Sign, Language and Ritual: Contrastive Discourse Analysis of East German and Soviet TV News. PUB DATE Apr 92 NOTE 8P.; In: Nordic Research on Text and Discourse
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1961 3 Politmagazine | 1 Nachrichten ● Die Rote Optik (1959) ● Der Schwarze Kanal ● Panorama ● SFB-Abendschau (Alle 13
17 TV- und Filmbeiträge insgesamt. Phase I: 1956 – 1961 3 Politmagazine | 1 Nachrichten ● Die rote Optik (1959) ● Der schwarze Kanal ● Panorama ● SFB-Abendschau (alle 13. August 1961) Politische TV-Magazine stehen im Mittelpunkt dieser zeitlichen Anfangsphase beider deutscher Staaten. Am Beispiel von drei Politmagazinen und einer Nachrichtensendung betrachten wir die Berichterstattung von jenem Tag, der Berlin und Deutschland in zwei Teile trennte. Der 13. August 1961 aus Sicht von Ost und West – Ein Meilenstein der Geschichte. Phase II: 1962 – 1976 3 Filme | Fiktion ● Polizeiruf (1972) ● Blaulicht (1965) – Die fünfte Kolonne (1976) In den 70er Jahren setzte man verstärkt auf Unterhaltungssendungen, in Ost wie West. Eine besondere Rolle spielte dabei die Entwicklung des „Tatort“ (BRD) und des „Polizeiruf“ (DDR), den die DDR als Gegenstück zum westdeutschen Krimi-Format einsetzte. Besonders brisant: Im allerersten „Tatort – Taxi nach Leipzig“ wurde ausgerechnet ein DDR-Schauplatz in Szene gesetzt. Bei „Blaulicht“ und „Die fünfte Kolonne“ bezichtigen sich Ost und West gegenseitig der Spionage. – Spannende Gegensätze in der TV-Unterhaltung. Phase III: 1976 – 1982 4 Magazine | 2 Nachrichten ● Der schwarze Kanal (1976) – ZDF-Magazin (1976) ● Prisma (1970) – Kennzeichen D (1979) ● Aktuelle Kamera (1976) – Tagesschau (1976) Im Mittelpunkt dieses Zeitabschnittes stehen zwei konkurrierende politische Magazine aus Ost und West: „Der schwarze Kanal“ und das „ZDF-Magazin“. Die beiden Nachrichtensendungen „Aktuelle Kamera“ und „Tagesschau“ behandeln die unterschiedliche Darstellung der Ausbürgerung des kritischen DDR-Liedermachers Wolf Biermann. Phase IV: 1983 – 1989 2 Politmagazine | 2 Nachrichten ● Objektiv (1989) – Kontraste (1989) ● Aktuelle Kamera (1989) – Tagesschau (1989) Nachrichten und ihre Verbreitung stehen im Mittelpunkt dieses Themenbereichs. Wie entwickelten sich Informationssendungen in West und Ost. -
The Salzgitter Archives: West Germany's Answer to East Germany's Human Rights Violations
Denver Journal of International Law & Policy Volume 5 Number 1 Spring Symposium - International Business Article 25 Transactions- Tax and Non-Tax Aspects May 2020 The Salzgitter Archives: West Germany's Answer to East Germany's Human Rights Violations Elizabeth A. Lippitt Follow this and additional works at: https://digitalcommons.du.edu/djilp Recommended Citation Elizabeth A. Lippitt, The Salzgitter Archives: West Germany's Answer to East Germany's Human Rights Violations, 15 Denv. J. Int'l L. & Pol'y 147 (1986). This Note is brought to you for free and open access by the University of Denver Sturm College of Law at Digital Commons @ DU. It has been accepted for inclusion in Denver Journal of International Law & Policy by an authorized editor of Digital Commons @ DU. For more information, please contact [email protected],dig- [email protected]. NOTE The Salzgitter Archives: West Germany's Answer to East Germany's Human Rights Violations ELIZABETH A. LIPP=I* INTRODUCTION Since the end of World War II, ties and conflicts between the two Germanies, the German Democratic Republic (GDR) and the Federal Re- public of Germany (FRG), have served as an important barometer of the larger relationship between the Soviet Union and the United States.' While a clearly discernible improvement in the political, economic and cultural climates can be observed in recent years, three major points of contention remain as a basis of conflict between the two countries:, 1) the insistence on the part of the GDR that the West Germans recognize East German citizenship and nationhood;' 2) the demand by the GDR that the 100 kilometer Elbe River border (between the cities of Lauenburg and Schnakenburg) be relocated to the middle of the river, instead of being entirely within the Federal Republic of Germany;4 and 3) the GDR re- quest for the dissolution of the Zentrale Erfassungsstelle der Landesjus- tizverwaltungen in Salzgitter5 (Salzgitter Archives), a West German * Elizabeth A. -
