DOCSLIB.ORG

Streetlife Street Education Album Download Street Education Lyrics

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Streetlife Street Education Album Download Street Education Lyrics streetlife street education album download Street Education Lyrics. [Streetlife] I wish a nigga would, come through the hood, like Street won't Jump out the woods, and snatch your goods If you don't know by now, you should Still actin' like you can't die tonight, you could Still doubtin' the kid, like Street won't push back ya wig Just for thinkin', it's not what it is Shit, Shaolin, we back again, rap for yen Streetlife, that nigga that'll tap your chin Come get some, step to it, let's see Where ya heart's at, let's do it I hear you talkin', but take caution, before crossin' The Street, before you end up layin' in a coffin Don't sleep, you rap cats is physically weak I don't care how much spins your records get in a week Big Street, still beat you down with the heat So umm, watch the words you speak, I roll deep. [Chorus: Streetlife (Method Man)] This is Street Education, tune in (Rule one, watch them niggaz close to you) This is Street Education, tune in (Rule two, make sure you do what you suppose to do) This is Street Education, tune in. (Rule three, f*ck the world, spit that shit) This is Street Education, tune in Adjust your radio station, let's begin. [Streetlife] Who's playin' king of New York, y'all gangstas? Hold that thought I'mma show you how we hold down the fort, I'm from a Shaolin resort We don't ball, we catch bodies for sport Put our high light on the news report Muthaf*cka ya name, run up on you, and blast your frame For that little piece of ice on your chain Don't look at me strange -- like you don't know what this is I know you feel the gun touchin' your rib, it's those Shaolin Kids. [Method Man] And we ain't scared to death, or scared to live Put twenty two shots in your crib. [Streetlife] The Stat, we at it again, put another ten shot through ya Benz Leave you rollin' through the block, on your rims We ain't gots to pretend, me and you, we ain't gots to be friends So when you 'em. [Method Man] Be on needles and pins. [Streetlife] This where the drama begins I'm tellin' you pa, I'm out for revenge Like a nigga tried to murder my kin, I won't bend. [Outro: Method Man] Adjust your radio station Let's begin. Adjust your radio station. Streetlife street education album download. September 27th, 2009 by rick. ARTIST : Ghostface TITLE : The Pretty Toney Album LABEL : Starks Enterprises / Def Jam BITRATE : 189kbps avg GENRE : Rap TIME : 0hr 52min total SIZE : 74.1mb RELEASE DATE : 2004-04-20. 01 Intro 2:29 02 Biscuits (Feat. Trife) 3:24 03 Kunta Fly Shit 1:00 04 Beat The Clock 2:49 05 Metal Lungies 3:07 (Feat. Sheek Louch & Styles P.) 06 Bathtub (Skit) 1:35 07 Save Me Dear 3:02 08 It’s Over 4:10 09 Keisha’s House (Skit) 1:04 10 Tush (Feat. Missy Elliott) 3:24 11 Last Night (Skit) 2:31 12 Holla 3:19 13 Ghostface 2:38 14 Be This Way 4:10 15 The Letter (Skit) 1:21 16 Tooken Back (Feat. Jackie-O) 5:03 17 Run (Feat. Jadakiss) 3:19 18 Love (Feat. Musiq & K. Fox) 3:38 CLICK HERE (MEGAUPLOAD) Method Man & Streetlife Drop Havoc-Produced “Squad Up" Single Off Upcoming Collab Album. Method Man is teaming up with Wu-Tang Clan affiliate Streetlife for a new collaborative album. Ahead of its release, the longtime collaborators have dropped a track titled “Squad Up” featuring Havoc. The Mobb Deep member also produced the cut, crafting a grimy beat for the duo. The title of the Ticallion Stallion and Streetlife’s album hasn’t been revealed as of Tuesday (February 12), but the LP is scheduled to drop this spring. The project will be released through Street Education Records and Distrolord Inc. Streetlife first collaborated with Meth on the crossover star’s solo debut Tical , which was released in 1994. Streetlife was featured on the song “Mr. Sandman” along with RZA, Inspectah Deck, Carlton Fisk and Blue Raspberry. Since then, Streetlife has appeared on all of Johnny Blaze’s albums, including last year’s Meth Lab 2: The Lithium . He has also contributed at least one verse to every Wu-Tang Clan LP since 1997’s Wu-Tang Forever . Listen to Meth and Streetlife’s “Squad Up” featuring Havoc above. Squad Up. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £8.99. Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then £14,99/ month. Havoc, Producer, FeaturedArtist - Method Man, MainArtist - Street Life, MainArtist. (C) 2018 Street Education Records (P) 2018 Street Education Records. Havoc, Producer, FeaturedArtist - Method Man, MainArtist - Street Life, MainArtist - Kejuan Muchita ASCAP, MusicPublisher - Pinky Phat Phat (BMI), MusicPublisher - The Coldest Winter Ever (ASCAP), MusicPublisher. (C) 2018 Street Education Records (P) 2018 Street Education Records. About the album. 1 disc(s) - 2 track(s) Total length: 00:07:16. (C) 2018 Street Education Records (P) 2018 Street Education Records. Why buy on Qobuz. Stream or download your music. Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions. Zero DRM. The downloaded files belong to you, without any usage limit. You can download them as many times as you like. Choose the format best suited for you. Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF. ) depending on your needs. Listen to your purchases on our apps. Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go. Ramenez la coupe à la maison. Chopin - Brahms - Schumann. Let the Soil Play Its Simple Part. Tical (Deluxe Edition) Tical 0: The Prequel. Playlists. CALL ME IF YOU GET LOST. Tyler, The Creator. WAP (feat. Megan Thee Stallion) (Explicit) A combination of Jamaican dancehall, American hip-hop, Caribbean rhythms and Spanish wit, reggaeton has, since its birth in the early 90s, shaken the world of pop music time and time again. From DJ Playero’s first mixtapes to Daddy Yankee’s “Barrio Fino” and Don Chezina’s “Tra- Tra-Tra, Puerto Rican musicians and their Colombian counterparts in Medellin have done their utmost to take over the world. In the last decade, they have done just that thanks to artists such as Luis Fonsi, J. Balvin and Bad Bunny. Read on for 10 of the genre’s most important albums. Reggaeton won’t be going anywhere any time soon. As they neared their fortieth birthdays, Killer Mike (a black rapper from Atlanta with close links to OutKast) and El-P (a white Brooklyn b-boy and proponent of experimental rap) formed Run The Jewels, a rap supergroup which could easily have been yet another addition to a long list of hiphop misfires. But on the contrary, they are now an institution, a group that delights audiences and awakens consciences. Their new album RTJ4 is their most political and devastating. Let us take a look back at Killer Mike and El-P’s story. To celebrate 20 years since the release of her film “The Virgin Suicides”, Qobuz takes a look back at some of the top musical moments from the films of Sofia Coppola, like her collaborations with French duo Air or Thomas Mars from the band Phoenix. ⓘ Streetlife Serenade is the third studio album by American recording artist Billy Joel, released on October 11, 1974, by Columbia Records. The follow-up to Piano .. Streetlife Serenade is the third studio album by American recording artist Billy Joel, released on October 11, 1974, by Columbia Records. The follow-up to Piano Man, it was his last release until 1993s River of Dreams to be mostly recorded with session musicians, while Joel himself sang and played piano and other keyboards, although some of his backing musicians, guitarists Don Evans and Al Hertzberg, and banjo/pedal steel guitarist Tom Whitehorse played on the album. Joel also used synthesizers for the first time, namely the Moog synthesizer. The album peaked at No. 35 on the charts, eventually selling over 1 million copies. That was less than its predecessor, and marked the beginning of Joels frosty relationship with critics and the music industry in general. Joels live shows in the 1970s frequently featured the instrumental "Root Beer Rag" and the short song "Souvenir", which Joel often played as the final encore. Live versions of "Streetlife Serenader" and "Los Angelenos" appeared on Joels first live album, Songs in the Attic 1981. 1. Background. Joel said that he had been touring in clubs and theatres and opening for big acts such as The Beach Boys, thus leaving him little time to write new songs, but was under pressure to put out a new album after Piano Man. He also says that he did not have many new songs, hence the inclusion of two instrumentals – "The Mexican Connection" and "Root Beer Rag". The back cover features a barefooted Joel sitting in a chair looking cross; Joel himself says that he had his wisdom teeth extracted two days before the shoot.
