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Peter Rice (1935-1992) and Richard Rogers (1933)
Module 8 HISTORY OF ARCHITECTURE PETER RICE (1935-1992) AND RICHARD ROGERS (1933) Peter Rice was one of the most imaginative and gifted structural engineers of the late 20th century. He was much loved by the architects with whom he collaborated, and together they achieved some of the most technically ingenious buildings of the period. He was born in Dundalk, Ireland, in 1935 and studied engineering at Queens University in Belfast and Imperial College London. In 1956, he joined the engineering practice of Ove Arup and Partners, which he collaborated with for 30 years. His first major project was working on the Sydney Opera House (designed by Jørn Utzon) when he was only 28. It was this project which gave him the experience of working on a large and complex project – a knowledge he would put to good use in his future career. Rice worked closely on major projects with architects such as Norman Foster, Ian Ritchie, Kenzo Tange and Renzo Piano. Piano said of him, “Peter Rice is one of those engineers who has greatly contributed to architecture, reaffirming the deep creative inter-connection between humanism and science, between art and technology.” The long list of significant buildings for which his rigorous approach created poetic results includes a series studies of structural forms and the possibilities of various materials – concrete at Lloyd’s of London (designed by Richard Rogers), glass at Les Serres at La Villette in Paris, ferro-cement and iron at the Menil Collection Museum in Houston (designed by Renzo Piano), and stone at the Pabellón del Futuro, Expo ’92 in Sevilla, Spain, to name a few. -
“Shall We Compete?”
5th International Conference on Competitions 2014 Delft “Shall We Compete?” Pedro Guilherme 35 5th International Conference on Competitions 2014 Delft “Shall we compete?” Author Pedro Miguel Hernandez Salvador Guilherme1 CHAIA (Centre for Art History and Artistic Research), Universidade de Évora, Portugal http://uevora.academia.edu/PedroGuilherme (+351) 962556435 [email protected] Abstract Following previous research on competitions from Portuguese architects abroad we propose to show a risomatic string of politic, economic and sociologic events that show why competitions are so much appealing. We will follow Álvaro Siza Vieira and Eduardo Souto de Moura as the former opens the first doors to competitions and the latter follows the master with renewed strength and research vigour. The European convergence provides the opportunity to develop and confirm other architects whose competences and aesthetics are internationally known and recognized. Competitions become an opportunity to other work, different scales and strategies. By 2000, the downfall of the golden initial European years makes competitions not only an opportunity but the only opportunity for young architects. From the early tentative, explorative years of Siza’s firs competitions to the current massive participation of Portuguese architects in foreign competitions there is a long, cumulative effort of competence and visibility that gives international competitions a symbolic, unquestioned value. Keywords International Architectural Competitions, Portugal, Souto de Moura, Siza Vieira, research, decision making Introduction Architects have for long been competing among themselves in competitions. They have done so because they believed competitions are worth it, despite all its negative aspects. There are immense resources allocated in competitions: human labour, time, competences, stamina, expertizes, costs, energy and materials. -
ANDO, TADAO 1941– Quickly, Efficiently, and Safely Experienced by Large Numbers of Paying Customers
52 AMUSEMENT PARK houses, viewing platforms, dioramas, and shooting galleries. Koolhaas, Rem, Delirious New York,New York: Oxford University Rapid development of the surrounding areas forced Jones’s Press, and London: Thames and Hudson, 1978; 2nd edition, Wood to close in the late 1860s just as a new era in amusement New York: Monacelli, 1994 park design was beginning on nearby Coney Island. Kyriazi, Gary, The Great American Amusement Parks, Secaucus, New In 1897 George Tilyou erected a walled enclosure around Jersey: Citadel Press, 1976 Marling, Karal Ann (editor), Designing Disney’s Theme Parks: The his Steeplechase ride on Coney Island. This act of enclosing the Architecture of Reassurance, Paris and Montreal: Flammarion, site and controlling entry to his rides is regarded as a defining 1997 moment in 20th-century amusement park design. Of similar McCullough, E. Good Old Coney Island,New York: Charles significance is Tilyou’s claim that if “Paris is France, Coney Scribner’s Sons, 1957 Island, between June and September, is the World” (McCul- Sorkin, Michael (editor), Variations on a Theme Park: The New lough, 1957, 291). With this statement, Tilyou set in motion American City and the End of Public Space,New York: Hill and the 20th-century amusement park obsession with spatial and Wang, 1992 cultural simulation. Tilyou believed that by constructing replicas of famous building types from different parts of the world, he could simulate the entire planet in such a way that it could be ANDO, TADAO 1941– quickly, efficiently, and safely experienced by large numbers of paying customers. Such was the success of Steeplechase Park Architect, Japan (1897) that two new Coney Island amusement parks, Luna Park Tadao Ando, one of the most important contemporary Japanese (1903) and Dreamland (1904), soon followed. -
