William Brunner Musselman the Last Entrepreneur? Richard E
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Download This List As PDF Here
QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op. -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 107 CONGRESS, FIRST SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 107 CONGRESS, FIRST SESSION Vol. 147 WASHINGTON, WEDNESDAY, SEPTEMBER 26, 2001 No. 127 Senate The Senate met at 9:30 a.m. and was of Your approval and the light of Your from the House, but we understand it is called to order by the Honorable HIL- guidance. In the name of our Lord and on its way. The two managers of the LARY RODHAM CLINTON, a Senator from Saviour. Amen. bill, who have been working on the De- the State of New York. f fense authorization bill, are at the Pen- The PRESIDING OFFICER. Today’s tagon now. We expect them to return prayer will be offered by the guest PLEDGE OF ALLEGIANCE shortly. They have some amendments Chaplain, Dr. Hayes Wicker, Jr., of the The Honorable HILLARY RODHAM they have cleared. First Baptist Church, Naples, FL. CLINTON led the Pledge of Allegiance, As the majority leader announced as follows: PRAYER last night, it is not certain we will pro- I pledge allegiance to the Flag of the ceed with the Defense bill. We are try- The guest Chaplain, Dr. Hayes United States of America, and to the Repub- ing very hard, before 2 p.m. today, to Wicker, Jr., offered the following pray- lic for which it stands, one nation under God, have a finite list of amendments. A er: indivisible, with liberty and justice for all. couple of Members were unwilling to Lord, we praise You as supreme sov- f give us a list. -
Tesi Del Dott. Jacopo Conti: Minimalismo ... -.:: Franco Fabbri
UNIVERSITÀ DEGLI STUDI DI TORINO FACOLTÀ DI SCIENZE DELLA FORMAZIONE CORSO DI STUDIO TRIENNALE IN D.A.M.S. DISSERTAZIONE FINALE Minimalismo, modalità e improvvisazione nella musica dei nuovi King Crimson Relatore: Candidato: Ernesto Napolitano Jacopo Conti matr. n° 259083 Anno accademico 2006 - 2007 A mia zia, che credeva in me e mi ha sempre sostenuto. 1 PREMESSA “King Crimson was more a revolving door than a band. ” - Robert Palmer La cronologia dei King Crimson (KC) dal 1969 al 2003 è assai articolata, e include vari stili e molti musicisti con una sola presenza fissa, quella di Robert Fripp (1946), chitarrista e compositore inglese fondatore del gruppo. Considerati tra i fondatori del progressive rock, pubblicano l’album In The Court Of The Crimson King 1 nel 1969 con Fripp alla chitarra, Ian McDonald (1946) al sax e al mellotron, Michael Giles (1942) alla batteria, Greg Lake (1948) al basso e alla voce e Peter Sinfield (1943) nel ruolo di paroliere. I lunghi brani strutturati, gli elaborati riff suonati all’unisono e i testi di ispirazione fantastica e fiabesca non solo diventano la caratteristica principale del gruppo, ma anche gli elementi fondanti del nuovo genere. Già con il secondo lp, In The Wake Of Poseidon (1970), la formazione viene rimodellata: Mel Collins (1947) prende il posto di McDonald al sax, Gordon Haskell canta in alcuni brani (durante la lavorazione del disco Greg Lake abbandona il gruppo per andare a costituire il trio Emerson, Lake & Palmer), si aggiunge al pianoforte Keith Tippett (1947). Il gruppo si scioglie per qualche mese dopo l’incisione del disco per poi tornare, con un’altra formazione, alla fine del 1970. -
Discografia King Crimson
