Brann the Iconoclast - Volume 12
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Clarence Brown Theatre Production History
Clarence Brown Theatre Production History 1974-75 1979-80 1984-85 Everyman Oh, What a Lovely War Loof’s Tower The Second Shepherd’s Play Twelfth Night Electra Headhunters A Christmas Carol The Frog Prince Playboy of the Western World Three Men on a Horse Peter Pan Ruling Class Night Must Fall Richard III Aristotle’s Bellows Mother Courage and Her Children The Caretaker Henry IV, part 1 The Physicists She Stoops to Conquer Last of the Red Hot Lovers Arsenic and Old Lace Beauty and the Beast The Music Man Mysterious Arabian Nights The House of Blue Leaves Androcles and the Lion The Elephant Man 1975-76 Brigadoon No, No, Nanette 1985-86 New Majestic Follies 1980-81 The King and I Rosencrantz & Guildenstern Are Dead The Heiress Extremities Woyzeck Candide Byron in Hell Macbeth Christmas All Over the Place A Christmas Carol Rip Van Winkle The Merchant of Venice Getting Out Tobacco Road The Oldest Living Graduate Macready The Tavern The Male Animal The Lion in Winter Command Performance Dracula: A Musical Nightmare The Vinegar Tree All the King’s Men An Italian Straw Hat True West All the Way Home Bus Stop Rosemarie 1981-82 Evita Ah, Wilderness 1976-77 Carousel 1986-87 Smoke on the Mountain Mr. Roosevelt’s Train The Matchmaker Jesus Christ Superstar The Confounding Christmas The Taming of the Shrew Indians Medea Beyond Therapy The Tax Collector For Colored Girls Who Have A Christmas Carol Cat on a Hot Tin Roof Considered Suicide When the Present Laughter Tom Sawyer Rainbow is Enuf Joe Egg Ghosts Two Gentlemen of Verona The Harmful Effects of Tobacco.. -
Baldwin Wallace University Department of Theatre and Dance………………………21-22 Production Season
Baldwin Wallace University Department of Theatre and Dance………………………21-22 Production Season FALL 2021 MAINSTAGE SERIES Twelfth Night by William Shakespeare. September 24-30, October 1-3, 2021 Director: Brennan Murphy STUDIO SERIES Everybody by Branden Jacobs-Jenkins. October 20-14, 2021 Director: Guest Director TBA TESTING GROUND: Fall Edition. The Modern Prometheus (An Adaptation of Mary Shelley’s Frankenstein) Oct 27 - 31, 2021 Director: Sara Whale LAB SERIES Angels in America, Part One: Millennium Approaches by Tony Kushner November 17-21, 2021 Director: Bryce Kessler SPRING 2022 LAB SERIES: Judge and Jury by Reed Kruger February 10-13, 2022 Director: Reed Kruger MAINSTAGE SERIES fyoo zh en ’22: Revelry or Riot. February 23-26, 2022 Inspired by Dr. Dale Sheptak’s research on crowd dynamics. Director: Sara Whale STAGED READING SERIES Radium Girls by D. W. Gregory. March 18-19, 2022 Director: Anjanette Hall STUDIO SERIES People, Places and Things by Duncan MacMillan. March 23-27, 2022 Director: Keira MacDonald MAINSTAGE SERIES The Crucible by Arthur Miller. April 20-24, 2022 Director: René Copeland TESTING GROUND: Spring Edition. Danceworks in Progress. April 27, 2022 First produced in New York City Director: Sara Whale The Flea Theater Jim Simpson, Artistic Director; Carol Ostrow, Producing Director SHE KILLS MONSTERS Production Staff By Qui Nguyen Technical Director…………………………………………….…………..……....………Dylan Fujimara Keira McDonald Joshua Kass-Amsterdam Dave Allen Stoughton Assistant Technical Director…………………………………...….…..….….…..….….…Josh -
Greatest of the Prophets (1955)
