The Classical World
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Minoan Religion
MINOAN RELIGION Ritual, Image, and Symbol NANNO MARINATOS MINOAN RELIGION STUDIES IN COMPARATIVE RELIGION Frederick M. Denny, Editor The Holy Book in Comparative Perspective Arjuna in the Mahabharata: Edited by Frederick M. Denny and Where Krishna Is, There Is Victory Rodney L. Taylor By Ruth Cecily Katz Dr. Strangegod: Ethics, Wealth, and Salvation: On the Symbolic Meaning of Nuclear Weapons A Study in Buddhist Social Ethics By Ira Chernus Edited by Russell F. Sizemore and Donald K. Swearer Native American Religious Action: A Performance Approach to Religion By Ritual Criticism: Sam Gill Case Studies in Its Practice, Essays on Its Theory By Ronald L. Grimes The Confucian Way of Contemplation: Okada Takehiko and the Tradition of The Dragons of Tiananmen: Quiet-Sitting Beijing as a Sacred City By By Rodney L. Taylor Jeffrey F. Meyer Human Rights and the Conflict of Cultures: The Other Sides of Paradise: Western and Islamic Perspectives Explorations into the Religious Meanings on Religious Liberty of Domestic Space in Islam By David Little, John Kelsay, By Juan Eduardo Campo and Abdulaziz A. Sachedina Sacred Masks: Deceptions and Revelations By Henry Pernet The Munshidin of Egypt: Their World and Their Song The Third Disestablishment: By Earle H. Waugh Regional Difference in Religion and Personal Autonomy 77u' Buddhist Revival in Sri Lanka: By Phillip E. Hammond Religious Tradition, Reinterpretation and Response Minoan Religion: Ritual, Image, and Symbol By By George D. Bond Nanno Marinatos A History of the Jews of Arabia: From Ancient Times to Their Eclipse Under Islam By Gordon Darnell Newby MINOAN RELIGION Ritual, Image, and Symbol NANNO MARINATOS University of South Carolina Press Copyright © 1993 University of South Carolina Published in Columbia, South Carolina, by the University of South Carolina Press Manufactured in the United States of America Library of Congress Cataloging-in-Publication Data Marinatos, Nanno. -
Mycenaean Seminar List
THE MYCENAEAN SEMINAR 1954–2017 Olga Krzyszkowska and Andrew Shapland This list gives titles of individual seminars (and related events) with links and references to their publication in BICS. Initially discussions and some summaries were printed in the Seminar minutes, which were privately circulated (only from 21st January 1959 were minutes headed ‘Mycenaean Seminar’). The first published summaries appeared in BICS 13 (1966), soon superseding the minutes. Some seminars/public lectures were published as full-length articles (page references to these are given in bold). Summaries were usually, but not always, published in the subsequent year’s BICS and some never appeared at all. However, from 1993–94 onwards summaries of all Seminars and virtually all public lectures relating to Aegean prehistory held at the Institute were published in BICS. The summaries for 2014–15 were the last to appear in the print edition of BICS, which has now become thematic. The summaries for 2015–16 and 2016–17 are published in an online supplement to BICS available at the Humanities Digital Library. 1953–1954 The first meeting was on 27 January 1954, and there were four subsequent meetings that academic year. Minutes were kept from the second meeting onwards. 1954–55 Papers were given by J. Chadwick, P. B. S. Andrews, R. D. Barnett, O. Gurney, F. Stubbings, L. R. Palmer, T. B. L. Webster and M. Ventris. 1955–56 M. Ventris ‘Pylos Ta series’ S. Piggott ‘Mycenaeans and the West’ R. A. Higgins ‘Archaeological basis for the Ta tablets’ (BICS 3: 39–44) G. L. Huxley ‘Mycenaean history and the Homeric Catalogue of Ships’ (BICS 3: 19–30) M. -
Ancient Carved Ambers in the J. Paul Getty Museum
