November/December 2018 INSIDE: Chapters That Grew Quickly • Women's and Mixed Barbershop

Total Page:16

File Type:pdf, Size:1020Kb

November/December 2018 INSIDE: Chapters That Grew Quickly • Women's and Mixed Barbershop November/December 2018 INSIDE: Chapters that grew quickly • Women’s and mixed barbershop: myths vs. facts • The value of singing together November/ December 2018 VOLUME LXXVIII NUMBER 6 WWW.BARBERSHOP.ORG WWW.YOUTUBE.COM/BARBERSHOPHARMONY38 WWW.FACEBOOK.COM/BARBERSHOPHARMONYSOCIETY TWITTER: @BARBERSHOPNEWS INSTAGRAM: @BARBERSHOPHARMONYSOCIETY We know singing makes us happy, but research tells us that belonging to a singing community actually solves many MegaSing, 2010 International problems before they Convention, Philadelphia start. BHS Chief Strategy Officer Kevin Lynch has done a lot of research on the value of singing with others, and the plan is to bring that power (es- pecially singing barber- 20 shop) to exponentially LORIN MAY more people. 10 Pre-20th Century-1920s 10 Celebrate 80 years of the 12 1930s-1959 Barbershop Harmony Society 14 1960-80 Let’s look at some of the people, groups, and 16 1980s-2000s events that have made us who we are LORIN MAY, EDITOR, THE HARMONIZER, GRADY KERR, DAVID WRIGHT 18 The last five years See our Salt Lakc City insert between pages 16-17 of this issue. Register before Early Bird rates go away! On the cover 80 years of Barbershop History Departments EDDIE HOLT 2 8 THE PRESIDENT’S PAGE SHARE THE WEALTH Two exciting years for the Society, many ahead How the Marcsmen grew by 76% in 3 months 3 25 STRAIGHT TALK MAKING A DIFFERENCE Do you know the impact you are making? Two chapters on two coasts provide fire relief 4 Quartet canoe trip became more poignant weeks later TEMPO 30 Women’s champion has deep BHS family roots MEMBER SERVICE DIRECTORY A great Midwinter convention coming in Nashville: Where to find answers 7 32 HARMONY HOW-TO THE TAG Women’s and mixed barbershop facts & myths “Each Time I Fall in Love” November/December 2018 • The HARMONIZER 1 THE PRESIDENT’S PAGE Skipp Kropp, Society President • [email protected] Two exciting years for the Society, many ahead n this, my final column for The Harmonizer as BHS Presi- say ‘I knew it, they didn’t care about what I said and dent, I offer my perspective on the past two years. the plan is nothing like what I want.’ We have diverse First, some historical context: we are celebrating 80 opinions on some matters and it’s the job of the Stra- years as an organization, which inauspiciously started tegic Planning Committee and Society Board to decide Ias an inward-facing group of men who sang for their which way we go on those. I promise we will use all avail- own enjoyment. We began outreach efforts to impact able data to make the best decisions for the Society as an lives other than our own in 1959, when we established entity. It’s going to be an exciting year!” Harmony Foundation. We began to focus our charitable I confess that I got the time frame wrong—it’s actually efforts externally by supporting therapy via the Institute been an incredibly exciting and amazing two years. The for Logopedics until the late 1990s. Our “modern” Society Boards on which I’ve served since being elected journey began circa 2003 with Harmony Foundation in 2013 have been comprised of men who were and are supporting Society singing programs, such as the wildly able to think strategically. They deliberate and discus is- successful Youth Chorus Festival. We are now noted sues through the lens of their fiduciary obligation to the among the global music community for facilitating truly Society as a whole, not simply their own district, chapter, intergenerational singing. or personal preference. The Society is only beginning an In 2017, more than two years of member incredible journey. O.C. Cash and our founders read feedback and strategic planning efforts culmi- the cultural map of their day and seized the opportuni- nated in the announcement of our new vision, ties that would make for a thriving organization. We are “Everyone in Harmony.” Board and staff have doing the same. been working diligently to design and begin to implement programs aligned to the vision. My thanks to those with whom I’ve served As my term ends, my sincere thanks go to all of the Sharing what we love with all men on all of the Society Boards with whom I’ve had Our founders Since 2016, I’ve been awestruck by the the honor and privilege of serving. I also want you all depth of discussions surrounding Every- to know that Marty and our staff at Harmony Hall are read the cultural one in Harmony, both at the Board level incredible and it has been both a pleasure and a blessing map of their and in one-on-one meetings with mem- to have been able to work so closely with them. They bers. At last year’s International