DOCSLIB.ORG

Samuli Majamäki CV 2016

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Samuli Majamäki CV 2016 SAMULI “TEHO” MAJAMÄKI Musician, Music producer, Meditation and improvisation teacher PERSONAL AND CONTACT INFORMATION: Born 10.12.1971, Pori, Finland Selkämerenkatu 6 F 81 00180 Helsinki Finland Tel: +358 40 515 0699 Email: [email protected] EDUCATION: Yogalates™, meditation and smallgroups teacher training, Byron Bay, Australia 2002 Diploma of remedial massage, Nature Care College, Sydney 2001 Music conservatorium of Turku 1990–93 and 1994–95 Music conservatorium of Joensuu 1993–94 Hankoniemi College, music course 1989–90 Keskipohjanmaa Music Conservatorium 1988–89 Lärkulla-Stiftelsens College, music course 1987–88 Music Academy of Pori 1979–1987 INSTRUMENTS: Vibraphone, marimba, mallet instruments Drums and ethnic percussions Self made percussions Santoor, irimba and other ethnic instruments Keyboards Recording and production studio tools WORK EXPERIENCE AS MUSICIAN: Nivelet performance group 2015– Rautala performance group 2014– Niillas Holmberg Kvarteahtta 2014– Ashimba trio 2013– Linda Fredriksson & Teho Majamäki –duo 2013– Johanna Kurkela Band 2012– Von Krahl Teater, Tallinn 2012 Andrew Ashimba & Teho Majamäki Band 2011– Ismo Alanko & Teho-osasto 2010–2011 Tapani Rinne & Teho Majamäki duo 2008 - Ismo Alanko Teholla duo 2006–2010 Riku Niemi’s projects 2006– Arnold Chiwalala PolePole Trio 2004–2006 RinneRadio 2002– Dance-theatre Eri 2000–2001 Ismo Alanko Säätiö 1997–2002 Teho Majamäki & Hepa Halme Duo 1999–2001 Ismo Alanko & Teho Majamäki Duo 1998–2000 Puppet theatre Vunukka 1995–1999 HC Andersen 1987–1999 Olli Pohjola’s projects 1991–1998 Symphony orchestra Avanti! 1995–1998 Symphony orchestra VIVO 1986–1998 Ismo Alanko ja Vapaat soittajat 1995–1997 Nylon 66’ers 1991–1997 WORK EXPERIENCE AS PRODUCER: Teho Majamäki – Travelogue album 2016 Udu Mood Music recording and producing Tapani Rinne – Teho Majamäki – Under the Ground album 2015 Aani records recording and producing Ashimba – Wakukaya album 2012 Udu Mood Music recording and producing Tapani Rinne – Teho Majamäki – Inside the Temple album 2011 Rockadillo records recording and producing Seppo Renwal – EesTaas dvd 2009 Udu Mood Music recording and producing Aivoaula – Braindrop album 2008 Udu Mood Music recording and producing Jenia Lubich – Seasons album 2008 Udu Mood Music recording and producing Jhiko man – Japo album 2007 Udu Mood Music recording and producing Breadmachine – Under the greenwood tree album 2007 Rose Bud records recording and producing Sudenaika – Unta album 2006 Rockadillo records recording and producing Finland – Tanzania art co-operation project 2004 Finnish Embassy main producer Tervakello – udu orchestra album 2004 Tervakello Records producer PUBLISHED RECORDINGS AS MUSICIAN: Teho Majamäki : Travelogue UduMoodMusic 2016 Tapani Rinne & Teho Majamäki : Under the ground Aani records 2015 Tuomas Holopainen : A Lifetime of Adventure Roadburner Records 2014 Niillas Holmberg : Assimilasuvdna Blues Tuuba Records 2014 Johanna Kurkela : Joulun lauluja Kaiku Recordings 2013 Ashimba: Wakukaya Udu Mood Music & Grandpop Records 2011 Tapani Rinne & Teho Majamäki: Inside the Temple Rockadillo records 2011 Nils Kercher: Ancient Intimations Live Nils Kercher Records 2011 Ismo Alanko Teholla: Onnellisuus Fullsteam records 2010 Ismo Alanko Teholla: Blanco Spirituals Fullsteam records 2008 Ismo Alanko Säätiö: Sisäinen solarium Poko records 2000 Ismo Alanko Säätiö: Luonnossa Poko records 1998 Ismo Alanko Säätiö: Pulu Poko records 1997 Ismo Alanko: Irti Poko records 1996 RinneRadio: On Rockadillo records 2007 RinneRadio: Pan Rockadillo records 2004 Aivoaula: Brain drop UduMoodMusic 2008 Jhikoman: Yapo UduMoodMusic 2009 Suden Aika: Unta Rockadillo records 2006 Seppo Renval: Ees-taas DVD UduMoodMusic 2008 Anssi Kela: Nummela Sony BMG 2001 Hepa Halme Prospekt: Nine Steps in Line of Beauty Silence 2003 Eläkeläiset: Humppamaratoni Humppa records 1997 HC Andersen: Eventyr Seal on Velvet 1995 HC Andersen: Hämäyksen Koston pojan paluu II Seal on Velvet 1993 HC Andersen: Viisi vuodenaikaa Wiipurin A-levyt 1992 HC Andersen: Satuja ja tarinoita Wiipurin A-levyt 1990 Nylon 66érs: Zum Teufel, Baby Stupido twins records 1994 Nylon 66érs: Absurdo Stupido twins records 1992 Kostajat: kostajat Riemu-records 2000 Sanna Kurki-Suonio: Musta Zen Garden 1998 Symphony orhestra VIVO: Kari Tikka MTV Musiikki 1994 Symphony orhestra VIVO: Finlandia – Tikka Vivo 1991 OTHER PRODUCTIONS: Soundscape production for train stations of Helsinki airport with Tapani Rinne 2015 Producer, composer and musician on Rautala production, Ramsöö 2014 Music composing and performing for Entusiasm movie live shows with Linda Fredriksson 2013 Music composing and performing with Ismo Alanko for Von Krahl Teater, Tallinn 2012 Design and production of Alkumeri Festival as part of European Cultural Capital Year Turku 2011 Music composing and recording for TV-program “Prisma” 2010 Music composing and producing for short film ”Hit the Road” by Tero Jartti 2009 Producer in Tanzania–Finland art cooperation project 2004 Music composing and recording for TV-program “Synttärit” 2004 Instrument design for cheramic artist Ville-Matti Simonen 1999–2004 Instrument design, music composing and teaching for Sorin Sirkus 2003 Music composing and recording for TV -program “Lakisarja” 2002 Instrument design for theatre performance “Queen of Saba” 2001 Design and production of Primal sea (Alkumeri) music and art production 1999–2000 Ismo Alanko Säätiö group & Stefan Lindfors production ”Labra” 1999–2000 Music for theatre Toteem group with Sanna Kurki-Suonio 1999 Searail dance production with Ismo Alanko and Ari Numminen 1998 Frida opera with symphony orchestra VIVO and Musicians from Tanzania, Finnish National Opera 1995 OTHER WORK EXPERIENCE: Running own music producing company / record label 2006– Teaching of Yogalates and meditation 2002– Teaching of music improvisation 2000–.
Load more

