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A Selected Comparison of Music Librarians' and Musicologists' Self
Rachel E. Scott 635 A Selected Comparison of Music Librarians’ and 19.4. Musicologists’ Self-Archivingportal Practices Rachel E. Scott publication, for abstract: The importance of open access (OA) advocacy is well-documented in the literature of academic librarianship, but previous research shows that librarians’ OA behaviors are less conclusive. This article compares the self-archiving practices of music librarians and musicologists to see how librarians rank in OA adoption. Availabilityaccepted of articles published from 2013 to 2017 in six green OA journals in music librarianship and musicology indicates a need for continued advocacy and enhanced understanding of OA policiesand and opportunities. Introduction edited, uthors face an increasingly complex publishing landscape. Academics expected to publish to meet tenure and promotion requirements must negotiate a schol- arly communicationscopy environment that has evolved to account for digital pub- Alishing platforms, changing economic models, and demands for expanded author rights— Although the number of OA not to mention dynamic disciplinary and institutionalreviewed, preferences and expectations. journals continues to grow, their Open access (OA) models are diverse and quality and availability across rangepeer considerably in their level of copyright disciplines vary considerably. protectionsis and version accessibility. Even if authors do not choose to publish in an OA Many authors still choose to journal or to pay an article processing charge publish in subscription-based, mss.to publish their individual articles OA—both practices referred to as gold OA—they may rather than OA, journals. This still post their work to an online repository, portal: Libraries and the Academy, Vol. 19, No. 4 (2019), pp. -
Resources for Academic Librarians
fall | winter 2020 RESOURCES FOR ACADEMIC LIBRARIANS ALA EDITIONS | ALA NEAL-SCHUMAN alastore.ala.org/academic fall/winter 2020 RESOURCES FOR ACADEMIC LIBRARIANS Read ahead for these and other titles! 2 3 7 8 11 14 18 19 24 25 27 28 31 32 35 39 Resources for Academic Librarians Covering everything from information literacy and copyright to management and marketing, ALA Editions | ALA Neal-Schuman has the perfect book to meet all your professional development needs. alastore.ala.org/academic 10 Contents Administration | Management 2 Programs | Services 7 Intellectual Freedom | Copyright 8 Marketing | Advocacy 10 Information Technology 11 Librarianship | Information Studies 14 21 Information Literacy | Library Instruction 18 New and Noteworthy from the Association of College and Research Libraries (ACRL) 24 Archives | Records Management 26 Acquisitions | Collection Management 31 RDA | Cataloging | Knowledge and Information Management 35 Reference 39 30 Books with this logo are from Facet Publishing, UK. Books with this logo are from the Association of College and Research Libraries (ACRL). Books with this logo are from the Society of American Archivists (SAA). Books with this icon are LIS Textbooks and Course Books (see page 45). Books with this icon are or will be available in e-book format. 40 ADMINISTRATION | MANAGEMENT ADMINISTRATION A Starter’s Guide for Academic Library Leaders Advice in Conversation AMANDA CLAY POWERS, MARTIN GARNAR, AND DUSTIN FIFE | print: 978-0-8389-1923-1 For this book, the authors sat down with many of the library -
Legal Deposit
WHAT IS THE RELATIONSHIP IS AN ISBN REQUIRED there is a name and address Legal Deposit LEGAL DEPOSIT BETWEEN LEGAL DEPOSIT FOR LEGAL DEPOSIT? attached so that a legal State Library of AND COPYRIGHT? There is no need for a deposit receipt can be sent. New South Wales Under the Copyright Act publication to have an identifier No other documentation is Macquarie Street Sydney NSW 2000 WHAT IS LEGAL DEPOSIT? Legal deposit claims 1968, copyright protection like the International Standard required. is granted automatically in Book Number (ISBN) for legal Legal Deposit Unit T 02 9273 1489 Legal deposit is a statutory provision which obliges Publishers should deposit routinely on publication. To ensure [email protected] publishers to deposit copies of their publications in libraries the collection of published Australiana is as complete as Australia from the moment of deposit purposes. ISBNs are National Library Legal Deposit Officer in the region in which they are published. Under the possible, a deposit library may claim, from the publisher, creating a work. Publication is very important for the retail of Australia NSW Parliamentary Library Copyright Act 1968 and various state Acts, a copy of any publications not held in its collection. This is to remind not necessary for copyright to book trade but not essential Parkes Place Parliament House work published in Australia must be deposited with the publishers of the requirements of legal deposit under the subsist in a work except in the for legal deposit. Publishers Canberra ACT 2600 Macquarie Street National Library of Australia and the deposit libraries in your Copyright Act 1968 and other relevant legislations. -
Legal Deposit in Context of Music and Music Libraries