Ancient Carved Ambers in the J. Paul Getty Museum Ancient Carved Ambers in the J. Paul Getty Museum Faya Causey With technical analysis by Jeff Maish, Herant Khanjian, and Michael R. Schilling THE J. PAUL GETTY MUSEUM, LOS ANGELES This catalogue was first published in 2012 at http: Library of Congress Cataloging-in-Publication Data //museumcatalogues.getty.edu/amber. The present online version Names: Causey, Faya, author. | Maish, Jeffrey, contributor. | was migrated in 2019 to https://www.getty.edu/publications Khanjian, Herant, contributor. | Schilling, Michael (Michael Roy), /ambers; it features zoomable high-resolution photography; free contributor. | J. Paul Getty Museum, issuing body. PDF, EPUB, and MOBI downloads; and JPG downloads of the Title: Ancient carved ambers in the J. Paul Getty Museum / Faya catalogue images. Causey ; with technical analysis by Jeff Maish, Herant Khanjian, and Michael Schilling. © 2012, 2019 J. Paul Getty Trust Description: Los Angeles : The J. Paul Getty Museum, [2019] | Includes bibliographical references. | Summary: “This catalogue provides a general introduction to amber in the ancient world followed by detailed catalogue entries for fifty-six Etruscan, Except where otherwise noted, this work is licensed under a Greek, and Italic carved ambers from the J. Paul Getty Museum. Creative Commons Attribution 4.0 International License. To view a The volume concludes with technical notes about scientific copy of this license, visit http://creativecommons.org/licenses/by/4 investigations of these objects and Baltic amber”—Provided by .0/. Figures 3, 9–17, 22–24, 28, 32, 33, 36, 38, 40, 51, and 54 are publisher. reproduced with the permission of the rights holders Identifiers: LCCN 2019016671 (print) | LCCN 2019981057 (ebook) | acknowledged in captions and are expressly excluded from the CC ISBN 9781606066348 (paperback) | ISBN 9781606066355 (epub) BY license covering the rest of this publication. -
An Investigation Into the Exchange of Artistic Motifs Between the Aegean, Egypt, and the Near East In
THE AEGEAN AND THE EAST An Investigation into the Exchange of Artistic Motifs - between the Aegean, Egypt, and the Near East in the Bronze Age by J.L. CROWLEY B.A.(Hons.) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy UNIVERSITY OF TASMANIA HOBART 1977 THE AEGEAN AND THE EAST VOLUME I TEXT VOLUME II PLATES This thesis contains no material which has been accepted for the award of any other degree or diploma in any university nor does it include any copy or paraphrase of material previously published or written by another person except when due reference is made in the text. Signed: Date: THE AEGEAN AND THE EAST TABLE OF CONTENTS VOLUME I TEXT VOLUME II PLATES THE AEGEAN AND THE EAST VOLUME I TEXT Content6 Page ACKNOWLEDGEMENTS (1) LIBRARY ABSTRACT - Summary of the Thesis (ii) ABBREVIATIONS (iv) Intnoduction 1. INTRODUCTION AND CHRONOLOGY 1 Pala I The Moti64 2. MOTIFS COMMON TO THE AEGEAN AND THE EAST Heraldic Poses 15 Antithetical Group 23 Mirror Reverse 27 Contest Scenes, Struggling Hero, and Master of Animals 30 Mistress of Animals 35 Sphinx 41 Griffin 47 Dragons and Crocodiles 55 Thoueris and the Minoan Genius 59 Sacred Tree, Sacred Pillar 65 Palm, Palmette 72 Papyrus, Lotus 76 Rosette 83 Quatrefoil 89 Scale Pattern 92 Guilloche, Linked Circles, Quirk 95 Spiral 100 Flying Gallop 107 Page 3. OTHER MOTIFS IN EASTERN OR AEGEAN ART Smiting Figure, Pharaoh and Weather God 113 Star Disk in Crescent 116 Winged Sun Disk 119 Scale Mountain 120 Duel 121 ' Bull Sports 124 Fish, Dolphin, Octopus, Nautilus 126 Tricurved Arch 128 Rocky Landscape, Glen 129 Marbling, Colour Waves 130 4. -
357773-Sample.Pdf
Sample file THE BOOK OF RANDOM TABLES STEAMPUNKSample file CREDITS Written by Matt Davids Layout & Design by Matt Davids Cover & Interior Art by Albert Robida WWW.DICEGEEKS.COMSample file Contents copyright © 2021 dicegeeks. All rights reserved. All images in the public domain. GET MORE FREE RANDOM TABLES AT WWW.DICEGEEKS.COM/FREE Sample file TABLE OF CONTENTS How to Use this Book...................................................................................5 ITEMS & THINGS Airship Cargo................................................................................................7 Artifacts #1..............................................................................................8-9 Artifacts #2...........................................................................................10-11 Drugs and Medicines..................................................................................12 Items in a