Lou Scheimer: Creating the Filmation Generation Online

Total Page:16

File Type:pdf, Size:1020Kb

Lou Scheimer: Creating the Filmation Generation Online HRB8q [Pdf free] Lou Scheimer: Creating The Filmation Generation Online [HRB8q.ebook] Lou Scheimer: Creating The Filmation Generation Pdf Free Andy Mangels ePub | *DOC | audiobook | ebooks | Download PDF Download Now Free Download Here Download eBook #6491111 in Books 2012-01-10Original language:EnglishPDF # 1 11.00 x .50 x 8.50l, .0 #File Name: 1893905969160 pages | File size: 16.Mb Andy Mangels : Lou Scheimer: Creating The Filmation Generation before purchasing it in order to gage whether or not it would be worth my time, and all praised Lou Scheimer: Creating The Filmation Generation: 3 of 3 people found the following review helpful. LOU SCHEIMER: CREATING THE FILMATION GENERATIONBy MOTU ReviewLou Scheimer: Creating the Filmation Generation is Scheimerrsquo;s 2012 autobiography, which he wrote with Andy Mangels. Scheimer co-founded Filmation in 1962, and he was the only one left when the sale to Lrsquo;Oreal shut the company down in 1989. As such, this book also serves as a comprehensive history of Filmation, which is best known for such cartoons as He-Man and the Masters of the Universe, Fat Albert and the Cosby Kids, and Star Trek: The Animated Series.The book begins with Scheimerrsquo;s parentsrsquo; immigration to the United States and his childhood and schooling; from the foundation of Filmation onward, Scheimer keeps things mostly chronological but largely gives a show-by-show account of events. I only have one real complaint about the way the book is laid outmdash;it would have been nice to get more information on the animation process earlier in the book so that certain portions would be easier to follow.The book has a very conversational tone, which makes it extremely engaging. Scheimerrsquo;s personality really comes through unfiltered, and by all accounts, he was quite a character. He never met a tangent he didnrsquo;t like, but most of what he has to say is so interesting that itrsquo;s easily forgiven (e.g., his dad purportedly punched Hitler in the face).Scheimer heavily emphasizes his passion and vision for animation throughout the book. He was a trailblazer, he says, for incorporating racial diversity into childrenrsquo;s cartoons, and for producing material that communicated values, morals, and instruction. He was also committed to keeping animation jobs in the United States when most studios were sending large amounts of work overseas (this is, in fact, one of the primary reasons for Filmationrsquo;s well-known and oft-maligned stock animation system.This is a huge bookmdash;8.5rdquo; by 11rdquo;, and almost 300 pagesmdash;and itrsquo;s kind of unwieldy. Itrsquo;s worth wrestling with, though, because of the vast number of pictures. Contrary to what its page would lead you to believe, however, the book is not in full color. Only pp. 209ndash;224 are; the rest are in black and white, so caveat emptor. The book really could have done with some serious copyediting, especially to clean up Scheimerrsquo;s serial misuse of ldquo;Irdquo; when he should have used ldquo;merdquo; and the redundancies in the writing (Mangels, isnrsquo;t that your job?).For me, at least, the production and editorial knocks on the book are readily forgivable. Lou Scheimer: Creating the Filmation Generation gave me a new appreciation for Scheimer, for Filmation, and for some of the cartoons I grew up with; Irsquo;m grateful simply that the book exists.If any of the Filmation shows you grew up with are still meaningful to you as an adult, odds are yoursquo;ll find Lou Scheimer: Creating the Filmation Generation well worth your time.0 of 0 people found the following review helpful. ... Scheimer's animated series on many Saturday mornings and really enjoyed his programsBy A. YeeI grew up watching Lou Scheimer's animated series on many Saturday mornings and really enjoyed his programs. After a long week of school, it was an escape to tune in and see imaginative polished cartoon stories with interesting characters and situations with valuable life lessons to teach. While critics may complain about the Filmation studio animated output and the repeated character designs, movements, and backgrounds, for the target tv audience at its time, it was magic to see many great established concepts like Batman, Superman, The Archies, Flash Gordon, Tarzan, and Star Trek and some