Chapter - 6 Legal Deposit in Context of Music and Music Libraries BS Chapter 6 - Legal Deposit Legal Deposit in context of Music and Music Libraries 6.1 Issues related to Music and Music Library Music collections in National Libraries are viewed as one of the types of music libraries. National Libraries or Libraries which have been identified as National Libraries are supposed to be at the apex of the library system of the country. The major function of National Library is to act as the deposit library of the country and in some sense it becomes the repository of the national output. The national library has the responsibility to acquire the published heritage of the country and preserve this for the use by all. This becomes possible because of legal deposit. Legal deposit is the means by which a comprehensive national collection is gathered as a record of the nation's published heritage and development. It is also a statutory provision, which enforces legal binding on publishers to deposit their works in designated institutions. Legal deposit should be an efficient means for developing national collection of print and non - print material. It is also a means for a country to commit itself to article 19 of the Universal declaration of Human Rights, which gives everyone "the right to freedom and receive and impart information and ideas through any media regardless of frontiers". (1) Thinkers like Maurice B Line and Dr. S. R. Ranganathan also stressed the deposit factor that characterizes library as national one. It becomes the duty of the government to see that a library will be setup or a library will be identified as a depository of a national heritage. -
The National Library of Uganda: Challenges Faced in Performing Its Institutional Practices
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Library Philosophy and Practice (e-journal) Libraries at University of Nebraska-Lincoln Spring 2-23-2021 The National Library Of Uganda: Challenges Faced In Performing Its Institutional Practices Jane Kawalya [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/libphilprac Part of the Library and Information Science Commons Kawalya, Jane, "The National Library Of Uganda: Challenges Faced In Performing Its Institutional Practices" (2021). Library Philosophy and Practice (e-journal). 5073. https://digitalcommons.unl.edu/libphilprac/5073 The National Library Of Uganda: Challenges Faced In Performing Its Institutional Practices By Jane Kawalya (PhD) 1.0 BACKGROUND The idea of establishing the NLU started in 1997. Kawalya (2009) identified several factors which led to the establishment of the NLU. Before the enactment of the National Library Act 2003, Uganda had a national library system composed of Makerere University Library (MULIB) and the Deposit Library and Documentation Center (DLDC), which were performing the functions of a national library. Meanwhile the Public Libraries Board (PLB) was performing the functions of a national library service. However, due to the decentralization of services, according to the Local Government Act 1997, the Public Libraries Act 1964 was repealed thus weakening the PLB. The public libraries were taken over by the districts which left the PLB with few functions. There was therefore a need for an institution to take over important functions which had been carried out by the PLB. It was also realized that the few responsibilities would lead to the retrenchment of the PLB staff at the headquarters. -
Legal Deposit Leaflet 8/8/2005 1:58 Pm Page 1
Legal Deposit Leaflet 8/8/2005 1:58 pm Page 1 OTHER LEGAL DEPOSIT LIBRARIES INTERNATIONAL STANDARD SERIAL NUMBERS (ISSNs) The Agency for the Legal Deposit Libraries is authorised to collect publications on behalf of An ISSN is an 8-digit code which identifies a serial LEGAL the other five legal deposit libraries. Publications publication, i.e. a publication issued in successive parts, and enquiries should be addressed to: having a common title, and intended to be continued DEPOSIT indefinitely. ISSNs are issued by: The Agent Agency for the Legal Deposit Libraries ISSN UK Centre in the 100 Euston Street The British Library London Boston Spa, Wetherby National Published NW1 2HQ West Yorkshire Archive www.llgc.org.uk/cla LS23 7BQ T +44 (0)20 7388 5061 T +44 (0)1937 546958/9 F +44 (0)20 7383 3540 F +44 (0)1937 546562 [email protected] [email protected] Irish publishers should send material destined Irish ISSNs are issued by: for the five libraries to: Irish ISSN Centre Irish Copyright Agency National Library of Ireland c/o Trinity College Library Kildare Street College Street Dublin 2 Dublin 2 www.nli.ie www.tcd.ie/library T +353 (0)1603 0351 T +353 (0)1608 1021 F +353 (0)1603 0289 F +353 (0)1671 9003 [email protected] INTERNATIONAL STANDARD BOOK NUMBERS (ISBNs) An ISBN identifies one title or edition of a title from one specific publisher and is unique to that title or edition. ISBNs for British and Irish publishers are issued by: UK International Standard Book Numbering Agency 3rd Floor Midas House The British Library 62 Goldsworth -
Lasa Journal Sont Disponibles Sure Demande
