DOCSLIB.ORG

Curriculum Vitae Page 1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Curriculum Vitae Page 1 Michael Webb 66 Village Green Drive, Port Jefferson Station. NY 11776 USA (home telephone) 631 743 9553 (cell) 631 965 2772 (work telephone) 212 353 4220 (e mail) [email protected] Major Projects 2000/16 Study of Perspective Projection. 1977/95 Temple Island: A Study. 1986/96 Drive-In House. 1966 Cushicle/Suitaloon. 1964 Rent-a-Wall. 1962 Sin Palace. 1958 Furniture Headquarters Building. High Wycombe. Exhibitions/Solo 2009 University of Manitoba, Winnipeg, Canada. 2008 Cooper Union School of Architecture, New York. 2005 Cornell University, Ithaca NY. Hartell Gallery, Sibley Dome. 2004 Columbia GSAPP, New York. Ross Architecture Gallery, Buell Hall. 2003 Millerton, New York. 2001 University at Buffalo(SUNY Buffalo). Buffalo NY. 1996 Architecture League, New York. 1994 Bartlett School of Architecture, London, England. 1989 Storefront Gallery, New York. 1987 Architectural Association School of Architecture, London, England. 1976 Art Net Gallery, London, England. Exhibitions/Group Traveling Archigram Group Exhibition (with Cook, Crompton, Chalk, Greene and Herron): 2012 Guimaraes, Portugal 2007 Cracow, Poland. 2005 Design Museum, London, England. 2002 Mito, Japan. 2001 MOMA, San Francisco. 1999 Taipei, Taiwan. 1998 Threadwaxing Space, New York. Curriculum Vitae Page 2 Exhibitions/Group (continued) 1997 Seoul, Korea. 1996 Zurich. Switzerland. 1994 Pompidou Center, Paris, France. 1993 Kunsthalle, Vienna, Austria. Group Exhibitions (without other members of Archigram participating) 2014 ‘Drawing Ambience’ exhibition (1 drawing) The collection of Alvin Boyarsky. Cooper Union Irwin S. Chanin School of Architecture. 2014 ‘Drawing Ambience’ exhibition (1 drawing) The collection of Alvin Boyarsky. Rhode Island School of Design, Providence, Rhode Island. 2013 3W Exhibition (the 3 Ws comprising Michael Webb, Mark West and James Wines), Pennsylvania State University, State College, Pennsylvania. 2012 Storefront Auction in the Woolworth Building (1 drawing). 2011 Svein Tonsager commemorative exhibition (I drawing) Copenhagen, Denmark. 2009 ‘First Projects’ exhibition*. AA School of Architecture, London, England. Sin Palace project exhibited. 1998 The Inflatable Moment’ exhibition (1 drawing). Cushicle project exhibited. Architecture League, New York. 1979 Cushicle project in ‘Visionary Drawings of Architecture and Planning’ exhibition, Drawing Center, NY. 1972 Brown University, Rhode Island. (with Raimund Abraham and Friedrich St. Florian). 1961 ‘Visionary Architecture’ exhibition. Museum of Modern Art, New York. Curriculum Vitae Page 3 Awards 2014 Graham Foundation grant to write a monograph on the subject of the 20008 exhibition of my work at the Cooper Union. 2008 Gold Medal of the Royal Institute of British Architects (with other members of Archigram). 1992 Grant from the New York Foundation for the Arts. 1988 Grant from the New York State Council on the Arts. Self Written Books 1987 ‘Temple Island: a Study’. Book of the eponymous 1987 AA exhibition. Work reproduced in books by other authors 2016 ‘A Genealogy of Modern Architecture’ by Kenneth Frampton. Image of Sin Palace on page 263. Lars Muller publisher. 2013 ’The car in 2035: Mobility Planning for the Future’. Edited by Kati Rubinyi. Foreword and article, pages 200- 207. ActarD. ISBN 978-84-15391-26-5 2009 ‘First Works: Emerging Architectural Experimentation of the 1960s and 1970s. Sin Palace pages 42-53. 2009 ‘Storefront Newsprints 1982-2009. page 235. 2008 ‘Drawing’ by Peter Cook. pages 031, 032, 141, 162. Wiley. ISBN 978-0-470-03480-4 (hb) 2006 Temple Island in ‘Immaterial Architecture’ by Jonathan Hill. pages 145-149. published by Routledge. 2006 ‘Time, Nomadism and Battery Life’ by David Greene. pages 81, 153. 2005 ’Archigram: Architecture without Architecture’ by Simon Sadler. pages 22, 26, 89,119, 130, 131. 1991 Drive-in House (also cover image) in article by Beatriz Colomina in ‘Discourse’ . 