The Greatest Of The Prophets www.maranathamedia.com A New Commentary on the Book of Daniel by GEORGE McCREADY PRICE PACIFIC PRESS PUBLISHING ASSOCIATION MOUNTAIN VIEW, CALIFORNIA Copyright, 1955. Library of Congress Catalogue Card No. 55-7093 The Greatest Of The Prophets PREFACE No words of mine are needed to prove the vast importance of the two books of Daniel and the Revelation for the final generation of mankind, who will be living on earth just before the second advent. If, as I believe, we are that final generation, then these books were designed by God especially for us. The present work was begun in the latter part of 1937, while I was still teaching at Walla Walla College. Of course, I was not beginning my study of these two books then, but at that time I first began to write out a verse-by-verse examination of them. After I had prepared a fairly complete manuscript of about six hundred pages, other subjects demanded my attention; so that it would not be correct to say that the present work has occupied my mind continuously since then. Yet there is no denying that it does represent an immense amount of labor, for large parts have been revised and rewritten many times. Essentially all the chief scholarly works along these lines have been consulted in the completion of this work. No one can build up a work like this by his own unaided efforts; we of this day stand on the shoulders of those who have gone before. A few of them are quoted or referred to here and there in the following pages; but it would be useless and merely pedantic to make a formal list of them here. -
Precious Nonsense
Precious Nonsense NEWSLETTER OF THE MIDWESTERN GILBERT AND SULLIVAN SOCIETY June 2001 -- Issue 63 Of course, you will understand that, as Chancellor of the Exchequer, I am bound to see that due economy is observed. There's nothing like a bargain. W ith the postal rate on letters weighing more than an ounce going up on July 1, it seemed like a good idea to try to get a "fat" newsletter out before the change. So here we are. Although we're lacking any play synopses this time around, we do have the answers to last year's Big Quiz, plenty of news of G&S productions, and some interesting insights from Arthur Robinson. So let's see how it goes. Oh, Members, How Say You, What is it You've Light Opera at (330) 263-2345 / www.wooster.edu/OHIOLIGHTOPERA/ . Or e-mail Done? [email protected]. And their address is The We were saddened and pleased to learn that MGS College of Wooster, Wooster, OH 44691. member and frequent G&S lead performer David Michaels is leaving the Chicago area for Seattle. Sad because he’s Although Light Opera Works isn't presenting any G&S going, and glad because he’ll be seeing more of his family this season, they do have an interesting program for youth, (and able to report on G&S activity in Washington State)! featuring, among other things, an opportunity to work on a Best wishes for his move and his future! production of The Pirates of Penzance. Their Musical Theater Summer Workshops (“for kids 8 to 18") this year By the way, someone asked what our membership include Annie (July 9-14, 2001), Pirates of Penzance (July statistics are, after the renewals were returned. -
The Raptor Literature in Eastemasia Concems (8
kr- l1 TheRaptor Literature Lr,ovo F. Krrr relevant raptor literatrye, rather than providing a thor- The Peregrine Fund, oughhistorical review. We focuson regionsmost famil- 5668 W. Flying Hawk Lane, Boise, ID 83709 U.S'A. iar to us, and have touchedlightly on the raptor litera- ture of someparts of the world. Ron G Blr.srrll Raptor researcherssuffer from two chronic prob- Doldersummerweg 1,7983 LD Wapse,The Netherlands lems: too little information and too much information. Traditionally,most researchers, regardless of their dis- Lucrl LIU Snvrnrrcruus cipline,have suffered from a lackof accessto thewhole Research Center for Biodiversity, spectrumof global literature. Few libraries offer com- Academia Sinica, Taipei, Taiwan 115 prehensivecoverage ofall typesofraptor literature,and even now, the major online abstracting services, Jnvcnxr Snnnclltx althoughextremely valuable, do not yet provideaccess Falconry Heritage Trust, to the full text of most articles.Language differences P.O. Box 19, Carmarthen,Dyfed SA335YL, U.K. also have posedperennial barriers to communication, and few, if any, abstractingservices adequately cover the literaturein all of the world'smajor languages. Now, with a flood of information on its way onto INTRODUCTION the worldwide web, we