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Dylan Yarbrough: Hello Everybody. It's Almost Noon. So, We're About to Get Started
Dylan Yarbrough: Hello everybody. It's almost noon. So, we're about to get started. Before we get going, I just wanted to let everybody know that the best way to pose questions or to participate in the conversation during the “Photos at Zoom,” event is to actually use the QNA portion, instead of the chat. If you use the chat function, I’m the only person that's going to be able to read that instead of the group. So, be sure to use the QNA button to participate. Dylan Yarbrough: We were almost at noon... hit noon right then. So, we'll go ahead and get started now. Welcome to “Photos at Zoom.” Dylan Yarbrough: My name is Dylan Yarbrough, I’m a curatorial assistant at the Museum of Contemporary Photography and today we're going to be doing a "Photos at Zoom,” print viewing over photography as a social practice. Dylan Yarbrough: The MoCP is the world's premier College Art Museum that's dedicated to photography. Our institution provokes ideas among students, and artists, and diverse communities throughout the world with groundbreaking exhibitions and educational programing. Dylan Yarbrough: Our mission is to cultivate a deeper understanding of the artistic cultural and political roles of photography in our world today. Dylan Yarbrough: We began collecting in the 1980’s and have since grown our collection to include over 16,000 photographic objects. Dylan Yarbrough: Normally we offer a “Photos at Noon,” event where we hold a public print viewing that allows the general public to view our collection up close and in person. -
An Interview with Dorie Ann Ladner Emilye Crosby
“I Just Had a Fire!”: An Interview with Dorie Ann Ladner Emilye Crosby The Southern Quarterly, Volume 52, Number 1, Fall 2014, pp. 79-110 (Article) Published by The University of Southern Mississippi, College of Arts and Sciences For additional information about this article https://muse.jhu.edu/article/567251 [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] VOL. 52, NO. 1 (FALL 2014) 79 “I Just Had a Fire!”: An Interview with Dorie Ann Ladner* EMILYE CROSBY Although I didn’t meet Dorie Ladner until April 2010, she helped shape the world that I grew up in. She and others in the Student Nonviolent Coordinating Committee (SNCC) were the “shock troops,” the cutting edge of the civil rights movement. Founded out of the 1960 sit-ins, the young people in SNCC led the way in challenging and defeating segregation in public accommodations. They also moved into rural southern communities, organizing and working with local residents on registering to vote, trying to breathe life into what was ostensibly a constitutionally-protected right. Born and raised in Hattiesburg, Mississippi, by the time Dorie and her younger sister Joyce Ladner encountered the sit-in movement in their fi rst year of college at Jackson State, they already had years of experience attending meetings of the National Association for the Advancement of Colored People (NAACP). They were mentored by three men who would eventually lose their lives as a result of their civil rights activism: Medgar Evers, Clyde Kennard, and Vernon Dahmer.1 Dorie Ladner describes being deeply affected by the murder of Emmett Till, and it seems almost preordained that she would join the emerging student movement at the fi rst opportunity. -
Remembering the Struggle for Civil Rights – the Greenwood Sites
rallied a crowd of workers set up shop in a building that stood Union Grove M.B. Church protestors in this park on this site. By 1963, local participation in 615 Saint Charles Street with shouts of “We Civil Rights activities was growing, accel- Union Grove was the first Baptist church in want black power!” erated by the supervisors’ decision to halt Greenwood to open its doors to Civil Rights Change Began Here Greenwood was the commodity distribution. The Congress of activities when it participated in the 1963 midpoint of James Racial Equality (CORE), Council of Federated Primary Election Freedom Vote. Comedian GREENWOOD AND LEFLORE COUNTY, MISSISSIPPI Meredith’s “March Organizations (COFO), Southern Christian and activist Dick Gregory spoke at the church Against Fear” from Memphis to Jackson. in the spring of that year