Frei Otto 2015 Laureate Media Kit
Frei Otto 2015 Laureate Media Kit For more information, please visit pritzkerprize.com. © 2015 The Hyatt Foundation Contents Contact Media Release ................................ 2 Tributes to Frei Otto ............................ 4 Edward Lifson Jury Citation .................................. 9 Director of Communications Jury Members .................................10 Pritzker Architecture Prize Biography ....................................11 [email protected] Past Laureates .................................14 +1 312 919 1312 About the Medal ...............................17 History of the Prize .............................18 Evolution of the Jury. .19 Ceremonies Through the Years ................... 20 2015 Pritzker Architecture Prize Media Kit Media Release Announcing the 2015 Laureate Frei Otto Receives the 2015 Pritzker Architecture Prize Visionary architect, 89, dies in his native Germany on March 9, 2015 Otto was an architect, visionary, utopian, ecologist, pioneer of lightweight materials, protector of natural resources and a generous collaborator with architects, engineers, and biologists, among others. Chicago, IL (March 23, 2015) — Frei Otto has received the 2015 Pritzker Architecture Prize, Tom Pritzker announced today. Mr. Pritzker is Chairman and President of The Hyatt Foundation, which sponsors the prize. Mr. Pritzker said: “Our jury was clear that, in their view, Frei Otto’s career is a model for generations of architects and his influence will continue to be felt. The news of his passing is very sad, unprecedented in the history of the prize. We are grateful that the jury awarded him the prize while he was alive. Fortunately, after the jury decision, representatives of the prize traveled to Mr. Otto’s home and were able to meet with Mr. Otto to share the news with him. At this year’s Pritzker Prize award ceremony in Miami on May 15 we will celebrate his life and timeless work.” Mr. -
New York — 24 September 2019
ÁLVARO SIZA Curated by Guta Moura Guedes New York — 24 September 2019 PRESS KIT A Bench For a Tower The First Stone programme is offering a bench made of Portuguese Estremoz marble, designed by Álvaro Siza, for his Tower in New York. The presentation of the bench is on the 24th of September at the sales gallery of the building in Manhattan and includes a presentation by the architect. After several projects developed and presented in Venice, Milan, Weil am Rhein, São Paulo, London, Lisbon and New York, the First Stone programme returns to this iconic North-American city - this time to present Hell’s Kitchen Bench, designed by the Pritzker Prize winning architect Álvaro Siza, specifically for the lobby of his new tower on the island of Manhattan. Hell’s Kitchen Bench is a large-scale streamlined bench, created for one of the most striking new residential projects in New York city: 611 West 56th Street, the first building by Álavro Siza, one of the greatest architects of our time, on American soil. This bench, also designed by the Architect, was commissioned within the scope of the First Stone programme, which has become a cornerstone for the promotion of Portuguese stone and its industry throughout the world. The bench is a gift from the First Stone programme and will be permanently installed within the lobby of this skyscraper. Its presentation to the press and a select group of guests will occur in New York on Tuesday the 24th of September around 4:30 pm, and will include the participation of Álvaro Siza. -
Experimental Skin Kunsthaus Graz
EXPERIMENTAL SKIN KUNSTHAUS GRAZ document Dissertation 2. EXPERIMENTAL SKIN KUNSTHAUS GRAZ Oxford Brookes University · Module U30099 · Supervisor Christina Godiksen Dissertation document 2. A dissertation presented to the School of Architecture, Oxford Brookes University in part fulfilment of the regulations for BA (Hons) in Architecture STATEMENT OF ETHICS This dissertation involved human participants. A Form E1BE REVIEW APPROVAL for each group of participants, showing ethics review approval, has been attached to this dissertation as an appendix. STATEMENT OF This dissertation is an original piece of work which is made available ORIGINALITY for copying with permission of the Head of the School of Architecture THEO JONES 12070837 COVER IMAGE fig.01 installation touch (author, 2014) DESIGN & LAYOUT Theo Jones JANUARY 2015 LICENSED Creative Commons Attribution - Non Commercial - Share Alike 3.0 theojones.com [email protected] COPYRIGHT © 2015 CONTENTS 05. Focus 07. Timeline 09. Definitions 11. Introduction many thanks to 14. Competition vs. Building my parents 23. Contemporary Comment who have tirelessly proof read all my writings throughout my degree, including of course this dissertation 27. Conclusion 28. Figures 29. Bibliography 30. Appendix FOCUS The winning Kunsthaus Graz competition design spoke of a seamless laminated fabric skin of carbon threads, fluids, fiber optics, solar cells and varying transparency (Bogner, 2004, p.42). The built building’s skin has little relation to the proposal; being made from opaque acrylic panels separated -