Load more

Recommended publications
  • Jim Lockwood Song List
    JIM LOCKWOOD SONG LIST 1950’s • All Shook Up-Elvis Presley • All These Things-Joe Stampley • As Time Goes By • At Last-Etta James • Auld Lang Syne-Traditional • Battle of New Orleans-Johnny Horton • Blue Suede Shoes-Elvis Presley • Blueberry Hill-Fats Domino • Chantilly Lace-Big Bopper • Deep in The Heart of Texas-Hank Thompson • Good Golly Miss Molly-Little Richard • Great Balls of Fire-Jerry Lee Lewis • Heartbreak Hotel-Elvis Presley • Hound Dog-Elvis Presley • I Got a Woman-Ray Charles • I Walk the Line-Johnny Cash • Jailhouse Rock-Elvis Presley • Jambalaya-Hank Williams • Johnny B. Goode-Chuck Berry • Kansas City-Fats Domino • Let It Be Me-Everly Brothers • Little Sister-Elvis Presley • Long Tall Sally-Little Richard • Lucille-Little Richard • Peggy Sue-Buddy Holly • Roll Over Beethoven-Chuck Berry • Save The Last Dance for Me-The Drifters • Stand by Me-Ben E. King • Somewhere Over the Rainbow-Judy Garland • Summertime-George Gershwin • That’ll Be the Day-Buddy Holly • That’s Alright Mama-Elvis Presley • Tutti Frutti-Little Richard • What I’d Say-Ray Charles • When The Saints Go Marching In-Louis Armstrong 1960’s • Abraham, Martin, and John-Dion • Across The Universe-The Beatles • Ain’t Too Proud to Beg-Temptations • Ain’t No Mountain High Enough-Marvin Gaye • Always On My Mind-Elvis Presley • And I Love Her-The Beatles • Another Saturday Night-Sam Cooke • As Tears Go By-Rolling Stones • Baby I Need Your Lovin-Four Tops • Back in The USSR-The Beatles • Bad Moon Rising-Credence Clearwater Revival • Barbara Ann-Beach Boys • Big Girls
    [Show full text]
  • UNIVERSITY of CALIFORNIA Los Angeles Aspect
    UNIVERSITY OF CALIFORNIA Los Angeles Aspect and evidentiality A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Linguistics by Margit Lia Bowler 2018 c Copyright by Margit Lia Bowler 2018 ABSTRACT OF THE DISSERTATION Aspect and evidentiality by Margit Lia Bowler Doctor of Philosophy in Linguistics University of California, Los Angeles, 2018 Professor Yael Sharvit, Chair A number of unrelated languages have portmanteau morphemes with both temporal and evidential meanings (e.g. Cherokee (Pulte 1985), Kalaallisut (Fortescue 2003), Tariana (Aikhenvald 2004), and Turkish (Slobin and Aksu 1982), among many others). These temporal and evidential meanings are strikingly consistent, cross-linguistically. Evidential- ity frequently co-occurs as part of other grammatical categories (Aikhenvald 2018, 2004); however, most theories of evidentiality do not discuss its connection with other kinds of meaning. In this dissertation, I provide a formal account of the connection between tempo- ral and evidential meanings through a case study of a set of portmanteau tense/aspect and evidential (TAE) morphemes in Tatar (Turkic). Part 1 of the dissertation provides in-depth description of the evidential and temporal interpretation of the Tatar TAE morphemes. This Tatar data was collected through original fieldwork on the language. Part 2 analyzes the Tatar TAE morphemes as having underlyingly temporal semantics. I propose that the Tatar TAE morphemes assert temporal meaning, and pragmatically implicate evidential meaning. I accomplish this by positing a tripartite event ontology (following Moens and Steedman 1988) in which events are preceded by contingently related pre-states and are followed by contingently related event post-states.
