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China Media Bulletin
Issue No. 154: May 2021 CHINA MEDIA BULLETIN Headlines ANALYSIS The Gutting of Hong Kong’s Public Broadcaster P2 IN THE NEWS • Regulators “clean up” internet ahead of CCP anniversary alongside censorship of Oscars, Bible apps, and Weibo P5 • Surveillance updates: Personal data-protection law advances, Apple compromises on user data, citizen backlash P6 • Criminal charges for COVID commentary, Uyghur religious expression, Tibetan WeChat use P7 • Hong Kong: Website blocks, netizen arrests, journalist beating, and Phoenix TV ownership change P9 • Beyond China: Beijing’s COVID-19 media strategy, waning propaganda impact in Europe, new US regulations to enhance transparency P10 FEATURED PUSHBACK Netizens demand transparency on Chengdu student’s death P12 WHAT TO WATCH FOR P13 TAKE ACTION P14 IMAGE OF THE MONTH Is RTHK History? This cartoon published on April 5 by a Hong Kong visual arts teacher is part of a series called “Hong Kong Today.” It depicts a fictional Hong Kong Museum of History, which includes among its exhibits two institutions that have been critical to the city’s freedom, but are being undermined by Chinese and Hong Kong government actions. The first is the Basic Law, the mini-constitution guaranteeing freedom of expression and other fundamental rights; the other is Radio Television Hong Kong (RTHK), the once-respected public broadcaster now facing a government takeover. The teacher who posted the cartoon is facing disciplinary action from the Education Department. Credit: @vawongsir Instagram Visit http://freedomhou.se/cmb_signup or email [email protected] to subscribe or submit items. CHINA MEDIA BULLETIN: MAY 2021 ANALYSIS The Gutting of Hong Kong’s Public Broadcaster By Sarah Cook A government takeover of Radio Television Hong Kong has far-reaching Sarah Cook is the implications. -
Reddening Or Reckoning?
Reddening or Reckoning? An Essay on China’s Shadow on Hong Kong Media 22 Years after Handover from British Rule Stuart Lau Journalist Fellow 2018 Reuters Institute for the Study of Journalism University of Oxford August 2019 CONTENTS 1. Preface 2 2. From top to bottom: the downfall of a TV station 4 3. Money, Power, Media 10 4. “Political correctness”: New normal for media 20 5. From the Big Brother: “We are watching you” 23 6. Way forward - Is objective journalism still what Hong Kong needs? 27 1 Preface Hong Kong journalists have always stood on the front line of reporting China, a country that exercises an authoritarian system of government but is nonetheless on track to global economic prominence. The often-overlooked role of Hong Kong journalists, though, has gained international attention in summer 2019, when weeks of citywide protests has viralled into the largest-scale public opposition movement ever in the city’s 22-year history as a postcolonial political entity under Chinese sovereignty, forcing the Hong Kong government into accepting defeat over the hugely controversial extradition bill. While much can be said about the admirable professionalism of Hong Kong’s frontline journalists including reporters, photojournalists and video journalists, most of whom not having received the level of warzone-like training required amid the police’s unprecedentedly massive use of potentially lethal weapons, this essay seeks to examine something less visible and less discussed by international media and academia: the extent to which China influences Hong Kong’s media organisations, either directly or indirectly. The issue is important on three levels. -
Viewed at the Sideline: Yeah, Nah
China-haters run for cover as Newscorp ‘virus warfare’ propaganda implodes 17 May—At no point since the Canberra intelligence establishment and its media puppets commenced their anti-China propaganda campaign in earnest some five years ago have they put forth any meaningful evidence to back up their accusations against Beijing. On the contrary, it would be fair to say that their proofs have grown ever flimsier in proportion to the scale of atrocity alleged. Newscorp’s attempt this month to revive the “Wuhan lab leak” theory on the origin of the COVID-19 coronavirus may (we hope) be the nadir of this trend, being so transparently stupid that it has been roundly rejected by other news agencies, and even disowned by some of the very “experts” it cites, whose own outlandish China scare-stories have already strained credulity to its limits, and who have gone strangely quiet since. It is early days yet, and this will likely be only a temporary lull; but in the event the dying Anglo-American empire to which Australia is annexed doesn’t take the world down with it in a thermonuclear holocaust, some future historian may pinpoint 8 May 2021 as the day our nation’s media-inflated bubble of anti-China hysteria burst, and the Australian newspaper’s front-page “exclusive” that day, headlined “‘Virus warfare’ in China files”, as the pin that pricked it. Penned by the Australian’s “investigations writer” Sharri Markson, the article claims that “Chinese military scientists discussed the weaponisation of SARS [severe acute respiratory syndrome] coronaviruses -
Estándares De Subtitulación De La Televisión China : Un Estudio De Caso