as part of his cam- Carmichael and two other marchers had paign to provide food and clothing to those been arrested for pitching tents on a school left in need after Leflore County Supervisors Birth of a Movement campus. By the time they were bailed out, discontinued federal commodities distribution. “In the meetings everything--- more than 600 marchers and local people uncertainty, fear, even desperation--- had gathered in the park, and Carmichael St. Francis Center finds expression, and there is comfort seized the moment to voice the “black 709 Avenue I power” slogan, which fellow SNCC worker This Catholic Church structure served as a and sustenance in talkin‘ ‘bout it.” Willie Ricks had originated. hospital for blacks and a food distribution – Michael Thelwell, SNCC Organizer center in the years before the Civil Rights First SNCC Office Movement. -
For All the World to See: Visual Culture and the Struggle for Civil Rights
Addison Gallery of American Art EXHIBITION GUIDE FOR EDUCATORS SPRING 2013 FOR ALL THE WORLD TO SEE: VISUAL CULTURE AND THE STRUGGLE FOR CIVIL RIGHTS April 13—July 31, 2013 Addison Gallery of American Art FREE GROUP VISIT HOURS BY APPOINTMENT: Education Department: Tuesday-Friday, 8am-4pm Katherine Ziskin, FREE PUBLIC MUSEUM HOURS: Education Fellow for School & Community Collaborations Tuesday-Saturday, 10am-5pm & Sunday 1pm-5pm [email protected] or 978.749.4198 Jamie Kaplowitz, Education Associate & Museum Learning Specialist TEACHER GUIDES, WORKSHOPS, & EXHIBITION INFORMATION: Rebecca Hayes, Curator of Education www.addisongallery.org/education FOR ALL THE WORLD TO SEE: VISUAL CULTURE AND THE STRUGGLE FOR CIVIL RIGHTS THE STRUGGLE FOR CIVIL RIGHTS The American Civil Rights Movement of the mid—20th century worked to abolish political, institutional, and social racism against African Americans through protest, demonstration, and use of media outlets. Much of the Civil Rights movement focused on legislation stemming from the Reconstruction period of post-Civil War America, including the 1896 Plessy v. Ferguson Supreme Court trial upholding the constitutionality of laws requiring racial segregation, which came to be known as separate but equal. In 1954, Brown v. The Board of Education overturned the Plessy v. Ferguson decision and defined segregation as unconstitutional. The Civil Rights movement continued to fight for true equality for African Americans, including enforced integration, education equality, media representation, and an end to hurtful and destructive racial stereotyping. fig. 1 IMAGES & THE MEDIA Visual Culture refers to the ways in which images are used in society. These include but are not limited to: advertisements, artworks, film, television, toys, magazines, newspapers, product packaging, postcards, sculptures, and signage. -
A Chronology of the Civil Ríg,Hts Movement in the Deep South, 1955-68
A Chronology of the Civil Ríg,hts Movement in the Deep South, 1955-68 THE MONTGOMERY December l, 1955-Mrs. Rosa L. Parks is BUS BOYCOTT arrested for violating the bus-segregation ordinance in Montgomery, Alabama. December 5, 1955-The Montgomery Bus Boycott begins, and Rev. Martin.Luther King, Jr., 26, is elected president of the Montgomery Improvement Association. December 21, lgsG-Montgomery's buses are integrated, and the Montgomery Im- provement Association calls off its boy- cott after 381 days. January l0-l l, 1957-The Southern Chris- tian Leadership Conference (SCLC) is founded, with Dr. King as president. THE STUDENT February l, 1960-Four black students sit SIT-INS in at the Woolworth's lunch counter in Greensboro, N.C., starting a wavg of stu- dent protest that sweeps the Deep South. April 15, 1960-The Student Nonviolent Coordinating Committee (SNCC) is found- ed at Shaw University in Raleigh, N.C. October l9¿7, 1960-Dr. King is jailed during a sit-in at Rich's Department Store in Atlanta and subsequently transferred to a maximum security prison' Democratic presidential nominee John F. Kennedy telephones Mrs. King to express his con- cern dogs, fire hoses, and mass arrests that fill the jails. THE FREEDOM May 4,1961-The Freedom Riders, led by RIDES James Farmer of the Congress of Racial May 10, 1963-Dr. King and Rev. Fred L. Equality (CORE), leave Washington, Shuttlesworth announce that Birming- D.C., by bus. ham's white leaders have agreed to a de- segregation plan. That night King's motel May 14,196l-A white mob burns a Free- is bombed, and blacks riot until dawn. -