run thb risk of descendingfrom the InformationAge into a stateof information chaos. We are currently experiencinga dramatic change in As a result,raptor literatureis becomingincreasingly scholarlydisciplines, as we shift from traditionalprint vast and amorphous.In his chapteron this topic in the publicationsto electronic forms of communication. first editionof this manual,LeFranc (1987) stated that Duringthis transition,many venerable joumals are pro- approximately370 and 1,030 raptor-relaledpublica- ducingparallel electronic versions and others are com- tionswere listed in the 1970and 1980issues of Wildlife pletely discontinuingtheir print versions. -
THE CONSTITUTIONALITY of BUSH V. GORE* 82 Boston University Law Review 609 (2002)
Links to other recent work by Professor Weinberg appear at the conclusion of this article. Symposium: Federal Courts and Electoral Politics WHEN COURTS DECIDE ELECTIONS: THE CONSTITUTIONALITY OF BUSH V. GORE* 82 Boston University Law Review 609 (2002) ** Louise Weinberg INTRODUCTION: OF HARD BALL AND BASEBALL . .610 I. THE IRRELEVANCE OF BOTH BAKER V. CARR AND THE "PASSIVE VIRTUES" . 621 II. ELECTING WITHOUT AN ELECTION . 627 III. THE CONSTITUTIONAL LIMITS OF JUDICIAL POWER TO DECIDE ELECTIONS . 635 IV. CONSTITUTIONALLY REQUIRED REMEDIES . 640 V. THE CONSTITUTIONAL LIMITS OF SUPREME COURT POWER TO DECIDE PRESIDENTIAL ELECTIONS . 657 VI. THE STAKES . 661 CONCLUSION . 664 The election [of the President] must be made either by some existing authority . or by the people themselves.—The two Existing authorities under the National Constitution would be the Legislative & Judiciary. The latter [I presume is] out of the question. —James Madison1 (2002) 82 B.U. L.Rev. 610 [I] would prefer the Government of Prussia to one which will put all power into the hands of seven or eight men. —George Mason2 [T]his Court should resist the temptation unnecessarily to resolve tangential legal * This paper was presented at the Annual Meeting of the Association of American Law Schools, Section on Federal Courts, Jan. 2002. A talk based on an earlier draft was presented at a faculty colloquium at the University of Texas School of Law, Oct. 2001. I should acknowledge valuable help from Stuart Benjamin, Mitch Berman, Steve Bickerstaff, Mark Gergen, Cal Johnson, Doug Laycock, Sandy Levinson, Jordan Steiker, Larry Yackle, and Ernie Young, and my editors, Howard Lipton and Chris Mooradian. -
Sgacandidates Debate Key Campus Issues•
University of Missouri, St. Louis IRL @ UMSL Current (2000s) Student Newspapers 4-14-2008 Current, April 14, 2008 University of Missouri-St. Louis Follow this and additional works at: http://irl.umsl.edu/current2000s Recommended Citation University of Missouri-St. Louis, "Current, April 14, 2008" (2008). Current (2000s). 213. http://irl.umsl.edu/current2000s/213 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (2000s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. SINCE 1966 STUDENT NEWSPAPER April 14, 2008 INSIDE 1be Current brings home highest honor from MeMA The Current won "Best in State" for the second con secutive year at the Missouri Collegiate Media Associa- tion awards. ' See NEWS, page 3 Candidates (LEn to RIGHT) GraceMarie Ritter, Jessica Cowan, T. Ryan, Peter Talluto and Dorian Hall sit in the SGA chambers for their debate on Thursday afternoon. SGAcandidates debate key campus Issues• Three little maids By CARRIE F ASISKA Quick Read should have adequate funds to pay for the many events they hold on campus. Managing Editor Candidates for this year's SGA from school are we .•. elections debated student fee He would also give funding priority to SGABALLOT allocations, student apathy and a groups that have administrative duties Mikado makes a big impres Candidates running for student gov smoke free campus. Students can on campus. sion at the Touhill PAC. eniment offices next year were put to vote until" :59 p.m. Friday, online. -
