Impulse Is Put Together Monthly by Keith Braithwaite of Behalf of Monsffa and Is Available on Monsffa’S Web Site Courtesy Kurt Schmidt
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Introduction
Chapter ONE: Introduction had a massive budget and the acting ranged from good to abysmal, often within the same Blast Off series. Continuity was commonly spotty as well and nobody was going to confuse the writing for high art. Science fiction (n.): fiction dealing principally with the impact of actual But that was fine and dandy, because these or imagined science on society or in- television shows were fun and that’s what dividuals or having a scientific factor made us tune in every week. We longed for as an essential orienting component. adventure and they delivered that in spades! So what if we could tell that the robot was made of cheap plastic? Who cared if the cam- Now, add disco! This is RETROSTAR! era was just being tilted back and forth to give the illusion of the spaceship being hit? You say These days, science fiction can be found on vir- the laser blasts looked hokey? Big deal. We tually every television channel. It’s everywhere. wanted a fun science fiction story and that’s One only has to turn on the television in order exactly what we got. to find starship battles, post-apocalyptic survi- vors, malevolent aliens and robots of all kind. If you understand where we’re coming from, then Retrostar may very well be the game for you! But that wasn’t always the case. Sample Ourfile goal was to create a game that captured the essence of these shows from beginning to end. There was a time, back in the 1970s, when We wanted to bring all the fun, excitement and, science fiction was pretty hard to come by yes, cheesiness of the 1970s-era science fiction on television. -
The Real Ghostbusters: the Complete Series
FOR IMMEDIATE RELEASE WHO YOU GONNA CALL? TELEVISION'S LONGEST RUNNING SPOOKY CARTOON AND FUNNY FAN FAVORITE FINALLY ESCAPES THE GHOST TRAP TO HAUNT THE DVD REALM THE REAL GHOSTBUSTERS: THE COMPLETE SERIES The Animated Series That's As Big As The Stay-Puft Marshmallow Man Finally Comes To Home Video, With All 147 Episodes of The Real Ghostbusters And Slimer! And The Real Ghostbusters In Remastered Clarity Packaged In A Collectible 25-DVD Set Over 12 Hours of Bonus Features Includes Never-Before-Seen Footage, Twenty-One On- Camera Episode Commentaries, Five Documentaries, Extended Interviews, Episode Introductions, Scripts, Art, And Much More AVAILABLE EXCLUSIVELY ONLINE AT WWW.REALGHOSTBUSTERSDVD.COM, PRE-ORDER BEGINS JULY 23, 2008 FAIRFAX, VA – July 24, 2008 – Charge up your Proton Packs and get the P.K.E. Meter running! One of the most popular animated series in television history to spin off from a major motion picture, The Real Ghostbusters, will soon be available for the first time on home video from Time Life. The 25-DVD set includes all 147 astonishing episodes of the seven-season series for over 55 hours of ghost-busting goodness — in their complete original form, but remastered for picture and audio perfection. Produced by some of the team members behind the legendary Ghostbusters motion pictures, The Real Ghostbusters features scripts by some of the top names in animation, science fiction, and horror history, and top-quality visuals, plus a voice cast that included Arsenio Hall, Dave Coulier (Full House), Maurice LaMarche (Pinky & The Brain), and many more! The Real Ghostbusters: The Complete Series also features over twelve hours of fascinating bonus material, including documentaries and twenty-one innovative on-camera commentary tracks featuring producers, writers, artists, voice actors, and other personnel. -
SVENGOOLIE and the Retro Line-Up of Metv Who Ya Gonna Call? the ORIGINAL
Are you too square to solve me? THE RUBIK'S Fall 2019 CUBE CRAZE No. 6 $8.95 The MUNSTERS’ BUTCH Tune in to PATRICK… & HORRIFIC HOTRODS SVENGOOLIE and the retro line-up of MeTV Who ya gonna call? The ORIGINAL GHOST BUSTERS Remember the Naugas? We’ve got ’em covered 2 2 7 3 0 0 “I Was a Teenage James Bond!” • The Dobie Gillis Dilemma • Pinball Wizardry & more! 8 5 6 2 Featuring Ernest Farino • Andy Mangels • Will Murray • Scott Saavedra • Scott Shaw! 8 Svengoolie © Weigel Broadcasting Co. Ghost Busters © Filmation. Naugas © Uniroyal Engineered Products, LLC. 1 The crazy cool culture we grew up with CONTENTS Issue #6 | Fall 2019 40 51 Columns and Special Features Departments 3 2 Retro Television Retrotorial Saturday Nights with 25 Svengoolie 10 RetroFad 11 Rubik’s Cube 3 Andy Mangels’ Retro Saturday Mornings 38 The Original Ghost Busters Retro Trivia Goldfinger 21 43 Oddball World of Scott Shaw! 40 The Naugas Too Much TV Quiz 25 59 Ernest Farino’s Retro Retro Toys Fantasmagoria Kenner’s Alien I Was a Teenage James Bond 21 74 43 Celebrity Crushes Scott Saavedra’s Secret Sanctum 75 Three Letters to Three Famous Retro Travel People Pinball Hall of Fame – Las Vegas, Nevada 51 65 Retro Interview 78 Growing Up Munster: RetroFanmail Butch Patrick 80 65 ReJECTED Will Murray’s 20th Century RetroFan fantasy cover by Panopticon Scott Saavedra The Dobie Gillis Dilemma 75 11 RetroFan™ #6, Fall 2019. Published quarterly by TwoMorrows Publishing, 10407 Bedfordtown Drive, Raleigh, NC 27614. Michael Eury, Editor-in-Chief. John Morrow, Publisher. -