    [Show full text]
  • Policies for an Equitable and Inclusive Los Angeles Authors
    September 2020 No Going Back POLICIES FOR AN EQUITABLE AND INCLUSIVE LOS ANGELES AUTHORS: 1 Contents Foreword ................................................................................... 3 Land Acknowledgement .......................................................... 8 Acknowledgements ................................................................. 9 Executive Summary ............................................................... 11 Context: Los Angeles and the State Budget ........................ 16 Framing Principle: Infusing Equity into all Policies ............. 19 Policy Section 1: Economic Stress ......................................... 20 Policy Section 2: Black Life in Los Angeles .......................... 39 Policy Section 3: Housing Affordability ................................ 52 Policy Section 4: Homelessness ........................................... 65 Policy Section 5: Healthcare Access .................................... 78 Policy Section 6: Healthcare Interventions ........................86 Policy Section 7: Internet as a Right .................................... 95 Policy Section 8: Education ................................................ 103 Policy Section 9: Child and Family Well-Being .................. 113 Policy Section 10: Mental Health ........................................ 123 Policy Section 11: Youth ....................................................... 133 Policy Section 12: Immigrants .............................................148 Policy Section 13: Alternatives to Incarceration ..............
    [Show full text]
  • Female Visions of the City: an Exploration of Urban Literature Written by Women
    Bard College Bard Digital Commons Senior Projects Spring 2016 Bard Undergraduate Senior Projects Spring 2016 Female Visions of the City: An Exploration of Urban Literature Written by Women Leah Katherine Rabinowitz Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2016 Part of the Literature in English, North America Commons, and the Modern Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Rabinowitz, Leah Katherine, "Female Visions of the City: An Exploration of Urban Literature Written by Women" (2016). Senior Projects Spring 2016. 160. https://digitalcommons.bard.edu/senproj_s2016/160 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Female Visions of the City: An Exploration of Urban Literature written by Women Senior Project Submitted to The Division of Languages and Literature of Bard College by Leah Rabinowitz Annandale-on-Hudson, New York May 2016 PREFACE Before I started to explore female visions of the city within literature I asked my friends to give me their own visions of the city.
    [Show full text]
  • The Ben Gray Lumpkin Collection of Colorado Folklore
    Gene A. Culwell The Ben Gray Lumpkin Collection of Colorado Folklore Professor Ben Gray Lumpkin, who retired from the University of Colorado in June of 1969, spent more than twenty years of his academic career amassing a large collection of folksongs in the state of Colorado. At my request, Profes- sor Lumpkin provided the following information concerning his life and career: Son of John Moorman and Harriet Gray Lumpkin, I was born De- cember 25, 1901, in Marshall County, Mississippi, on a farm about seven miles north of Holly Springs. Grandpa was a Methodist cir- cuit rider, but had to farm to eke out a living because his hill-coun- try churches were too poor to support his family. Because we lived too far from the Hudsonville school for me to walk, I began schooling under my mother until I was old enough to ride a gentle mare and take care of her at school—at the age of 8. When my father bought a farm in Lowndes County, Mississippi, my brother Joe and sister Martha and I went to Penn Station and Crawford elementary schools. Having finished what was called the ninth grade, I went to live with my Aunt Olena Ford, and fin- ished Tupelo High School in 1921, then BA, University of Missis- sippi, 1925. I worked as the secretary and clerk in the Mississippi State Department of Archives and History (September 1925 to March 1929) and in the Mississippi Division office of Southern Bell Telephone Company (March 1929 to August 1930). I taught English and other subjects in Vina, Alabama, High School (August 1930 through January 1932).