Millennium – Opening Episode Quotations and Proverbs
MillenniuM – Opening Episode Quotations and Proverbs Pilot Season: 1 MLM Code: 100 Production Code: 4C79 Quotation: None Gehenna Season: 1 MLM Code: 101 Production Code: 4C01 Quotation: I smell blood and an era of prominent madmen - W.H. Auden Dead Letters Season: 1 MLM Code: 102 Production Code: 4C02 Quotation: For the thing I greatly feared has come upon me. And what I dreaded has happened to me, I am not at ease, nor am I quiet; I have no rest, for trouble comes. - Job 3:25,26 Kingdom Come Season: 1 MLM Code: 103 Production Code: 4C03 Quotation: And there will be such intense darkness, That one can feel it. - Exodus 10:21 The Judge Season: 1 MLM Code: 104 Production Code: 4C04 Quotation: ...the visible world seems formed in love, the invisible spheres were formed in fright. - H. Melville 1819-1891 522666 Season: 1 MLM Code: 105 Production Code: 4C05 Quotation: I am responsible for everything... except my very responsibility. - Jean-Paul Sartre ©2006 http://Millennium-ThisIsWhoWeAre.net Blood Relatives Season: 1 MLM Code: 106 Production Code: 4C06 Quotation: This generation is a wicked generation; it seeks for a sign, and yet no sign shall be given to it... - Luke 11:29 The Well-Worn Lock Season: 1 MLM Code: 107 Production Code: 4C07 Quotation: The cruelest lies are often told in silence. - Robert Louis Stevenson Wide Open Season: 1 MLM Code: 108 Production Code: 4C08 Quotation: His children are far from safety; They shall be crushed at the gate Without a rescuer. - Job 5:4 Weeds Season: 1 MLM Code: 109 Production Code: 4C09 Quotation: But know ye for certain.. -
True Tales of the Occult, Crime & Conspiracy
True Tales of the Occult, Crime & Conspiracy Curt Rowlett True Tales of the Occult, Crime & Conspiracy Copyright © 2008 by Curt Rowlett All rights reserved. All materials contained in this book are protected by United States copyright law, HOWEVER, I do give permission for the book to be distributed, transmitted, displayed, published or broadcast, so long as you don’t alter the text in any fashion, try to claim the work as your own, or try to sell it to anyone. Cover art Copyright © 2005 by Hannah Humphries. Edited & formatted by Curt Rowlett. Front and back cover layout by Curt Rowlett. July 2020 Revised (and still free) Edition. ISBN: 1-4116-6083-8 Table of Contents Acknowledgments........................................................................i Author’s Introduction...................................................................iii A Few Words Concerning the Endnotes and Sources................ix Part I: Tales of the Occult Chapter 1: Historical American Vampires: In Fiction and Fact....2 Chapter 2: The Strange Case of John Whiteside Parsons........13 Chapter 3: The House of Blood.................................................23 Chapter 4: Phantom Black Dogs...............................................28 Chapter 5: The Tale of the Poe Toaster....................................33 Chapter 6: The Curse of Palmyra Island...................................36 Chapter 7: A Lecture on Lycanthropy........................................47 Chapter 8: Reports from the Labyrinth......................................52 Part II: Crime -
Memory Politics in Contemporary Russia
Memory Politics in Contemporary Russia This book examines the societal dynamics of memory politics in Russia. Since Vladimir Putin became president, the Russian central government has increas- ingly actively employed cultural memory to claim political legitimacy and dis- credit all forms of political opposition. The rhetorical use of the past has become adefining characteristic of Russian politics, creating a historical foundation for the regime’s emphasis on a strong state and centralised leadership. Exploring memory politics, this book analyses a wide range of actors, from the central government and the Russian Orthodox Church to filmmaker and cultural heavyweight Nikita Mikhalkov and