1988 Sites and Stations’: Provisional Utopias. pages 140-144. ISBN-1-882791-03-7 1975 ‘Modern Architecture: a Critical History’, by Kenneth Frampton. Sin Palace published. 1968 ‘New Directions in British Architecture’ by Royston Landau. 1968 ’Architecture, Plan and Action’ by Peter Cook. Curriculum Vitae Page 4 Work reproduced in Exhibition Catalogs 2014 ‘Drawing Ambience: Alvin Boyarsky and the Architectural Association’. Temple Island drawing reproduced on the front and back cover. Description of project on pages 126 and 127. 2002 ‘The Changing of the Avant-Garde’. Visionary Drawings from the Howard Gilman collection. Furniture Headquarters building presented. pages 38, 39. Catalog of eponymous exhibition at MOMA New York. 1986 ‘Vision der Moderne: Das Prinzip Konstruktion’. Sin Palace presented. pages:341-342. Catalog of eponymous exhibition at the Deutsches Architektur Museum, Frankfurt, Germany. Work reproduced in magazines 2015 AD Cushicle oil painting (in article by P. Cook entitled ‘Not to be Taken Seriously’) p 60. (May/June) 2014 ’High Definition’ (ADHD) Architectural Design, edited by Robert Sheil. 2012 Journal of Architectural Education (JAE) (March) 1981 Architectural Review. ‘Technology Transfer’ by Martin Pawley. Cushicle project. p 35. 1965 Architectural Design. Cushicle and flexible housing project. (November issue) 1963 Architectural Design. ‘Sin Palace’ project, by Kenneth Frampton. (November issue). Architectural Degrees 1972 Poly Diploma. Teaching Experience 2007-pres. Cooper Union, New York. 2004-2007 Columbia University. 1999-2001 Princeton University. 1987-2002 Cooper Union, New York. 1987-2006 Barnard/Columbia Architecture program. 1975-1985 New Jersey Institute of Technology. Newark NJ. 1971-1976 Rhode Island School of Design. Providence RI. 1965-1971 Virginia Tech, Blacksburg, Virginia. 1963-1965 Hornsey College of Art, London. Curriculum Vitae Page 5 Lectures Given 2014 Design Communication Conference, SPSU, Marietta, GA. 2014 University of Houston, TX. 2014 Texas A and M, TX 2013 UIC, Chicago. 2013 Pennsylvania State University, PA. 2013 Cooper Union, NY. 2012 Columbia University, New York NY. 2012 Bartlett School of Architecture, UCL, London. (shared lecture with Neil Spiller and Cedric Price. Title: What Price, Spil and Spid?) 2011 University of Southern California, Los Angeles CA. 2011 Bartlett School of Architecture, UCL, London. 2009 Syracuse University, NY. 2008 University of Manitoba, Winnipeg, Canada. 2008 Plug-in Gallery, Winnipeg, Canada. 2007 Cooper Union, NY. 2005 El Decano del Colegio de Arquitectos de Cadiz, Spain. title: “Projection Primer” 2004 University of Houston TX. 2004 SCIarch, Los Angeles CA. 2003 Cornell University. Ithaca NY. 2001 University at Buffalo. Buffalo NY. 1996 MIT, Cambridge MA. 1982 University of Waterloo, Canada. 1983 Architectural Association, London. 1971 MIT, Cambridge MA. 1970 University of Waterloo, Ontario, Canada. 1969 Rhode Island School of Design, Providence RI. Fellowships: November 1010 and June/July 2011....Research fellowship at the Canadian Center for Architecture, Montreal. Curriculum Vitae page 6 Examining: 2011: Bartlett School of Architecture Phd program: thesis of Nat Chard. 2007, 8, 9 and 10: Bartlett School of Architecture graduate degree projects. Symposia at which I presented work: 2011 ‘Motopia’ Symposium. lecture given and panel discussion participated in. CIA Los Angeles CA. 1971 ‘Positions in Architecture’. participated in panel discussion with Peter Eisenman and F. St. Florian. Work in collections: Furniture Headquarters Building: Museum of Modern Art (formerly in Gilman Paper Company collection). Sin Palace project: Canadian Centre for Architecture (via Niall Hobhouse):. Sin Palace drawings: (private ownership) Cushicle project drawing: Centre Pompidou, Paris. Cushicle project drawing: (private ownership) Cushicle project drawing: (private ownership) .
Recommended publications
  • MEDIA UPDATES3 30.Pdf