    [Show full text]
  • Billy Joel's Turn and Return to Classical Music Jie Fang Goh, MM
    ABSTRACT Fantasies and Delusions: Billy Joel’s Turn and Return to Classical Music Jie Fang Goh, M.M. Mentor: Jean A. Boyd, Ph.D. In 2001, the release of Fantasies and Delusions officially announced Billy Joel’s remarkable career transition from popular songwriting to classical instrumental music composition. Representing Joel’s eclectic aesthetic that transcends genre, this album features a series of ten solo piano pieces that evoke a variety of musical styles, especially those coming from the Romantic tradition. A collaborative effort with classical pianist Hyung-ki Joo, Joel has mentioned that Fantasies and Delusions is the album closest to his heart and spirit. However, compared to Joel’s popular works, it has barely received any scholarly attention. Given this gap in musicological work on the album, this thesis focuses on the album’s content, creative process, and connection with Billy Joel’s life, career, and artistic identity. Through this thesis, I argue that Fantasies and Delusions is reflective of Joel’s artistic identity as an eclectic composer, a melodist, a Romantic, and a Piano Man. Fantasies and Delusions: Billy Joel's Turn and Return to Classical Music by Jie Fang Goh, B.M. A Thesis Approved by the School of Music Gary C. Mortenson, D.M.A., Dean Laurel E. Zeiss, Ph.D., Graduate Program Director Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Music Approved by the Thesis Committee Jean A. Boyd, Ph.D., Chairperson Alfredo Colman, Ph.D. Horace J. Maxile, Jr., Ph.D.
    [Show full text]
  • Los Ange Les Excursionists Here and Starting in On
    JUU il JL O v ft Ok !4y JU I g i 8 !H IB Hi iB 1 I x - AL jlA WI U. S. WEATHER BUREAU, March 15. Last 24 hours' rainfall, .02. SUGAR,. 96 Degree Test Centrifugals, 3.50c; Temperature, Max. 76; Min. 61. Weather, cool, variable. Ter Ton, $70.00 83 Analysis Beets, 9s. 1 Per Ton, $78.20. .EC " VOL. XLV., NO. 7676. HONOLULU, HAWAII TERRITORY, SATURDAY, MARCH 16, 1907. PRICE FIVE CENTS. LOS ANGE LES EXCURSIONISTS HERE ABE H1I GIVES AND STARTING IN ON GOOD TIME STARTLING TESTIMONY Fine Weather Greets ThemRegatta Pro- AT THE THAW TRIAL gram for Today. s - The long-looke- d for excursion "the p largest excursion that ever crossed the IS New Stronger-Railro-ads York Market 1 Pacific," arrived on schedule time yes- terday morning. The S. S. Ohio came up the harbor dressed as befitted the Not to Confer With occasion with flags to her masthead, - and docked about 8 o'clock. She was Roosevelt Dutch Victory. sighted at 7:10 o'clock and her appear- ance heralded by three whistles of peculiar volume and joyousness. Even (Associated Press Cablegram.) at that early hour Naval wharf No. 1 is was packed, some fifteen hundred peo- NEW YORK, March 16 In the Thaw case yesterday Abe ple having assembled, at the request of Hummel, the criminal lawyer, testified that Evelyn Nesbit Thaw the committee, with leis and alohas for made an affidavit in 1903 that she had been beaten by Harry Thaw - the arriving strangers. The wish that HIT Mill ' j"- .