Untitled (Structures)
AN INTRODUCTION TO UNTITLED (STRUCTURES) marches. There are haunting images of segregation and inspiring shots of nonviolent protests on interstate buses and at white-only lunch counters and swimming pools. Poignant, quiet images from everyday life in the years both before and after the turbulent 1960s speak to the transformative shifts in northern urban centers that took place as a result of the Great Migration, when an estimated eight million African Americans moved to these cities from the south in search of economic opportunities and a more just existence. Hewitt and Young were as interested in the composition and aesthetics of the photographs and the subjectivity of the photographers as they were in the historical moments depicted. During early conversations they were thinking about the small, if not ordinary, moments of connection in the work, like a shared glance or clasped hands, that tell a timeless story about the human experience. The work of Paris- born photographer Elliott Erwitt from the collection was particularly important to them. Trained as a filmmaker, he brought his cinematic vision to his still photography, manipulating light and shadow and playing beautifully, and quite unconventionally, with depth of field to provide a quiet yet cunning context in which to address racial inequity. In his 1949 photograph of a subway platform in New York City, passengers are silhouetted against a light background. In the carefully composed image, the dark figures surround an advertisement that emerges from the shadows for “Griffin Allwite,” a shoe polish that used the slogan: “make all white shoes whitter!” After spending time with the photographs, examining their formal and historical structures, and thinking about how the subjects were captured and presented, Hewitt and Young began to ask questions about the fragility of memory, the complexity of nostalgia, the finite nature of any archive, and the slippery subjectivity inherent to the medium of photography. -
N12 Fullversion April2017.Pdf
Fabio G. Nigra Secretaria de Redacción: Valeria L. Carbone Comité Editorial: Aimé Olguin Ana Lojo Bárbara Gudaitis Darío Martini Gabriel Matelo Leandro della Mora Leandro Morgenfeld Leonardo Patacini Malena López Palmero Mariana Mastrángelo Mariana Piccinelli Martha de Cuntho Valeria L. Carbone Comité Académico: Carmen Manuel, Universidad de Valencia (España) María Graciela Abarca, Universidad de Buenos Aires (UBA) Margara Averbach, Universidad de Buenos Aires (Arg.) Michael Hannahan, University of Massachussetts (USA). Norberto Barreto, Universidad del Pacífico (Perú) Jorge Hernández Martínez, Centro de Estudios Hemisféricos y sobre Estados Unidos de la Universidad de La Habana (Cuba) “Trump y el mundo actual” Graciela Iuorno, Universidad Nacional del Comahue (Arg.) #12 / Abril 2017 Robson Laverdi, Universidade Estadual Do Paraná huellasdeeua.com.ar ISSN 1853-6506 (Brasil) Marcos Fábio Freire Montysuma, Universidade Federal de Santa Catarina (Brasil) Pablo Pozzi, Universidad de Buenos Aires (Arg.) Marc Stern, Bentley University (USA) TABLA DE CONTENIDOS 9. Ezequiel Gatto Élites, Divas y Mineros. El soul y la visualidad de las diferencias de clase ARTICULOS intrarraciales en la población afroamericana. Estados Unidos, 1955-1975 .................................... 125 Contenido 10. Martha de Cunto La memoria en Beloved de Toni Morrison .............................................................. 151 Editorial ¿Se viene la guerra? ................................... 2 12. Martin Luther King, Jr Todos los trabajos tienen dignidad ........................................................... 166 TRUMP Y EL MUNDO ACTUAL ................................ 6 13. Neil McMillen & Fannie Lou Hamer 1. Dale Leonard Johnson The New Face of Testimonio oral de Fannie Lou Hamer, entrevista Fascism in Ameri卐a, Incorporated ......................... 7 conducida por el Dr. Neil McMillen ..................... 172 2. Tom Engelhardt Resucitando a mis padres de 14. Mark Auslander Las huellas de la entre los muertos para las elecciones de 2016 . -
Civil Rights Photography Exhibition at High Museum of Art to Commemorate 50Th Anniversary of 1968