This is the published version of the article: Zheng, Xuan; Rovira-Esteva, Sara. Estándares de subtitulación de la televisión china : un estudio de caso. 2017. 97 p. This version is available at https://ddd.uab.cat/record/181750 under the terms of the license Estándares de subtitulación de la televisión china: Un estudio de caso Trabajo final de máster Autora: Zheng Xuan Tutora: Sara Rovira-Esteva Facultad de Traducción e Interpretación Universidad Autónoma de Barcelona Julio de 2017 1 Resumen .......................................................................................................................... 5 Palabras clave ................................................................................................................. 5 1. Introducción ................................................................................................................ 6 1.1. Marco teórico ....................................................................................................... 7 1.2. Metodología .......................................................................................................... 8 2. Criterios de subtitulación de los programas de CCTV ......................................... 12 2.1. Tamaño de los caracteres .................................................................................. 14 2.2. Estilo y color de la fuente .................................................................................. 15 2.3. Número de líneas y número de caracteres por línea ...................................... -
Country of Origin Information Report China
Country of origin information report China July 2020 Country of origin information report China | May 2020 Publication details Location The Hague Assembled by Country of Origin Information Reports Section (AB) The Dutch version of this report is leading. The Ministry of Foreign Affairs of the Netherlands cannot be held accountable for misinterpretations based on the English version of the report. Country of origin information report China | May 2020 Table of contents Publication details ............................................................................................2 Table of contents .............................................................................................3 Introduction ....................................................................................................6 1 Political developments ................................................................................ 8 1.1 General ..........................................................................................................8 1.2 Xi Jinping .......................................................................................................8 1.3 The Shuanggui system .....................................................................................9 1.4 The security situation .......................................................................................9 1.5 Social credit system ....................................................................................... 10 1.5.1 Companies .................................................................................................. -
Global Offering Litian Pictures Holdings Limited 力天影業控股有限公司
LITIAN PICTURES HOLDINGS LIMITED 力天影業控股有限公司 (Incorporated in the Cayman Islands with limited liability) Stock Code : 9958 GLOBAL OFFERING LITIAN PICTURES HOLDINGS LIMITED 力天影業控股有限公司 Sole Sponsor Joint Global Coordinators, Joint Bookrunners and Joint Lead Managers IMPORTANT If you are in any doubt about any of the contents of this prospectus, you should seek independent professional advice. Litian Pictures Holdings Limited 力天影業控股有限公司 (Incorporated in the Cayman Islands with limited liability) GLOBAL OFFERING Total Number of Offer Shares under : 75,000,000 Shares (subject to the Over-allotment the Global Offering Option) Number of Hong Kong Offer Shares : 7,500,000 Shares (subject to adjustment) Number of International Offer Shares : 67,500,000 Shares (subject to the Over-allotment Option and adjustment) Offer Price : Not more than HK$3.84 per Share and expected to be not less than HK$2.56 per Share, plus brokerage of 1.0%, SFC transaction levy of 0.0027% and Stock Exchange trading fee of 0.005% (payable in full on application in Hong Kong dollars and subject to refund) Nominal value : HK$0.01 per Share Stock code : 9958 Sole Sponsor Joint Global Coordinators, Joint Bookrunners and Joint Lead Managers Joint Bookrunners and Joint Lead Managers Hong Kong Exchanges and Clearing Limited, The Stock Exchange of Hong Kong Limited and Hong Kong Securities Clearing Company Limited take no responsibility for the contents of this prospectus, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this prospectus. -
China and LA County, BYD Has Offices in Europe, Japan, South Korea, India, Taiwan, and Other Regions
