Germany 45 George

Total Page:16

File Type:pdf, Size:1020Kb

Germany 45 George APPLE 1C006-92 053 - MY SWEET LORD / ISN'T IT A PITY 1st Advertisement for Dark green/yellow label Bobbie Gentry & Glen Campbell 1st Advertisement for Light green/yellow label George Harrison 1st Advertisement for Less contrast between green & yellow Dave Clark Five 1st Advertisement for Less contrast between green & yellow Los Diablos 1st Advertisement for Green Apple with reddish stalk Rock ‘n’ Roll Beatles come back! rear cover Green Apple with reddish stalk 1st Advertisement for Wings Printed perimeter on top half, label diameter 80 mm. Printed perimeter on top half, Unknown contract pressing on label diameter 91 mm. translucent vinyl Printed perimeter on top half, label diameter 80 mm. Printed perimeter around label Printed perimeter around label Misprinted B-Side label APPLE 1C006-92 053 - MY SWEET LORD / ISN'T IT A PITY [Special Weltspartag release] Singles were given free to bank clients of various banks in Germany on the Weltspartag Oct. 10th 1971. All remaining singles not given out were destroyed after that day. Bank für Jedermann issue Langener Volksbank issue Raiffeisen-Bank Eschweiler-Röhe issue Raiffeisenbank e.G.m.b.H. Bornheim-Rolsdorf issue Rodgau Bank issue Spar- und Gewerbebank e.G.m.b.H. Offenbach a.M. - Bieber issue Spar- und Kreditbank EGMBH Dietzenbach/Hessen issue Volksbank Hausen issue Volksbank Mühlheim - Dietesheim - Rumpenheim issue Volksbank Ober-Roden - Nieder-Roden - Urberach - Münster issue APPLE 1C006-04 751 - WHAT IS LIFE / APPLE SCRUFFS 1st Advertisement for Dark green/yellow label The Cats 1st Advertisement for Light green/yellow label The Cats 1st Advertisement for Wings Printed perimeter on top half APPLE 1C006-04 888 - BANGLA-DESH / DEEP BLUE APPLE 1C006-05 354 - GIVE ME LOVE (GIVE ME PEACE ON EARTH) / MISS O'DELL Ochre lettering 1st Advertisement for Orange lettering 1st Advertisement for Christian Anders Elephant's Memory APPLE 1C006-05 766 - DARK HORSE / I DON'T CARE ANYMORE APPLE 1C006-05 823 - DING DONG, DING DONG / HARI'S ON TOUR (EXPRESS) APPLE 1C006-05 951 - YOU / WORLD OF STONE Black vinyl EMI pressing TELDEC contract pressing on translucent vinyl, Manufactured in Germany machine stamped matrix APPLE 1C006-06 041 - THIS GUITAR (CAN'T KEEP FROM CRYING) / MAYA LOVE .
Recommended publications
  • Für Sonntag, 21
    GEORGE HARRISON-Box THE APPLE YEARS Um zu bestellen, einfach Abbildung anklicken Abbildungen: Box; Kollage mit Box, Booklet und CDs. Freitag, 19. September 2014: Box (7 CDs & 1 DVD) GEORGE HARRISON - THE APPLE YEARS. 84,90 € inkl. Versand und gut verpackt Inhalt der Box: CD WONDERWALL MUSIC, CD ELECTRONIC SOUND, Doppel-CD ALL THINGS MUST PASS, CD LIVING IN THE MATERIAL WORLD, CD DARK HORSE, CD EXTRA TEXTURE (READ ALL ABOUT IT), DVD, Booklet. Die CDs sind auch einzeln erhältlich jeweils mit den 20-Seiten-Booklet. Die DVD und das zusätzliche Büchlein gibt es nicht einzeln sondern nur in der Box. Freitag, 19. September 2014: CD (remastert) mit 20-Seiten-Booklet WONDERWALL MUSIC BY GEORGE HARRISON. Apple / Universal, Europa. Freitag, 1. November 1968: Vinyl-LP WONDERWALL MUSIC BY GEORGE HARRISON. Apple TCSAPCOR 1 (geplant STAP 1), Großbritannien. *Dezember 1967: EMI Abbey Road Studios, London, Großbritannien und **Dienstag, 9. - Montag, 15. Januar 1968: EMI Recording Studios, Universal Insurance Building, Phirozeshah Mehta Road, Fort, Bombay 400001, Indien: Track 1: Microbes (George Harrison) (3:39). Track 2: Red Lady Too (George Harrison) (1:53). Track 3: Table And Pakavaj (George Harrison) (1:04). Track 4: In The Park (George Harrison) (4:08). Track 5: Drilling A Home (George Harrison) (3:07). Track 6: Guru Vandana (George Harrison) (1:04). Track 7: Greasy Legs (George Harrison) (1:27). Track 8: Ski-ing And Gat Kirwani (George Harrison) (3:06). Track 9: Dream Scene (George Harrison) (5:27). Track 10: Party Seacombe (George Harrison) (4:34): Track 11: Love Scene (George Harrison) (4:16). Track 12: Crying (George Harrison) (1:14).