    MEDIA UPDATES3 30.Pdf

    Dean *Anthony Vidler to receive ACSA Centennial Award The Association of Collegiate Schools of Architecture (ACSA) announced today that Anthony Vidler will receive a special Centennial Award at next week’s 100th ACSA Annual Meeting in Boston. Anthony Vidler is Dean and Professor at the Irwin S. Chanin School of Architecture of The Cooper Union, where he has served since 2001. The Centennial Award was created by the ACSA Board of Directors in recognition of Dean Vidler’s wide ranging contributions to architectural education. Says Judith Kinnard, FAIA, ACSA president: “Anthony Vidler’s teaching and scholarship have had a major impact on architectural education. We invited him to receive this special award during our 100th anniversary and give the keynote lecture because of his extraordinary ability to link current issues in architecture and urbanism to a broad historic trajectory. His work forces us to question our assumptions as we engage contemporary conditions as designers.” Anthony Vidler received his professional degree in architecture from Cambridge University in England, and his doctorate in History and Theory from the University of Technology, Delft, the Netherlands. Dean Vidler was a member of the Princeton University School of Architecture faculty from 1965 to 1993, serving as the William R. Kenan Jr. Chair of Architecture, the Chair of the Ph.D. Committee, and Director of the Program in European Cultural Studies. In 1993 he took up a position as professor and Chair of the Department of Art History at the University of California, Los Angeles, with a joint appointment in the School of Architecture from 1997.
  • Dott. Arch. GUIDO ZULIANI

    Dott. Arch. GUIDO ZULIANI

    Dott. Arch. GUIDO ZULIANI CURRICULUM VITAE Dott. Arch. GUIDO ZULIANI AZstudio (Owner - Principal) 235 west 108th street #52 New York City, N.Y. 10025 - USA Tel. (1) 347-570 3489 [email protected] via Gemona 78 33100 Udine - Italy Tel. (39) 329-548 9158 Tel./ Fax +39- 0432-506 254 EDUCATION AND PROFESSIONAL QUALIFICATIONS 1998 ACCADEMIA DELLE SCIENZE, LETTERE ED ARTI “GLI SVENTATI” - Udine, Italy Elected Member 1982 ORDINE DEGLI ARCHITETTI DELLA PROVINCIA DI UDINE Register architect 1980 ISTITUTO UNIVERSITARIO D'ARCHITETTURA DI VENEZIA (IUAV) today UNIVERSITÀ IUAV DI VENEZIA Dottore in Architettura (Master equivalent) - Summa cum Laude ACADEMIC EXPERIENCE 1985 - Present THE COOPER UNION FOR THE ADVANCEMENT OF SCIENCE AND ART IRWIN S. CHANIN SCHOOL OF ARCHITECTURE New York, NY 2009 - Present Professor of Architectural History 2005 - Present Professor of Architecture / Professor of Modern Architectural Concept Responsible for teaching Architectural Design II, Architectural Design IV, Thesis classes, the seminars in Modern Architectural Concepts, Analysis of Architectural Texts, Advanced Topics in Architecture 1991 - 2005 Associate Professor of Architecture 1986 - 1991 Visiting Professor of Architecture 2001 - Present Member of the Curriculum Committee Responsible for review and recommendations regarding the structure and the content of the school curriculum, currently designing the curriculum of the future post-professional Master Degree in Architecture of the Cooper Union. 2008 - Present SCHOOL OF DOCTORATE STUDIES - UNIVERSITÀ IUAV
  • The Cooper Union for the Advancement of Science and Art Atcooper 2 | the Cooper Union for the Advancement of Science and Art