Beyond Architecture 227
BEYOND ARCHITECTURE 227 Beyond Architecture: Technology, Freedom, and Play RENATA HEJDUK Arizona State University With apologies to the master, the house is close examination and comparison of the an appliance for carrying with you, the aforementioned practitioners is the idea of an city is a machine for plugging into. architecture that is itself mobile and/or transportable, or one that encourages the David Greene, Living Pod, 1966 mobility and freedom of the mind and body within its structures. The notion of "play" Given the recent interest in and enormous (Notes, 1) is often invoked in the amount of press given to architectural programmatic descriptions of these projects. environments that can move and be moved, The works discussed in this essay are mainly expand, plug-in, un-plug, tune in and turn on, theoretical, prototypical, or conceptual. this essay will provide a brief introduction to the cultural and philosophical framework that preceded and initiated this contemporary discussion. Themes of liberation and freedom were commonplace by the mid-1960s: the Civil Rights, Feminist, and Free-Speech Movements were only a few of the numerous peaceful (and not-so-peaceful) coalitions that formed under the banner of freedom. The historian Arthur Marwick notes that never before had society seen the development of such a large number of different subcultures all characterized by a trend toward freedom and permissiveness. (Fig. 1) This essay attempts to identify a line of thought that runs through the work of the British and European Radical Avant-garde of the 1960s and early 1970s. Archigram's groundbreaking magazine/ architectural telegram Archigram, particularly Figure 1. -
Archigram: Architecture Inside Out
Archigram: Architecture Inside Out By Crystal Ray Submitted to the Department of Architecture in partial fulfillment of the requirements for the Degree of Bachelor of Science as recommended by the Department of Architecture at the Massachusetts Institute of Technology. June 2011. ©2011 Crystal Ray. All Rights Reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. () ( Author Crystal Ray Department of Architecture May 20, 2011 Certified by / / F lo Lawrence Sass Associate Professor of Computation Department of Architecture Accepted by Meejin Yoon Professor of Architecture Director o the Undergr duate Architecture Program MAPWSSAC6HUS ETTS IN S T I TUT OF TECHN-OLOGY JUN 10 2011 L RA R IES ARCHIVES Committee THESIS ADVISOR: Lawrence Sass Professor in Computation Department of Architecture Archigram: Architecture Inside Out By Crystal Ray Submitted to the Department of Architecture on May 20, 2011 in partial fulfillment of the requirements for the Degree of Bachelor of Science as recommended by the Department of Architecture at the Massachusetts Institute of Technology. Abstract Plug-in city has been explored by others through 3d renditions, however, their 3D rendition are subject to interpretation as its design and development progressed through modeling and a series of drawings by Peter Cook. With the foundational skills gained from Professor Nagakura's courses, I worked over the semester to model and animate one of Archigram's most notable works, Plug-in City, with a focus on the city's dynamic transportation system for people and goods. -
Royal Gold Medal 2012 Per Herman Hertzberger
Royal Gold Medal 2012 per Herman Hertzberger L’architetto olandese di fama internazionale Herman Hertzberger è stato insignito della Royal Gold Medal 2012. Data come riconoscimento del lavoro di una vita, la Royal Gold Medal, fondata nel 1848 e tuttora vigente, è approvata personalmente da Sua Maestà la Regina e viene assegnata ogni anno a una persona o un gruppo di persone la cui influenza sull’architettura ha avuto un effetto veramente internazionale. Nato nel 1932 Herman Hertzberger ha aperto il proprio studio di architettura nel 1960, l’attuale Architectuurstudio HH di Amsterdam. Una delle sue maggiori influenze nell’architettura del 20° secolo è stata quello di sfidare la convinzione dei primi modernisti che “la forma segue la funzione” – ovvero che la forma dell’edificio è definita dalla sua finalità. Hertzberger ritiene che la funzione principale di un edificio non fornisca la soluzione completa per l’utilizzo dello spazio: esso