    [Show full text]
  • Belgium 45 George
    APPLE 4C006-04692M - MY SWEET LORD / ISN'T IT A PITY B & A print on labels reversed Correct A & B print, 04692M starts under 4 in 4C, Correct A & B print, 04692M starts left from 4C, 9 in 4'39 timing with curved bottom 9 in 4'39 timing goes straight down APPLE 4C006-04751 - WHAT IS LIFE / APPLE SCRUFFS Smooth paper cover Rough paper cover 4C starts over spacing 04751 starts under spacing 4C starts over spacing 04751 starts under spacing between 0 & 4 in 04751 between 4 and C in 4C, between 0 & 4 in 04751 between 4 and C in 4C, Made In Belgium print aligned Made In Belgium print not with SABAM logo aligned with SABAM logo 4C starts over spacing 04751 starts under 4 in 4C 006, 4C starts over spacing 4C starts over spacing between between 0 & 4 in 04751 Made In Belgium print aligned between 0 & 4 in 04751 0 and 4 in 04751, Made In with SABAM logo Belgium print aligned with SABAM logo 4C starts over 0 in 04751 04751 starts under 4 in 4C 006, Made In Belgium print aligned with SABAM logo APPLE 4C006-04888 - BANGLA-DESH / DEEP BLUE (Some copies come with German singles) APPLE 4C006-05095 - BANGLA-DESH - WHAT IS LIFE / MY SWEET LORD APPLE 4C006-05354 - GIVE ME LOVE (GIVE ME PEACE ON EARTH) / MISS O'DELL APPLE 4C006-05770 - DING DONG / I DON'T CARE ANYMORE Dark red lettering, large thumb tab Dark red lettering, small thumb tab Apple labels Light red lettering, small thumb tab Light red lettering, large thumb tab Custom labels 4C006-05809 - DARK HORSE / HARI'S ON TOUR (EXPRESS) APPLE 4C006-05951 - YOU / WORLD OF STONE Light orange cover Dark orange cover Labels with dark brown segments Labels with light brown segments APPLE 4C004-06007 - MY SWEET LORD / WHAT IS LIFE APPLE 4C006-06041 - THIS GUITAR (CAN'T KEEP FROM CRYING) / MAYA LOVE .
    [Show full text]
  • Apple Label Discography
    Apple Label Discography 100-800 series (Capitol numbering series) Apple Records was formed by John Lennon, Paul McCartney, George Harrison and Ringo Starr in 1968. The Apple label was intended as a vehicle for the Beatles, their individual recordings and the talent they discovered. A great deal of what appeared on Apple was pretty self indulgent and experimental but they did discover a few good singers and groups. James Taylor recorded his first album on the label. Doris Troy recorded a good soul album and there are 2 albums by John Lewis and the Modern Jazz Quartet. The Beatlesque group Badfinger also issued several albums on the label, the best of which was “Straight Up”. Apple Records fell apart in management chaos in 1974 and 1975 and a bitter split between the Beatles over the management of the company. Once the lawyers got involved everybody was suing everybody else over the collapse. The parody of the Beatles rise and the disintegration of Apple is captured hilariously in the satire “All You Need Is Cash: the story of the Rutles”. The Apple label on side 1 is black with a picture of a green apple on it, black printing. The label on side 2 is a picture of ½ an apple. From November 1968 until early 1970 at the bottom of the label was “MFD. BY CAPITOL RECORDS, INC. A SUBSIDIARY OF CAPITOL INDUSTRIES INC. USA”. From Early 1970 to late 1974, at the bottom of the label is “MFD. BY APPLE RECORDS” From late 1974 through 1975, there was a notation under the “MFD.