Conven- work tirelessly to include Everyone in Harmony. My day and seized tion, I was proud to stand with Marty in heartfelt thanks as well go to my wife, Nancy, for sup- opportunities the Rainbow Room (a long-standing so- porting me the past two years, for being who she is, and cial gathering of gay Barbershoppers) as just for loving me. that would help we committed that the vision Everyone the Society in Harmony includes everyone. Singing knows no social, racial, gender, or any thrive. We are other boundaries. What matters is that [email protected] we welcome everyone who wants to sing doing the same. in harmony. We continue our commitment to preserve the all- male singing experience for those who prefer it. We’re also pleased to welcome women into the Barbershop November/December 2018 Volume LXXVIII Number 6 Harmony Society, to support women’s and mixed bar- Complete contact info: pages 30-31 bershop singing, and to enable and support barbershop The Harmonizer (ISSN 0017-7849) (USPS 577700) is published bimonthly by the singing in communities around the world internation- Barbershop Harmony Society, 110 7th Ave N, Nashville TN 37203-3704. Periodicals Postage Paid at Nashville TN and at additional mailing offices. POST- ally. Our goal is to facilitate lifelong singing everywhere. MASTER: Send address changes to The Harmonizer, 110 7th Ave N, Nashville TN 37203-3704. Advertising rates available upon request at [email protected]. Publisher The Board’s fiduciary duty to all members assumes no responsibility for return of unsolicited manuscripts or artwork. In my Jan./Feb. 2017 column in The Harmonizer, I stated Postmaster: send address changes to editorial offices of The Harmonizer, 110 7th Ave N, Nashville TN 37203-3704 at least 30 days before the next publication date. that “…it won’t come as a surprise to you to hear that (Publications Agreement No. 40886012. Return Undeliverable Canadian Addresses to: the [2016] survey data shows that Barbershoppers are Station A, PO Box 54, Windsor ON N9A 6J5. Email: [email protected]) A portion of each member’s dues is allocated to cover the magazine’s subscription both a vocal and an opinionated lot, and don’t always price. Subscription price to non-members is $25 yearly or $5 per issue; foreign subscrip- agree on issues. Thus, when our strategic plan is pub- tions are $35 yearly or $7 per issue (U.S. funds only). lished, some of you will immediately think ‘Wow! They © 2018 The Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America, Inc. dba The Barbershop Harmony Society. were listening to me!’ Others will read the plan and Printed in the USA 2 The HARMONIZER • November/December 2018 • www.barbershop.org STRAIGHT TALK Marty Monson, CEO / Executive Director • [email protected] Do you know the impact you are making? ow did you enjoy your District conven- Boise Chordsmen after the RMD con- tions and festivals? Did you sing a tag vention and participate in their wonder- with someone you’ve never met before? ful Idaho Youth Barbershop Festival. Did you hear the plans for your dis- Two days of nearly 500 middle school Htrict for 2019? How about Everyone in and high school choir singers (a new Harmony updates by our Society board 500 each day) to experience the joy of representative or Harmony Hall staff? So barbershop harmony. When you add the much is happening within BHS to help audience members who attended each move us into a healthy, sustainable orga- evening concert, the total exposure was What’s on Marty’s daytimer? nization. Have you taken the time to step almost 1,000 people each day. Holy cow, • Nov. 9-10, MAG7 back and just reflect on the impact we’re that gives me goosebumps! Meetings, Nashville making? Two beautiful things happened at the • Nov. 14, Strategic As the staff and board representatives RMD convention. After the chorus con- Planning Committee who attended the District conventions test, everyone sang “America the Beauti- (SPC) provided Everyone in Harmony updates, ful” as a massed choir. (Check out the • Nov. 28 Chorus America we asked the following ques- video posted by RMD, with Pikes Peak in & NAfME meetings, DC tions during the House of Del- the background on a beautiful day. Link • Nov. 28, SPC meeting egates meeting or Everyone in at www.barbershop.org/harmonizer.) What • Nov. 28-29, MBHA Harmony update meetings: 1) a great experience. On Saturday night, meeting, Baltimore, MD who’s excited about Everyone during the evening show of champs, they • Nov. 30, cLEAN the in Harmony? 2) who’s nervous had a couple guest choirs show up and HALL, Nashville about Everyone in sing. The local Colorado Springs Sweet • Dec. 3-7, All-Staff onsite Harmony? and 3) Adelines chorus, Velvet Hills Chorus, meetings, Nashville Experiencing the who’s both excited sang wonderfully under the direction of • Dec.