GROWING TOGETHER China and Los Angeles County GROWING TOGETHER China and Los Angeles County PREPARED BY: Ferdinando Guerra, International Economist Principal Researcher and Author with special thanks to George Entis, Research Assistant June, 2014 Los Angeles County Economic Development Corporation Kyser Center for Economic Research 444 S. Flower St., 37th Floor Los Angeles, CA 90071 Tel: (213) 622-4300 or (888) 4-LAEDC-1 Fax: (213)-622-7100 E-mail: [email protected] Web: http://www.laedc.org The LAEDC, the region’s premier business leadership organization, is a private, non-profit 501(c)3 organization established in 1981. GROWING TOGETHER China and Los Angeles County As Southern California’s premier economic development organization, the mission of the LAEDC is to attract, retain, and grow businesses and jobs for the regions of Los Angeles County. Since 1996, the LAEDC has helped retain or attract more than 198,000 jobs, providing over $12 billion in direct economic impact from salaries and over $850 million in property and sales tax revenues to the County of Los Angeles. LAEDC is a private, non-profit 501(c)3 organization established in 1981. Regional Leadership The members of the LAEDC are civic leaders and ranking executives of the region’s leading public and private organizations. Through financial support and direct participation in the mission, programs, and public policy initiatives of the LAEDC, the members are committed to playing a decisive role in shaping the region’s economic future. Business Services The LAEDC’s Business Development and Assistance Program provides essential services to L.A. County businesses at no cost, including coordinating site searches, securing incentives and permits, and identifying traditional and nontraditional financing including industrial development bonds. -
Family De-Planning: the Coercive Campaign to Drive Down Indigenous Birth-Rates in Xinjiang 1
Family de-planning The coercive campaign to drive down indigenous birth-rates in Xinjiang Nathan Ruser and James Leibold S OF AS AR PI E S Y T Y R T A T N E E G Y W T Policy Brief 2 0 1 01 - 20 2 Report No. 44/2021 About the authors Nathan Ruser is a researcher with ASPI’s International Cyber Policy Centre. James Leibold is a non-resident Senior Fellow with ASPI’s International Cyber Policy Centre. Acknowledgements We would like to thank our external peer reviewers, Dr Timothy Grose, Dr Adrian Zenz, Dr Stanley Toops, and Peter Mattis, for their comments and helpful suggestions. Darren Byler, Timothy Grose and Vicky Xu also generously shared with us a range of primary source materials. We’re also grateful for the comments and assistance provided within ASPI by Michael Shoebridge, Fergus Hanson, Danielle Cave, Kelsey Munro and Samantha Hoffman and for crucial research assistance from Tilla Hoja and Daria Impiombato. This research report forms part of the Xinjiang Data Project, which brings together rigorous empirical research on the human rights situation of Uyghurs and other non-Han nationalities in the XUAR. It focuses on a core set of topics, including mass internment camps; surveillance and emerging technologies; forced labour and supply chains; the CCP’s “re-education” campaign and deliberate cultural destruction and other human rights issues. The Xinjiang Data Project is produced by researchers at ASPI’s International Cyber Policy Centre (ICPC) in partnership with a range of global experts who conduct data-driven, policy-relevant research. -
Specialization & Personalization of Pay TV Channel
www.sciedu.ca/jbar Journal of Business Administration Research Vol. 1, No. 2; 2012 Specialization & Personalization of Pay TV Channel Fanbin Zeng (Corresponding author) College of Journalism and Communication, Jinan University, Guangzhou 510632, China E-mail: [email protected] Ruini Liu College of Journalism and Communication, Jinan University, Guangzhou 510632, China E-mail: [email protected] Received: September 4, 2012 Accepted: September 19, 2012 Online Published: September 21, 2012 doi:10.5430/jbar.v1n2p80 URL: http://dx.doi.org/10.5430/jbar.v1n2p80 This Project was financed by 2012 Humanities and Social Science Youth Foundation of the Ministry of Education of China (Grant Number: 12YJC860052; Grant Title: Effect of Time Spent Online and Patterns of internet use on Real-life Political Participation: Based on Empirical Study on Internet Users in Guangzhou) Abstract As a specialized and even personalized television channel, Pay TV should provide more personal, professional, attractive and ample content to a carefully segmented market. This article attempts to carry out a discussion of the practice of the specialization and personalization of Pay TV Channel. Keywords: Specialization, Personalization, Segmentation, Pay TV, Free TV 1. Comprehensiveness and Popularity of Free Television Channel Free TV Channels are free of charge, so most of their revenue and fees for purchase of equipments and production of programs are raised from advertisements. Since that, the popularity of the program contributes directly to the investment of the advertisers, who care about the attention of the program instead of the content itself. When designing a program, Free TV operators would take two factors into consideration: Firstly, according to the law of large numbers, which requires the maximization of audiences to maximize the effect of advertisement, TV programs should cater to the public taste. -
An Informed and Independent Voice: ASPI, 2001-2021