    The Cooper Union for the Advancement of Science and Art Atcooper 2 | the Cooper Union for the Advancement of Science and Art

    Winter 2008/09 The Cooper Union for the Advancement of Science and Art atCooper 2 | The Cooper Union for the Advancement of Science and Art Message from President George Campbell Jr. Union The Cooper Union has a history characterized by extraordinary At Cooper Union resilience. For almost 150 years, without ever charging tuition to a Winter 2008/09 single student, the college has successfully weathered the vagaries of political, economic and social upheaval. Once again, the institution Message from the President 2 is facing a major challenge. The severe downturn afflicting the glob- al economy has had a significant impact on every sector of American News Briefs 3 U.S. News & World Report Ranking economic activity, and higher education is no exception. All across Daniel and Joanna Rose Fund Gift the country, colleges and universities are grappling with the prospect Alumni Roof Terrace of diminished resources from two major sources of funds: endow- Urban Visionaries Benefit ment and contributions. Fortunately, The Cooper Union entered the In Memory of Louis Dorfsman (A’39) current economic slump in its best financial state in recent memory. Sue Ferguson Gussow (A’56): As a result of progress on our Master Plan in recent years, Cooper Architects Draw–Freeing the Hand Union ended fiscal year 2008 in June with the first balanced operat- ing budget in two decades and with a considerably strengthened Features 8 endowment. Due to the excellent work of the Investment Committee Azin Valy (AR’90) & Suzan Wines (AR’90): Simple Gestures of our Board of Trustees, our portfolio continues to outperform the Ryan (A’04) and Trevor Oakes (A’04): major indices, although that is of little solace in view of diminishing The Confluence of Art and Science returns.
  • Inventing the I-Beam: Richard Turner, Cooper & Hewitt and Others

    Inventing the I-Beam: Richard Turner, Cooper & Hewitt and Others

    Inventing the I-Beam: Richard Turner, Cooper &Hewitt and Others Author(s): Charles E. Peterson Source: Bulletin of the Association for Preservation Technology, Vol. 12, No. 4 (1980), pp. 3-28 Published by: Association for Preservation Technology International (APT) Stable URL: http://www.jstor.org/stable/1493818 . Accessed: 17/09/2013 16:52 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Association for Preservation Technology International (APT) is collaborating with JSTOR to digitize, preserve and extend access to Bulletin of the Association for Preservation Technology. http://www.jstor.org This content downloaded from 128.59.130.200 on Tue, 17 Sep 2013 16:52:33 PM All use subject to JSTOR Terms and Conditions APTVol. X11N' 4 1980 INVENTINGTHE I-BEAM: RICHARDTURNER, COOPER & HEWITTAND OTHERS' by CharlesE. Peterson,F.A.I.A.* Forwell over a centurythe I-beam,rolled first in wroughtiron -the bulb-tee used from1848 on forsupporting fireproof brick and then in steel, has been one of the most widely used building floorsand ceilings. By 1856 a trueI-beam was rolledat Trenton, elementsever invented. The story of itsdevelopment is stillobscure New Jerseyand it was at once adoptedfor the new Federalbuild- at severalpoints.
  • 1,545 Sf Retail Space Available 27 Saint Marks Place | East Village, Ny