radical thinkers such as Alek- sandr Dugin. In addition, in view of the steady decline in media freedom since 2000, it critically examines the role of cinema and television in shaping and spreading these narratives. Thus, this book aims to promote a better understanding of the various means through which the Russian government practices its memory politics (e.g. the role of state media) while at the same time pointing to the existence of alternative and critical voices and criticism that existing studies tend to overlook. Contributing to current debates in the field of memory studies and of cur- rent affairs in Russia and Eastern Europe, this book will be of interest to scholars working in the fields of Russian studies, cultural memory studies, nationalism and national identity, political communication, film, television and media studies. Mariëlle Wijermars is a postdoctoral researcher at the Aleksanteri Institute, University of Helsinki. Studies in Contemporary Russia Series Editor: Markku Kivinen Studies in Contemporary Russia is a series of cutting-edge, contemporary studies. -
Revue Française De Civilisation Britannique, XXI-1
Revue Française de Civilisation Britannique French Journal of British Studies XXI-1 | 2016 Citizenship in the United Kingdom La Citoyenneté au Royaume-Uni Nathalie Duclos et Vincent Latour (dir.) Édition électronique URL : http://journals.openedition.org/rfcb/721 DOI : 10.4000/rfcb.721 ISSN : 2429-4373 Éditeur CRECIB - Centre de recherche et d'études en civilisation britannique Référence électronique Nathalie Duclos et Vincent Latour (dir.), Revue Française de Civilisation Britannique, XXI-1 | 2016, « Citizenship in the United Kingdom » [En ligne], mis en ligne le 20 juillet 2016, consulté le 25 septembre 2020. URL : http://journals.openedition.org/rfcb/721 ; DOI : https://doi.org/10.4000/rfcb. 721 Ce document a été généré automatiquement le 25 septembre 2020. Revue française de civilisation britannique est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. 1 SOMMAIRE Foreword Nathalie Duclos et Vincent Latour Historical Development of Conceptions of Citizenship in the United Kingdom Subject and Citizen: The Ambiguities of the Political Self in Early Modern England Luc Borot Citizenship and Exile: English Republicanism in a Transnational Context Gaby Mahlberg “The definition of a virtuous man”: British Radicals’ Views of Citizens and Citizenship in the French Revolutionary Era Rachel Rogers Britishness… Limited – National identity and citizenship in Gilbert and Sullivan’s Utopia Limited (1893) Joël Richard Nationality and Citizenship in -
Democratizing Opera in America, 1895 to the Present
DEMOCRATIZING OPERA IN AMERICA, 1895 TO THE PRESENT A DISSERTATION SUBMITTED TO THE DEPARTMENT OF MUSIC AND THE COMMITTEE ON GRADUATE STUDIES OF STANFORD UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Daniela Smolov Levy May 2014 © 2014 by Daniela Smolov Levy. All Rights Reserved. Re-distributed by Stanford University under license with the author. This work is licensed under a Creative Commons Attribution- Noncommercial 3.0 United States License. http://creativecommons.org/licenses/by-nc/3.0/us/ This dissertation is online at: http://purl.stanford.edu/ys875gk2432 ii I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Karol Berger, Primary Adviser I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Thomas Grey I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Stephen Hinton Approved for the Stanford University Committee on Graduate Studies. Patricia J. Gumport, Vice Provost for Graduate Education This signature page was generated electronically upon submission of this dissertation in electronic format. An original signed hard copy of the signature page is on file in University Archives. iii Abstract Despite opera’s well-known exclusivity, the genre has in fact consistently been the target of popularizing initiatives, a point often overlooked in accounts of its history.