upon Shotokan Karate, another 20th century martial art, and ancient Korea martial arts, such as Taekkyon and Subak, that have lost favor in modern times. Tae Kwon Do is a martial art that means "The Way of the Feet and Hands". Writings on Taekwondo history usually portray Taekwondo as an unique product of Korean culture, developed over the long course of Korean history since the Three Kingdoms Era. However, Taekwondo's primary influence came from Japanese Karate that was introduced into Korea during the Japanese occupation of Korea during the early 1900s. Few written records on ancient Korean history exist, so factual information on Korean martial arts is scarce and sketchy. Because of this, most Korean martial arts writers find something in Korean history to support their claims; writers on Tae Kwon Do included. If one researches the history of Tae Kwon Do, in the research they will find differing and sometimes contradictory information. Majority of this information is a summary taken from Reference 1. For more details, please review the entire material on history of Tae Kwon Do from Reference 1. Origins of Tae Kwon Do: Empty-hand fighting did not originate wholly in only one country, but it developed naturally in every place humans settled. In each country, people adapted their fighting techniques to deal with the dangers in their local environments. - 
												
												Great Food, Great Stories from Korea
GREAT FOOD, GREAT STORIE FOOD, GREAT GREAT A Tableau of a Diamond Wedding Anniversary GOVERNMENT PUBLICATIONS This is a picture of an older couple from the 18th century repeating their wedding ceremony in celebration of their 60th anniversary. REGISTRATION NUMBER This painting vividly depicts a tableau in which their children offer up 11-1541000-001295-01 a cup of drink, wishing them health and longevity. The authorship of the painting is unknown, and the painting is currently housed in the National Museum of Korea. Designed to help foreigners understand Korean cuisine more easily and with greater accuracy, our <Korean Menu Guide> contains information on 154 Korean dishes in 10 languages. S <Korean Restaurant Guide 2011-Tokyo> introduces 34 excellent F Korean restaurants in the Greater Tokyo Area. ROM KOREA GREAT FOOD, GREAT STORIES FROM KOREA The Korean Food Foundation is a specialized GREAT FOOD, GREAT STORIES private organization that searches for new This book tells the many stories of Korean food, the rich flavors that have evolved generation dishes and conducts research on Korean cuisine after generation, meal after meal, for over several millennia on the Korean peninsula. in order to introduce Korean food and culinary A single dish usually leads to the creation of another through the expansion of time and space, FROM KOREA culture to the world, and support related making it impossible to count the exact number of dishes in the Korean cuisine. So, for this content development and marketing. <Korean Restaurant Guide 2011-Western Europe> (5 volumes in total) book, we have only included a selection of a hundred or so of the most representative. - 
												
												D2492609215cd311123628ab69
Acknowledgements Publisher AN Cheongsook, Chairperson of KOFIC 206-46, Cheongnyangni-dong, Dongdaemun-gu. Seoul, Korea (130-010) Editor in Chief Daniel D. H. PARK, Director of International Promotion Department Editors KIM YeonSoo, Hyun-chang JUNG English Translators KIM YeonSoo, Darcy PAQUET Collaborators HUH Kyoung, KANG Byeong-woon, Darcy PAQUET Contributing Writer MOON Seok Cover and Book Design Design KongKam Film image and still photographs are provided by directors, producers, production & sales companies, JIFF (Jeonju International Film Festival), GIFF (Gwangju International Film Festival) and KIFV (The Association of Korean Independent Film & Video). Korean Film Council (KOFIC), December 2005 Korean Cinema 2005 Contents Foreword 04 A Review of Korean Cinema in 2005 06 Korean Film Council 12 Feature Films 20 Fiction 22 Animation 218 Documentary 224 Feature / Middle Length 226 Short 248 Short Films 258 Fiction 260 Animation 320 Films in Production 356 Appendix 386 Statistics 388 Index of 2005 Films 402 Addresses 412 Foreword The year 2005 saw the continued solid and sound prosperity of Korean films, both in terms of the domestic and international arenas, as well as industrial and artistic aspects. As of November, the market share for Korean films in the domestic market stood at 55 percent, which indicates that the yearly market share of Korean films will be over 50 percent for the third year in a row. In the international arena as well, Korean films were invited to major international film festivals including Cannes, Berlin, Venice, Locarno, and San Sebastian and received a warm reception from critics and audiences. It is often said that the current prosperity of Korean cinema is due to the strong commitment and policies introduced by the KIM Dae-joong government in 1999 to promote Korean films. - 
												