European Football Coaching
EUROPEAN FOOTBALL COACHING Interactive Session Plan Coach: EFC Club: UFA Team/Program: Kinder Soccer Topic: Dribbling/Changing Direction 21 September 2019 Time available: 1hr Activity 1 Red light, yellow light, green light. Scan the field so you do not hit other cars. Red = Stop (foot on the ball) Yellow light very important - perfect opportunity to Yellow = Slow (dribble slowly) emphasize control and touches. Green = Go (dribble quickly) Always in control regardless PROGRESSION: Add more lights to make of light. the activity more fun and challenging. Speeding/out of control leads to crashes! I.e. Purple Light = balance on one leg. Activity 2 Ghost Busters Scanning the field to get away from the ghost busters. Begin with one or two "ghost busters". Changing direction to both They begin with the ball in their hands and catch the ghosts or escape they have to throw the ball against the the ghostbusters! "ghosts" who will be dribbling their soccer balls away from the ghostbusters! Emphasize change of pace and keeping control. PROGRESSION: Add more ghostbusters. Activity 3 Cops & Robbers Changes of pace in dribbling. Cops are in the middle and they try to Awareness. catch the robbers. Emphasize control by telling the robbers they have top Robbers are on one line and they're trying stay in bounds to not get to get to the other side. caught. PROGRESSION: Add more cops Game Free Play Let the kids play. Friendly reminder of awareness and be very encouraging and positive! Interactive Session Plans™ created by asccloud.com © Copyright European Football Coaching 2019. -
LOU SCHEIMER: CREATING the FILMATION GENERATION 1946–1948Chapter TWO Driving Japan Crazy
CONTENTS... PREFACE ..........................................5 chapter seventeeN ......149 Anthologies and Expansion (1978–1979) chapter one .............................7 Wherein My Father Punched Out Adolf Hitler Years chapter eighteen .....161 Before Captain America Did (1928–1946) The Year of Legal Discontent (1979–1980) chapter two ..........................17 chapter nineteen .....171 Driving Japan Crazy (1946–1948) Silver Bullets and Soccer Balls (1980–1981) chapter three .................23 chapter twenty ..........179 Carnegie and an Early Proposal (1948–1955) Forced To Runaway (1981–1982) chapter FOUR .....................31 chapter twenty-one ....189 Clowns, Cats, Rockets, and Jesus (1955–1965) A Farewell to Networks / The Last Man Standing (1982–1983) chapter five ........................43 And Who, Disguised As A Real Animation Studio… chapter twenty-two ....197 We Have the Power! (1983–1984) chapter six ............................51 The Super Superheroes (1967) COLOR GALLERY ..............209 chapter seven .................59 The Fantastic Shrinking Bat-Teenager (1968) chapter twenty-three ....521 Morals and Media Battles (1984–1985) chapter eight ....................69 Gold Records and Witches (1969) chapter twenty-four ....223 Sisters Are Doing it for Themselves (1985–1986) chapter nine ........................75 Hey Lady! More Monsters & Music! (1970–1971) chapter twenty-five ......235 Let’s Go Ghostbusters! (1986-1987) chapter ten .........................81 Funnies, Games, and Fables (1971) chapter twenty-six ......241 -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
Ghostbusters: West Coast “The Next Generation of Ghostbusters” a Web Series Consisting of 12 HourLong Episodes
Ghostbusters: West Coast “The Next Generation of Ghostbusters” A web series consisting of 12 hourlong episodes. Treatment by Carey Martell [email protected] Goal: Help to enhance the Ghostbuster franchise by continuing the story of the Ghostbusters movies and Ghostbusters: The Video Game (the game’s script was written with Dan Aykroyd and Harold Ramis as cowriters; it’s essentially the third movie) with a new team of Ghostbusters who open a franchise in Los Angeles. Novel Ideas: ● Use ghost designs based on those featured in The Real Ghostbusters 198691 cartoon series and toyline (huge merchandising potential with collectors and youth). This makes it a show adult fans will want to watch with their kids. Some of the ghosts will