original ideas like Fat Albert and Blackstar in cartoon form...and a marvel to behold at Mr. Scheimer's great business instincts in keeping the tv network executives happy and keeping his studio staff motivated in delivering his products on time and within budget for several hours of entertaining for many weeks for over 20 years.Mr. Scheimer's book was very informative and entertaining as he relates his stories in running his studio; dealing with staffers, voice performers, and tv network people; and revealing his personal stories and ideas that worked and didn't advance past the planning stages. He didn't pull any punches in communicating his thoughts about various creative folks, especially well-known controversial talents like Don Bluth and John Kricfalusi, who both previously worked for Filmation Studios, but probably won't list their experiences as career highlights.For this regular tv viewer of Saturday mornings in the hip 1970s...I say thank you, Filmation.2 of 2 people found the following review helpful. Very good history of Saturday Morning Cartoons from a man who was there.By Kindle CustomerI got this with the intention of quickly learning a little trivia about the live action tv shows like ARK II and Shazam that Filmation produced in the 1970s. Little did I know that I would really get caught up in the book and read it cover to cover. Lou is a kind and creative man and his story is interesting. The book mostly follows a year by year timeline that lets the reader absorb all that was happening in the life of the company Filmation during any given year. They began producing cartoons at a time when Network TV decided that they wanted to program Saturday mornings for kids. Hanna Barbara was their biggest rival and the two companies duked it out for most of the 1970s to see who would get the most shows on the most networks. This competition created many of the signature shows of any Generation Xers youth.I found myself highlighting trivia to share with anyone I can find to share it with later and also heading to youtube over and over to relive some of the shows that I had completely forgotten about. It was a very enjoyable experience overall and I recommend this book to anyone interested in Filmation in particular or reliving some of the old Saturday morning magic. Hailed as one of the fathers of Saturday morning television, Lou Scheimer was the co-founder of Filmation Studios, which for over 25 years provided animated excitement for TV and film. Always at the forefront, Scheimer's company created the first DC cartoons with Superman, Batman, and Aquaman, ruled the song charts with The Archies, kept Trekkie hope alive with the Emmy-winning Star Trek: The Animated Series, taught morals with Fat Albert and the Cosby Kids, and swung into high adventure with Tarzan, The Lone Ranger, and Zorro. Forays into live-action included Shazam! and The Secrets of Isis, plus groundbreaking special effects work on Jason of Star Command and others. And in the 1980s, Filmation single-handedly caused the syndication explosion with He-Man and the Masters of the Universe and its successors. Profusely illustrated with photos, model sheets, storyboards, presentation art, looks at rare and unproduced series, and more - plus stories from top animation insiders about Scheimer and Filmation's past - this book will show the Filmation Generation the story behind the stories! About the AuthorAndy Mangels is the USA Today best-selling author and co-author of over twenty fiction and nonfiction books including many Star Trek and Roswell books, as well as Iron Man: Beneath The Armor, Star Wars: The Essential Guide to Characters and Animation on DVD: The Ultimate Guide, and other tomes. He also co-wrote an adventure story that heavily referenced the Filmation series, for Moonstone Books Tales of Zorro anthology. [HRB8q.ebook] Lou Scheimer: Creating The Filmation Generation By Andy Mangels PDF [HRB8q.ebook] Lou Scheimer: Creating The Filmation Generation By Andy Mangels Epub [HRB8q.ebook] Lou Scheimer: Creating The Filmation Generation By Andy Mangels Ebook [HRB8q.ebook] Lou Scheimer: Creating The Filmation Generation By Andy Mangels Rar [HRB8q.ebook] Lou Scheimer: Creating The Filmation Generation By Andy Mangels Zip [HRB8q.ebook] Lou Scheimer: Creating The Filmation Generation By Andy Mangels Read Online.
Recommended publications
  • Here Comes Television
    September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business.