												Editorial Board
Editorial Board Editor-in-Chief Hae-Sim Park Ajou University, Korea Advisory Board Ai-Young Lee Hirohisa Saito Kyung-Up Min Dongguk University, Korea National Research Institute for Child Health Seoul National University, Korea and Development, Japan Bee Wah Lee Jean Bousquet Li Jing National University of Singapore, Singapore The University of Montpellier, France Guanzhou Medical University, China Byoung Whui Choi Jin Tack Kim Pascal DEMOLY Chung Ang University, Korea The Catholic University of Korea, Korea University Hospital of Montpellier, France Dae Yong Kang Ji Tae Choung Yang-Gi Min Ajou University, Korea Korea University, Korea Seoul National University, Korea David Price Jonathan A Bernstein Young Yull Koh University of Aberdeen, UK University of Cincinnati, USA Seoul National University, Korea Erika Jensen-Jarolim Kenji Izuhara Salley E. Wenzel University of Vienna, Austria Saga Medical School, Japan University of Pittsburgh, USA Hae-Ran Lee Kyu-Earn Kim Sang Heon Cho Hallym University, Korea Yonsei University, Korea Seoul National University, Korea Hee-Bom Moon University of Ulsan, Korea Associate Editors Bok Yang Pyun Heung Woo Park Stephen T Holgate Soonchunhyang University, Korea Seoul National University, Korea Southampton University, UK Chae-Seo Rhee In Seon Choi Woo Kyung Kim Seoul National University, Korea Chonnam National University, Korea Inje University, Korea Cheol Woo Kim Jae Won Oh Young Yoo Inha University, Korea Hanyang University, Korea Korea University, Korea Choon-Sik Park Jeong Hee Kim Young-Koo Jee Soonchunhyang - 
												
												NCKS News Fall 2014.Pdf
N A M C E N T E R FOR K O R E A N S T U D I E S University of Michigan 2014-2015 Newsletter Hallyu 2.0 volume Contemporary Korea: Perspectives on Minhwa at Michigan Exchange Conference Undergraduate Korean Studies INSIDE: 2 3 From the Director Korean Studies Dear Friends of the Nam Center: Undergraduate he notion of opportunity underlies the Nam Center’s programming. Studies Scholars (NEKST) will be held on May 8-9 of 2015. In its third year, TWhen brainstorming ideas, setting goals for an academic or cultural the 2015 NEKST conference will be a forum for scholarly exchange and net- Exchange program, and putting in place specific plans, it is perhaps the ultimate grati- working among Korean Studies graduate students. On May 21st of 2015, the fication that we expect what we do at the Nam Center to provide an op- Nam Center and its partner institutions in Asia will host the New Media and Conference portunity for new experiences, rewarding challenges, and exciting directions Citizenship in Asia conference, which will be the fourth of the conference that would otherwise not be possible. Peggy Burns, LSA Assistant Dean for series. The Nam Center’s regular colloquium lecture series this year features he Korean Studies Undergraduate Exchange Conference organized Advancement, has absolutely been a great partner in all we do at the Nam eminent scholars from diverse disciplines. jointly by the Nam Center and the Korean Studies Institute at the Center. The productive partnership with Peggy over the years has helped This year’s Nam Center Undergraduate Fellows program has signifi- T University of Southern California (USC) gives students who are interested open many doors for new opportunities. - 
												
												Prof. Minghao Huang
Prof. Minghao Huang 1. Contact Information - Name: Huang, Minghao - Position: Assistant Professor - Major: Management / Organization Studies - Office: Room 314, International Studies Building - Phone Number: +82-31-201-2161 - Fax Number: +82-31-204-8120 - E-mail: [email protected] 2. Detail Ⅰ. Introduction 1. Contact Information - Office: Room 314, International Studies Building - Phone Number: +82-31-201-2161 - Fax Number: +82-31-204-2281 - E-mail: [email protected] 2. Educational Background - Ph.D. in Management, Seoul National University, 2009 - M.A. in Management, Seoul National University, 2003 - B.A. in Marketing, Peking University, 2000 3. Areas of Expertise - Research Interests Institutional innovation, Inter-cultural edge research (ICE), Creativity and leadership, IT/e-Biz strategy in the Food/ Retail/Agriculture industry - Courses Taught Organizational Behavior, International Business, Strategic Human Resource Management, Global Strategic Management, Research Methodology Ⅱ. Professional Experiences (From the recent experience. Please write dates as below.) - Mar. 1, 2013 – present: Assistant Professor, Kyung Hee University, Korea - Mar. 1, 2010 – Feb. 28, 2013: Assistant Professor, Konkuk University, Korea - Sep. 1, 2010 – Feb. 28, 2010: Research Fellow, Sogang University, Korea - Mar. 1, 2009 – Aug. 31, 2009: Part-time Lecturer, SungKyunKwan University, Korea - Mar. 1, 2007 – Feb. 28, 2008: Part-time Lecturer, SungKyunKwan University, Korea Ⅲ. Publications 1. Published Papers - Huang, M., H. Park, J. Moon and Y.C. Choe ”A Study on the Status and Future Directions of IT Convergence Policy by the Ministry of Food, Agriculture, Forestry and Fisheries in Korea,” Agribusiness and Information Management 4(2), 2012, pp. 22-31. - Huang, M., H. Cho and Q. Meng, “The Success Factors and Consequence of SCM: an Empirical Study on Companies in Shanghai,” China and Sinology 17, 2012, pp. - 
												
