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Reddening Or Reckoning?
Reddening or Reckoning? An Essay on China’s Shadow on Hong Kong Media 22 Years after Handover from British Rule Stuart Lau Journalist Fellow 2018 Reuters Institute for the Study of Journalism University of Oxford August 2019 CONTENTS 1. Preface 2 2. From top to bottom: the downfall of a TV station 4 3. Money, Power, Media 10 4. “Political correctness”: New normal for media 20 5. From the Big Brother: “We are watching you” 23 6. Way forward - Is objective journalism still what Hong Kong needs? 27 1 Preface Hong Kong journalists have always stood on the front line of reporting China, a country that exercises an authoritarian system of government but is nonetheless on track to global economic prominence. The often-overlooked role of Hong Kong journalists, though, has gained international attention in summer 2019, when weeks of citywide protests has viralled into the largest-scale public opposition movement ever in the city’s 22-year history as a postcolonial political entity under Chinese sovereignty, forcing the Hong Kong government into accepting defeat over the hugely controversial extradition bill. While much can be said about the admirable professionalism of Hong Kong’s frontline journalists including reporters, photojournalists and video journalists, most of whom not having received the level of warzone-like training required amid the police’s unprecedentedly massive use of potentially lethal weapons, this essay seeks to examine something less visible and less discussed by international media and academia: the extent to which China influences Hong Kong’s media organisations, either directly or indirectly. The issue is important on three levels. -
Estándares De Subtitulación De La Televisión China : Un Estudio De Caso
This is the published version of the article: Zheng, Xuan; Rovira-Esteva, Sara. Estándares de subtitulación de la televisión china : un estudio de caso. 2017. 97 p. This version is available at https://ddd.uab.cat/record/181750 under the terms of the license Estándares de subtitulación de la televisión china: Un estudio de caso Trabajo final de máster Autora: Zheng Xuan Tutora: Sara Rovira-Esteva Facultad de Traducción e Interpretación Universidad Autónoma de Barcelona Julio de 2017 1 Resumen .......................................................................................................................... 5 Palabras clave ................................................................................................................. 5 1. Introducción ................................................................................................................ 6 1.1. Marco teórico ....................................................................................................... 7 1.2. Metodología .......................................................................................................... 8 2. Criterios de subtitulación de los programas de CCTV ......................................... 12 2.1. Tamaño de los caracteres .................................................................................. 14 2.2. Estilo y color de la fuente .................................................................................. 15 2.3. Número de líneas y número de caracteres por línea ...................................... -
Country of Origin Information Report China
Country of origin information report China July 2020 Country of origin information report China | May 2020 Publication details Location The Hague Assembled by Country of Origin Information Reports Section (AB) The Dutch version of this report is leading. The Ministry of Foreign Affairs of the Netherlands cannot be held accountable for misinterpretations based on the English version of the report. Country of origin information report China | May 2020 Table of contents Publication details ............................................................................................2 Table of contents .............................................................................................3 Introduction ....................................................................................................6 1 Political developments ................................................................................ 8 1.1 General ..........................................................................................................8 1.2 Xi Jinping .......................................................................................................8 1.3 The Shuanggui system .....................................................................................9 1.4 The security situation .......................................................................................9 1.5 Social credit system ....................................................................................... 10 1.5.1 Companies .................................................................................................. -