Recommended publications
  • To Download The
    SPORTS COOK OF THE WEEK NESHOBA ROCKETS ENTER STATE COOKING IS A FAMILY BASEBALL PLAYOFFS THIS WEEK AFFAIR FOR KINGS Center Hill — Page 3B Brittany Lovern King — Page 1B Established 1881 — Oldest Business Institution in Neshoba County Philadelphia, Mississippi Wednesday, May 5, 2021 140th Year No. 18 **$1.00 MAN ARRESTED FOR HIT-AND-RUN 2-year-old who died was ‘lively’ By DUNCAN DENT utes after it happened had ini- maroon 2017 Mississippi sissippi Highway Patrol and out of the Neshoba County [email protected] tially gone back to the scene but Chevrolet Sil- Highway charges are pending,” he said. Detention Center on a $75,000 fled, according to the Mississip- verado when Patrol. Winstead was apprehended a bond. Nolan Riley Norris, pi Highway Patrol. the toddler Winstead short time later on Mississippi Funeral arrangements for described by family friends as a The man, Andrew Graham ran out into returned to the 19 south of Philadelphia by a Nolan Riley Norris were incom- lively, vivacious 2-year-old, Winstead, 25, 12371 Road 383, the highway scene of the Neshoba County Sheriff's plete. died Thursday night in a hit- also known as the Fork Road, and was crash, but deputy. Nolan was born January 9, and-run accident near Union on was arrested and charged with struck, the “after realiz- Neshoba County Sheriff Eric 2019, according to his obituary Highway 492 in Neshoba leaving the scene of the 8:49 authorities Nolan Riley Andrew ing that he Clark said Union Police took on the Milling Funeral Home County, according to the author- p.m.
    [Show full text]
  • The Top 200 Most Requested Songs in 2019 This List Is Compiled Based on Over 2 Million Song Requests Made Using the DJ Event Planner Song Request System
    The Top 200 Most Requested Songs In 2019 This list is compiled based on over 2 million song requests made using the DJ Event Planner song request system. Rank Artist Song Title 1 Whitney Houston I Wanna Dance With Somebody (Who Loves Me) 2 Mark Ronson feat. Bruno Mars Uptown Funk 3 Neil Diamond Sweet Caroline 4 Journey Don't Stop Believin' 5 Walk The Moon Shut Up And Dance 6 Earth, Wind and Fire September 7 Justin Timberlake Can't Stop The Feeling! 8 Usher Yeah! 9 Cupid Cupid Shuffle 10 ABBA Dancing Queen 11 Bon Jovi Livin' On A Prayer 12 Killers Mr. Brightside 13 DJ Casper Cha Cha Slide 14 Black Eyed Peas I Gotta Feeling 15 Backstreet Boys Everybody (Backstreet's Back) 16 Luis Fonsi feat. Daddy Yankee Despacito 17 OutKast Hey Ya! 18 Spice Girls Wannabe 19 Van Morrison Brown Eyed Girl 20 Ed Sheeran Perfect 21 Bruno Mars 24k Magic 22 Kenny Loggins Footloose 23 V.I.C. Wobble 24 Bruno Mars Marry You 25 Garth Brooks Friends In Low Places 26 AC/DC You Shook Me All Night Long 27 Beyonce feat. Jay-Z Crazy In Love 28 B-52's Love Shack 29 Flo Rida Low 30 Beatles Twist And Shout 31 Taylor Swift Shake It Off 32 Cardi B, Bad Bunny and J Balvin I Like It 33 Elvis Presley Can't Help Falling In Love 34 Miley Cyrus Party In The U.S.A. 35 Rihanna feat. Calvin Harris We Found Love 36 Ed Sheeran Thinking Out Loud 37 Dexys Midnight Runners Come On Eileen 38 Pharrell Williams Happy 39 Toto Africa 40 LMFAO Party Rock Anthem 41 Queen Bohemian Rhapsody 42 Montell Jordan This Is How We Do It 43 Maroon 5 Sugar 44 John Legend All Of Me 45 Sister Sledge We Are Family 46 Lil Jon & The Eastside Boyz Get Low 47 Temptations My Girl 48 Beyonce Single Ladies (Put A Ring On It) 49 Pitbull feat.