FOR IMMEDIATE RELEASE CIVIL RIGHTS PHOTOGRAPHY EXHIBITION AT HIGH MUSEUM OF ART TO COMMEMORATE 50TH ANNIVERSARY OF 1968 Featuring iconic historical images and contemporary works honoring the legacy of Dr. Martin Luther King, Jr. and the civil rights movement ATLANTA, Sept. 18, 2017 – Taking its title from Dr. Martin Luther King, Jr.’s final speech before his assassination in 1968, the High Museum of Art’s photography exhibition “‘A Fire That No Water Could Put Out’: Civil Rights Photography” (Nov. 4, 2017, through May 27, 2018) will reflect on the 50th anniversary of that tumultuous year in American history. The more than 40 prints to be featured are drawn in large part from the Museum’s collection of photography documenting the civil rights movement, which is among the most significant in the world. Iconic historical images will be presented alongside works by contemporary photographers that illuminate the legacy of the movement. “While Dr. King’s assassination is often cited as the closing bookend of the civil rights movement, activism over the past 50 years has continued efforts to advance racial equality and justice in the United States,” said Erin Nelson, the High’s curatorial assistant for photography and curator of the exhibition. “Through some of the most powerful images from our civil rights collection, including recent acquisitions, this exhibition underscores photography’s pivotal role in chronicling the important moments that shaped our past and the current events and perspectives that will influence our future.” Presented in the High’s Lucinda Weil Bunnen Gallery for Photography, the exhibition will be arranged into three sections that explore the era of Dr. -
Biographical Description for the Historymakers® Video Oral History with Dorie Ladner
Biographical Description for The HistoryMakers® Video Oral History with Dorie Ladner PERSON Ladner, Dorie, 1942- Alternative Names: Dorie Ladner; Life Dates: June 28, 1942- Place of Birth: Hattiesburg, Mississippi, USA Residence: Washington, D.C. Occupations: Civil Rights Activist; City Social Service Worker Biographical Note Civil rights activist Dorie Ann Ladner was born on June 28, 1942, in Hattiesburg, Mississippi. As an adolescent, she became involved in the NAACP Youth Chapter where Clyde Kennard served as advisor. Ladner got involved in the Civil Rights Movement and wanted to be an activist after hearing about the murder of Emmitt Till. After graduating from Earl Travillion High School as salutatorian, alongside her sister, Joyce Ladner, she went on to enroll at Jackson State University. Dedicated to the fight for civil rights, Ladner, she went on to enroll at Jackson State University. Dedicated to the fight for civil rights, during their freshmen year at Jackson State, she and her sister attended state NAACP meetings with Medgar Evers and Eileen Beard. That same year, Ladner was expelled from Jackson State for participating in a protest against the jailing of nine students from Tougaloo College. In 1961, Ladner enrolled at Tougaloo College where she became engaged with the Freedom Riders. During the early 1960s, racial hostilities in the South caused Ladner to drop out of school three times to join the Student Nonviolent Coordinating Committee (SNCC). In 1962, she was arrested along with Charles Bracey, a Tougaloo College student, for attempting to integrate the Woolworth’s lunch counter. She joined with SNCC Project Director Robert Moses and others from SNCC and the Congress of Racial Equality (CORE) to register disenfranchised black voters and integrate public accommodations. -
Dorie & Joyce Ladner, 2011
Dr. Joyce Ann Ladner and Ms. Doris Ann Ladner, 9-20-11 Page 1 of 73 Civil Rights History Project Interview completed by the Southern Oral History Program under contract to the Smithsonian Institution’s National Museum of African American History & Culture and the Library of Congress, 2011 Interviewee: Miss Dorie Ann Ladner and Dr. Joyce Ann Ladner Interview date: September 20, 2011 Location: Library of Congress, Washington, D.C. Interviewer: Joseph Mosnier, Ph.D. Videographer: John Bishop Length: 2:01:26 Note: Ms. Elaine Nichols, Project Curator for the NMAAHC, was present as an observer. Comments: Only text in quotation marks is verbatim; all other text is paraphrased, including the interviewer’s questions. JOSEPH MOSNIER: Today is Tuesday, September 20, 2011. My name is Joe Mosnier of the Southern Oral History program at the University of North Carolina at Chapel Hill. I’m with videographer John Bishop in Washington, D.C. at the Jefferson Building at the Library of Congress to record an oral history interview for the Civil Rights History Project, which is a joint undertaking of the Smithsonian National Museum of African American History and Culture and the Library of Congress. And we are really honored and privileged today to have with us Miss Doris Ann Ladner. DORIS ANN LADNER: Dorie. 