laSa• International Association of Sound and Audiovisual Archives Association Internationale d' Archives Sonores et Audiovisuelles Internationale Vereinigung der Schall- und Audiovisuellen Archive laSa• journal (formerly Phonographic Bulletin) no. 11 June 1998 IASA JOURNAL Journal of the International Association of Sound and Audiovisual Archives IASA Organie de I' Association Internationale d' Archives Sonores et Audiovisuelle IASA . Zeitschchrift der Internationalen Vereinigung der Schall- und Audiovisuellen Archive IASA Editor: Chris Clark, The British Library National Sound Archive, 96 Euston Road, London NWI 2DB, UK. Fax 44 1714127413, e-mail [email protected] Reviews and Recent Publications Editor: as for Editor (pending new appointment) The IASA Journal·is published twice a year and is sent to all members of IASA. Applications for membership of IASA should be sent to the Secretary General (see list of officers below). The annual dues are 25GBP for individual members and 100GBP for institutional members. Back copies of the IASA Journal from 1971 are available on application. Subscriptions to the current year's issues of the IASA Journal are also available to non-members at a cost of 35GBP. Le IASA Journal est pub lie deux fois l'an et distribue Ii tous les membres. Veuilliez envoyer vos demandes d'adhesion au secreta ire dont vous trouverez I'adresse ci-dessous. Les cotisations anuelles sont en ce moment de 25GBP pour les membres individuels et 1000BP pour les membres institutionelles. Les numeros precedeentes (Ii partir de 1971) du lASA Journal sont disponibles sure demande. Ceux qui ne sont pas membres de I' Assooc iat ion puevent obtenir un abonnement du IASA Journal pour I'annee courante au cout de 35GBP. -
Study 20: Deposit of Copyrighted Works
86th congress} lad Session COMMITTEE PRINT COPYRIGHT LAW REVISION STUDIES PREPARED· FOR THE SUBCOMMITTEE ON PATENTS, TRADEMARKS, AND COPYRIGHTS OF THE COMMITTEE ON THE JUDICIARY UNITED STATES SENATE EIGHTY-SIXTH CONGRESS, SECOND SESSION PURSUANT TO s. Res. ~40 STUDIES 2Q. 20. Deposit of Copyrighted Works Printed for the use of the Committee on the Judiciary UNITED STATES GOVERNMENT PRINTING OFFICE WASHINGTON : 1960 COMMITTEE ON THE JUDICIARY JAMES O. EASTLAND, Mississippi, Chairman ESTES KEFAUVER, 'l'ennessee ALEXANDER WILEY, WlscollBln OLIN D. JOHNSTON, South Carolina EVERE'l'T McKINLEY DIRKSEN, Illinois THOMAS C. HENNINGS, JR., MJssonri ROMAN L. HRUSKA, Nebraska JOHN I,. McCLELLAN, Arkansas KENNETH B. KEATING, New York JOSEPH C. O'MAHONEY, Wyoming NORRIS COTTON, New Hampshire SAM J. ERVIN, JR., North Carolina JOHN A. CARROLL, Colorado THOMAS J. DODD, Connecticut PHILIP A. HART, Mlchlgan SUBCOMMITTEE ON PATENTS, TRADEMARKS, AND COPYRIGHTS JOSEPH C. O'MAHONEY, Wyoming, CTlalrman OLIN D. JOHNSTON, South Carollna ALEXANDER WILEY, Wisconsin PHILIP A. HART, MIchigan ROBERT L. W RII1HT, CTlle! Ooumse; JOHN C. STEDMAN, Associate Counsel STBPHBN G. HUBBR, CTlle! Clerk II FOREWORD This committee print is the seventh of a series of such prints of studies on "Copyright Law Revision," published by the Committee on the Judiciary Subcommittee on Patents, Trademarks, and Copy rights. The studies have been prepared under the supervision of the Copyright Office of the Library of Congress with a view to con sidering a general revision of the copyright law (title 17, United States Code). Provisions of the present copyright law are essentially the same as those of the statute enacted in 1909, though that statute was codified in 1947 and has been amended in a number of relatively minor re spects. -
Topic 2: Eligibility for Section 108 Exceptions
April 17, 2007 Before the Section 108 Study Group And The Copyright Office Library of Congress In the Matter of Issues Relating to the Exceptions and Limitations Applicable to Libraries and Archives Under Section 108 of the Copyright Act Comments of the Music Library Association This document provides an expansion of oral comments made on behalf of the Music Library Association at the public roundtable discussion held by the Section 108 Study Group in Los Angeles, California, March 8, 2006 as well as additional comments regarding related topics not considered in that discussion. The Music Library Association is the professional association for music libraries and librarianship in the United States. It has an international membership of librarians, musicians, scholars, educators, and members of the book and music trades. The MLA’s purpose is to promote the establishment, growth, and use of music libraries; to encourage the collection of music and music literature in libraries; to increase efficiency in music library service and administration; and to promote the profession of music librarianship. Topic 1: Eligibility for Section 108 Exceptions —Definition of libraries and archives. For purposes of §108 libraries and archives should be defined based on the nature of and access to their holdings. At issue is appropriate use of materials that may be held in such collections, not who owns or administers them. A broad definition is desirable, one that does not unduly deny use of content that would otherwise be accessible or preservable simply because it was held in a different type of repository. Library or archival materials held in a museum or historical society would still be eligible under the section. -
MLA Newsletter (164) 121-39