Copyright by Sebastian Heiduschke 2006
Copyright by Sebastian Heiduschke 2006 The Dissertation Committee for Sebastian Heiduschke Certifies that this is the approved version of the following dissertation: The Afterlife of DEFA in Post-Unification Germany: Characteristics, Traditions and Cultural Legacy Committee: Kirsten Belgum, Supervisor Hans-Bernhard Moeller, Co-Supervisor Pascale Bos David Crew Janet Swaffar The Afterlife of DEFA in Post-Unification Germany: Characteristics, Traditions and Cultural Legacy by Sebastian Heiduschke, M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2006 Dedication Für meine Familie Acknowledgements First and foremost it is more than justified to thank my two dissertation advisers, Kit Belgum and Bernd Moeller, who did an outstanding job providing me with the right balance of feedback and room to breathe. Their encouragement, critical reading, and honest talks in the inevitable times of doubt helped me to complete this project. I would like to thank my committee, Pascale Bos, Janet Swaffar, and David Crew, for serving as readers of the dissertation. All three have been tremendous inspirations with their own outstanding scholarship and their kind words. My thanks also go to Zsuzsanna Abrams and Nina Warnke who always had an open ear and an open door. The time of my research in Berlin would not have been as efficient without Wolfgang Mackiewicz at the Freie Universität who freed up many hours by allowing me to work for the Sprachenzentrum at home. An invaluable help was the library staff at the Hochschule für Film und Fernsehen “Konrad Wolf” Babelsberg . -
Deutschland 83 Is Determined to Stake out His Very Own Territory
October 3, 1990 – October 3, 2015. A German Silver Wedding A global local newspaper in cooperation with 2015 Share the spirit, join the Ode, you’re invited to sing along! Joy, bright spark of divinity, Daughter of Elysium, fire-inspired we tread, thy Heavenly, thy sanctuary. Thy magic power re-unites all that custom has divided, all men become brothers under the sway of thy gentle wings. 25 years ago, world history was rewritten. Germany was unified again, after four decades of separation. October 3 – A day to celebrate! How is Germany doing today and where does it want to go? 2 2015 EDITORIAL Good neighbors We aim to be and to become a nation of good neighbors both at home and abroad. WE ARE So spoke Willy Brandt in his first declaration as German Chancellor on Oct. 28, 1969. And 46 years later – in October 2015 – we can establish that Germany has indeed become a nation of good neighbors. In recent weeks espe- cially, we have demonstrated this by welcoming so many people seeking GRATEFUL protection from violence and suffer- ing. Willy Brandt’s approach formed the basis of a policy of peace and détente, which by 1989 dissolved Joy at the Fall of the Wall and German Reunification was the confrontation between East and West and enabled Chancellor greatest in Berlin. The two parts of the city have grown Helmut Kohl to bring about the reuni- fication of Germany in 1990. together as one | By Michael Müller And now we are celebrating the 25th anniversary of our unity regained. -
Censorship, News Falsification, and Disapproval in 1989 East Germany
Sometimes Less Is More: Censorship, News Falsification, and Disapproval in 1989 East Germany Christian Glaßel¨ University of Mannheim Katrin Paula University of Mannheim Abstract: Does more media censorship imply more regime stability? We argue that censorship may cause mass disapproval for censoring regimes. In particular, we expect that censorship backfires when citizens can falsify media content through alternative sources of information. We empirically test our theoretical argument in an autocratic regime—the German Democratic Republic (GDR). Results demonstrate how exposed state censorship on the country’s emigration crisis fueled outrage in the weeks before the 1989 revolution. Combining original weekly approval surveys on GDR state television and daily content data of West German news programs with a