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Experimental Skin Kunsthaus Graz
EXPERIMENTAL SKIN KUNSTHAUS GRAZ document Dissertation 2. EXPERIMENTAL SKIN KUNSTHAUS GRAZ Oxford Brookes University · Module U30099 · Supervisor Christina Godiksen Dissertation document 2. A dissertation presented to the School of Architecture, Oxford Brookes University in part fulfilment of the regulations for BA (Hons) in Architecture STATEMENT OF ETHICS This dissertation involved human participants. A Form E1BE REVIEW APPROVAL for each group of participants, showing ethics review approval, has been attached to this dissertation as an appendix. STATEMENT OF This dissertation is an original piece of work which is made available ORIGINALITY for copying with permission of the Head of the School of Architecture THEO JONES 12070837 COVER IMAGE fig.01 installation touch (author, 2014) DESIGN & LAYOUT Theo Jones JANUARY 2015 LICENSED Creative Commons Attribution - Non Commercial - Share Alike 3.0 theojones.com [email protected] COPYRIGHT © 2015 CONTENTS 05. Focus 07. Timeline 09. Definitions 11. Introduction many thanks to 14. Competition vs. Building my parents 23. Contemporary Comment who have tirelessly proof read all my writings throughout my degree, including of course this dissertation 27. Conclusion 28. Figures 29. Bibliography 30. Appendix FOCUS The winning Kunsthaus Graz competition design spoke of a seamless laminated fabric skin of carbon threads, fluids, fiber optics, solar cells and varying transparency (Bogner, 2004, p.42). The built building’s skin has little relation to the proposal; being made from opaque acrylic panels separated -
Archigram: Architecture Inside Out
Archigram: Architecture Inside Out By Crystal Ray Submitted to the Department of Architecture in partial fulfillment of the requirements for the Degree of Bachelor of Science as recommended by the Department of Architecture at the Massachusetts Institute of Technology. June 2011. ©2011 Crystal Ray. All Rights Reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. () ( Author Crystal Ray Department of Architecture May 20, 2011 Certified by / / F lo Lawrence Sass Associate Professor of Computation Department of Architecture Accepted by Meejin Yoon Professor of Architecture Director o the Undergr duate Architecture Program MAPWSSAC6HUS ETTS IN S T I TUT OF TECHN-OLOGY JUN 10 2011 L RA R IES ARCHIVES Committee THESIS ADVISOR: Lawrence Sass Professor in Computation Department of Architecture Archigram: Architecture Inside Out By Crystal Ray Submitted to the Department of Architecture on May 20, 2011 in partial fulfillment of the requirements for the Degree of Bachelor of Science as recommended by the Department of Architecture at the Massachusetts Institute of Technology. Abstract Plug-in city has been explored by others through 3d renditions, however, their 3D rendition are subject to interpretation as its design and development progressed through modeling and a series of drawings by Peter Cook. With the foundational skills gained from Professor Nagakura's courses, I worked over the semester to model and animate one of Archigram's most notable works, Plug-in City, with a focus on the city's dynamic transportation system for people and goods. -
University of Calgary Transvaluation of Architecture
UNIVERSITY OF CALGARY TRANSVALUATION OF ARCHITECTURE: A PERSPECTIVE ON PERFORMATIVE VALUE IN ARCHITECTURE by KAMARAN ALI NOORI A THESIS SUBMITTED TO THE FACULTY OF ENVIRONMENTAL DESIGN IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ENVIRONMENTAL DESIGN THE FACULTY OF ENVIRONMENTAL DESIGN CALGARY, ALBERTA JANUARY 2011 © KAMARAN ALI NOORI 2011 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-79656-6 Our file Notre reference ISBN: 978-0-494-79656-6 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduce, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciaies ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Archigram Pdf Free Download
ARCHIGRAM PDF, EPUB, EBOOK Peter Cook, Michael Webb | 152 pages | 01 Sep 1999 | PRINCETON ARCHITECTURAL PRESS | 9781568981949 | English | New York, United States Archigram PDF Book The first is that it is linear rather than circular. Master of Architecture Design. Attractions included a police van mired in the muck and goo of a forgotten cityscape, and an overturned pumpkin coach and horses with Cinderella tossed half outside of it. Search Search. Similarly with Archigram , whose vivid collages gave form and voice to a generation impatient with the dry prescriptions of mainstream modernists. Long overdue, Simon Sadler's book finally gives us a meticulous ideological history of the evolution of Archigram, one which will prove invaluable to all future accounts of British architectural culture during the s. Bringing these architectures to life, however, is where challenges arise. Every issue is reproduced in its entirety at high resolution and in full color. I had just unpacked all nine and a half issues of Archigram , and, frankly, I was a little giddy. All art gifts Stationery Gift vouchers. In depth details of how the megastructure, the cranes and the plug-in elements would be constructed is not evident as this was not the focus point of the project, rather the symbolization of technology and the opportunities it allowed. By Sarah Deyong. Ross Elfline rated it it was amazing Jan 11, About Contact Privacy Policy Advertise. Healthy High Density Cities Lab. More filters. This is not surprising: the Situationists are exciting ; Archigram is, in comparison, merely interesting , or at least far less dangerous. Return to Book Page. -