    [Show full text]
  • UNIVERSITY of CALIFORNIA Los Angeles Yiddish Songs of The
    UNIVERSITY OF CALIFORNIA Los Angeles Yiddish Songs of the Shoah A Source Study Based on the Collections of Shmerke Kaczerginski A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Bret Charles Werb 2014 Copyright © Bret Charles Werb 2014 ABSTRACT OF THE DISSERTATION Yiddish Songs of the Shoah A Source Study Based on the Collections of Shmerke Kaczerginski by Bret Charles Werb Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2014 Professor Timothy Rice, Chair This study examines the repertoire of Yiddish-language Shoah (or Holocaust) songs prepared for publication between the years 1945 and 1949, focusing its attention on the work of the most influential individual song collector, Shmerke Kaczerginski (1908-1954). Although a number of initiatives to preserve the “sung folklore” of the Nazi ghettos and camps were undertaken soon after the end of the Second World War, Kaczerginski’s magnum opus, the anthology Lider fun di getos un lagern (Songs of the Ghettos and Camps), published in New York in 1948, remains unsurpassed to this day as a resource for research in the field of Jewish folk and popular music of the Holocaust period. ii Chapter one of the dissertation recounts Kaczerginski’s life story, from his underprivileged childhood in Vilna, Imperial Russia (present-day Vilnius, Lithuania), to his tragic early death in Argentina. It details his political, social and literary development, his wartime involvement in ghetto cultural affairs and the underground resistance, and postwar sojourn from the Soviet sphere to the West. Kaczerginski’s formative years as a politically engaged poet and songwriter are shown to have underpinned his conviction that the repertoire of salvaged Shoah songs provided unique and authentic testimony to the Jewish experience of the war.
    [Show full text]
  • Ed 393 622 Author Title Report No Pub Date Note
    DOCUMENT RESUME ED 393 622 RC 020 496 AUTHOR Moore, Joan W. TITLE Going Down to the Barrio: Homeboys and Homegirls in Change. REPORT NO ISBN-0-87722-855-8 PUB DATE 91 NOTE 187p. AVAILABLE FROM Temple University Press, Broad & Oxford Streets, Philadelphia, PA 19122 (cloth: ISBN-0-87722-854-X, $39.95; paperback: ISBN-0-87722-855-8, $18.95). PUB TYPE Books (010) Reports Research/Technical (143) EDRS PRICE MF01/PC08 Plus Postage. DESCRIPTORS Adolescent Development; Adolescents; Delinquency; Economic Factors; Family Life; *Juvenile Gangs; Life Style; Mexican Americans; Neighborhoods; Participatory Research; *Social Change; *Socialization; *Subcultures; Substance Abuse; Urban Youth; Violence; Young Adults; *Youth Problems IDENTIFIERS Barrios; *California (East Los Angeles); *Chicanos ABSTRACT This book traces the histories of two Chicano gangs in East Los Angeles since the early 1940s, when common gang stereotypes were created by the media and law enforcement agencies. In an unusual collaborative effort, researchers worked with former gang members to make contact with and interview members of various "cliques" (cohorts) of the White Fence and El Hoyo Maravilla gangs (male gangs), as well as female gangs in the same neighborhoods. Interviews were conducted with 156 adult men and women; about 40 percent had joined the gangs in the 1940s and early 1950s, while the rest had been'active in recent years. Data are set in the context of economic and social chaages in the barrios between the 1950s and the 1970s-80s. Data reveal that in the later era, gangs had become more institutionalized, were more influential in members' lives, and had become more deviant.
    [Show full text]
  • The Northerner NORTHERN KENTUCKY STATE COLLEGE VOLUME 3--NUMBER 12 VOICE of the COLLEGE COMMUNITY HIGHLAND HEIGHTS, KENTUCKY DECEMBER 6 1974
    The Northerner NORTHERN KENTUCKY STATE COLLEGE VOLUME 3--NUMBER 12 VOICE OF THE COLLEGE COMMUNITY HIGHLAND HEIGHTS, KENTUCKY DECEMBER 6 1974 Enrollment The Numbers Racket t<or the f1rsl time in the brief history of enroll ment S7% of the freshmen are There are 914 sophomores plus 162 Chase, however, hu 41 S out-of-staters North«:rn Kentu cky State Colleae. there classified as "entering freshmen i.e. second year law students; 602 juniors and to I 76 Kentuckians. arc 5000 students on campus. students who have not previously 112 th1rd year law students; and S26 The official report compiled by altended any college. The most important figure m the report senion plus 118 fourth year law students. is the Fall 1974 Fuii·Time Equivalency Reg~strar kent Curtis for submission to The 1294 .. entering freshmen" The Residency Report reveals 4076 the Kentucky Council on Pubhc H1gher represent a 4% increase over the 1248 last (FTE). The FTE is important because it is in-Slate students, 788 out-of-state what the state uses in allocating funds to l!ducaflo n, shows there are 4297 fall . students and 24 foreign students. underaraduates and 591 Chase law state institutions. students at No rthern. Th.: FTE tS computed by dividmg the TheM! 4888 "degr~e level" students Warnings Instead total number of credit hours for which rqucscnt a 2.71-, mcreasc over the 4758 students regiStered (accordmg to degree regasten:d last fall. level) by 16 hours - lhe average student The largest md•v•dual group increase load. was m Associate Degree programs w1th Of Tickets 19.5% more students rt:ltJslered this fall.