Desk...........................................................................................13 Items in a Scientist’s Lab.............................................................................14 Items in a Study..........................................................................................15 Steam Engine and Boiler Parts...................................................................16 Victorian Era Books #1...............................................................................18 Victorian Era Books #2..............................................................................19 FAMOUS VICTORIANS -
Ancient Carved Ambers in the J. Paul Getty Museum
Ancient Carved Ambers in the J. Paul Getty Museum Ancient Carved Ambers in the J. Paul Getty Museum Faya Causey With technical analysis by Jeff Maish, Herant Khanjian, and Michael R. Schilling THE J. PAUL GETTY MUSEUM, LOS ANGELES This catalogue was first published in 2012 at http: Library of Congress Cataloging-in-Publication Data //museumcatalogues.getty.edu/amber. The present online version Names: Causey, Faya, author. | Maish, Jeffrey, contributor. | was migrated in 2019 to https://www.getty.edu/publications Khanjian, Herant, contributor. | Schilling, Michael (Michael Roy), /ambers; it features zoomable high-resolution photography; free contributor. | J. Paul Getty Museum, issuing body. PDF, EPUB, and MOBI downloads; and JPG downloads of the Title: Ancient carved ambers in the J. Paul Getty Museum / Faya catalogue images. Causey ; with technical analysis by Jeff Maish, Herant Khanjian, and Michael Schilling. © 2012, 2019 J. Paul Getty Trust Description: Los Angeles : The J. Paul Getty Museum, [2019] | Includes bibliographical references. | Summary: “This catalogue provides a general introduction to amber in the ancient world followed by detailed catalogue entries for fifty-six Etruscan, Except where otherwise noted, this work is licensed under a Greek, and Italic carved ambers from the J. Paul Getty Museum. Creative Commons Attribution 4.0 International License. To view a The volume concludes with technical notes about scientific copy of this license, visit http://creativecommons.org/licenses/by/4 investigations of these objects and Baltic amber”—Provided by .0/. Figures 3, 9–17, 22–24, 28, 32, 33, 36, 38, 40, 51, and 54 are publisher. reproduced with the permission of the rights holders Identifiers: LCCN 2019016671 (print) | LCCN 2019981057 (ebook) | acknowledged in captions and are expressly excluded from the CC ISBN 9781606066348 (paperback) | ISBN 9781606066355 (epub) BY license covering the rest of this publication. -
Volumes 11–70 (1907–1966) Indexes
AMERICAN JOURNAL OF ARCHAEOLOGY VOLUMES 11-70 1907-1966 INDEX THE JOURNALOF THE ARCHAEOLOGICALINSTITUTE OF AMERICA Printed for the Archaeological Institute of America by Princeton University Press, Princeton, New Jersey 1967 Foreword In preparing the Index of Volumes 11-70, 1907 consideration, have not been included, desirable 1966, the only practicable solution appeared to be as that might have been. The Supplement, section a form that would enable users to locate all articles, VII, lists the few archaeological articles printed in notes, news items and papers first under the au the Bulletin of the Archaeological Institute 1910 thor's name, and second in an index of titles. In 1912. so doing it is obvious that many titles, if arranged The major part of the work of preparing the In alphabetically under the first word (always omit dex was done by Marian Holland McAllister, who or ting The A[n]), would be unserviceable, and compiled all the entries, volume by volume, and cases in a great many more the key word might be Nancy Baldwin Smith, who edited and arranged some a found way along in the title. It was decided the hundreds of slips into form that could be to therefore to rearrange the titles so as to bring the given the printer. are key words to the front. Even so, a further arrange Certain guide lines for the use of the Index over ment seemed desirable, namely insofar as possible in order, and are given below. It would be or to group titles under place or subject matter. The optimistic to hope that no errors will be found author's name so craves always accompanies these entries, omissions noted, and for these the editor that it is a simple matter to refer to the title in a modicum of indulgence. -