Richard Rogers 2007 Laureate Essay
Richard Rogers 2007 Laureate Essay Revitalising Modernity By Deyan Sudjic Writer, architecture critic and Director of the Design Museum, London Richard Rogers collected the Pritzker Prize in 2007 in London in the magnificent setting of the banqueting hall designed by Inigo Jones, for the royal palace that he was never to finish for Charles I. The 17th century monarch’s reign came to an abrupt end when Oliver Cromwell had the New Model Army march him under the great ceiling painted by Rubens, through one of the hall’s windows, and onto a scaffold outside to be beheaded in the climactic episode to the English Civil War. Given that the king’s 20th century descendant, the Prince of Wales, the future Charles III, has been the most highly visible critic of contemporary architecture in Britain, it was perhaps a somewhat unlikely setting for a ceremony honouring one of Britain’s most prominent architects, especially for one associated with an embrace of modernity. Rogers has been the target of the prince’s criticism more than once. It was the prince who put an end to Rogers’ chances of winning the commission to rebuild Paternoster Square, the flawed 1950s setting for St. Paul’s Cathedral. Rogers’ entry was one of the competition’s most talked about submissions to build an extension on the National Gallery in Trafalgar Square. The competition precipitated the Prince of Wales’s intervention into the architectural debate with a famous speech in 1984, in which he called the project “a carbuncle on the face of an old and familiar friend.” The bitterness of those conflicts has faded, but at the time, they were vivid, and very real. -
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a circus of ideas revisiting Archigram’s visions for edu cation and architecture in the information age neil selwyn london knowledge lab, uk june 2008 Correspondence: Neil Selwyn, London Knowledge Lab, Institute of Education, 23-29 Emerald Street, London WC1N 3QS, United Kingdom e: [email protected] t: +44 (0)20 7763 2151 f: +44 (0)20 7763 2138 2 a circus of ideas revisiting Archigram’s visions for education and architecture in the information age Abstract: The UK architectural collective Archigram are considered to have been one of the most innovative and influential design teams of the late twentieth century - responsible for a series of neo-avant-garde conceptual projects which railed against post-war modernism, embraced a new post-industrial technological era and set a precedent for much of what is now accepted as mainstream contemporary architecture. Anticipating neatly the concerns of a fast globalising world, the group’s designs proposed a reflexive form of architecture which was centred firmly around the needs, desires and demands of the modern citizen. As such Archigram’s work pre-empts many concerns later raised with regards to the ‘information age’ and can be seen as early expressions of now influential ideas of ubiquitous computing, personalisation, convergence, cyborg theory and network society. This paper argues that amidst the fulsome praise now directed towards Archigram’s designs for technological megastructures, capsule design, nomadic living and the like, the group’s work on educational architecture and imagined educational forms of the future has been somewhat overlooked – especially in terms of their envisaged convergence of education, technology and architecture. -
In Beyond Archigram
R THE STRUCTURE OF CIRCULATION HADAS A. STEINER I~ ~~o~;!~n~~;up NBNYO RKAND LON DON Frontispiece: MiKe Webb, Sin Poloce Escafators, 1959-62 Fim publishro 2009 by Routledge 270 Madison Avenue , New YorK, NY10016 Simultaneously published i.n the UK by Routledge 2 Par, Square. Milton Par~ Abingdon. O.on. OX14 4RN Rout/~dge is on imprint of the Tayfor & Froncis Group, on informa business c 2009 HadasA. Ste iner Dl5igned and typeset by Sutchinda Rangsi Thompson/Crown4to Printed and bound in Great Britain by The Cromwell Press. Trowbridge, Wiltshire All rights reserved. No part of this book may be reprinted or reproduced or uti lised in any form or by any electronic, mechdniC'il. or other means , now known or hereafter invented, including photoropying and recording. or in any information storage or retrieval system, without permission in writing from the publishers. Brirish librory Caro/oguing in Publication Data A 03!