    [Show full text]
  • H K a N D C U L T F I L M N E W S
    More Next Blog» Create Blog Sign In H K A N D C U L T F I L M N E W S H K A N D C U LT F I L M N E W S ' S FA N B O X W E L C O M E ! HK and Cult Film News on Facebook I just wanted to welcome all of you to Hong Kong and Cult Film News. If you have any questions or comments M O N D AY, D E C E M B E R 4 , 2 0 1 7 feel free to email us at "SURGE OF POWER: REVENGE OF THE [email protected] SEQUEL" Brings Cinema's First Out Gay Superhero Back to Theaters in January B L O G A R C H I V E ▼ 2017 (471) ▼ December (34) "MORTAL ENGINES" New Peter Jackson Sci-Fi Epic -- ... AND NOW THE SCREAMING STARTS -- Blu-ray Review by ... ASYLUM -- Blu-ray Review by Porfle She Demons Dance to "I Eat Cannibals" (Toto Coelo)... Presenting -- The JOHN WAYNE/ "GREEN BERETS" Lunch... Gravitas Ventures "THE BILL MURRAY EXPERIENCE"-- i... NUTCRACKER, THE MOTION PICTURE -- DVD Review by Po... John Wayne: The Crooning Cowpoke "EXTRAORDINARY MISSION" From the Writer of "The De... "MOLLY'S GAME" True High- Stakes Poker Thriller In ... Surge of Power: Revenge of the Sequel Hits Theaters "SHOCK WAVE" With Andy Lau Cinema's First Out Gay Superhero Faces His Greatest -- China’s #1 Box Offic... Challenge Hollywood Legends Face Off in a New Star-Packed Adventure Modern Vehicle Blooper in Nationwide Rollout Begins in January 2018 "SHANE" (1953) "ANNIHILATION" Sci-Fi "A must-see for fans of the TV Avengers, the Fantastic Four Thriller With Natalie and the Hulk" -- Buzzfeed Portma..
    [Show full text]
  • Introduction
    Chapter ONE: Introduction had a massive budget and the acting ranged from good to abysmal, often within the same Blast Off series. Continuity was commonly spotty as well and nobody was going to confuse the writing for high art. Science fiction (n.): fiction dealing principally with the impact of actual But that was fine and dandy, because these or imagined science on society or in- television shows were fun and that’s what dividuals or having a scientific factor made us tune in every week. We longed for as an essential orienting component. adventure and they delivered that in spades! So what if we could tell that the robot was made of cheap plastic? Who cared if the cam- Now, add disco! This is RETROSTAR! era was just being tilted back and forth to give the illusion of the spaceship being hit? You say These days, science fiction can be found on vir- the laser blasts looked hokey? Big deal. We tually every television channel. It’s everywhere. wanted a fun science fiction story and that’s One only has to turn on the television in order exactly what we got. to find starship battles, post-apocalyptic survi- vors, malevolent aliens and robots of all kind. If you understand where we’re coming from, then Retrostar may very well be the game for you! But that wasn’t always the case. Sample Ourfile goal was to create a game that captured the essence of these shows from beginning to end. There was a time, back in the 1970s, when We wanted to bring all the fun, excitement and, science fiction was pretty hard to come by yes, cheesiness of the 1970s-era science fiction on television.