quasi-experimental research design, we show that recipients disapproved of censorship if they were able to detect misinformation through conflicting reports on Western television. Our findings have important implications for the study of censoring systems in contemporary autocracies, external democracy promotion, and campaigns aimed at undermining trust in traditional journalism. Verification Materials: The data, code, and materials required to verify the computational reproducibility of the results, procedures, and analyses in this article are available on the American Journal of Political Science Dataverse within the Harvard Dataverse Network, at: https://doi.org/10.7910/DVN/AZFHYN. The German censors idiots . —Heinrich Heine, Reisebilder, -
Television and the Cold War in the German Democratic Republic
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE Revised Pages Envisioning Socialism Revised Pages Revised Pages Envisioning Socialism Television and the Cold War in the German Democratic Republic Heather L. Gumbert The University of Michigan Press Ann Arbor Revised Pages Copyright © by Heather L. Gumbert 2014 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (be- yond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2017 2016 2015 2014 5 4 3 2 A CIP catalog record for this book is available from the British Library. ISBN 978– 0- 472– 11919– 6 (cloth : alk. paper) ISBN 978– 0- 472– 12002– 4 (e- book) Revised Pages For my parents Revised Pages Revised Pages Contents Acknowledgments ix Abbreviations xi Introduction 1 1 Cold War Signals: Television Technology in the GDR 14 2 Inventing Television Programming in the GDR 36 3 The Revolution Wasn’t Televised: Political Discipline Confronts Live Television in 1956 60 4 Mediating the Berlin Wall: Television in August 1961 81 5 Coercion and Consent in Television Broadcasting: The Consequences of August 1961 105 6 Reaching Consensus on Television 135 Conclusion 158 Notes 165 Bibliography 217 Index 231 Revised Pages Revised Pages Acknowledgments This work is the product of more years than I would like to admit. -
The Fall of the Wall: the Unintended Self-Dissolution of East Germany’S Ruling Regime
COLD WAR INTERNATIONAL HISTORY PROJECT BULLETIN, ISSUE 12 /13 131 The Fall of the Wall: The Unintended Self-Dissolution of East Germany’s Ruling Regime By Hans-Hermann Hertle ast Germany’s sudden collapse like a house of cards retrospect to have been inevitable.” He labeled this in fall 1989 caught both the political and academic thinking “whatever happened, had to have happened,” or, Eworlds by surprise.1 The decisive moment of the more ironically, “the marvelous advantage which historians collapse was undoubtedly the fall of the Berlin Wall during have over political scientists.”15 Resistance scholar Peter the night of 9 November 1989. After the initial political Steinbach commented that historians occasionally forget upheavals in Poland and Hungary, it served as the turning very quickly “that they are only able to offer insightful point for the revolutions in Central and Eastern Europe and interpretations of the changes because they know how accelerated the deterioration of the Soviet empire. Indeed, unpredictable circumstances have resolved themselves.”16 the Soviet Union collapsed within two years. Along with In the case of 9 November 1989, reconstruction of the the demolition of the “Iron Curtain” in May and the details graphically demonstrates that history is an open opening of the border between Hungary and Austria for process. In addition, it also leads to the paradoxical GDR citizens in September 1989, the fall of the Berlin Wall realization that the details of central historical events can stands as a symbol of the end of the Cold War,2 the end of only be understood when they are placed in their historical the division of Germany and of the continent of Europe.3 context, thereby losing their sense of predetermination.17 Political events of this magnitude have always been The mistaken conclusion of what Reinhard Bendix the preferred stuff of which legends and myths are made of. -
GDR Television in Competition with West German Programming