<1logue record for this boo, is availabl, from th' British library Librory of Congress CoroJaging- in-Publicarion Daro A catalog m:ord for this book has been requl5ted ISBN10 0-415-39476-7 (hbk] ISBN10 0-415-39477-5 (pbk] ISBN13 978-0-415-39476-5 (hbk) ISBN13 978-0-415-39477-2 (pbk) PREfACE xvii CONTENTS PART ONE THE ARCHIGRAM NETWORK V Introduction: The Image of Change 1 Modern Architecture in England 38 City Synthesis 70 PART TWO BATHROOMS, BUBBLES AND SYSTEMS Bathrooms 118 Bubbles 149 Systems 182 The Technological Picturesque 222 NU 245 lUIS11IATION CR8IfTS 251 Not all [arch itectural] revelations have to be buildings. They could be a paragraph from Ruskin's Stones ofVenice, or Geoffrey Scott's Architecture ofHumanism, or even Asimov's Caves ofSteel. -
Kester Rattenbury – Archigram Archival Project
Kester Rattenbury Output 1: Archigram Archival Project, 2010 Abstract The Archigram Archival Project made the subject of the authors’ major essay included in works of seminal experimental architectural the project. group Archigram available free online for an academic and general audience. It was a The project thus hybridised several existing major archival work, as well as a new kind methodologies. It combined practical archival of academic archive, being purely digital, and editorial methods for the recovery, displaying material held in different places presentation and contextualisation of around the world and privately and variously Archigram’s work, with digital web design owned. It was aimed at a wide online design and with the provision of reflective academic community, discovering it through Google and scholarly material, and it aimed to be or social media, as well as a traditional highly accessible for both scholarly research academic audience, and it has been widely and casual browsing. It was designed by acclaimed in both fields. the EXP Research Group in the Department of Architecture in collaboration with Archigram The project has three distinct but interlinked and their heirs and with the Centre for elements. It’s first was to assess, catalogue Parallel Computing, School of Electronics and and present the vast range of Archigram’s Computer Science, also at the University of prolific, and varied work, of which only a Westminster. small portion was previously available. It’s second was to provide reflective academic The Archigram Archival Project was shortlisted commentary on Archigram and on the for the 2010 RIBA President’s Award for wider picture their work represented. -
PROSTOR POSEBNI OTISAK/ 130-141 Znanstveni Prilozi Gizem Denizguneri
PROSTOR 28 [2020] 1 [59] ZNANSTVENI ÈASOPIS ZA ARHITEKTURU I URBANIZAM A SCHOLARLY JOURNAL OF ARCHITECTURE AND URBAN PLANNING SVEUÈILIŠTE U ZAGREBU, POSEBNI OTISAK / SEPARAT OFFPRINT ARHITEKTONSKI FAKULTET Znanstveni prilozi Scientific Papers UNIVERSITY OF ZAGREB, FACULTY OF 130-141 Gizem Deniz Guneri Peter Cook Beyond Archigram: Peter Cook izvan Archigrama: ARCHITECTURE Towards a Critical Utopianism Prema kritiènom utopizmu ISSN 1330-0652 Scientific Subject Review Pregledni znanstveni èlanak https://doi.org/10.31522/p.28.1(59).8 https://doi.org/10.31522/p.28.1(59).8 https://doi.org/ UDC 72.01 P.Cook ”19/20” UDC 72.01 P.Cook ”19/20” 10.31522/p UDK | UDC 71/72 CODEN PORREV 28 [2020] 1 [59] 1-200 1-6 [2020] 130 Fig. 1 Swiss Cottage Tower by Peter Cook Sl. 1. Švicarski „Cottage Tower” Petera Cooka Scientific Papers | Znanstveni prilozi 28[2020] 1[59] PROSTOR 131 Gizem Deniz Guneri Middle East Technical University Tehničko sveučilište Bliskog istoka Department of Architecture Odsjek za arhitekturu Turkey - 06800 Cankaya, Ankara, Dumlupinar Bulvari 1 Turska - 06800 Cankaya, Ankara, Dumlupinar Bulvari 1 [email protected] [email protected] Scientific Subject Review Pregledni znanstveni članak https://doi.org/10.31522/p.28.1(59).8 https://doi.org/10.31522/p.28.1(59).8 UDC 72.01 P.Cook ”19/20” UDK 72.01 P.Cook ”19/20” Technical Sciences / Architecture and Urban Planning Tehničke znanosti / Arhitektura i urbanizam 2.01.04. - History and Theory of Architecture 2.01.04. - Povijest i teorija arhitekture and Preservation of the Built Heritage i zaštita graditeljskog naslijeđa Article Received / Accepted: 1. -
14 Computing the Performative