    1,545 Sf Retail Space Available 27 Saint Marks Place | East Village, Ny

    BETWEEN SECOND & THIRD AVENUES 1,545 SF RETAIL SPACE AVAILABLE 27 SAINT MARKS PLACE | EAST VILLAGE, NY Great Restaurant/QSR Potential 1,545 SF COMING SOON AVAILABLE DAVID SINGER DAVID YABLON Sales Associate Director [email protected] [email protected] (212) 257-5061 (212) 433-1986 Blue Meadow Flowers Purse Props City of Saints Coffee Roasters Blockheads Kollegie Third North Courtyard Cafe 12th Street Ale House Sundaes and Cones Ippudo NY Turntable ab Ruby’s Cafe HIGHLIGHTS Kotobuki E 11 Happy Bowls NYC Black & hite TH STREET Bar Veloce Prime retailEast Village space Thrift Shop available on bustling Saint Marks Place between Second & E 12 Third Avenues in the East Village.TH The space has 12’ of frontage, 10’ ceilings Ikinari Steak John’s of 12th Street STREET and ampleCacio e Pepe basement storage. Potential for venting. Yuba Kanoyama Motorino The Central Bar POSSESSIONNumero 28 Pizzeria ASKING PRICE E 10 E 8 TH Immediate Upon Request TH AVENUE STREET STREET RD 3 Bluestone ane Abacus Pharmacy Tribe AFAYETTE STREET ASTOR PLACE SUWA STATION 4 6 5,111,358 RIDERS ANNUALL RETAIL SPACE AVAILABLEPULIC SCOOL 1 STUYVESANT STREET Pan Ya EAST E Yuan Dim Sum King TH 1,545 SF Ground Casey Rubber Stamps STREET 212 Hisae’s 800 SF Cellar Tokyo Joe The Alley Klong U2 Karaoke Chikaicious Dessert Bar Buffalo Echange Boka Yakitori Taisho Solas Kingston Hall Veniero’s Pasticceria & Caffe imited to One Record Shop TE GREAT ALL Udon est Cha-An Teahouse The 13th Step Ray’s Pizza & Bagel AVENUE NEIGHBORS AT COOPER UNION Cloister Cafe ND Iggy’s Pizzeria HairMates St.
  • Neri Oxman Material Ecology

    Neri Oxman Material Ecology

    ANTONELLI THE NERI OXMAN CALLS HER DESIGN APPROACH MATERIAL ECOLOGY— A PROCESS THAT DRAWS ON THE STRUCTURAL, SYSTEMIC, AND AESTHETIC WISDOM OF NATURE, DISTILLED AND DEPLOYED THROUGH COMPUTATION AND DIGITAL FABRICATION. THROUGHOUT HER TWENTY- ECOLOGY MATERIAL NERI OXMAN NERI OXMAN YEAR CAREER, SHE HAS BEEN A PIONEER OF NEW MATERIALS AND CONSTRUCTION PROCESSES, AND A CATALYST FOR DYNAMIC INTERDISCIPLINARY COLLABORATIONS. WITH THE MEDIATED MATTER MATERIAL GROUP, HER RESEARCH TEAM AT THE MIT MEDIA LAB, OXMAN HAS PURSUED RIGOROUS AND DARING EXPERIMENTATION THAT IS GROUNDED IN SCIENCE, PROPELLED BY VISIONARY THINKING, AND DISTINGUISHED BY FORMAL ELEGANCE. ECOLOGY PUBLISHED TO ACCOMPANY A MONOGRAPHIC EXHIBITION OF OXMAN’S WORK AT THE MUSEUM OF MODERN ART, NEW YORK, NERI OXMAN: MATERIAL ECOLOGY FEATURES ESSAYS BY PAOLA ANTONELLI AND CATALOGUE HADAS A. STEINER. ITS DESIGN, BY IRMA BOOM, PAYS HOMAGE TO STEWART BRAND’S LEGENDARY WHOLE EARTH CATALOG, WHICH CELEBRATED AND PROVIDED RESOURCES FOR A NEW ERA OF AWARENESS IN THE LATE 1960S. THIS VOLUME, IN TURN, HERALDS A NEW ERA OF ECOLOGICAL AWARENESS—ONE IN WHICH THE GENIUS OF NATURE CAN BE HARNESSED, AS OXMAN IS DOING, TO CREATE TOOLS FOR A BETTER FUTURE. Moma Neri Oxman Cover.indd 1-3 9.01.2020 14:24 THE NERI OXMAN MATERIAL ECOLOGY CATALOGUE PAOLA ANTONELLI WITH ANNA BURCKHARDT THE MUSEUM OF MODERN ART, NEW YORK × Silk Pavilion I Imaginary Beings: Doppelgänger Published in conjunction with the exhibition Published by Neri Oxman: Material Ecology, at The Museum of The Museum of Modern Art, New York Modern Art, New York, February 22–May 25, 2020. 11 West 53 Street CONTENTS Organized by Paola Antonelli, Senior Curator, New York, New York 10019 Department of Architecture and Design, www.moma.org and Director, Research and Development; and Anna Burckhardt, Curatorial Assistant, © 2020 The Museum of Modern Art, New York 9 FOREWORD Department of Architecture and Design Certain illustrations are covered by claims to copyright cited on page 177.
  • St. Marks Place 5Th Floor, East Village Nyc