1 Dr. Joyce Ann Ladner and Ms. Doris Ann Ladner, 9-20-11 Page 2 of 73 JM: Dorie Ladner, and, uh, Dr. Joyce Ladner, sisters, um, originally from Mississippi who have had – JOYCE ANN LADNER: Joyce Ann as well. JM: Joyce Ann as well. Uh, long, long histories of involvement in progressive struggle in the Movement and, uh, let me note as well, we’re delighted to have with us Elaine Nichols, who is the project curator at the museum. -
“Two Voices:” an Oral History of Women Communicators from Mississippi Freedom Summer 1964 and a New Black Feminist Concept ______
THE TALE OF “TWO VOICES:” AN ORAL HISTORY OF WOMEN COMMUNICATORS FROM MISSISSIPPI FREEDOM SUMMER 1964 AND A NEW BLACK FEMINIST CONCEPT ____________________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia ________________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy ____________________________________________ by BRENDA JOYCE EDGERTON-WEBSTER Dr. Earnest L. Perry Jr., Dissertation Supervisor MAY 2007 The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled: THE TALE OF “TWO VOICES:” AN ORAL HISTORY OF WOMEN COMMUNICATORS FROM MISSISSIPPI FREEDOM SUMMER 1964 AND A NEW BLACK FEMINIST CONCEPT presented by Brenda Joyce Edgerton-Webster, a candidate for the degree of Doctor of Philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. Dr. Earnest L. Perry, Jr. Dr. C. Zoe Smith Dr. Carol Anderson Dr. Ibitola Pearce Dr. Bonnie Brennen Without you, dear Lord, I never would have had the strength, inclination, skill, or fortune to pursue this lofty task; I thank you for your steadfast and graceful covering in completing this dissertation. Of greatest importance, my entire family has my eternal gratitude; especially my children Lauren, Brandon, and Alexander – for whom I do this work. Special acknowledgements to Lauren who assisted with the audio and video recording of the oral interviews and often proved herself key to keeping our home life sound; to my fiancé Ernest Evans, Jr. who also assisted with recording interviews and has supported me in every way possible from beginning to end; to my late uncle, Reverend Calvin E. -
In Loving Memory, Lawrence Guyot
Fannie Lou Hamer National Statue Committee In Loving Memory Lawrence T. Guyot, Jr. November 23, 2012 (Sunset) The will of God will never take you where the comfort of God cannot dry your tears; where the Word of God cannot feed you; where the miracles of God cannot be done for you; and where the presence of God cannot find you. Everything happens for a purpose. We may not see the wisdom of it all now, but trust and believe in the Creator that everything is for the best. Whereas, in loving memory of Lawrence Guyot, husband of Monica Klein Guyot, father of Lawrence, Guyot, III and Julie Guyot-Diangone and grandfather of four, almighty God has seen fit to take an extremely devoted family man from among us. We humbly bow in submission to God’s will in that one of His children is now at peace and rest with the Lord and the many ancestors who transitioned before him; Whereas, Lawrence Thomas Guyot, Jr. was born in Pass Christian, Miss., on July 17, 1939 to devoted parents, who nurtured him and encouraged his attendance at Tougaloo College in Tougaloo, Mississippi, where he graduated with a degree in chemistry and biology in 1963; Whereas, Lawrence Guyot‘s passion for civil rights and social justice led him to join the Student Nonviolent Coordinating Committee and campaign for voting rights throughout the State of Mississippi; Whereas, Lawrence Guyot’s commitment to social justice was met with violent resistance by those opposing freedom and equality for all; Whereas, this Man of God, persevered and continued to engage in the fight for freedom