be Samhain, the Boogieman, and the Sandman. ● A male and female Ghostbuster team; the cast will be selected from very popular YouTube comedians who have millions of subscribers. ● Show the negative consequences of the Ghostbusters’ celebritism and discovery of scientific ways to harness the occult (reemergence of a new Cult of Gozer). ● Story is focused on a Ghostbusters franchise based in Los Angeles rather than New York; new opportunities for well known locations to be haunted. Series Synopsis: PILOT Shortly after the events of Ghostbusters II, in the early 90s and at the height of the Ghostbusters popularity after saving the world, a group of kids who are members of the Junior Ghostbusters Fan Club enter a haunted house. They are equipped with homemade PKE meters and a “ghost trap” made from Radio Shack parts and modified household items like a toaster oven, and a Ghostbuster fan club version of Tobin’s Spirit Guide (similar to a Boy Scout Handbook). -
Television, Children, and Parents. a Report of the Viewing Habits
DOCUMENT MOE ED 158 730 ; IR 066 1'9; AUTHOR Mohr, Phillip J. v TITLE Television; Children, and Parents. A Report ofthe Viewing Habits, Program Preferences, and Parental, Guidance of School Children in the Foiirth through the. Ninth Grades in Sedgwick County, Kansas (November, 1976). INSTITUTION Wichita State Univ., Kans.. SPONS'AGENCY American Broadcasting Co., New York, N.Y. PUB DATE 1 Jun 77 NOTE 483p. /EbRS PRICE MF-$1.00 Plus:Postage. BC Not Available from EDRS. DESCRIPTORS Age Differences; *Behavior Patterns; *Children; -,CommerCial Television; Parent Attitudes;*Parent ,Influence; *Parents; Sex Differences; Statistical Analysis; *Television Research; Television Surveys; *Television Viewing; Viewing Time ABSTRACT Television viewing habits, 'program pref6rinces, and parental guidance at 5,167 randomly selected urban/rural,Kansas/ children in grades 4-9 were studied. Data collected. by the s / administration of structured questionnaires to the childret in 254 classrooms and separate questionnaires completed by 4,882 of the childrens' parents indicated that:(1) -the children devoted approximately 3-1/2 hours daily to television;(2) parental limitations on viewing times were more stricton nights before school days--70% and 90%, of the children and parents, respectively,reported that viewing must cease at or before 10:00 p.m.--thanon nights before non-school days--no parental limitationson viewing times were reported by 60% to 70% of the respondents; 43) parents and children frequently differed in program preferences, suggesting difficulties for broadcasters in providing "common denominator"programs appropriate for family viewing; and (4)80% to 90% of parents and children reported no parental guidance on 68 evening and 24Saturday morning programs listed on the questionnaires. -
By Bachelor of Science in Home Economics Ohio University Athens
THE RELATIONSHIP BETWEEN TELEVISION-VIEWING BEHAVIOR AND SOCIAL DEVELOPMENT IN EARLY CHILDHOOD By ALLYS ELAINE _JOLDSMITH Bachelor of Science in Home Economics Ohio University Athens, Ohio 1957 Master of Science Oklahoma State University Stillwater, Oklahoma 1970 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment for the requirements for the Degree of DOCTOR OF EDUCATION July 29, 1977 Dedicated to Beth and Meg ii LIBRARY THE RELATIONSHIP BETWEEN TELEVISION-VIEWING B!FlA VIOR AND SOCIAL DEVELOPMENT IN EARLY CHILDHOOD Thesis Approved: 997265 iii PLEASE NOTE: Pages 1080121 have very small and indistinct print. Filmed in the best possible way. UNIVERSITY MICROFILMS. ACDOWLIOOMEMTS 'J.'be writer wishes to express appreciation to all who have helped to make this study possible. The writer is especially grateful to Dr. Elaine Jorgenson, Dr. Elizabeth Starkweather, Dr. Frances Stromberg, and Dr. Rondal Ga11ble for their suggestions and encouragement in the development and executioa of this study. The writer expresses appreciation to Dr. William Ward for his assistance in data analysis. The writer ls appreciative of the cooperation and encouragement by the faculty of the Unh·ersity of Arkansas, Fayetteville. Special gratitude is expressed to the nursery school teachers, parents, and children for their help and cooperation while data were collected. To my daughters, Meg and Beth, and to my mother goes special gratitude for their loving understaading and support throughout this study. TABLE OF CONTENTS Chapter Page I. INTROOOCTION . 1 Significaace of the Proble11 1 Problem • • •• 2 Specif1 c Pwwposes • • • • • • • • ·• • • • 5 Descriptive Information •••••• 6 Hypotheses Investigated • • • 6 Hypotheses Related to Age • . -
Lou Scheimer: Creating the Filmation Generation Online