    St. Marks Place 5Th Floor, East Village Nyc

    6 RETAIL FOR LEASE ST. MARKS PLACE 5TH FLOOR, EAST VILLAGE NYC Between Second & Third Avenues APPROXIMATE SIZE 5th Floor: 3000 SF ASKING RENT TERM $10,000/Month Long Term $8,000/Month POSSESSION FRONTAGE Immediate 26 FT COMMENTS • Brand new renovation • Private entrance elevator • Steps from Astor Place, NYU, Cooper Union, as well as the hottest restaurants and nightlife in NYC NEIGHBORS New York University • Cooper Union • Starbucks • Dunkin’ • Ben & Jerry’s • Mamoun’s • Kung Fu Tea • Veselka TRANSPORTATION JAMES FAMULARO BEN BIBERAJ JACK MOSSERI President Director Associate [email protected] [email protected] 703.434.1461 212.468.5976 All information supplied is from sources deemed reliable and is furnished subject to errors, omissions, modifications, removal of the listing from sale or lease, and to any listing conditions, including the rates and manner of payment of commissions for particular offerings imposed by Meridian Capital Group. This information may include estimates and projections prepared by Meridian Capital Group with respect to future events, and these future events may or may not actually occur. Such estimates and projections reflect various assumptions concerning anticipated results. While Meridian Capital Group believes these assumptions are reasonable, there can be no assurance that any of these estimates and projections will be correct. Therefore, actual results may vary materially from these estimates and projections. Any square footage dimensions set forth are approximate. 6 ST. MARKS PLACE 5TH FLOOR, EAST VILLAGE, NYC | Between Second & Third Avenues RETAIL FOR LEASE INTERIOR JAMES FAMULARO BEN BIBERAJ JACK MOSSERI President Director Associate [email protected] [email protected] 703.434.1461 212.468.5976 All information supplied is from sources deemed reliable and is furnished subject to errors, omissions, modifications, removal of the listing from sale or lease, and to any listing conditions, including the rates and manner of payment of commissions for particular offerings imposed by Meridian Capital Group.
  • 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25