    [Show full text]
  • Nielsen Music Year-End Report U.S
    NIELSEN MUSIC YEAR-END REPORT U.S. 2016 NIELSEN MUSIC YEAR-END REPORT U.S. 2016 Copyright © 2017 The Nielsen Company 1 Welcome to the annual Nielsen Music Year End Report, providing the definitive 2016 figures and charts for the music industry. And what a year it was! The year had barely begun when we were already saying goodbye to musical heroes gone far too soon. David Bowie, Paul Kantner, Glenn Frey, Leon Russell, Maurice White, Prince, Juan Gabriel, George Michael, Sharon Jones... the list goes on. And yet, while sad 2016 became a meme of its own, there is so much for the industry to celebrate. Music consumption is at an all-time high. Overall volume is up 3% over 2016, fueled by a 76% increase in on-demand audio streams, enough to offset declines in sales and return a positive year for the business. Nearly 650 solo artists, groups and collaborators appeared on the Top 200 Song Consumption chart in 2016, representing over 1,200 different songs. The rapid changes in technology and distribution channels are changing the way we discover and engage with content. Reaction times are shorter and current events ERIN CRAWFORD can have an instant impact on consumption. The last Presidential debate had SVP ENTERTAINMENT barely finished when there was an increase in streaming activity for Janet Jackson’s & GM MUSIC “Nasty.” The day after the news broke about Prince’s passing, over 1 million of his songs were downloaded. When a Florida teen set his #mannequinchallenge to “Black Beatles,” the song rocketed up the charts.
    [Show full text]
  • Gold Standard Songlist 2019
    Gold Standard Song List Ballads/Easy Listening Song Artist A Thousand Years Christina Perri Ain't No Sunshine Bill Withers Always Be My Baby Mariah Carey Banana Pancakes Jack Johnson Because You Loved Me Celine Dion Bless The Broken Road Rascal Flatts Blessed Elton John Butterfly Kisses Bob Carlisle By Your Side Sade Can You Feel The Love Tonight Elton John Can't Help Falling in Love Elvis Presley Change The World Eric Clapton City of Stars La La Land Come Away With Me Norah Jones Coming Home Leon Bridges Crazy Love Brian McKnight Daddy's Little Girl Al Martino Dance With My Father Luther Vandross Daughters John Mayer Die a Happy Man Thomas Rhett Don't Know Why Norah Jones Drift Away Dobie Gray Easy Lionel Richie Every Breath You Take The Police T (844) 369-6232 E [email protected] W www.downbeat.la Gold Standard Song List Ballads/Easy Listening Song Artist Every Time I Close My Eyes Babyface Everything Michael Buble For the Love of You Isley Brothers Forever Young Bob Dylan Free Fallin' Tom Petty From This Moment Shania Twain Give Me One Reason Tracey Chapman God Must Have Spent NSYNC Gravity John Mayer Gypsy Fleetwood Mac Hallelujah Leonard Cohen Have I Told You Lately Rod Stewart Hello Adele Hey Jude The Beatles Ho Hey Lumineers I Choose You Sara Bareilles I Do Boyz II Men I Do Colbie Caillat I Don't Trust Myself John Mayer I Don't Want to Miss a Thing Aerosmith I Hope You Dance Lee Ann Womack I Loved Her First Heartland I Wanna Know Joe I'll Be There Jackson 5 T (844) 369-6232 E [email protected] W www.downbeat.la Gold Standard Song List Ballads/Easy Listening Song Artist I'll Make Love To You Boyz II Men I'm Not The Only One Sam Smith I'm Yours Jason Mraz If I Ain't Got You Alicia Keys In My Life The Beatles Just The Two Of Us Grover Washington Jr.