Historical Journal of Film, Radio and Television Vol. 24, No. 3, 2004 GDR Television in Competition with West German Programming CLAUDIA DITTMAR, University of Halle–Wittenberg It’s 8:00: the family gathers in front of the TV—the evening program starts. It’s the same situation on this and on the other side of the intra-German border—and the same TV programs. Tatort (thriller The Scene of the Crime)orWetten, dass … (show To bet that …) deliver entertainment and relaxation into the living rooms of West and East. In his or her leisure time the citizen of the German Democratic Republic (GDR) performs ‘Virtuelle Republikflucht’ on a regular basis—a virtual illegal crossing of the border. He brings the Western world into his home via TV screen, marvels at the Western product spectrum and virtually travels to places in Germany and the whole world that are inaccessible to him in reality. And only in the so-called ‘Tal der Ahnungslosen’, the ‘valley of the clueless’, are viewers dependent upon the GDR-owned channels because of a lack of an alternative: the region around Dresden and in the far north of the GDR could not be reached by the powerful transmitting installations of the Western stations close to the border and in West Berlin. Television across the Border of Political Systems The research on media use in the GDR was dominated by this scenario until the end of the 1990s. It was a popular and handy hypothesis, which condemned GDR TV to insignificance and celebrated the victory of the West German free media over the East German media indoctrinated with party politics. -
Reference Guide No. 14
GERMAN HISTORICAL INSTITUTE,WASHINGTON,DC REFERENCE GUIDE NO.14 THE GDR IN GERMAN ARCHIVES AGUIDE TO PRIMARY SOURCES AND RESEARCH INSTITUTIONS ON THE HISTORY OF THE SOVIET ZONE OF OCCUPATION AND THE GERMAN DEMOCRATIC REPUBLIC, 1945–1990 CONTENTS INTRODUCTION THE EDITORS CENTRAL ARCHIVES 1. Bundesarchiv, Abteilung DDR, Berlin ..................................................... 5 2. Bundesarchiv, Abteilung Milita¨rarchiv, Freiburg .................................. 8 3. Politisches Archiv des Auswa¨rtigen Amts, Berlin ............................... 10 4. Die Bundesbeauftragte fu¨ r die Unterlagen des Staatssicherheitsdienstes der ehemaligen Deutschen Demokratischen Republik (BStU), Zentralstelle Berlin, Abteilung Archivbesta¨nde ........ 12 5. Stiftung Archiv der Parteien und Massenorganisationen der DDR im Bundesarchiv (SAPMO), Berlin ............................................ 15 6. Archiv fu¨ r Christlich-Demokratische Politik (ACDP), Konrad-Adenauer-Stiftung, St. Augustin .................................................. 17 7. Archiv des Deutschen Liberalismus (ADL), Friedrich-Naumann-Stiftung, Gummersbach ............................................ 19 STATE ARCHIVES State Archives: An Overview ....................................................................... 21 8. Landesarchiv Berlin ................................................................................... 22 9. Brandenburgisches Landeshauptarchiv Potsdam ................................ 24 10. Landeshauptarchiv Schwerin ................................................................ -
Legende Filme / Beiträge Während Kleins Zeit Als Amateur Filme / Beiträge Während Kleins Zeit Als Filmberichterstatter Der P
Legende Die folgende, leicht gekürzte Filmografie entspricht dem Stand der Recherchen bei Abgabe der Dissertation an der Universität Hamburg am 24.04.2019. Trotz eingehender Nachforschungen stellt die Filmografie nur einen Status Quo dar, der noch nicht abgeschlossen ist und durch weiterführende Recherchen über die Dissertation hinaus ergänzt werden muss. Zentrale Quelle für die Erstellung der Filmografie sind die Angaben in den Tagebüchern von Horst Klein. Diese Angaben wurden, soweit möglich, durch Informationen aus anderen Quellen ergänzt. Ungeachtet dessen sind viele Informationen nicht eindeutig. Aus diesem Grund sind manche Informationen zu einigen Filmen / Fernsehbeiträgen ausführlicher als andere. Nicht eindeutige Informationen wurden als solche kenntlich gemacht bzw. die entsprechenden Felder leer gelassen. Dies betrifft auch die Funktion von Horst Klein während der jeweiligen Projekte, der in fast allen