    [Show full text]
  • Cultural Heritage Preservation: the Past, the Present and the Future
    CULTURAL HERITAGE PRESERVATION: THE PAST, THE PRESENT AND THE FUTURE AND THE PRESENT THE PAST, PRESERVATION: HERITAGE CULTURAL Cultural Heritage Preservation: The Past, the Present and the Future “Heritage comes in many shapes—in tangible forms such as sites, build- ings, landscapes, or as intangibles, like memories, emotions, values and customs—as does the use of heritage, ranging from the purpose of build- ing nations to marketing places. Heritage usually represents a phenomenon within a traditional historical discourse but have lately, more and more, Cultural Heritage Preservation: come to take in peripheral appearances; often emanating from groups at the fringes of that traditional discourse as well. The use of heritage occurs The Past, the Present and the Future in different arenas and takes on significance as a vehicle for political, cultural and entrepreneurial purposes, as well as educational and emancipatory, to name just a few. How to interpret heritage in order to understand its meaning to different groups is therefore a very important task.” This anthology describes heritage preservation, development and manage- Tomas Nilson & Kristina Thorell (eds.) ment from different theoretical views and disciplines. It integrates per- spectives from history, human geography, archaeology, social anthropology THORELL (EDS.) NILSON & KRISTINA TOMAS and heritage conservation. The texts revolve around different dimension of culture and heritage via examples from varying contexts and locations. Forskning i Halmstad nr 24 Halmstad University ISBN 978-91-87045-94-3 (printed) ISBN 978-91-87045-95-0 (pdf) Halmstad University Press Mailing address: P.O. Box 823 SE-301 18 Halmstad Halmstad 2018 Telephone: +46 35-16 71 00 E-mail: [email protected] www.hh.se Forskning i Halmstad nr 24 CULTURAL HERITAGE PRESERVATION: THE PAST, THE PRESENT AND THE FUTURE FORSKNING I HALMSTAD NR.
    [Show full text]
  • Reading Zen in the Rocks : the Japanese Dry Landscape Garden / Francois
    Frangois Berthier - I W Reading in the Roc\s Franfois Berthier Reading in the Rochs THE JAPANESE DRY LANDSCAPE GARDEN Translated and with a Philosophical Essay by Graham Parses ALlS i ON BRANCH LIBRARY THE UNIVERSITY OF CHICAGO PRESS • CHICAGO AND LONDON — Francois Berthier is professor of Japanese art and history at the Institut Nationale des Langues et Civilizations Orientales in Paris. Graham Parkes is professor of philosophy at the University of Hawaii. Originally published as Lejardin du Ryoanji: Lire le Zen dans les pierres, © 1989, 1997 Societe Nouvelle Adam Biro The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2000 by The University of Chicago All rights reserved. Published 2000 Printed in the United States of America 09 08 07 06 05 04 03 02 01 00 1 2 3 4 5 Photo Credits: frontispiece, 8, 28, 29: Edouard Boubat/Top; 1 : courtesy of the Freer Gallery of Art, Smithsonian Institution, Washington, D.C.; 5: Idemitsu Museum of Arts, Tokyo; 13: Inge Morath/Magnum; 14: Toni Schneiders/Rapho; 15: Jean- Philippe Charbonnier/Top; 20: Pan-Asia Photo News/Rapho; 25: Frederic Rapho; 26: Rene Burri/Magnum; 34: Else Madelon Hooykaas/Rapho ISBN: 0-226-04411-4 (cloth) Library of Congress Cataloging-in-Publication Data Berthier, Francois. [Jardin du Ryoanji. English] Reading Zen in the rocks : the Japanese dry landscape garden / Francois Berthier ; translated and with a philosophical essay by Graham Parkes. p. cm. Includes bibliographical references (p. ) and index. ISBN 0-226-04411-4 (cloth) 1. Rock gardens, Japanese —Zen influences. 2. Rock gardens—Japan Kyoto.