An informed and independent voice ASPI, 2001–2021 Graeme Dobell An informed and independent voice ASPI, 2001–2021 Graeme Dobell About ASPI The Australian Strategic Policy Institute was formed in 2001 as an independent, non‑partisan think tank. Its core aim is to provide the Australian Government with fresh ideas on Australia’s defence, security and strategic policy choices. ASPI is responsible for informing the public on a range of strategic issues, generating new thinking for government and harnessing strategic thinking internationally. ASPI’s sources of funding are identified in our annual report, online at www.aspi.org.au and in the acknowledgements section of individual publications. ASPI remains independent in the content of the research and in all editorial judgements. It is incorporated as a company, and is governed by a Council with broad membership. ASPI’s core values are collegiality, originality & innovation, quality & excellence and independence. ASPI’s publications—including this report—are not intended in any way to express or reflect the views of the Australian Government. The opinions and recommendations in this report are published by ASPI to promote public debate and understanding of strategic and defence issues. They reflect the personal views of the author(s) and should not be seen as representing the formal position of ASPI on any particular issue. Important disclaimer This publication is designed to provide accurate and authoritative information in relation to the subject matter covered. It is provided with the understanding that the publisher is not engaged in rendering any form of professional or other advice or services. No person should rely on the contents of this publication without first obtaining advice from a qualified professional. -
Universo Transmedia De Las Telenovelas Chinas Contemporáneas De Origen Literario
Universitat Autònoma de Barcelona Facultad de Ciencias de la Comunicación Investigación en Comunicación y Periodismo UNIVERSO TRANSMEDIA DE LAS TELENOVELAS CHINAS CONTEMPORÁNEAS DE ORIGEN LITERARIO Autora: Shi, Xiaoyu Directora: Lidia Peralta Gracía Bellaterra-Barcelona Junio, 2017 Resumen La presente investigación tiene como objetivo principal determinar la importancia e impacto de las telenovelas de naturaleza transmedia y origen literario en la sociedad contemporánea en China, desde el año 2001 hasta la actualidad. Para ello, el presente estudio trabaja desde una doble perspectiva: enmarcar el contexto de la televisión china y el mercado trasnmedia al que van dirigidas esas telenovelas y delimitar los elementos narratologícos y estructurales del formato transmedia. Ello nos permitirá entender hasta qué punto las narrativas transmedia están generando mayor impacto que los formatos tradicionales. De cara a la obtención de nuestros objetivos hemos recurrido a la metodología cuantitativa y cualitativa, con análisis de contenidos, uso de encuestas y apoyo de información documental principalmente. Palabras claves: telenovelas de origen literario, narrativa transmedia, impacto, importancia, sociedad china. ÍNDICE INTRODUCCIÓN I: CUERPO METODOLÓGICO 1.1 Problema de investigación 1.2 Justificación de trabajo 1.3 Marco teórico 1.4 Metodología II: LA TELEVISIÓN EN CHINA 2.1. Historia de la televisión china 2.1.1.Origen 2.1.2 Después de la Reforma económica 2.1.3 La televisión china en el siglo XXI 2.2. Canales de la televisión china 2.2.1 La CCTV, el canal nacional 2.2.2 Canales provinciales 2.3. El mercado de la televisión china 2.3.1 El canal nacional 2.3.2 Los canales locales (provincial) 2.4 Internet y su impacto sobre los consumos televisivos III: NOVELAS EN CHINA 3.1 El contexto cultural de las novelas IV: TELENOVELAS DE ORIGEN LITERARIO: INFORMACIÓN Y CONTEXTO 4.1 Telenovelas de origen literario en EE.UU: ¿un referente para China? 4.1.1. -
1 Human Rights in China: the Case of Xinjiang Darren Byler Postdoctoral
Working Paper for the Penn Project on the Future of U.S.-China Relations Human Rights in China: The Case of Xinjiang Darren Byler Postdoctoral Fellow, University of Colorado, Boulder This memo examines the current crisis of human rights in China through the paradigmatic example of the Xinjiang Uyghur Autonomous Region’s reeducation camp system. I show how this system fits into an older Maoist legacy of human rights in China and the way this legacy produced majority-valorized discourses of ‘security’ and ‘ethnic harmony.’ I then examine how the discourse of counter-terrorism and extremism fits into this legacy and the way it assigned an ‘ethno-racialized other’ slot to Muslims in China, particularly Uyghurs, following September 11, 2001. I examine the way forms of countering violent extremism and counter-terrorism were attached to the entire population of nearly 13.5 million Uyghurs and Kazakhs1 in the Xinjiang region resulting in one of the most horrific human rights crisis in the contemporary world. Simultaneously, laws which equate democratic protest with terrorism have been applied in Hong Kong. The crisis of human rights in China has been exacerbated by the withdrawal of the United States from the U.N. Human Rights Council and other global coalitions. It has also been fostered by a global Islamophobia in which the United States has played a key role. To begin to mitigate this situation, I argue that future U.S. policy should work to build human rights coalitions with both wealthy allies and with nations in the global South. An important aspect of this coalition building is to reverse anti-refugee and anti-Muslim immigration policies at a global scale.