Discografia king crimson Continue 1992 The Great Deceiver -- Live 1973-1974 Registrato dal vivo durante il Tour Heavy Horses in Europe (1978). CD 1 - Things aren't as they seem... Theatre Registry Al Palace, Providence, USA, il 30 giugno 1974. 1 - Walk by ... No Pussyfooting - 0:52 2 - Lark Languages in Aspic, Part 2 - 6:12 3 - Crying - 4:04 4 - Exiles - 7:00 5 - Journey to the Center of Space - 14:4 1 6 - Easy Money - 7:14 7 - Providence - 9:47 8 - Rift - 10:47 9 - Starless - 11:56 CD 2 - Hand sleight of hand Tracce 1-2 registered Al Palace Theatre, Providence, Stati Uniti d'America, il 30 giugno 1974. Tracce 3-11 registrar Al Apollo, Glasgow, GB, il 23 ottobre 1973. Tracce 12-13 Registrar al Penn State University, State College, Pennsylvania, Stati Uniti d'America, il 29 giugno 1974. 1 - 21st Century Schizoid Man - 7:32 2 - Walk from Providence ... No Pussyfooting - 1:15 3 - Sharks lightweight at Lemsip - 2:38 4 - Lark tongues in Aspic, Part One - 7:25 5 - Saturday Book - 2:49 6 - Easy Money - 6:43 7 - We Let You Know - 4:54 8 - Night's Watch - 4:5 5 4 9 - Tight Scrummy - 8:27 10 - World: Theme - 1:01 11 - Cat Food - 4:14 12 - Easy Money - 2:19 13 - ... It's for you, but not for us - 7:25 CD 3 - ... Acts of Deception Tracce 1-11 Registration Al Stanley Warner Theater, Pittsburgh, USA, il 29 aprile 1974. Tracce 12-13 Registrar al Penn State University, State College, Pennsylvania, USA, il 29 giugno 1974. -
Of Virtual Spatiality: Surround Sound Mixing in King Crimson's Back
Toivo Burlin: The creation (and re-creation) of virtual spatiality: Surround sound mixing in King Crimson’s back catalog box sets Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi Burlin, T. (2019). The creation (and re-creation) of virtual spatiality: Surround sound mixing in King Crimson’s back catalog box sets. In J.-O. Gullö (Ed.), Pro- ceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi (pp. 37-53). Stockholm: Royal College of Music (KMH) & Art of Record Produc- tion. ISBN 978-91-983869-9-8 © The editors and authors own the copyright of their respective contrubutions. Toivo Burlin: The creation (and re-creation) of virtual spatiality: Surround sound mixing in King Crimson’s back catalog box sets Abstract: The article analyzes surround mixing of King Crimson’s analog recordings. “Lizard,” “Larks’ Tongues in Aspic (Part 1),” “The Night Watch,” “Trio,” and “One Time” are analyzed using the theoretical perspec- tives of the music recording as representation and spatial design. There is a difference between live and studio recordings in surround: live recordings tend to be mixed according to the direct/ambient principle, while studio re- cordings are mixed according to the principle of direct-sound all around. Live recordings in surround can also often be understood as examples of documentarism, and studio recordings as examples of hyper realism. The spatial design of the surround mix tends to emphasize aspects of spatiality in the broad sense: where the recording can, for example, be interpreted as a landscape in sound. Introduction This essay discusses some tendencies in the emerging conventions in con- temporary surround mixing of popular music. -
Download Poll DR Report Here