												Number 3 2011 Korean Buddhist Art
NUMBER 3 2011 KOREAN BUDDHIST ART KOREAN ART SOCIETY JOURNAL NUMBER 3 2011 Korean Buddhist Art Publisher and Editor: Robert Turley, President of the Korean Art Society and Korean Art and Antiques CONTENTS About the Authors…………………………………………..………………...…..……...3-6 Publisher’s Greeting…...…………………………….…….………………..……....….....7 The Museum of Korean Buddhist Art by Robert Turley…………………..…..…..8-10 Twenty Selections from the Museum of Korean Buddhist Art by Dae Sung Kwon, Do Kyun Kwon, and Hyung Don Kwon………………….….11-37 Korean Buddhism in the Far East by Henrik Sorensen……………………..…….38-53 Korean Buddhism in East Asian Context by Robert Buswell……………………54-61 Buddhist Art in Korea by Youngsook Pak…………………………………..……...62-66 Image, Iconography and Belief in Early Korean Buddhism by Jonathan Best.67-87 Early Korean Buddhist Sculpture by Lena Kim…………………………………....88-94 The Taenghwa Tradition in Korean Buddhism by Henrik Sorensen…………..95-115 The Sound of Ecstasy and Nectar of Enlightenment by Lauren Deutsch…..116-122 The Korean Buddhist Rite of the Dead: Yeongsan-jae by Theresa Ki-ja Kim123-143 Dado: The Korean Way of Tea by Lauren Deutsch……………………………...144-149 Korean Art Society Events…………………………………………………………..150-154 Korean Art Society Press……………………………………………………………155-162 Bibliography of Korean Buddhism by Kenneth R. Robinson…...…………….163-199 Join the Korean Art Society……………...………….…….……………………...……...200 About the Authors 1 About the Authors All text and photographs contained herein are the property of the individual authors and any duplication without permission of the authors is a violation of applicable laws. ALL RIGHTS RESERVED BY THE INDIVIDUAL AUTHORS. Please click on the links in the bios below to order each author’s publications or to learn more about their activities. - 
												
												Kukkiwon Applications
Kukkiwon Applications Checklist (updated 8/10/18) Students who are applying for Dan promotion must complete the instructions on this form and tick the boxes as you complete each section. Do not fill in the application form until you have read this form. Incomplete forms will be returned. Your Kukkiwon Dan Application documents and fee must be handed to your instructor 14 Days prior to your grading. TICK ACTION REQUIRED For all Red 3 and above fill in the sections below on your application form Nationality – If NOT Australian then you must include: a copy of the applicants current passport, Australian Visa and a letter form the school they attend / place of employment. You must have been residing in Australia for a minimum period of 6 months. Write your address in full, including suburb, city, state & country Fill in your telephone number Fill in you email address Print name clearly in CAPITAL LETTERS Fill in date of birth as per form – Year – Month - Day Current Grade – Do Not fill in if you are a Red belt Dan/Poom applied for is the belt you are going for Circle Sex – Male or Female DO NOT DATE the form. Leave this section Blank. DO NOT SIGN your form PLEASE PRINT YOUR NAME INSTEAD. Include TWO passport photo’s (Underline your Surname on back of photo) Print your name on the back of the photo’s and date of birth in the format written below Date of birth: to avoid mistakes write it in this format: May 15th 1985 (on photos) Western Australia Hand in your form to your instructor with the fee either in Cash or Cheque made out to Elite Taekwondo.