    [Show full text]
  • 1 I. 1) Tématem Této Práce Je Analýza Materiálu Z Oblasti Nonartificiální
    I. 1) Tématem této práce je analýza materiálu z oblasti nonartificiální hudby, na pomezí popu a rocku a zároveň zkoumání působení vlivů z těchto oblastí na jednoho určitého interpreta, v tomto případě Billyho Joela. Ve středoevropském prostoru nebylo napsáno mnoho literatury, která by se mi mohla stát opěrným bodem, a proto jsem se zaměřil na literaturu britskou pojednávající o problému analýzy rockové hudby, na knihy Allana F. Moora ( Rock, the primary text ) a Richarda Middletona ( Understanding popular music ). Tyto se ale zabývají pouze rockovou hudbou, takže mi slouží spíše jako příklad cesty, kterou je možno se vydat. Při analýze Joelových alb z let 1971 až 1993 budu postupovat tedy samostatně, ovšem s přihlédnutím ke kritériím stanoveným v těchto knihách, pokud budou použitelná pro Joelův styl . V českém prostředí se rockem a popem, jakož i jazzem, zabývá hlavně Ivan Poledňák, jež je společně s Ivanem Cafourkem autorem knihy Sondy do popu a rocku . Co se týče lexikografických prací, není jich v Česku poslední dobou mnoho. Relevantním textem z minulých let je jistě EJ - světová scéna. Pro základní vhled do problematiky rockové hudby lze použít i dvousvazkovou encyklopedii Františka Wicha Rock & Pop . Tato vychází z encyklopedie Josefa Vlčka Rock 2000 . V té jsem ale nalezl hodně faktografických chyb o Joelově životě, např. i tak zásadní jako je jiné datum a místo narození a některé roky vydání alb! Z tohoto důvodu jsem k ní později neuchyloval. Co se týče samotného Billyho Joela, nejrelevantnějším zdrojem mi byly jeho webové stránky www.billyjoel.com , na kterých jsem nalezl vše potřebné pro charakterizaci alb, obsazení kapely, citační údaje o albech, atd.
    [Show full text]
  • Communication from Public
    Communication from Public Name: Diego Gordon Date Submitted: 06/04/2020 08:09 AM Council File No: 20-0600 Comments for Public Posting: I’m a resident of Hollywood CA. It came to my attention that over a billion dollars of the city budget is going towards the police and because of all the real issues going on I feel like it doesn’t make sense. There’s other industries that need more financial support like the health industry, also one of the biggest problems in Los Angeles is homeless people, after the quarantine is lifted there’s gonna be an even bigger homeless problem, therefore please rethink the budget. Police brutality is at an all time high and I find it irresponsible to keep fueling this corrupt system. Communication from Public Name: Iroquois Pliskin Date Submitted: 06/04/2020 08:27 AM Council File No: 20-0600 Comments for Public Posting: "The Nixon campaign in 1968, and the Nixon White House after that, had two enemies: the antiwar left and black people," former Nixon domestic policy chief John Ehrlichman told Harper's writer Dan Baum for the April cover story published Tuesday. "You understand what I'm saying? We knew we couldn't make it illegal to be either against the war or black, but by getting the public to associate the hippies with marijuana and blacks with heroin. And then criminalizing both heavily, we could disrupt those communities," Ehrlichman said. "We could arrest their leaders. raid their homes, break up their meetings, and vilify them night after night on the evening news.
    [Show full text]