    [Show full text]
  • Teachers Guide
    Teachers Guide Exhibit partially funded by: and 2006 Cartoon Network. All rights reserved. TEACHERS GUIDE TABLE OF CONTENTS PAGE HOW TO USE THIS GUIDE 3 EXHIBIT OVERVIEW 4 CORRELATION TO EDUCATIONAL STANDARDS 9 EDUCATIONAL STANDARDS CHARTS 11 EXHIBIT EDUCATIONAL OBJECTIVES 13 BACKGROUND INFORMATION FOR TEACHERS 15 FREQUENTLY ASKED QUESTIONS 23 CLASSROOM ACTIVITIES • BUILD YOUR OWN ZOETROPE 26 • PLAN OF ACTION 33 • SEEING SPOTS 36 • FOOLING THE BRAIN 43 ACTIVE LEARNING LOG • WITH ANSWERS 51 • WITHOUT ANSWERS 55 GLOSSARY 58 BIBLIOGRAPHY 59 This guide was developed at OMSI in conjunction with Animation, an OMSI exhibit. 2006 Oregon Museum of Science and Industry Animation was developed by the Oregon Museum of Science and Industry in collaboration with Cartoon Network and partially funded by The Paul G. Allen Family Foundation. and 2006 Cartoon Network. All rights reserved. Animation Teachers Guide 2 © OMSI 2006 HOW TO USE THIS TEACHER’S GUIDE The Teacher’s Guide to Animation has been written for teachers bringing students to see the Animation exhibit. These materials have been developed as a resource for the educator to use in the classroom before and after the museum visit, and to enhance the visit itself. There is background information, several classroom activities, and the Active Learning Log – an open-ended worksheet students can fill out while exploring the exhibit. Animation web site: The exhibit website, www.omsi.edu/visit/featured/animationsite/index.cfm, features the Animation Teacher’s Guide, online activities, and additional resources. Animation Teachers Guide 3 © OMSI 2006 EXHIBIT OVERVIEW Animation is a 6,000 square-foot, highly interactive traveling exhibition that brings together art, math, science and technology by exploring the exciting world of animation.
    [Show full text]
  • Runaway Film Production: a Critical History of Hollywood’S Outsourcing Discourse
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Illinois Digital Environment for Access to Learning and Scholarship Repository RUNAWAY FILM PRODUCTION: A CRITICAL HISTORY OF HOLLYWOOD’S OUTSOURCING DISCOURSE BY CAMILLE K. YALE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications in the Graduate College of the University of Illinois at Urbana-Champaign, 2010 Urbana, Illinois Doctoral Committee: Professor John C. Nerone, Chair and Director of Research Professor James W. Hay Professor Steven G. Jones, University of Illinois at Chicago Professor Cameron R. McCarthy ABSTRACT Runaway production is a phrase commonly used by Hollywood film and television production labor to describe the outsourcing of production work to foreign locations. It is an issue that has been credited with siphoning tens of millions of dollars and thousands of jobs from the U.S. economy. Despite broad interest in runaway production by journalists, politicians, academics, and media labor interests, and despite its potential impact on hundreds of thousands—and perhaps millions—of workers in the U.S., there has been very little critical analysis of its historical development and function as a political and economic discourse. Through extensive archival research, this dissertation critically examines the history of runaway production, from its introduction in postwar Hollywood to its present use in describing the development of highly competitive television and film production industries in Canada. From a political economic perspective, I argue that the history of runaway production demonstrates how Hollywood’s multinational media corporations have leveraged production work to cultivate goodwill and industry-friendly trade policies across global media markets.
    [Show full text]
  • Info Fair Resources