    [Show full text]
  • SEVĀ in HINDU BHAKTI TRADITIONS by VED RAVI PATEL a THESIS PRESENTED to the GRADUATE SCHOOL of the UN
    ENGAGING IN THE WORLD: SEVĀ IN HINDU BHAKTI TRADITIONS By VED RAVI PATEL A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2012 1 © 2012 Ved Ravi Patel 2 To Anu, Rachu, Bhavu, Milio, Maho, and Sony, for keeping things light 3 ACKNOWLEDGMENTS I would like to thank a number of people for the support they have given me. First, I would like to thank both of my esteemed committee members, Professor Vasudha Narayanan and Professor Whitney Sanford, for helping me put together a project that I once feared would never come together. I would also like to thank my colleagues Jaya Reddy, James “Jimi” Wilson, and Caleb Simmons for constantly giving me advice in regards to this thesis and otherwise. Finally, I would like to extend my warmest gratitude to those who took care of me for the last two years while I was away from my family and home in California. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS .................................................................................................. 4 ABSTRACT ..................................................................................................................... 7 CHAPTER 1 INTRODUCTION ...................................................................................................... 9 Setting the Stage ...................................................................................................... 9 The Question of Terminology .................................................................................
    [Show full text]
  • 12 Purva Mimamsa and Vedanta
    141 12 Purva Mimamsa and Vedanta Jaimini is said to be the author of the original Mimāmsā sutras dating back to around 400 B.C.E. Their central purpose was an inquiry into the nature of duty or dharma. In addition to this inquiry, we find elaborate discussions about sounds, words and meanings that are quite interesting in their own right. Unlike the Nyāya system where only four methods of knowledge are distinguished, the Pūrva Mimāmsā system lists six. In addition to direct perception (pratyaksa), inference (anumāna), analogy (upamāna) and verbal testimony (sabda), it includes hypothesis (arthāpatti) and knowledge by negation (abhāva). The method of hypothesis is interesting even from a historical perspective since it is the basis of the later scientific method. A hypothesis is made on the ground that something already observed would have been impossible without that hypothesis. This is what is called the method of arthāpatti. Concerning the nature of hypothesis and its role in the scientific method, the famous mathematician of the 19th century, Henri Poincaré writes, “Science is built up of facts, as a house is built of stones; but an accumulation of facts is no more a science than a heap of stones is a house. Most important of all, the man of science must exhibit foresight. ... It is that which enables us to predict, and to generalise. Without generalisation, prediction is impossible. ... Detached facts cannot therefore satisfy us, and that is why our science must be ordered, or better still, generalised. ... Thus, by generalisation, every fact observed enables us to predict a large number of others.
    [Show full text]
  • Note: USA Apple Test Pressings Usually Come with Standard White Labels As Printed Above
    Note: USA Apple test pressings usually come with standard white labels as printed above BABY BLUE / FLYING (Badfinger) DAY AFTER DAY / SWEET TUESDAY MORNING (Badfinger) GET BACK / - (The Beatles) [One-sided Test Pressing] GET BACK / DON'T LET ME DOWN (The Beatles) THE BALLAD OF JOHN AND YOKO / OLD BROWN SHOE (The Beatles) THE LONG AND WINDING ROAD / FOR YOU BLUE (The Beatles) BANGLA DESH / - (George Harrison) [One-sided] BANGLA DESH / DEEP BLUE (George Harrison) DARK HORSE [Mono] / DARK HORSE [Stereo] (George Harrison) DING DONG, DING DONG / HARI'S ON TOUR [EXPRESS] (George Harrison) MY SWEET LORD / ISN'T IT A PITY (George Harrison) YOU / WORLD OF STONE (George Harrison) #9 DREAM / WHAT YOU GOT (John Lennon) [B&W scan] INSTANT KARMA / WHO HAS SEEN THE WIND (John Lennon) MIND GAMES / MEAT CITY (John Lennon) STAND BY ME / MOVE OVER MS. L. (John Lennon) [B&W scan] WHATEVER GETS YOU THRU THE NIGHT / BEEF JERKY (John Lennon) BAND ON THE RUN [3:50 Mono Edit] / BAND ON THE RUN [5:09 Stereo] (Paul McCartney & Wings) [B&W scan] COUNTRY DREAMER / - (Paul McCartney & Wings) [One-sided Test Pressing] COUNTRY DREAMER [mono] / COUNTRY DREAMER [stereo] (Paul McCartney & Wings) GIVE IRELAND BACK TO THE IRISH / GIVE IRELAND BACK TO THE IRISH [VERSION] (Paul McCartney & Wings) HELEN WHEELS / COUNTRY DREAMER (Paul McCartney & Wings) JET / [unknown] (Paul McCartney & Wings) [B&W scan] JUNIOR'S FARM / SALLY G (Paul McCartney & Wings) 4.20 Full version 3.04 Edit (one-sided) Unknown (Paul McCartney & Wings) [B&W scan] GIVE PEACE A CHANCE / REMEMBER LOVE (Plastic Ono Band) (IT'S ALL DOWN TO) GOODNIGHT VIENNA / NO NO SONG (Ringo Starr) IT DON'T COME EASY / EARLY 1970 (Ringo Starr) OH MY MY / STEP LIGHTLY (Ringo Starr) ONLY YOU / CALL ME (Ringo Starr) SNOOKEROO [mono] / NO NO SONG [mono] (Ringo Starr) SNOOKEROO [mono] / SNOOKEROO [stereo] (Ringo Starr) [B&W scan] YOU'RE SIXTEEN [mono] / YOU'RE SIXTEEN [stereo] (Ringo Starr) .