Introduction
1 Introduction The English word “museum” comes from the Latin word, and is pluralized as “museums” (or rarely, “musea”). It is originally from the Ancient Greek (Mouseion), which denotes a place or temple dedicated to the Muses (the patron divinities in Greek mythology of the arts), and hence a building set apart for study and the arts, especially the Musaeum (institute) for philosophy and research atAlexandria by Ptolemy I Soter about 280 BCE. The first museum/library is considered to be the one of Plato in Athens. However, Pausanias gives another place called “Museum,” namely a small hill in Classical Athens opposite the Akropolis. The hill was called Mouseion after Mousaious, a man who used to sing on the hill and died there of old age and was subsequently buried there as well. The Louvre in Paris France. 2 Museum The Uffizi Gallery, the most visited museum in Italy and an important museum in the world. Viw toward thePalazzo Vecchio, in Florence. An example of a very small museum: A maritime museum located in the village of Bolungarvík, Vestfirðir, Iceland showing a 19th-century fishing base: typical boat of the period and associated industrial buildings. A museum is an institution that cares for (conserves) a collection of artifacts and other objects of artistic,cultural, historical, or scientific importance and some public museums makes them available for public viewing through exhibits that may be permanent or temporary. The State Historical Museum inMoscow. Introduction 3 Most large museums are located in major cities throughout the world and more local ones exist in smaller cities, towns and even the countryside. -
Minoan Zoomorphic Iconography and the Relevance of Identification: a Case Study on the Gold Figurine from Akrotiri, Thera
Minoan Zoomorphic Iconography and the Relevance of Identification: A Case Study on the Gold Figurine from Akrotiri, Thera Master’s Thesis Presented to The Faculty of the Graduate School of Arts and Sciences Brandeis University Graduate Program in Ancient Greek and Roman Studies Dr. Alexandra Ratzlaff, Thesis Advisor In Partial Fulfillment of the Requirements for the Degree Master of Arts in Ancient Greek and Roman Studies by Rachel Beth Polinsky May 2018 Copyright by Rachel Beth Polinsky © 2018 ACKNOWLEDGEMENTS First, I would like to thank my thesis advisor, Dr. A. Ratzlaff of the Ancient Greek and Roman Studies department at Brandeis University. Dr. Ratzlaff stuck by me through the entirety of my thesis and was incredibly supportive and very inspirational to me during this process. I greatly admire everything she has done for me during this process. Second, I would like to thank my two readers, Dr. A. O. Koloski-Ostrow and Dr. C. Walker of the Ancient Greek and Roman Studies department at Brandeis University, both who have been incredibly motivating and encouraging professors during my time as a Master’s student. I am eternally thankful for your comments and criticisms of my thesis. Third, I would like to thank the numerous scholars who directly and indirectly aided me in my research. I am indebted to the aid and advice supplied to me by Dr. Lolita Nikolova of Ancestry ProGenealogists, Dr. Angelos Papadopoulos of College Year in Athens, Dr. Ruth Palmer of Ohio University, and Dr. Zdeněk Kratochvíl of Charles College in Prague. I am further indebted to all of the scholars whose diligent efforts and research are cited in my thesis. -
Cosmokrator Newsletter 5 Asia Haleem 2015