The New Chinese Documentary Film Movement for the Public Record
The New Chinese Documentary Film Movement For the Public Record Edited by Chris Berry, Lu Xinyu, and Lisa Rofel Hong Kong University Press The University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © 2010 Hong Kong University Press ISBN 978-988-8028-51-1 (Hardback) ISBN 978-988-8028-52-8 (Paperback) All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 Printed and bound by CTPS Digiprints Limited in Hong Kong, China Table of Contents List of Illustrations vii List of Contributors xi Part I: Historical Overview 1 1. Introduction 3 Chris Berry and Lisa Rofel 2. Rethinking China’s New Documentary Movement: 15 Engagement with the Social Lu Xinyu, translated by Tan Jia and Lisa Rofel, edited by Lisa Rofel and Chris Berry 3. DV: Individual Filmmaking 49 Wu Wenguang, translated by Cathryn Clayton Part II: Documenting Marginalization, or Identities New and Old 55 4. West of the Tracks: History and Class-Consciousness 57 Lu Xinyu, translated by J. X. Zhang 5. Coming out of The Box, Marching as Dykes 77 Chao Shi-Yan Part III: Publics, Counter-Publics, and Alternative Publics 97 6. Blowup Beijing: The City as a Twilight Zone 99 Paola Voci vi Table of Contents 7. -
History of Meals for Millions, Soy, and Freedom from Hunger (1946-2011)
MEALS FOR MILLIONS, SOY, AND FREEDOM FROM HUNGER 1 HISTORY OF MEALS FOR MILLIONS, SOY, AND FREEDOM FROM HUNGER (1946-2011): EXTENSIVELY ANNOTATED BIBLIOGRAPHY AND SOURCEBOOK Copyright © 2011 by Soyinfo Center MEALS FOR MILLIONS, SOY, AND FREEDOM FROM HUNGER 2 Copyright © 2011 by Soyinfo Center MEALS FOR MILLIONS, SOY, AND FREEDOM FROM HUNGER 3 HISTORY OF MEALS FOR MILLIONS, SOY, AND FREEDOM FROM HUNGER (1946-2011): EXTENSIVELY ANNOTATED BIBLIOGRAPHY AND SOURCEBOOK Compiled by William Shurtleff & Akiko Aoyagi 2011 Copyright © 2011 by Soyinfo Center MEALS FOR MILLIONS, SOY, AND FREEDOM FROM HUNGER 4 Copyright (c) 2011 by William Shurtleff & Akiko Aoyagi All rights reserved. No part of this work may be reproduced or copied in any form or by any means - graphic, electronic, or mechanical, including photocopying, recording, taping, or information and retrieval systems - except for use in reviews, without written permission from the publisher. Published by: Soyinfo Center P.O. Box 234 Lafayette, CA 94549-0234 USA Phone: 925-283-2991 Fax: 925-283-9091 www.soyinfocenter.com [email protected] ISBN 978-1-928914-32-7 (Meals for Millions, Soy, and Freedom from Hunger: Bibliography and Sourcebook) Printed 8 Feb. 2011 Price: Available on the Web free of charge Search engine keywords: History of Meals for Millions Foundation Timeline Meals for Millions Foundation History of Multi-purpose Food Biography of Clifford Edmond Clinton Biography of Clifford E. Clinton Biography of Clifford Clinton Clifford E. Clinton and soy Timeline of Clifford Edmond -
Five Gems in the Torrent: Historical Portrayals of Chinese Women in Sound and Religion
Che: Five Gems in the Torrent 235 Five Gems in the Torrent: Historical Portrayals of Chinese Women in Sound and Religion Yuchi Che ABSTRACT: In the long history of the patriarchal culture of China, women were consistently stigmatized as naïve. What made this situation worse was the mentality that—“a woman who lacks talent is a virtuous woman”1—a famous quote, which had became the standard to measure the qualities of a woman. This portrayal was quite permanent throughout the cultural history of China, as even today, this stereotype is still prominent in the poor, rural, and illiterate areas of China. This paper highlights in a chronological fashion the portrayal of the woman in the Chinese culture through sound, music, religion, and mythology. KEY WORDS: China, woman, sound, religion, Communism, Nüwa, Pangu, Mulan, Confucianism, Lao Tsu oined by the Harvard feminist theologian Elizabeth Schüssler CFiorenza, the concept of kyriarchy “denotes the power to dominate of those ‘gentlemen’ with property and education—heads of state, slave owners, and heads of households,” and it is very applicable to the contemporary Chinese society. “Kyriarchy can best be theorized as a complex pyramidal system of super- and sub- ordination, of exploitation and domination.”2 In the Chinese society the portrayal of the woman through sound (including music) and religion (including mythology), has been quite derogatory. To reverse this cultural pattern, Su Zheng, in her work Redefining Yin and Yang: Transformation of Gender/Sexual Politics in Chinese Music, considers 235 236 HARVARD SQUARE SYMPOSIUM | THE FUTURE OF KNOWLEDGE that it is logical and useful to apply the western ways of learning music and gender to the Chinese one since, as she believes, “each culture is not an isolated authentic entity waiting to be ‘discovered’ and added to the exotic palette of world gender ideologies.”3 1) The Beginnings In the Chinese cosmogony it is said that the universe was created by leaving behind an imperfect world. -
Sourcebook with Marie's Help