    1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25

    NYU Urban Design and Architecture Studies New York Area Calendar of Events January 2019 SUN MON TUE WED THU FRI SAT 1 2 3 4 5 6 7 8 9 10 11 12 Past, Present, and Future Tour Design and the Just City in NYC Underground Manhattan, The History of the NYC Subway System 13 14 15 16 17 18 19 Marina Tabassum: Happy 50th Past, Present, and Dwelling in the Anniversary, St. Future Tour Ganges Delta Mark’s Historic District! In Our Time: A Year of Architecture in a Day 20 21 22 23 24 25 26 Contested Ground: Affordable Design Past, Present, and Design and the and Beyond: Future Tour Politics of Memory Addressing the Needs of All Behind-the-Ropes: Classical New Populations Insider’s Tours of the York: Discovering Merchant’s House Greece and Rome in Lower Manhattan 27 28 29 30 31 Buromoscow Drawing Codes: Just Another Brick Inside Out/Outside ​ Gallery Roundtable in the Wall In: Second Nature The Making of the in Japanese Greenwich Village Presentation for Architecture Historic District League Grants Events The Municipal Art Society of New York SEE ALL EVENTS → ​ ​ WED 9 School Program Tour Bernard and Anne Spitzer School of Architecture Learn about the Spitzer School’s undergraduate and graduate programs. This tour will include the studios, fabrication shop, library, and Solar Roof pod. EVENT TYPE Graduate Program Tour DATE & TIME Wednesday, January 9th | 3:30 – 4:30 PM VENUE Bernard and Anne Spitzer School of Architecture 141 Convent Avenue New York, NY 10031 FEE Free and open to the public REGISTER Education Design for the Homeless Gary Armbruster, AIA, ALEP, Principal Architect and Partner, MA+ Architecture Amy Brewer, M.Ed., Director of Education, Positive Tomorrows Angela M.
  • Experimental Skin Kunsthaus Graz

    Experimental Skin Kunsthaus Graz

    EXPERIMENTAL SKIN KUNSTHAUS GRAZ document Dissertation 2. EXPERIMENTAL SKIN KUNSTHAUS GRAZ Oxford Brookes University · Module U30099 · Supervisor Christina Godiksen Dissertation document 2. A dissertation presented to the School of Architecture, Oxford Brookes University in part fulfilment of the regulations for BA (Hons) in Architecture STATEMENT OF ETHICS This dissertation involved human participants. A Form E1BE REVIEW APPROVAL for each group of participants, showing ethics review approval, has been attached to this dissertation as an appendix. STATEMENT OF This dissertation is an original piece of work which is made available ORIGINALITY for copying with permission of the Head of the School of Architecture THEO JONES 12070837 COVER IMAGE fig.01 installation touch (author, 2014) DESIGN & LAYOUT Theo Jones JANUARY 2015 LICENSED Creative Commons Attribution - Non Commercial - Share Alike 3.0 theojones.com [email protected] COPYRIGHT © 2015 CONTENTS 05. Focus 07. Timeline 09. Definitions 11. Introduction many thanks to 14. Competition vs. Building my parents 23. Contemporary Comment who have tirelessly proof read all my writings throughout my degree, including of course this dissertation 27. Conclusion 28. Figures 29. Bibliography 30. Appendix FOCUS The winning Kunsthaus Graz competition design spoke of a seamless laminated fabric skin of carbon threads, fluids, fiber optics, solar cells and varying transparency (Bogner, 2004, p.42). The built building’s skin has little relation to the proposal; being made from opaque acrylic panels separated
  • Raimund Abraham: Rund Um Den Nullpunkt

    Raimund Abraham: Rund Um Den Nullpunkt

    Falter, Wien. Nr. 13 / 1986 Raimund Abraham: Rund um den Nullpunkt Ein Falter-Gespräch mit Raimund Abraham (New York - Wien), anfang der sechziger Jahre mit Hans Hollein und Walter Pichler Mitbegründer des ‚Austrian Phenomen’ einer neuen experimentellen Architektur und heute einer der führenden theoretischen Köpfe der Avantgarde für eine Architektur nach der Postmoderne. Der Anlaß: Seine Ausstellung ‚Stadtfragmente' im Otto Wagner-Archiv in Wien. Seine Gesprächspartner: Dietmar Steiner und Christian Reder, beide tätig an der Hochschule für angewandte Kunst in Wien. +++ Steiner: Was uns ‚Hinterbliebene' immer interessiert: Warum weg aus Wien, warum solange New York, warum nicht zurück. warum nicht woanders hin? Abraham: Das ist einfach zu beantworten. Ich fühlte mich plötzlich eingeengt, es gab da so einen Stillstand. Mein Studienkollege und zeitweiliger Arbeitspartner Friedrich St. Florian, der schon an der Rhode Island School of Design tätig war, hat mich dann, 1964, für eine kleine Ausstellung und ein Seminar eingeladen und dort hat man mir eben eine Professur angeboten und so bin ich geblieben. Zuerst war ich ein paar Monate in New York, dort habe ich Frederick Kiesler kennengelernt und er hat mir sein Atelier zur Verfügung gestellt, weil er krank war, und so habe ich zum ersten Mal diese Stadt erfahren. Das war wie eine Erlösung. Und in den zwanzig Jahren seither habe ich gelernt, wie der Abstand zur eigenen Kultur Sensibilitäten hervorruft, z.B. in Bezug auf die Muttersprache, die man ohne ihn nicht findet. Inzwischen hat sich New York wie jede andere internationale Stadt auch dem Innentourismus geopfert . Die Leute verlieren ihr Gesicht, die Stadt wird anonym.
  • Cost $166-Million