Link Artist Title Media Score Votes DR Poll 16 Horsepower SECRET SOUTH [D] 7.93 14 DR7 Poll 3 Doors Down AWAY FROM THE SUN [D][S] 7.27 26 DR11 Poll 3 Doors Down SEVENTEEN DAYS [D] 7.80 10 DR11 Poll A Bad Think LIFELIKE [B] 8.67 3 Poll A Bad Think THE SAVIOR [B] 8.00 1 Poll Aaron Neville NATURE BOY (The Standards Album) [D][S] 9.14 7 DR13 Poll Aerosmith TOYS IN THE ATTIC [S] 7.96 112 DR12 Poll Airto FINGERS & AIRTO/DEODATO IN CONCERT (Quad [S] 8.25 16 DR12 Poll Al Di Meola CONSEQUENCE OF CHAOS [S] 8.52 23 DR13 Poll Al Green GREATEST HITS (Quad & 5.1) [D] 8.32 37 DR13 Poll Al Jarreau ALL I GOT [S] 8.80 5 DR14 Poll Alan Williams EVIDENCE UNEARTHED [B] 9.15 13 DR9 Poll Alanis Morissette UNDER RUG SWEPT [D] 6.79 24 DR11 Poll Alice Cooper BILLION DOLLAR BABIES [D] 7.72 60 DR13 Poll Alice Cooper MUSCLE OF LOVE (Quad) [S] 8.48 33 DR12 Poll Alice Cooper WELCOME TO MY NIGHTMARE [D] 8.25 40 DR13 Poll Alice in Chains GREATEST HITS [S] 5.79 24 DR10 Poll Alicia Keys SONGS IN A MINOR [D] 7.76 17 DR11 Poll Alison Krauss NEW FAVORITE [S] 9.04 51 DR13 Poll Alison Krauss and Union LIVE! [S] 8.95 22 DR14 Poll Amanda Marshall EVERYBODY'S GOT A STORY [S] 8.20 5 Poll America HEARTS (Quad) [S] 8.31 36 DR12 Poll America HOMECOMING [D][S] 9.21 130 DR13 Poll America STRUTTIN' OUR STUFF [S] 6.22 9 Poll Amin Bhatia THE INTERSTELLAR SUITE [B] 9.53 34 DR14 Poll Anathema THE OPTIMIST [B] 8.52 21 DR12 Poll Anathema WEATHER SYSTEMS FLAC 8.35 17 DR11 Poll Anathema WE'RE HERE BECAUSE WE'RE HERE [D] 8.76 42 DR10 Poll Andre Kostelanetz PLAYS THE MUSIC OF VILLA-LOBOS & CONDUCT -
King Crimson - Live in Toronto 1974 (2011)
King Crimson - Live In Toronto 1974 (2011) Written by bluesever Friday, 20 June 2014 16:09 - Last Updated Monday, 28 May 2018 20:16 King Crimson - Live In Toronto 1974 (2011) CD1 1. Larks' Tongues In Aspic: Part II (6:17) 2. Lament (5:05) 3. Exiles (8:22) 4. Improv - The Golden Walnut (11:38) 5. The Night Watch (4:38) 6. Fracture (11:11) CD2 1. Improv - Clueless And Slightly Slack (9:53) 2. Easy Money (7:12) 3. Starless (14:50) 4. 21st Century Schizoid Man (9:37) Line-up : David Cross - violin, mellotron, electric piano Robert Fripp - guitar, mellotron, electric piano John Wetton - bass guitar, vocals Bill Bruford - drums, percussion "King Crimson is, as always, more a way of doing things. When there is nothing to be done, nothing is done: Crimson disappears. When there is music to be played, Crimson reappears. If all of life were this simple". Robert Fripp King Crimson was conceived in November 1968 and born on January 13th 1969 in the Fulham Palace Cafe, London (Fripp/Ian McDonald/Greg Lake/Michael Giles/Pete Sinfield), coming to prominence after supporting The Rolling Stones at Hyde Park. Their ground-breaking debut In The Court Of The Crimson King (1969) described by Pete Townshend as "an uncanny masterpiece", began a career that has spanned four decades and influenced many bands and individuals including Yes, Genesis, Tool, and Porcupine Tree. Despite the original line-up imploding after an American tour King Crimson continued to produce constantly challenging and intriguing music on albums such as In The Wake of Poseidon (1970), Lizard (1970), Islands (1971), Earthbound (1972), Larks' Tongues in Aspic (1973) and Red (1974). -
11469 Songs, 35.2 Days, 75.18 GB
Page 1 of 54 Music 11469 songs, 35.2 days, 75.18 GB Artist Album # Items Total Time Bryan Adams So Far So Good 13 59:05 Ryan Adams Easy Tiger 13 38:58 Adele 21 12 51:40 Aerosmith Aerosmith 8 35:51 Aerosmith Draw The Line 9 35:18 Aerosmith Get Your Wings 8 38:04 Aerosmith Honkin' On Bobo 12 43:55 Aerosmith Just Push Play 12 50:49 Aerosmith Pump 10 47:46 Aerosmith Toys In The Attic 9 37:11 Jan Akkerman Blues Root 1 3:03 Alice Cooper Welcome To My Nightmare 11 43:24 Luther Allison Blue Streak 12 53:32 Mose Allison Seventh Son 1 2:50 The Allman Brothers Band The Allman Brothers Band 6 33:23 The Allman Brothers Band Brothers And Sisters 7 38:24 The Allman Brothers Band Dreams [Disc 2] 10 1:16:00 The Allman Brothers Band Eat A Peach 9 1:09:56 The Allman Brothers