    ………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… Info Fair Resources ………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… SCHOOL OF VISUAL ARTS 209 East 23 Street, New York, NY 10010-3994 212.592.2100 sva.edu Table of Contents Admissions……………...……………………………………………………………………………………… 1 Transfer FAQ…………………………………………………….…………………………………………….. 2 Alumni Affairs and Development………………………….…………………………………………. 4 Notable Alumni………………………….……………………………………………………………………. 7 Career Development………………………….……………………………………………………………. 24 Disability Resources………………………….…………………………………………………………….. 26 Financial Aid…………………………………………………...………………………….…………………… 30 Financial Aid Resources for International Students……………...…………….…………… 32 International Students Office………………………….………………………………………………. 33 Registrar………………………….………………………………………………………………………………. 34 Residence Life………………………….……………………………………………………………………... 37 Student Accounts………………………….…………………………………………………………………. 41 Student Engagement and Leadership………………………….………………………………….. 43 Student Health and Counseling………………………….……………………………………………. 46 SVA Campus Store Coupon……………….……………….…………………………………………….. 48 Undergraduate Admissions 342 East 24th Street, 1st Floor, New York, NY 10010 Tel: 212.592.2100 Email: [email protected] Admissions What We Do SVA Admissions guides prospective students along their path to SVA. Reach out
    [Show full text]
  • Open the Vault of TV Horror-Hosts, with & Fiendish Friends
    Trick or Treat, kiddies! Ben Cooper Halloween Fall 2018 Costumes No. 2 $8.95 Welcome to Open the vault of Horrible Hall… The TV horror-hosts, Groovie with Goolies & fiendish friends this crazy Dinosaur Land Take a Look at Superhero View- Masters® Super Collector’s Legion of Lunch 0 Boxes 9 4 1 0 0 8 5 6 Tune in to the Sixties’ most bewitching, munsterific sitcoms! 2 8 Featuring Andy Mangels • Scott Saavedra • Mark Voger • and the Oddball World of Scott Shaw! 1 Elvira © Queen “B” Productions. Marvel heroes © Marvel. Groovie Goolies © respective copyright holder. View-Master © Mattel. All Rights Reserved. The crazy cool culture we grew up with Columns and Special Features Departments 3 2 Scott Saavedra's Retrotorial CONTENTS Secret Sanctum Issue #2 | Fall 2018 Bewitching, Munsterific Sitcoms of the Sixties 20 Too Much TV Quiz 11 Retro Interview 44 And Now, A Word From Ira J. Cooper – Ben Cooper 51 Our Sponsor… Halloween Costumes 51 23 Retro Toys Retro Television Sindy, the British Barbie Haunting the Airwaves – TV Horror Hosts 11 56 RetroFad 27 Mood Rings Retro Interview Elvira, Mistress of the Dark 57 57 Retro Collectibles 31 Superhero View-Masters® Andy Mangels’ Retro Saturday Mornings Groovie Goolies 67 27 Retro Travel Geppi's Entertainment 45 Museum The Oddball World of Scott Shaw! Dinosaur Land 73 Super Collector Collecting Lunch Boxes, by Terry Collins Mood: Awesome! 80 ReJECTED 56 RetroFan fantasy cover RetroFan™ #2, Fall 2018. Published quarterly by TwoMorrows Publishing, 10407 Bedfordtown Drive, Raleigh, NC 27614. Michael Eury, Editor. John Morrow, Publisher. Editorial Office: RetroFan, c/o Michael Eury, Editor, 118 Edgewood Avenue NE, Concord, NC 28025.
    [Show full text]
  • Free Catalog
    Featured New Items DC COLLECTING THE MULTIVERSE On our Cover The Art of Sideshow By Andrew Farago. Recommended. MASTERPIECES OF FANTASY ART Delve into DC Comics figures and Our Highest Recom- sculptures with this deluxe book, mendation. By Dian which features insights from legendary Hanson. Art by Frazetta, artists and eye-popping photography. Boris, Whelan, Jones, Sideshow is world famous for bringing Hildebrandt, Giger, DC Comics characters to life through Whelan, Matthews et remarkably realistic figures and highly al. This monster-sized expressive sculptures. From Batman and Wonder Woman to The tome features original Joker and Harley Quinn...key artists tell the story behind each paintings, contextualized extraordinary piece, revealing the design decisions and expert by preparatory sketches, sculpting required to make the DC multiverse--from comics, film, sculptures, calen- television, video games, and beyond--into a reality. dars, magazines, and Insight Editions, 2020. paperback books for an DCCOLMSH. HC, 10x12, 296pg, FC $75.00 $65.00 immersive dive into this SIDESHOW FINE ART PRINTS Vol 1 dynamic, fanciful genre. Highly Recommened. By Matthew K. Insightful bios go beyond Manning. Afterword by Tom Gilliland. Wikipedia to give a more Working with top artists such as Alex Ross, accurate and eye-opening Olivia, Paolo Rivera, Adi Granov, Stanley look into the life of each “Artgerm” Lau, and four others, Sideshow artist. Complete with fold- has developed a series of beautifully crafted outs and tipped-in chapter prints based on films, comics, TV, and ani- openers, this collection will mation. These officially licensed illustrations reign as the most exquisite are inspired by countless fan-favorite prop- and informative guide to erties, including everything from Marvel and this popular subject for DC heroes and heroines and Star Wars, to iconic classics like years to come.