    Cost $166-Million

    THE CHRONICLE OF HIGHER EDUCATION November 13, 2011 Cooper Union, Bastion of Free Arts Education for the Deserving, Mulls Tuition By Scott Carlson *Jamshed Bharucha, Cooper Union's new president, stands in front of a statue of Peter Cooper, the wealthy philanthropist for whom the college was named. Last year Cooper Union ran a budget deficit of about 27 percent. Mark Abramson for The Chronicle The last time Cooper Union charged tuition to a full-time student was in 1902. Around then, Andrew Carnegie gave the college a gift that would allow it to meet the wish of its founder to make education as "free as air and water," as Peter Cooper had put it. Students here—in the college's well-known programs in the arts, engineering, and architecture—are selected based on talent and promise, not on what they can pay. At a time when tuition at some colleges has reached stratospheric amounts, Cooper Union's cherished and lofty educational ethic is quite unusual in academe. And it is also endangered. On Halloween night here in the East Village, Cooper Union's students gathered to hear Jamshed Bharucha, who has been president for merely four months, lay out some staggering facts about the institution's finances: For years, the Cooper Union for the Advancement of Science and Art has been burning through the unrestricted part of its endowment to cover shortfalls in its budget, and his administration predicts that the cushion will be gone in two to three years. Cooper Union's new academic building, designed by the star architect Thom Mayne, is a landmark—and cost $166- million.
  • Radical Austria Everything Is Architecture English

    Radical Austria Everything Is Architecture English

    RADICAL RADICAL AUSTRIA EVERYTHING IS ARCHITECTURE ENGLISH AUSTRIA RADICAL AUSTRIA EVERYTHING IS ARCHITECTURE ENGLISH RADICAL AUSTRIA RADICAL AUSTRIA From the adage ‘Everything is architecture’ formulated EVERYTHING IS ARCHITECTURE by Hans Hollein, he and his Austrian contemporaries The experimental work by Austrian architecture collec- shape their vision of the world in all possible domains: tives and designers from the early 1960s to mid-1970s from inflatable shelters to performances, from fashion has been described as ‘the Austrian avant-garde’. to furniture and from television programs to cities of the This exhibition is dedicated to the mind-expan ding, future. Early on they start experimenting with cyber ne- boun dary-shifting and socially critical work of these tics, space travel, drugs, media and gender. Finding designers. Not accepting limitations of definitions inspiration in pop culture, they often organise them- and disciplines, they created buildings, environ ments, selves as improvising collectives, like the example set objects, fashion, performances, furniture and even by psychedelic rock groups. experiences. The combination of experiment and analysis makes the Works by groups such as Coop Himmelb(l)au, Austrian avant-garde one of the most radical move- Haus-Rucker-Co, Zünd-Up and independent designers ments of that time. Their topics are still relevant today: and artists such as Walter Pichler, Hans Hollein and addressing the relationship between man and machine, VALIE EXPORT are a reaction to social and techno lo- communication versus isolation and the desire to create gical developments at large as well as to the specific personal bubbles. The visions these activist designers Austrian context.