Band An Evening With The Allman Brothers Band [1st Set] 9 1:14:08 The Allman Brothers Band An Evening With The Allman Brothers Band [2nd Set] 8 1:11:55 The Allman Brothers Band The Fillmore Concerts 2 41:36 The Allman Brothers Band Hittin' The Note 11 1:15:01 Music Page 2 of 54 Artist Album # Items Total Time The Allman Brothers Band Idlewild South 7 30:54 The Allman Brothers Band Live at the Fillmore East 10 1:32:44 The Allman Brothers Band Shades Of Two Worlds 8 52:36 The Allman Brothers Band Where It All Begins 10 56:02 Gregg Allman Laid Back 8 36:01 America Here & Now [Disc 1] 12 44:16 America Here & Now [Disc 2] 12 40:38 Tori Amos Crucify 1 3:11 Trey Anastasio Trey Anastasio 12 1:00:07 Eric Andersen Blue River 11 46:54 Ian Anderson The Secret Language Of Birds [Bonus Tracks] 18 -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 104 CONGRESS, FIRST SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 104 CONGRESS, FIRST SESSION Vol. 141 WASHINGTON, MONDAY, MARCH 13, 1995 No. 46 House of Representatives The House met at 2 p.m. and was PLEDGE OF ALLEGIANCE alty; and congressional term limits to called to order by the Speaker pro tem- The SPEAKER pro tempore. Will the make Congress a citizen legislature. pore [Mr. JONES]. This is our Contract With America. gentlewoman from Oregon [Ms. FURSE] f come forward and lead the House in the f DESIGNATION OF THE SPEAKER Pledge of Allegiance. PRO TEMPORE Ms. FURSE led the Pledge of Alle- ELIMINATION OF LIHEAP IS giance as follows: The SPEAKER pro tempore laid be- IRRESPONSIBLE fore the House the following commu- I pledge allegiance to the Flag of the (Mr. BALDACCI asked and was given United States of America, and to the Repub- permission to address the House for 1 nication from the Speaker: lic for which it stands, one nation under God, WASHINGTON, DC, indivisible, with liberty and justice for all. minute and to revise and extend his re- March 13, 1995. marks.) I hereby designate the Honorable WALTER f Mr. BALDACCI. Mr. Speaker, our Re- B. JONES, Jr. to act as Speaker pro tempore publican colleagues have proposed the on this day. REPUBLICAN CONTRACT WITH elimination of funds for the LIHEAP NEWT GINGRICH, AMERICA Program. This is simply irresponsible. Speaker of the House of Representatives. The winter in Maine is long and cold. f (Mr. -
King Crimson MP3 Collection Mp3, Flac, Wma
King Crimson MP3 Collection mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: MP3 Collection Country: Russia Style: Alternative Rock, New Wave, Art Rock, Prog Rock, Avantgarde MP3 version RAR size: 1279 mb FLAC version RAR size: 1436 mb WMA version RAR size: 1685 mb Rating: 4.4 Votes: 865 Other Formats: MMF DXD AIFF XM DTS MP4 AA Tracklist 1969 - In The Court Of The Crimson King 1-1 21st Century Schizoid Man 1-2 I Talk To The Wind 1-3 Epitaph 1-4 Moonchild 1-5 The Court Of The Crimson King 1970 - In The Wake Of Poseidon 1-6 Peace - A Beginning 1-7 Pictures Of A City 1-8 Cadence And Cascade 1-9 In The Wake Of Poseidon 1-10 Peace - A Theme 1-11 Cat Food 1-12 The Devil's Triangle 1-13 Peace - An End 1970 - Lizard 1-14 Cirkus 1-15 Indoor Games 1-16 Happy Family 1-17 Lady Of The Dancing Water 1-18 Lizard 1971 - Islands 1-19 Formentera Lady 1-20 Sailor's Tale 1-21 The Letters 1-22 Ladies Of The Road 1-23 Prelude - Song Of The Gulls 1-24 Islands 1972 - Earthbound (Live) 1-25 21st Century Schozoid Man 1-26 Peoria 1-27 The Sailor's Tale 1-28 Earthbound 1-29 Groon 1973 - Lark's Tongues In Aspic 1-30 I Lark's Tongues Aspic, Part One 1-31 Book Of Saturday 1-32 Exiles 1-33 Easy Money 1-34 The Talking Drum 1-35 Larks' Tongues In Aspic, Part Two 1974 - Red 1-36 Red 1-37 Fallen Angel 1-38 One More Red Nightmare 1-39 Providence 1-40 Starless 1974 - Starless And Bible Black 1-41 The Great Deceiver 1-42 Lament 1-43 We'll Let You Know 1-44 The Night Watch 1-45 Trio 1-46 The Mincer 1-47 Starless And Bibble Black 1-48 Fracture 1975 - -