AIB Global Broadcasting Sourcebook THE WORLDWIDE ELECTRONIC MEDIA DIRECTORY | TV | RADIO | CABLE | SATELLITE | IPTV | MOBILE | 2009-10 EDITION WELCOME | SOURCEBOOK AIB Global WELCOME Broadcasting Sourcebook THE WORLDWIDE ELECTRONIC MEDIA DIRECTORY | TV | RADIO | CABLE | SATELLITE | IPTV | MOBILE | 2009 EDITION In the people-centric world of broadcasting, accurate information is one of the pillars that the industry is built on. Information on the information providers themselves – broadcasters as well as the myriad other delivery platforms – is to a certain extent available in the public domain. But it is disparate, not necessarily correct or complete, and the context is missing. The AIB Global Broadcasting Sourcebook fills this gap by providing an intelligent framework based on expert research. It is a tool that gets you quickly to what you are looking for. This media directory builds on the AIB's heritage of more than 16 years of close involvement in international broadcasting. As the global knowledge The Global Broadcasting MIDDLE EAST/AFRICA network on the international broadcasting Sourcebook is the Richie Ebrahim directory of T +971 4 391 4718 industry, the AIB has over the years international TV and M +971 50 849 0169 developed an extensive contacts database radio broadcasters, E [email protected] together with leading EUROPE and is regarded as a unique centre of cable, satellite, IPTV information on TV, radio and emerging and mobile operators, Emmanuel researched by AIB, the Archambeaud platforms. We are in constant contact -
China and LA County, BYD Has Offices in Europe, Japan, South Korea, India, Taiwan, and Other Regions
GROWING TOGETHER China and Los Angeles County GROWING TOGETHER China and Los Angeles County PREPARED BY: Ferdinando Guerra, International Economist Principal Researcher and Author with special thanks to George Entis, Research Assistant June, 2014 Los Angeles County Economic Development Corporation Kyser Center for Economic Research 444 S. Flower St., 37th Floor Los Angeles, CA 90071 Tel: (213) 622-4300 or (888) 4-LAEDC-1 Fax: (213)-622-7100 E-mail: [email protected] Web: http://www.laedc.org The LAEDC, the region’s premier business leadership organization, is a private, non-profit 501(c)3 organization established in 1981. GROWING TOGETHER China and Los Angeles County As Southern California’s premier economic development organization, the mission of the LAEDC is to attract, retain, and grow businesses and jobs for the regions of Los Angeles County. Since 1996, the LAEDC has helped retain or attract more than 198,000 jobs, providing over $12 billion in direct economic impact from salaries and over $850 million in property and sales tax revenues to the County of Los Angeles. LAEDC is a private, non-profit 501(c)3 organization established in 1981. Regional Leadership The members of the LAEDC are civic leaders and ranking executives of the region’s leading public and private organizations. Through financial support and direct participation in the mission, programs, and public policy initiatives of the LAEDC, the members are committed to playing a decisive role in shaping the region’s economic future. Business Services The LAEDC’s Business Development and Assistance Program provides essential services to L.A. County businesses at no cost, including coordinating site searches, securing incentives and permits, and identifying traditional and nontraditional financing including industrial development bonds. -
Universo Transmedia De Las Telenovelas Chinas Contemporáneas De Origen Literario
Universitat Autònoma de Barcelona Facultad de Ciencias de la Comunicación Investigación en Comunicación y Periodismo UNIVERSO TRANSMEDIA DE LAS TELENOVELAS CHINAS CONTEMPORÁNEAS DE ORIGEN LITERARIO Autora: Shi, Xiaoyu Directora: Lidia Peralta Gracía Bellaterra-Barcelona Junio, 2017 Resumen La presente investigación tiene como objetivo principal determinar la importancia e impacto de las telenovelas de naturaleza transmedia y origen literario en la sociedad contemporánea en China, desde el año 2001 hasta la actualidad. Para ello, el presente estudio trabaja desde una doble perspectiva: enmarcar el contexto de la televisión china y el mercado trasnmedia al que van dirigidas esas telenovelas y delimitar los elementos narratologícos y estructurales del formato transmedia. Ello nos permitirá entender hasta qué punto las narrativas transmedia están generando mayor impacto que los formatos tradicionales. De cara a la obtención de nuestros objetivos hemos recurrido a la metodología cuantitativa y cualitativa, con análisis de contenidos, uso de encuestas y apoyo de información documental principalmente. Palabras claves: telenovelas de origen literario, narrativa transmedia, impacto, importancia, sociedad china. ÍNDICE INTRODUCCIÓN I: CUERPO METODOLÓGICO 1.1 Problema de investigación 1.2 Justificación de trabajo 1.3 Marco teórico 1.4 Metodología II: LA TELEVISIÓN EN CHINA 2.1. Historia de la televisión china 2.1.1.Origen 2.1.2 Después de la Reforma económica 2.1.3 La televisión china en el siglo XXI 2.2. Canales de la televisión china 2.2.1 La CCTV, el canal nacional 2.2.2 Canales provinciales 2.3. El mercado de la televisión china 2.3.1 El canal nacional 2.3.2 Los canales locales (provincial) 2.4 Internet y su impacto sobre los consumos televisivos III: NOVELAS EN CHINA 3.1 El contexto cultural de las novelas IV: TELENOVELAS DE ORIGEN LITERARIO: INFORMACIÓN Y CONTEXTO 4.1 Telenovelas de origen literario en EE.UU: ¿un referente para China? 4.1.1. -