è piuttosto un quadro che dovrebbe consentire ai suoi utenti di interpretare e definire il modo in cui lo abitano. I suoi edifici offrono un flessibile spazio “in between” che incoraggia i bisogni più profondi dell’uomo nell’abitazione e nelle attività sociale. La Presidente del RIBA Angela Brady che ha presieduto il Comitato Honours che ha selezionato il vincitore della Royal Gold Medal ha detto: “Herman Hertzberger ha trasformato sia il nostro modo di pensare l’architettura, nel modo in cui sia gli architetti sia le persone utilizzano gli edifici. La sua architettura riguarda la forma e lo spazio che egli definisce come “luogo non appropriato”. Nel corso della sua carriera la sua umanità ha brillato nella realizzazione di scuole, case, teatri e luoghi di lavoro. -
Spring 2010 RIBA Is Located at 66 Portland Place at the Junction with Weymouth Exhibitions, Talks and Events Street
RIBA Visitor Information Whether new to the RIBA or a regular visitor, we welcome everyone to the Royal Institute of British Architects. From engaging exhibitions and high-profile lectures to delicious food and fascinating books, we have something for everyone to enjoy. Open Monday–Saturday Closed Sundays See page 19 for opening times Admission Admission to the RIBA is free. This includes our exhibition galleries, Library, Shop and Café. There may be a charge for specific events such as talks. Finding Us Spring 2010 RIBA is located at 66 Portland Place at the junction with Weymouth Exhibitions, talks and events Street. Nearest tube stations are Great Portland Street, Oxford Circus and Regent’s Park. Buses C2, The Art of Mud Building 88 and 453 stop nearby. Climate Change talks season Access Emerging Architecture Step-free access, non-motorised wheel chairs and lifts to all Inside Irish Architecture floors are available. Guide dogs are welcome. Palladio in New York Keep in touch Royal Gold Medal: I. M. Pei Stay informed about our latest events and exhibitions as well as news and offers. Subscribe to our free monthly email newsletter online at www.architecture.com/enews Royal Institute of British Architects 66 Portland Place London W1B 1AD T 020 7580 5533 F 020 7255 1541 Front cover The Djenné www.architecture.com Mosque ©Trevor Marchand Welcome From exhibitions and talks to conferences and awards, the RIBA Trust advances architectural and design excellence through engagement with all. Highlights this spring include two combined exhibition and talks programmes: Emerging Architecture and The Art of Mud Building – the latter focussing on the African city of Djenné – as well as the continuing Architecture and Climate Change talks series. -
University of Calgary Transvaluation of Architecture
UNIVERSITY OF CALGARY TRANSVALUATION OF ARCHITECTURE: A PERSPECTIVE ON PERFORMATIVE VALUE IN ARCHITECTURE by KAMARAN ALI NOORI A THESIS SUBMITTED TO THE FACULTY OF ENVIRONMENTAL DESIGN IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ENVIRONMENTAL DESIGN THE FACULTY OF ENVIRONMENTAL DESIGN CALGARY, ALBERTA JANUARY 2011 © KAMARAN ALI NOORI 2011 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-79656-6 Our file Notre reference ISBN: 978-0-494-79656-6 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduce, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciaies ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Archigram Pdf Free Download
ARCHIGRAM PDF, EPUB, EBOOK Peter Cook, Michael Webb | 152 pages | 01 Sep 1999 | PRINCETON ARCHITECTURAL PRESS | 9781568981949 | English | New York, United States Archigram PDF Book The first is that it is linear rather than circular. Master of Architecture Design. Attractions included a police van mired in the muck and goo of a forgotten cityscape, and an overturned pumpkin coach and horses with Cinderella tossed half outside of it. Search Search. Similarly with Archigram , whose vivid collages gave form and voice to a generation impatient with the dry prescriptions of mainstream modernists. Long overdue, Simon Sadler's book finally gives us a meticulous ideological history of the evolution of Archigram, one which will prove invaluable to all future accounts of British architectural culture during the s. Bringing these architectures to life, however, is where challenges arise. Every issue is reproduced in its entirety at high resolution and in full color. I had just unpacked all nine and a half issues of Archigram , and, frankly, I was a little giddy. All art gifts Stationery Gift vouchers. In depth details of how the megastructure, the cranes and the plug-in elements would be constructed is not evident as this was not the focus point of the project, rather the symbolization of technology and the opportunities it allowed. By Sarah Deyong. Ross Elfline rated it it was amazing Jan 11, About Contact Privacy Policy Advertise. Healthy High Density Cities Lab. More filters. This is not surprising: the Situationists are exciting ; Archigram is, in comparison, merely interesting , or at least far less dangerous. Return to Book Page.