    [Show full text]
  • New Mexico Daily Lobo, Volume 085, No 140, 4/23/1981." 85, 140 (1981)
    University of New Mexico UNM Digital Repository 1981 The aiD ly Lobo 1981 - 1985 4-23-1981 New Mexico Daily Lobo, Volume 085, No 140, 4/ 23/1981 University of New Mexico Follow this and additional works at: https://digitalrepository.unm.edu/daily_lobo_1981 Recommended Citation University of New Mexico. "New Mexico Daily Lobo, Volume 085, No 140, 4/23/1981." 85, 140 (1981). https://digitalrepository.unm.edu/daily_lobo_1981/65 This Newspaper is brought to you for free and open access by the The aiD ly Lobo 1981 - 1985 at UNM Digital Repository. It has been accepted for inclusion in 1981 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. PageR, New Mexico Daily Lobo, April22, 1981 Sen'cds ll' IS YOUR right to know that heaven i.~ ht:re now. a -r <9 • 7 ?r=1 tlnwn:mHl. Hm •,crvice every 10 mmulc~. ~ b~rlmnm - -.\ u-r ell I! icm.y. 1rum '$205. All Ut!lilic\ pal~· Deluxe 8. Miscellaneous Eckankar free discussil:m, 7:30p.m.~ Thursday, ;m. 3. Services k 1 h.h~.:n with 1J1~hwa~hcr & di<._pw;.al, recr("~tlon mom, BSL:B. 4123 ""~ . ~ 1. Personals AlU~ YOL! l.EAVlNG for the ~Ummt:r? Pu you need lA.nJQw 1 A('('l'UACY GDAHAN'II't:!>. '!YI'It'<G at ~winnning pLml, IV room & la!mdry. Adu!l comple-x, AC('UHATf: JNJ'Oio;MA'TJON AIIOll f l'Un· ell.pcricil~ed. rl!spomihle per~oo to care for )'O~.r ' lr<.htmahll•Jntc'o. fUM Sclcctrn;.
    [Show full text]
  • Lou Scheimer Oct
    Lou Scheimer Oct. 19, 1928 - Oct. 17, 2013 This book is dedicated to the life and career of cartoon visionary and co-founder of Filmation, Lou Scheimer. Without him, the cartoon landscape of the 1980s would have been much more barren. We owe him a huge debt of gratitude for forging wondrous memories for an entire generation of children. He truly did have the power. Sample file Line Developer And Now, a Word From Our Sponsors Cynthia Celeste Miller We at Spectrum Games would like to give a massive thanks to all our amazing Kickstarter backers, who have been enthusias- tic, patient and understanding. It is genuinely appreciated. Cheers! Writing and Design Team Cynthia Celeste Miller, Norbert Franz, Barak Blackburn, Stephen Shepherd, Ellie Hillis Ryan Percival, Raymond Croteau, Davena Embery, Sky Kruse, Michael David Jr., Star Eagle, Andy Biddle, Chris Collins, Insomniac009, David Havelka, Brendan Whaley, Jay Pierce, Jason “Jivjov”, Matthew Petty, Jason Middleton, Vincent E. Hoffman, Ralph Lettan, Christian Eilers, Preface Gabe Carlson, Jeff Scifert, Jeffrey A. Webb, Eric Dahl, Modern Myths, Rodney Allen Stanton III, Jason Wright, Phillip Naeser, Aaron Locke Flint Dille Nuttal, Chris Bernhardi, Lon A. Porter, Jr., Markus Viklund, Eric Troup, Joseph A. Russell. Mike Emrick. Theo, Jen Kitzman, Eric Coates, Kitka, Brian Erickson, Mike Healey, Zachary Q. Adams, Preston Coutts, Doc Holladay, Brian Bishop, Christopher Onstad, Kevin A. Jackson, Robery Payne, Ron Rummell, Justin Melton, James Dotson, Richard S. Preston, Jack Kessler, Larry Stanton, Marcus Arena, David Saggers, Robert Editor Ferency-Viars, George Blackburn Powell, Nigel Ray, John “Shadowcat” Ickes, Garth Dighton, Richard Smith, M.
    [Show full text]
  • Hawkman in the Bronze Age!