HRB8q [Pdf free] Lou Scheimer: Creating The Filmation Generation Online [HRB8q.ebook] Lou Scheimer: Creating The Filmation Generation Pdf Free Andy Mangels ePub | *DOC | audiobook | ebooks | Download PDF Download Now Free Download Here Download eBook #6491111 in Books 2012-01-10Original language:EnglishPDF # 1 11.00 x .50 x 8.50l, .0 #File Name: 1893905969160 pages | File size: 16.Mb Andy Mangels : Lou Scheimer: Creating The Filmation Generation before purchasing it in order to gage whether or not it would be worth my time, and all praised Lou Scheimer: Creating The Filmation Generation: 3 of 3 people found the following review helpful. LOU SCHEIMER: CREATING THE FILMATION GENERATIONBy MOTU ReviewLou Scheimer: Creating the Filmation Generation is Scheimerrsquo;s 2012 autobiography, which he wrote with Andy Mangels. Scheimer co-founded Filmation in 1962, and he was the only one left when the sale to Lrsquo;Oreal shut the company down in 1989. As such, this book also serves as a comprehensive history of Filmation, which is best known for such cartoons as He-Man and the Masters of the Universe, Fat Albert and the Cosby Kids, and Star Trek: The Animated Series.The book begins with Scheimerrsquo;s parentsrsquo; immigration to the United States and his childhood and schooling; from the foundation of Filmation onward, Scheimer keeps things mostly chronological but largely gives a show-by-show account of events. I only have one real complaint about the way the book is laid outmdash;it would have been nice to get more information on the animation process earlier in the book so that certain portions would be easier to follow.The book has a very conversational tone, which makes it extremely engaging. -
Ghostbusters
Ghostbusters by Harold Ramis and Dan Aykroyd Final Shooting Script Last revised October 7, 1983 EXT. NEW YORK PUBLIC LIBRARY -- DAY The sun shines brightly on the classic facade of the main library at Fifth Avenue and 42nd Street. In the adjacent park area, pretty hustlers and drug peddlers go about their business. FRONT STEPS A few people lounge on the steps flanked by the familiar stone lions. INT. MAIN READING ROOM -- DAY People are dotted throughout the room sitting at the long oak tables polished by decades of use. Reading lamps with green glass shades cast a golden glow on the tables. The patina of age is everywhere. It is very quiet. LIBRARIAN A slightly stout, studious looking girl in her late twenties circulates quietly among the tables picking up books and putting them on her cart. Everything seems completely normal and peaceful. POV A single eerie musical note signals the presence of something strange looking down on the Librarian from a vantage point high above the room. It follows the Librarian as she pushes her cart around the corner. INT. WORK AREA The Librarian is alone in a back room sorting books for reshelving. Behind her is the card catalogue. One of the books attracts her interest and she starts leafing through it. THE CARD CATALOGUE Another eerie note is heard as one of the drawers silently slides open behind the Librarian and hundreds of index cards start popping out. The Librarian continues reading completely oblivious to this strange phenomenon. She gets up and moves past another row of cabinets. -
The Realest Ghostbuster by Maddox
The Realest Ghostbuster by Maddox "I'm sorry, you're too qualified for a position with the Ghostbusters." Yeah right, whatever. It was the last thing I thought I'd hear. Sitting in front of me in the re- purposed fire department was Dr. Raymond Stanz of the world famous ghost hunting agency. He seemed distraught, like a good friend giving a good friend some bad news. "I understand, Ray." I didn't. I felt my mouth utter those words, but they were empty. I didn't understand how someone so talented could be turned down for having too much of what they're looking for. I wanted to cut myself. "It's not every day you meet someone who's an expert on para- psychology, spectral forensics and has two masters degrees in phantasmal anthropology," he continued. Sitting next to him was a cross-armed Egon Spengler. I could tell that Egon felt threatened. But this didn't seem to be about my qualifications. There was something else... "Ghostbusters, how can I help you?" Janine, the secretary, picked up the phone abruptly. She dutifully jotted down some notes, nodding and looking over at us. "Uh-huh. Sure. Well I don't think we can get to that today." She had the voice of an angel. Janine Melnitz was a scrappy woman with the body of a lean bloodhound and dark burgundy hair. Her hips brushed past my shoulder as she walked over to tell the boys the news. Egon perked up in his seat. "There's a donut shop on Houston street that needs you." Egon furrowed his brow.