14 COMPUTING THE PERFORMATIVE BRANKO KOLAREVIC 194 14.1 The Dynaform BMW Pavilion at the IAA’01 Auto Show in Frankfurt, Germany (2000– 01), architects Bernhard Franken and ABB Architekten. In avant-garde contemporary architectural design, various PERFORMANCE-BASED DESIGN digital generative and production processes are opening up The aesthetics of many projects of the digital avant-garde, new territories for conceptual, formal and tectonic however, are often sidetracking the critical discourse into exploration, articulating an architectural morphology the more immediate territory of formal expression and focused on the emergent and adaptive properties of form.1 away from more fundamental possibilities that are In a radical departure from centuries-old traditions and opening up. Such possibilities include the emergence of norms of architectural design, digitally-generated forms performance-based design, in which building performance are not designed or drawn as the conventional becomes a guiding design principle, considered on a par understanding of these terms would have it, but they are with or above form-making. calculated by the chosen generative computational method. The current interest in building performance as a Instead of working on a parti, the designer constructs a design paradigm is largely due to the emergence of generative system of formal production, controls its sustainability as a defining socio-economic issue and to behavior over time, and selects forms that emerge from its the recent developments in technology and cultural theory. operation. The emphasis shifts from the “making of form” Within such an expansive context, building performance to the “finding of form,” which various digitally-based can be defined very broadly, across multiple realms, from generative techniques seem to bring about intentionally. -
Universalmuseum Joanneum Press Kunsthaus Graz a Friendly Alien
Universalmuseum Joanneum Press Universalmuseum Joanneum [email protected] Mariahilferstraße 4, 8020 Graz, Austria Telephone +43-3168017-9211 www.museum-joanneum.at Kunsthaus Graz A Friendly Alien Kunsthaus Graz, Lendkai 1, 8020 Graz, Austria ‘Up into the unknown’ – a balance sheet with a perspective ‘Up into the unknown!’ was written on one of the first rough drawings for the Kunsthaus Graz. After over seven years of exhibitions, the “Friendly Alien” is not just here to stay. It has long since established itself as an internationally recognized center for contemporary art. The architectural challenge: a dialogue between space, exhibition and city The architecture poses over and over a challenge facing the Kunsthaus Graz. The exhibitions of the early years yielded very instructive insights into how to handle the place and the exhibition spaces. BIX media façade, or: a high interest in low resolution The BIX façade is a unique medium of urban communication. Its inventor realities:united even managed to land Deutsche Telekom’s Inspire award for it. Max Neuhaus: Time Piece Graz. A Moment for the Kunsthaus The acoustic sculpture of American sound-artist Max Neuhaus is a firm feature of the Kunsthaus Graz. There is a similar work in Beacon in upstate New York. Programme 2017 Kunsthaus Graz shows new art and the newest art: global trends placed within a local and regional context. 2017 begins with the exhibition Dizziness. Navigating the Unknown (10.02.– 21.05.2017), exploring the physical and mental moment of uncertainty, crisis or release that can also be a trigger and catalyst for creative thinking. -
Fun Palace and Plug-In City — Architectural Modularism and Cybernetics in the 1960S
Chapter 6. Dreams of The Fun Palace and Plug-In City — Architectural Modularism and Cybernetics in the 1960s Dr Claire McAndrew, UCL Institute for Digital Innovation in the Built Environment The Bartlett, University College London Introduction This chapter considers the neo-futurist visions of two architectural designs from the 1960s, Archigram’s Plug-In City1 designed by Peter Cook in 1964 and The Fun Palace2 conceived by Cedric Price in the same year. Each was radical in thinking around architectural modularism and in the case of The Fun Palace – the embrace of cybernetic thought. Their designs speculated on visions that were temporally adaptive and represented an idealistic belief in a better future, with an aspiration to drive flexibility and versatility from a collection of modular units that could be arranged and re-arranged, time and time again. Reversing the assumed stability of architectural form, The Fun Palace and Plug-In City were conceived as systems where human activity could control and modify the spatial form within which it was framed and so, ad infinitum. Blending modular architecture, technology and society, these two designs sought to provide liberation from modernism. Reviewing material made accessible through The Archigram Archival Project hosted by the University of Westminster and the Cedric Price Collection held at the Canadian Centre for Architecture, this chapter examines some of the key expressions of neo-futurism captured by these 1960s designs. Through this commentary, it sheds light on the ways in which time has been conceived of being designed into the architectural fabric of cities, and how, through the examination of critical debates, we might find relevance for design history today and for the design of contemporary living in the digital age.