    [Show full text]
  • © Copyright 2020 Young Dae
    © Copyright 2020 Young Dae Kim The Pursuit of Modernity: The Evolution of Korean Popular Music in the Age of Globalization Young Dae Kim A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2020 Reading Committee: Shannon Dudley, Chair Clark Sorensen Christina Sunardi Program Authorized to Offer Degree: Music University of Washington Abstract The Pursuit of Modernity: The Evolution of Korean Popular Music in the Age of Globalization Young Dae Kim Chair of the Supervisory Committee: Shannon Dudley School of Music This dissertation examines the various meanings of modernity in the history of Korean pop music, focusing on several crucial turning points in the development of K-pop. Since the late 1980s, Korean pop music has aspired to be a more advanced industry and establish an international presence, based on the economic leap and democratization as a springboard. Contemporary K-pop, originating from the underground dance scene in the 1980s, succeeded in transforming Korean pop music into a modern and youth-oriented genre with a new style dubbed "rap/dance music." The rise of dance music changed the landscape of Korean popular music and became the cornerstone of the K-pop idol music. In the era of globalization, K-pop’s unique aesthetics and strategy, later termed “Cultural Technology,” achieved substantial returns in the international market. Throughout this evolution, Korean Americans were vital players who brought K-pop closer to its mission of modern and international pop music. In the age of globalization, K-pop's modernity and identity are evolving in a new way.
    [Show full text]
  • November 2019
    Berklee College of Music Music Business Journal Volume 14, Issue 2 www.thembj.org November 2019 Blood Sweat & Tears: Mission Statement A Closer Look at the K-Pop Phenomenon At the Berklee Music Busi- ness Journal we provide in-depth By Ava Roche Before the reforms enacted by the analysis of industry trends, and The “Korean Wave” Sixth Republic, the country had only two follow their effects on both mu- broadcast networks. These networks fre- sic and the world. As a beacon quently featured music competition shows, “Hallyu,” or the “Korean Wave,” of truth, we aim to inform, in- is the term used to describe the spread of through which South Korean audiences South Korean popular culture and media learned about music. After the reforms spire, and provoke discussion on throughout the rest of the world. From cui- were established, more broadcast networks an intellectual level within the formed, followed by a larger music indus- sine to beauty products, Western people Berklee community and beyond. have become obsessed with Korean cul- try. The music industry was still quite new ture. Hallyu began in the mid-nineties with in the early nineties, so the primary means the massive success of the TV drama, What through which people discovered music Inside This Issue Is Love?, which aired in China in 1997 – was through music competition shows. over 150 million Chinese viewers watched These music shows are still extremely pop- the show. Korean pop music was quick to ular today, and many musicians still find The Music follow, as global markets became increas- success through them.
    [Show full text]
  • Most Requested Songs of 2019
    Top 200 Most Requested Songs Based on millions of requests made through the DJ Intelligence music request system at weddings & parties in 2019 RANK ARTIST SONG 1 Whitney Houston I Wanna Dance With Somebody (Who Loves Me) 2 Mark Ronson Feat. Bruno Mars Uptown Funk 3 Journey Don't Stop Believin' 4 Cupid Cupid Shuffle 5 Neil Diamond Sweet Caroline (Good Times Never Seemed So Good) 6 Walk The Moon Shut Up And Dance 7 Justin Timberlake Can't Stop The Feeling! 8 Earth, Wind & Fire September 9 Usher Feat. Ludacris & Lil' Jon Yeah 10 V.I.C. Wobble 11 DJ Casper Cha Cha Slide 12 Outkast Hey Ya! 13 Black Eyed Peas I Gotta Feeling 14 Bon Jovi Livin' On A Prayer 15 ABBA Dancing Queen 16 Bruno Mars 24k Magic 17 Garth Brooks Friends In Low Places 18 Spice Girls Wannabe 19 AC/DC You Shook Me All Night Long 20 Kenny Loggins Footloose 21 Backstreet Boys Everybody (Backstreet's Back) 22 Isley Brothers Shout 23 B-52's Love Shack 24 Van Morrison Brown Eyed Girl 25 Bruno Mars Marry You 26 Miley Cyrus Party In The U.S.A. 27 Taylor Swift Shake It Off 28 Luis Fonsi & Daddy Yankee Feat. Justin Bieber Despacito 29 Montell Jordan This Is How We Do It 30 Beatles Twist And Shout 31 Ed Sheeran Thinking Out Loud 32 Sir Mix-A-Lot Baby Got Back 33 Maroon 5 Sugar 34 Ed Sheeran Perfect 35 Def Leppard Pour Some Sugar On Me 36 Killers Mr. Brightside 37 Pharrell Williams Happy 38 Toto Africa 39 Chris Stapleton Tennessee Whiskey 40 Flo Rida Feat.