    [Show full text]
  • 45 Records Artist Title Price
    45 Records Artist Title Price 4 Seasons, The "Will You Love Me Tomorrow / Around and Around" $4.00 4 Seasons, The "Bye, Bye, Baby / Searching Wind" $3.00 4 Seasons, The Stereo 7-inch 33 with five songs $6.50 5th Dimension, The "Skinny Man / Blowing Away" $3.00 Abdul, Paula "Straight Up / Cold Hearted" $3.50 After The Fire "Der Kommissar / Dancing In The Shadows" $3.00 Air Supply "I Want To Give It All / The One That You Love" $3.50 Air Supply "Even The Nights Are Better / One Step Closer" $3.00 Ames Brothers "Tammy / Rockin' Shoes" $3.00 Andrews, Lee & The Hearts "Tear Drops / The Girl Around The Corner" $3.50 Anka, Paul "You Are My Destiny / When I Stop Loving You" $3.50 Asia "Time Again / Only Time Will Tell" PICTURE SLEEVE $4.00 Avalon, Frankie "Dede Dinah / Ooh La La" $3.50 Avalon, Frankie "Venus / I'm Broke" PICTURE SLEEVE $5.50 Avalon, Frankie "Why / Swingin on a Rainbow" PICTURE SLEEVE $5.50 Band Aid "Do They Know It's Christmas?" PICTURE SLEEVE $4.50 Bangles "Walk Like an Egyptian / Angels Don't Fall in Love" $4.50 Barbour, Dave & His Orchestra"I Don't Want To Set The World On Fire / Streetcar Named Moe"PICTURE$4.00 SLEEVE Bassey, Shirley "Strange How Love Can Be / Goldfinger" $3.50 Baxter, Duke "I Ain't No School Boy / Everybody Knows Matilda" $5.00 Beach Boys "California Dreamin / Lady Liberty" $4.00 Beach Boys "Sloop John B / You're So Good To Me" PICTURE SLEEVE$14.50 Beach Boys "Don't Worry Baby / I Get Around" PICTURE SLEEVE $14.50 Beach Boys, The "Wendy / Don't Back Down / Little Honda / Hushabye" $35.00 Beach Boys, The "Good
    [Show full text]
  • KLOS Super Single Sunday 2015
    1 1 2 2 3 SUPER SINGLES SUNDAY 2015 9AM Tony Sheridan - My Bonnie – w/ The Beatles 1961 The Beatles first appearance on a commercial disc. 3 4 The Beatles - Love Me Do – Please Please Me (McCartney-Lennon) Lead vocal: John and Paul The Beatles’ first single release for EMI’s Parlophone label. Released October 5, 1962, it reached #17 on the British charts. Principally written by Paul McCartney in 1958 and 1959. Recorded with three different drummers: Pete Best (June 6, 1962, EMI), Ringo Starr (September 4, 1962), and Andy White (September 11, 1962 with Ringo playing tambourine). The 45 rpm single lists the songwriters as Lennon-McCartney. One of several Beatles songs Paul McCartney owns with Yoko Ono. Starting with the songs recorded for their debut album on February 11, 1963, Lennon and McCartney’s output was attached to their Northern Songs publishing company. Because their first single was released before John and Paul had contracted with a music publisher, EMI assigned it to their own, a company called Ardmore and Beechwood, which took the two songs “Love Me Do” and “P.S. I Love You.” Decades later McCartney and Ono were able to purchase the songs for their respective companies, MPL Communications and Lenono Music. Fun fact: John Lennon shoplifted the harmonica he played on the song from a shop in Holland. On U.S. albums: Introducing… The Beatles (Version 1) - Vee-Jay LP The Early Beatles - Capitol LP The Beatles - Let It Be - album version - Let It Be 4 5 (Lennon-McCartney) Lead vocal: Paul “Let It Be” was the last song properly recorded on multi-track at Apple Studios during the “Get Back” sessions in January 1969.