Cronologia Dei Principali Album E Delle Migliori
1 Cronologia dei principali album 1963 The Beatles Please, Please Me mar With the Beatles nov 1964 The Rolling Stones Rolling Stones apr 12X5 nov The Beatles A Hard Day's Night lug Beatles for Sale dic The Yardbirds Five Live Yardbirds dic 1965 The Kinks Kinda Kinks mar The Rolling Stones Now apr Out of Our Heads lug Donovan Whats Bin Did and What’s Bin Hid mag Fairytale ott Moody Blues The Magnificent Moodies lug The Beatles Help ago Rubber Soul dic The Kinks Face to Face ott The Who My Generation dic 1966 The Rolling Stones Aftermath apr John Mayall, Eric Clapton Mayall’s Blues Breakers with Eric Clapton lug The Yardbirds Roger the Engineer lug The Beatles Revolver ago Donovan Sunshine Superman set The Who A Quick One dic Cream Fresh Cream dic 1967 Donovan Mellow Yellow gen 2 The Rolling Stones Between the Buttons gen Their Satanic Majesties Request dic John Mayall Hard Road feb Crusade set Small Faces Small Faces giu The Beatles Sgt Pepper giu Magical Mystery Tour dic The Bee Gees The Bee Gees 1st lug The Yardbirds Little Games lug Pink Floyd The Piper at the Gate of Down ago Animals Winds of Change set Ten Years After Ten Years After ott The Who The Who Sell Out nov Cream Disraeli Gears nov Moody Blues Days of Future Passed nov Nice The Thought of Emerlist Davjack dic Traffic Mr Fantasy dic The Kinks Something Else m s Brian Auger Open m s 1968 The Bee Gees Horizontal gen Procol Harum Procol Harum gen Shine on Brightly dic John Martyn London Conversation feb Small Faces Ogden’s Nut Gome Flake mag Pentangle Pentangle giu Sweet Child -
Macross Delta Vol.1
1 MACROSS DELTA 1. The Girl of Al Shahal By Ukyou Kodachi Translated by Gubaba Contents Chapter One – The Girl of Al Shahal………….………….……….3 Chapter Two – Fire and Wings…………………………………....31 Chapter Three – In Flight…………………………….………….…57 Chapter Four – Immelmann Dance……………………….…...…90 Interlude – Karcha Lekarn (Power to Believe)………….…….135 Chapter Five – Memories and Birthplace………………….…..142 2 Chapter One – The Girl of Al Shahal “You’re fired.” And those were the first words Hayate Immelmann heard on that fine spring day in the year 2067. “Fired…?” He wasn’t terribly surprised, frankly. “Of course you are! You take the day off when it rains, you take the day off when you’re not in the mood… How does an aimless kid like you even keep finding jobs? This is Al Shahal! People come here from all over the galaxy to get work,” the powerfully- built Zentradi foreman said in a lecturing tone. Hayate sighed. “I’ve paid you for today as well, so at least make it through your shift, all right?” “I got it. Workroid Number Thirty-One, right?” Hayate was used to this kind of scolding. For some people, work gave meaning to their lives. For others, it was just earning one’s daily bread. Hayate had been all over the galaxy and tried every job he could find, and he had had no plans to be negative about any of them, but he sure hadn’t found anything he could be positive about. So it was one day that, in the midst of his feelings of indecisiveness, he just happened to be outside a workroid hangar… And now, in the blue sky above, he saw a hundred-thousand-ton-class space freighter preparing to land.