    HAWKMAN IN THE BRONZE AGE! July 2017 No.97 ™ $8.95 Hawkman TM & © DC Comics. All Rights Reserved. BIRD PEOPLE ISSUE: Hawkworld! Hawk and Dove! Nightwing! Penguin! Blue Falcon! Condorman! featuring Dixon • Howell • Isabella • Kesel • Liefeld McDaniel • Starlin • Truman & more! 1 82658 00097 4 Volume 1, Number 97 July 2017 EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow Comics’ Bronze Age and Beyond! DESIGNER Rich Fowlks COVER ARTIST George Pérez (Commissioned illustration from the collection of Aric Shapiro.) COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Alter Ego Karl Kesel Jim Amash Rob Liefeld Mike Baron Tom Lyle Alan Brennert Andy Mangels Marc Buxton Scott McDaniel John Byrne Dan Mishkin BACK SEAT DRIVER: Editorial by Michael Eury ............................2 Oswald Cobblepot Graham Nolan Greg Crosby Dennis O’Neil FLASHBACK: Hawkman in the Bronze Age ...............................3 DC Comics John Ostrander Joel Davidson George Pérez From guest-shots to a Shadow War, the Winged Wonder’s ’70s and ’80s appearances Teresa R. Davidson Todd Reis Chuck Dixon Bob Rozakis ONE-HIT WONDERS: DC Comics Presents #37: Hawkgirl’s First Solo Flight .......21 Justin Francoeur Brenda Rubin A gander at the Superman/Hawkgirl team-up by Jim Starlin and Roy Thomas (DCinthe80s.com) Bart Sears José Luís García-López Aric Shapiro Hawkman TM & © DC Comics. Joe Giella Steve Skeates PRO2PRO ROUNDTABLE: Exploring Hawkworld ...........................23 Mike Gold Anthony Snyder The post-Crisis version of Hawkman, with Timothy Truman, Mike Gold, John Ostrander, and Grand Comics Jim Starlin Graham Nolan Database Bryan D. Stroud Alan Grant Roy Thomas Robert Greenberger Steven Thompson BRING ON THE BAD GUYS: The Penguin, Gotham’s Gentleman of Crime .......31 Mike Grell Titans Tower Numerous creators survey the history of the Man of a Thousand Umbrellas Greg Guler (titanstower.com) Jack C.
    [Show full text]
  • An Analysis of the Cultural Dismissal of Wonder Woman Through Her 1975-1979 Television Series
    Dickinson College Dickinson Scholar Faculty and Staff Publications By Year Faculty and Staff Publications Summer 2018 Casting a Wider Lasso: An Analysis of the Cultural Dismissal of Wonder Woman Through Her 1975-1979 Television Series Ian Boucher Dickinson College Follow this and additional works at: https://scholar.dickinson.edu/faculty_publications Part of the American Popular Culture Commons, Criminology and Criminal Justice Commons, Feminist, Gender, and Sexuality Studies Commons, Film and Media Studies Commons, and the Television Commons Recommended Citation Boucher, Ian. "Casting a Wider Lasso: An Analysis of the Cultural Dismissal of Wonder Woman Through Her 1975-1979 Television Series." Popular Culture Review 29, no. 2 (2018). https://popularculturereview.wordpress.com/29_2_2018/ianboucher/ This article is brought to you for free and open access by Dickinson Scholar. It has been accepted for inclusion by an authorized administrator. For more information, please contact [email protected]. Popular Culture Review Casting a Wider Lasso: An Analysis of the Cultural Dismissal of Wonder Woman Through Her 1975- 1979 Television Series By Ian Boucher “Every successful show has a multitude of fights, and that the shows are successful sometimes are because of those fights. And sometimes shows aren’t successful because those fights aren’t carried on long or hard enough.” -Douglas S. Cramer “And any civilization that does not recognize the female is doomed to destruction. Women are the wave of the future—and sisterhood is…stronger than anything.” -Wonder Woman, The New Original Wonder Woman (7 Nov. 1975) Abstract Live-action superhero films currently play a significant role at the box office, which means they also play a significant role in culture’s understandings about justice.
    [Show full text]