General Conference Committee Minutes for June, 1960
INDEX JUNE, 1960 minimmomm. Page • Abel, R. P.--permanent return authorized June 9, 1960 623 American College Public Relations Association--N. E. Loewen and Carol Hetzell to attend meeting 628 Appointments and Itineraries Mrs. Joyce Hopp, G. A. Huse 621 J. E. Edwards, E. L. Minchin, W. B. Ochs, W. E. Phillips, Maybelle Vandermark 623 V. G. Anderson, O. A. Blake, R. R. Figuhr„ Richard Hamill, N. W. Litchfield, Myrtle McGee, H. E. Rice, C. L. Torrey 628 K.H. Emmerson, A. C. Fearing, R. J. Radcliffe, G. E. Vandeman, R. S. Watts 630, 631 O. A. Blake, M. V. Campbell, Mrs. Del Farley, Hazie Herin, Mrs. Joyce Hopp, Mike Jones, C. L. Torrey, F. L. Peterson 634 Appropriations Approval of plan as regards East Africa to be reorganized; $15,000 to be made available if needed 623 Australasian Division Dr. Maurice D. Hodgen--Australasian Missionary College as a regular worker, national 620 Call from Far Eastern Division for evangelistic worker for New Guinea Mission, passed to 620 Call from Far Eastern Division for builder for West New Guinea Missionl passed to; Keith Thorpe suggested 620 Call for educational worker for Northeast Union, in India, passed to 623 Autumn Council, 1960--date of opening changed to October 25 626 Banks--account to be opened in The Boardwalk National Bank, Atlantic City, New Jersey; signatures honored 619 Signatures authorized for ESDA Sales and Service, in Bank of America, San Francisco, California 626 Blake, O. A.--authorized to attend Oakwood College Local Board meeting 628 Boy Scouts, National Council of--150 appropriated toward traveling expense of Dr. -
Performing the Chinese Nation
PERFORMING THE CHINESE NATION The Politics of Identity in China Central Television’s Music-Entertainment Programs LAUREN GORFINKEL (高睿) A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy International Studies Faculty of Arts and Social Sciences University of Technology, Sydney 2011 CERTIFICATE OF AUTHORSHIP/ORIGINALITY I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. Signature of Student ______________________ LAUREN GORFINKEL i Acknowledgements This study would not have come to fruition without my expert team of supervisors. Professor Louise Edwards with her infectious enthusiasm first got me on track to begin a PhD and saw it all the way to completion. Along the road, she provided valuable feedback on drafts and encouraged me to partake in a variety of activities that benefited not just the project but my understanding of broader issues surrounding it. When Louise moved to Hong Kong, I was exceptionally fortunate to have on board the equally expert and energetic professor, Wanning Sun, who had just arrived at UTS. Wanning‘s expertise in Chinese media and identity was vital in helping me form the theoretical and analytical framework that became the backbone of this work. -
Global Offering
886123 Project KK Eng Cover_02 spine 19.5mm_Version B.ai 1 2/26/2020 05:19:01 * CHINA BRIGHT CULTURE GROUP (Incorporated in the Cayman Islands with limited liability) Stock Code: 1859 GLOBAL OFFERING Joint Sponsors Joint Global Coordinators, Joint Bookrunners and Joint Lead Managers Joint Bookrunners and Joint Lead Managers Joint Lead Managers Securities Ltd. * For identification purposes only IMPORTANT IMPORTANT: If you are in any doubt about any of the contents of this Prospectus, you should seek independent professional advice. China Bright Culture Group 煜盛文化集團* (Incorporated in the Cayman Islands with limited liability) GLOBAL OFFERING Number of Offer Shares under : 400,000,000 Shares (subject to the Over-allotment the Global Offering Option) Number of Hong Kong Offer Shares : 40,000,000 Shares (subject to adjustment) Number of International Offer Shares : 360,000,000 Shares (subject to adjustment and the Over- allotment Option) Maximum Offer Price : HK$3.37 per Share, plus brokerage of 1.0%, SFC transaction levy of 0.0027% and Stock Exchange trading fee of 0.005% (payable in full on application in Hong Kong Dollars and subject to refund) Nominal Value : US$0.00001 per Share Stock Code : 1859 Joint Sponsors Joint Global Coordinators, Joint Bookrunners and Joint Lead Managers Joint Bookrunners and Joint Lead Managers Joint Lead Managers Securities Ltd. Hong Kong Exchanges and Clearing Limited, The Stock Exchange of Hong Kong Limited and Hong Kong Securities Clearing Company Limited take no responsibility for the contents of this Prospectus, make no representation as to its accuracy or completeness, and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this Prospectus.