    [Show full text]
  • Achievement in the South Korean Music Industry Björn Boman1
    6 International Journal of Music Business Research, October 2019, vol. 8 no. 2 Achievement in the South Korean music industry Björn Boman1 Abstract South Korean Pop music, commonly referred to as K-pop, emerged in the 1990s and reached regional and global recognition in the early 2000s, with a peak in 2018 with the two groups BTS and BLACKPINK. Their relative global success is explained in this article as an interplay of a G-L-G (Global-Local-Global) business model, beauty, ar- tistic and personality skills at the individual level, and idiosyncratic factors, such as particular songwriting capabilities and hit songs. This interplay was designed for market penetration in the US and UK. Keywords: K-pop, Hallyu, South Korea, Korean wave, BTS, BLACKPINK 1 Introduction Many might associate contemporary South Korea with high Programme for International Student Assessment (PISA) results, as well as rapid technological and economic development since the 1980s. Another ele- ment which is linked to modern South Korea is its pop cultural industry, especially K-pop, an umbrella term for South Korean popular music. The appeal of K-pop has been ascribed to physically attractive group mem- bers, globally fashionable pop music, and synchronized dance perfor- mances (Oh 2013). While several K-pop acts such as Big Bang, TVXQ, Girls' Generation, Super Junior, and EXO have reached local (South Ko- rea) and regional (East Asia) success (Lie 2013; Lie 2014; Oh 2013), these acts have failed to penetrate the major music markets of the US and UK. An attempt was made in the US by Girls' Generation with the single and music video "The Boys" in 2011, which was launched in an English ver- sion.
    [Show full text]
  • Most Requested Songs of 2019
    Top 50 Most Requested First Dances Based on millions of requests made through the DJ Intelligence music request system at weddings in 2019 RANK ARTIST SONG 1 Ed Sheeran Perfect 2 Dan + Shay Speechless 3 Elvis Presley Can't Help Falling In Love 4 Ed Sheeran Thinking Out Loud 5 Dan + Shay From The Ground Up 6 James Arthur Say You Won't Let Go 7 John Legend All Of Me 8 Walk The Moon Shut Up And Dance 9 Brett Young In Case You Didn't Know 10 Chris Stapleton Tennessee Whiskey 11 Ray Lamontagne You Are The Best Thing 12 Russell Dickerson Yours 13 Jason Aldean You Make It Easy 14 Luke Combs Beautiful Crazy 15 Scotty Mccreery This Is It 16 Brad Paisley Then 17 Rascal Flatts Bless The Broken Road 18 Thomas Rhett Die A Happy Man 19 Etta James At Last 20 Chris Stapleton Millionaire 21 Kodaline The One 22 Ben E. King Stand By Me 23 Christina Perri A Thousand Years 24 Ellie Goulding How Long Will I Love You 25 George Strait I Cross My Heart 26 Leon Bridges Beyond 27 Tim Mcgraw My Best Friend 28 Earth, Wind & Fire September 29 Eric Clapton Wonderful Tonight 30 Frank Sinatra The Way You Look Tonight 31 Lee Brice I Don't Dance 32 Lonestar Amazed 33 Lukas Graham Love Someone 34 Michael Buble Everything 35 Shania Twain From This Moment On 36 Tim Mcgraw & Faith Hill The Rest Of Our Life 37 Frank Sinatra Fly Me To The Moon 38 Keith Urban Making Memories Of Us 39 Lifehouse You And Me 40 Daniel Caesar & H.E.R.