Fällen die Position des Kameramanns (oder auch des Kamerassistenten) übernommen hat. Wenngleich dies aufgrund der Recherchen - ungeachtet einzelner Ausnahmen - fast für die ganze Karriere anzunehmen ist, wurde es nur bei den Arbeiten vermerkt, bei denen dies auch nachgewiesen werden konnte. Die Auflistung der Einträge entspricht der Reihenfolge in der sie ermittelt wurden und ist somit aufgrund der unterschiedlichen Premieren- und Erstsendungsdaten in einigen Fällen auch nicht chronologisch. Infolgedessen gilt auch zu beachten, dass die Jahreszahlen der Filme dem Jahr der Premiere bzw. der Erstsendung des jeweiligen Filmes oder Fernsehbeitrags entsprechen. Falls dies nicht bekannt ist, dient das letzte Produktionsjahr als Referenz. Filme / Beiträge während Kleins Zeit als Amateur Filme / Beiträge während Kleins Zeit als Filmberichterstatter der Propagandakompanie Filme / Beiträge während Kleins Zeit beim DEFA Lehr- und Kulturfilm Filme / Beiträge für US-amerikanische Auftraggeber (MGM- / NBC-Wochenschau und Office of the U.S. -
University of Florida Thesis Or Dissertation Formatting
THREATENED PLACES: THE DISAPPEARANCE OF PUBLIC AND PRIVATE SPHERES IN GERMAN POST-WALL FILMS ABOUT THE GDR By TIM HEINRICH FANGMEYER A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2010 1 © 2010 Tim Heinrich Fangmeyer 2 To my friends 3 ACKNOWLEDGEMENTS I especially would like to thank my committee members, Dr. Babara Mennel and Dr. Galili Shahar, for their comments, helpful feedback and general support. Further, I would like to show my gratitude to all faculty members of the Department Languages, Literatures, and Cultures at the University of Florida for their inspiring courses and personal encouragement during the last years. Also, I like to thank the Verband der Deutsch-Amerikanischen Clubs. Its generous support made it possible for me to study two years in the United States and write this thesis. Last but not least, I thank my family for all they have done for me. 4 TABLE OF CONTENTS page ACKNOWLEDGEMENTS ............................................................................................... 4 ABSTRACT ..................................................................................................................... 6 CHAPTER 1 INTRODUCTION ...................................................................................................... 8 2 BETWEEN PRIVATE AND PUBLIC SPACE (THE LIVES OF OTHERS) ............... 12 3 THE LOSS OF PRIVATE SPACE (THE RED COCKATOO) .................................. 26 4 -
Identity and Nostalgia in Post-Unification German Cinema
In the Eye of the Beholder: Identity and Nostalgia in Post-Unification German Cinema Joshua S. Zmarzly History 489 May 12, 2014 Abstract In this study, I wish to examine several films produced in the decades after German Unification (die Wende) to show their relation to themes of identity, historical memory, and nostalgia in the culture of former East Germans. The prevailing subject I seek to research in this context of cinema and historical memory is “osatalgia” (German: “ost” [east] + “nostalgie” [nostalgia]), a pop culture movement dedicated to celebrating and reclaiming aspects (usually material) from the East German past. It’s a day in 1990. East Berlin still lies on one side of the epicenter of the Cold War ideological stand-off, and as Erich Honecker, chairman of East Germany’s sole political party, steps down and as he is replaced with former cosmonaut and socialist hero, Sigmund Jähn, the borders of East Germany are opened. Thousands of West Germans, tired of their meaningless lives in the decadent, corrupt Federal Republic of Germany, flood into the East. Eventually, West Germans begin to break apart the Berlin Wall, that concrete seam of the Iron Curtain, in order to join the socialist utopia of the German Democratic Republic. In his small, government-provided flat, Alex Kerner and his family watch joyously as the state news program, Aktuelle Kamera, announces the fall of the West. Fireworks burst into clouds of colorful light in the distance. And all of it is a lie. It’s a lie created by Alex to keep the GDR, in reality swallowed up whole by the capitalist West, alive.