COSMOKRATOR NEWSLETTER 5 ASIA HALEEM 2015 USING THE COSMOKRATOR COLOURS TO MAKE NECKLACES As explained in my Layish Newsletter for this year, due to several setbacks in 2015, instead of the usual annual cycle of publishing one Cosmokrator Book a year, 2015/2016 will be a biennial exception, and the book on Molecules (whether Crystals or Body Cells) now has to wait until next year. That book will consider the harmonics of matter, including those of certain lovely materials that have been sought after since the earliest history of mankind – lapis lazuli, carnelian, agates, rock crystal – and also all those coloured silicates we use today (as then) in the form of glass. So I thought as a taster for that book I would share with you an activity I have followed for several years now: it erupts at unexpected moments, immediately taking priority over everything else, being one of the ways I recover from long and arduous study and writing: making necklaces that use the colours of Cosmokrator - meaning they are consciously planetary and/or zodiacal jewellery. You do not need to remember the colours by heart: you simply need a Cosmokrator model next to you to consult, choosing the planetary and/or zodiacal colours for particular reasons – such as your birth Sun Sign or mixing together your and your partner’s colours. The colour equivalences for planets and signs are also given in the Introduction to the Cosmokrator model here on the website. They make a meaningful birthday present to young and old, but on the whole I find I want to keep these necklaces for myself, changing them day to day according to the state of the heavens. -
Ideologies in the Shaft Grave Period ∗∗∗
CHRISTIAN HEITZ BURYING THE PALACES ? IDEOLOGIES IN THE SHAFT GRAVE PERIOD ∗∗∗ ABSTRACT The ‘Shaft Grave Phenomenon’ is often seen as a straightforward development caused by increased access to precious (‘prestige’) items. It shall be argued here that it rather mirrors a gradual transformation of the self-identity of the mainland élites. The Shaft Grave chiefs strongly took over symbols from Crete, where the palatial élite had a strong religious connotation. This points to the conclusion that the mainland élite tried to establish a more sophisticated system of religious control, unlike the individual and personal cult visible in the MH burials. They realized the potential institutionalized religious authority had as a means of domination, connected with complex and standardised systems of representation, centralization and administration of cult, and tried to introduce this idea to the mainland. However, the symbols had to be modified and translated into a language mainland people would understand, and placed in contexts traditionally used as arenas of social display. These contexts were different from the ones the symbols originally were associated with, since on the MH mainland the grave (as opposed to the Minoan palace) was the place where transcendental ideas were articulated through material actions and expressions. ∗ This paper is a revised version of my 1998 M.Phil. dissertation at the University of Cambridge. During my time in Cambridge I received very useful advice from my supervisor Prof. Colin Renfrew and from Dr. Sophia Voutsaki. Prof. Joseph Maran, University of Heidelberg, commented on this paper after the dissertation was submitted and also made some very helpful suggestions. -
AN ANALYSIS of LATE BRONZE AGE AEGEAN GLYPTIC MOTIFS of a RELIGIOUS NATURE By
AN ANALYSIS OF LATE BRONZE AGE AEGEAN GLYPTIC MOTIFS OF A RELIGIOUS NATURE by JENNIFER LINDA PALMER A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Classics, Ancient History and Archaeology School of History and Cultures College of Arts and Law University of Birmingham February 2014 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis presents an analysis of glyptic motifs of a religious nature attested on the Greek mainland in the Late Helladic period and on Crete post Late Minoan IB. Its purpose is to ascertain to what extent such an analysis can, firstly, expand our knowledge of religious practices in the Late Bronze Age Aegean, and, secondly, elucidate the nature of the relationship between Minoan Crete and Mycenaean Greece. This was achieved through the classification and analysis of five glyptic themes generally regarded as possessing religious significance in scholarship. These are anthropomorphic figures and non-anthropomorphic elements flanked by animals, seated women, figures with architecture, and animal sacrifice. This contention was critically appraised by developing a widely applicable methodology that demonstrated that many possessed religious aspects.