    [Show full text]
  • The Postscript
    THE February 26, 2020 the parkP schoolOSTSCRIPT of baltimore | 2425 old court road, baltimore, md 21208 Volume 77 Issue No.5 The rapid spread of the coronavirus (COVID-19) has implications for many News From China members of the Park community. Chinese language teacher Xiaomu Hu has been in near daily communication with her family near Changsa. “It’s been really hard,” she said. Hu’s family lives about 200 miles from the epicenter of Wuhan, and has been in lockdown mode for about a month. “People can’t go to work, to school. Everything has to be done online. People are scared to leave their homes,” she said. Many health workers have been transferred from Changsa to Hubei province to fight the virus. Exchange Trip Cancelled Coronavirus impedes cultural exchange between schools by KWABE OSEI ’23 for things such as the common cold. many were excited at the prospect and Because this strain of coronavi- of hosting and interacting with the JOHN APOSTOLO ’23 rus is severe, and information on it Chinese students. remains limited, the United States News of the cancellation due to Much to the disappointment of government, the WHO (World Health COVID-19 came at the start of the Beijing #9 students and the Park com- Organization), and the Chinese gov- Chinese New Year, just a few days munity, this year’s foreign exchange ernment are doing all they can to pre- before the #9 students were to have visit by students from China has been vent a pandemic. departed. Hu’s students were excited cancelled.
    [Show full text]
  • Fugitive Resonance: the Piano in the Early Twntieth Century Program I Claude Debussy on the Blüthner Piano
    The Department of Music presents Fugitive Resonance: the Piano in the Early Twntieth Century Program I Claude Debussy on the Blüthner piano BARNES HALL CORNELL UNIVERSITY Friday, January 25, 2019 – 8:00 PM from Préludes, Book I (1909-1910) …Les collines d’Anacapri [“The hills of Anacapri”] Joshua Sadinsky Ballade (1890) Nina Knight from Préludes, Book I …Voiles [“Veils / Sails”] Sophia Roshal Images, Book II (1907) Cloches à travers les feuilles [“Bells through the leaves”] Et la lune descend sur le temple qui fut [“And the moon descends on the ruined temple”] Poissons d’or [“Goldfish”] Thomas Reeves —Intermission— Cinq poèmes de Charles Baudelaire (1889) Le Balcon Harmonie du soir Le jet d’eau Recueillement La mort des amants Lucy Fitz Gibbon, soprano Roger Moseley, piano Nocturne (1892) Jasper Liang L’Isle joyeuse (1904) Michael Heyang Program notes The sound of wind, even as it roars through trees in the valley and is forced up and over hills, can nevertheless be stilling. To stand atop a mountain, or even just tall hills, and be lapped in violently alternating currents of cool and warm wind is both serene and trepidatious. This is what I imagine Debussy’s recurring visits to the hills of Anacapri, a small town on an island off the coast of Italy, sounded and felt like. In this prelude, we hear the contrast between still and turbulent, all the while basking in colors of sunlight, rhythm, ocean waves, and harmony. - Joshua Sadinsky Unlike some of Debussy’s later piano works, Ballade—also known as Ballade slave—retains many of the melodic and harmonic qualities of Late Romanticism.
    [Show full text]
  • The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, Or Other?
    The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, or Other? The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Gardner, Hyniea. 2019. The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, or Other?. Master's thesis, Harvard Extension School. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42004187 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, or Other? Hyniea (Niea) Gardner A Thesis in the Field of Anthropology and Archaeology for the Degree of Master of Liberal Arts in Extension Studies Harvard University May 2019 © May 2019 Hyniea (Niea) Gardner Abstract In 2016 the Korea Creative Content Agency (KOCCA) reported that the Korean music industry saw an overseas revenue of ₩5.3 trillion ($4.7 billion) in concert tickets, streaming music, compact discs (CDs), and related services and merchandise such as fan meetings and purchases of music artist apparel and accessories (Kim 2017 and Erudite Risk Business Intelligence 2017). Korean popular music (K-Pop) is a billion-dollar industry. Known for its energetic beats, synchronized choreography, and a sound that can be an amalgamation of electronica, blues, hip-hop, rock, and R&B all mixed together to create something that fans argue is “uniquely K-Pop.” However, further examination reveals that producers and songwriters – both Korean and the American and European specialists contracted by agencies – tend to base the foundation of the K-Pop sound in hip-hop and R&B, which has strong ties to African-American musical traditions.
    [Show full text]