MMLLAA NEWSLETTER MLA Meets in Philadelphia Annual Meeting coverage begins on page 3 Inside: President’s Report . 2 Developing Trends . 9 In Recognition . 16 Annual Meeting . 3 Transitions . 9 MLA News . 17 New Members . 7 Committee Reports . 10 Beyond MLA . 23 Information Commons Feature . 8 Roundtable Reports . 16 Member Publications . 25 Calendar . 8 No. 164 March–April 2011 ISSN 0580-289-X President’s Report MUSIC LIBRARY ASSOCIATION Jerry McBride, MLA President be set in June. This will allow us Board of Directors to better control Officers t is gratifying to reflect on this the costs of the conference and have JERRY MCBRIDE, President year’s highly successful and historic a clearer picture of the overall Stanford University meeting in Philadelphia. This was budget. It will also give committees RUTHANN MCTYRE, Past-President I University of Iowa the first MLA conference with a uni- slightly more time to plan their pro- PAMELA BRISTAH, Recording Secretary fying theme, and it shows that music grams, because the conference Wellesley College librarians are in the forefront of li- rooms and the budget for speaker LINDA W. BLAIR, Administrative Officer brary service by considering the honoraria will be determined in ad- Eastman School of Music many issues and challenges of born vance. Conference planning has be- MICHAEL ROGAN, Assistant Administrative digital materials. We’re interested in come much more complex, and the Officer your opinions about employing a Board will be exploring the possibil- Tufts University theme for the conferences. We will ity of contracting with professional Members-at-Large 2010–2012 be examining responses to the sur- conference management to provide SUSANNAH CLEVELAND Bowling Green State University vey that was sent out just after the the best conference experience for a CHERYL TARANTO conference and using that to plan fu- reasonable cost. -
1 Core Competencies for Music Librarians and Music Library
Core Competencies for Music Librarians and Music Library Professionals Prepared by the Music Library Association Core Competencies for Music Librarians and Music Library Professionals Task Force The Core Competencies for Music Librarians and Music Library Professionals specify a set of broad skills and knowledge necessary for the successful performance of the many duties and responsibilities inherent in a wide variety of possible professional appointments. The list is neither comprehensive nor intended as a realistic description of what a single individual can reasonably accomplish during the span of their career. Instead, it describes the work of a network of individuals engaged in the practice of music librarianship. While like the previous competencies documents, the list represents a guide for emerging and current music librarians and professionals, music librarian educators and employers, in an effort to provide a direction in future career development, the current document also distinguishes between basic and expert competencies. The competencies are organized into eight areas. The order was not intended as an indicator of their relative importance. In preparation for this work, the Task Force conducted extensive literature review, analyzed current music librarianship course syllabi, surveyed MLA membership and examined core competencies of comparable organizations and the American Library Association. The Task Force presented research results and preliminary thoughts concerning competencies to the MLA membership at its annual meeting in February 2017. After incorporating membership feedback, the Task Force produced a draft, which was presented to the MLA Board for comment. The resulting draft was posted for public comment. The current document incorporates many of those recommendations. -
Careers in Music Librarianship
Where are Music Librarians employed? n Academic Libraries n Public Libraries n Radio and television stations n Music publishers and dealers n Bands and orchestras n Music archives The Music Library Association is the professional organization for music libraries and librarianship in the United States. Founded in 1931, it has an international membership of librarians, musicians, scholars, educators, and members of the book and music trades, Complementing the Association’s national and international activities are eleven regional chapters that carry out its programs on the local level. Music Library Association, Inc. 8551 Research Way, Suite 180 CAREERS IN Middleton, WI 53562 Phone: 608-836-5825 Email: [email protected] MUSIC LIBRARIANSHIP Website: musiclibraryassoc.org What are the qualifications What is a Music Librarian? of a Music Librarian ? A music librarian is a n Substantial undergraduate coursework librarian who specializes in music in music. n Master’s degree in Library Science from an American Library Association-accredited A broad musical library school background is essential. Training in music & n Graduate work in music is desirable librarianship is necessary. n Foreign language skills desirable What does a Music Librarian do? What are the career prospects? n Answers questions For more information Music librarianship is a n Teach research skills about Music Librarianship: financially stable career, n Assists with research and one that many musicians find n Catalogs books, scores, & recordings Go to musiclibraryassoc.org/employment. compatible with a part-time n Selects materials aspx?id=78 and look for “Music Librarianship - second career as a performer. Is it for you?” and MLA’s Library Science School n Digitizes print and media formats Directory to find library schools with Different areas of specialization n Increases library visibility music coursework.