    [Show full text]
  • 45 Inventory
    45 Inventory item type artist title condition price quantity 45RPM ? And the Mysterians 96 Tears / Midnight Hour VG+ 8.95 222 45RPM ? And the Mysterians I Need Somebody / "8" Teen vg++ 18.95 111 45RPM ? And the Mysterians Cryin' Time / I've Got A Tiger By The Tail vg+ 19.95 111 45RPM ? And the Mysterians Everyday I have to cry / Ain't Got No Home VG+ 8.95 111 Don't Squeeze Me Like Toothpaste / People In 10 C.C. 45 RPM Love VG+ 12.95 111 45 RPM 10 C.C. How Dare You / I'm Mandy Fly Me VG+ 12.95 111 45 RPM 10 C.C. Ravel's Bolero / Long Version VG+ 28.95 111 45 RPM 100% Whole Wheat Queen Of The Pizza Parlour / She's No Fool VG+ 12 111 EP:45RP Going To The River / Goin Home / Every Night 101 Strings MMM About / Please Don't Leave VG+ 56 111 101 Strings Orchestra Love At First Sight (Je T'Aime..Moi Nom Plus) 45 RPM VG+ 45.95 111 45RPM 95 South Whoot (There It Is) VG+ 26 111 A Flock of Seagulls Committed / Wishing ( If I had a photograph of you 45RPM nm 16 111 45RPM A Flock of Seagulls Mr. Wonderful / Crazy in the Heart nm 32.95 111 A.Noto / Bob Henderson A Thrill / Inst. Sax Solo A Thrill 45RPM VG+ 12.95 555 45RPM Abba Rock Me / Fernando VG+ 12.95 111 45RPM Abba Voulez-Vous / Same VG+ 16 111 PictureSle Abba Take A Chance On Me / I'M A Marionette eve45 VG+ 16 111 45RPM Abbot,Gregory Wait Until Tomorrow / Shake You Down VG+ 12.95 111 45RPM Abc When Smokey Sings / Be Near Me VG+ 12.95 111 45RPM ABC When Smokey Sings / Be Near Me VG+ 8.95 111 45RPM ABC Reconsider Me / Harper Valley p.t.a.
    [Show full text]
  • SAMVIT Bi-Annual Cultural Magazine
    Issue 15 Dec 2019 KnowledgeSAMVIT beyond time Images of the Sacred Feminine In Buddhist tantra, abstract philosophical ideas are represented as goddesses. Does Hinduism Connive at Corruption? Indians r r r r rr aa Yoga and Human Bi-annual Personality magazine of India’s culture Personality & knowledge development is traditions the transcendence of (for internal circulation only) kośa-s. Inside Editor’s Notes ON THE COVER This Issue e fiuie f a green Tara full of wisdom 5 AMMA’S WORDS: Ananda K Coomaraswamy, the metaphysician raaa extraordinaire, wrote, “The most crushing indictment of (modern) Education is that it destroys all capacity 8 FUNDAMENTALS OF BUDDHIST TANTRA: for the appreciation of Indian culture. Speak to the STAFF Images of the Sacred Feminine Editor-in-chief Dr. Pranshu Samdarshi ordinary graduate on the ideals of the Mahabharata – Br. Prasanth B. he will hasten to display his knowledge of Shakespeare; 13 THE WONDER THAT IS SANSKRIT: talk to him of religious philosophy – you find that he Managing Editor araaa is an atheist of the crude type common in Europe a Manjushree Hegde Arjun Bharadwaj generation ago… talk to him of Indian art – it is news to 44 ON THE MEANING OF Mahābhārata: Editorial Board raaraa him that such a thing exists... He is indeed a stranger in Br. Prasanth B., Manjushree Hegde, 19 ANCIENT INDIAN LINGUISTICS: his own land.” ra Manjushree Hegde Arjun Bharadwaj, Manish Rajan Walvekar, Dr. Naveen Bhat Manish Rajan Walvekar 48 ŚabDataTTVAM: He is indeed a stranger in his own land - these words Editorial Advisor aaraar 22 PROSODY IN SANSKRIT LITERATURE: are as crushing as they are true.
    [Show full text]