Recommended publications
  • Aubinet-The-Craft-Of-Yoiking-Revised
    Title page 1 The Craft of Yoiking Title page 2 The Craft of Yoiking Philosophical Variations on Sámi Chants Stéphane Aubinet PhD thesis Department of Musicology University of Oslo 2020 Table of contents Abstract vii Sammendrag ix Acknowledgements xi Abbreviations xv Introduction 1 The Sámi 2 | The yoik 11 [Sonic pictures 17; Creation and apprenticeship 22; Musical structure 25; Vocal technique 29; Modern yoiks 34 ] | Theoretical landscape 39 [Social anthropology 46; Musicology 52; Philosophy 59 ] | Strategies of attention 64 [Getting acquainted 68; Conversations 71; Yoik courses 76; Consultations 81; Authority 88 ] | Variations 94 1st variation: Horizon 101 On the risks of metamorphosis in various practices Along the horizon 103 | Beyond the horizon 114 | Modern horizons 121 | Antlered ideas 125 2nd variation: Enchantment 129 On how animals and the wind (might) engage in yoiking Yoiks to non-humans 131 | The bear and the elk 136 | Enchantment and belief 141 | Yoiks from non-humans 147 | The blowing of the wind 152 | A thousand colours in the land 160 3rd variation: Creature 169 On the yoik’s creative and semiotic processes Painting with sounds 171 | The creation of new yoiks 180 | Listening as an outsider 193 | Creaturely semiosis 200 | The apostle and the genius 207 vi The Craft of Yoiking 4th variation: Depth 213 On the world inside humans and its animation Animal depths 214 | Modal depths 222 | Spiritual depths 227 | Breathed depths 231 | Appetition 236 | Modern depths 241 | Literate depths 248 5th variation: Echo 251 On temporality
    [Show full text]
  • 2001-2002 Season Schedule
    Press Release FOR IMMEDIATE RELEASE: March 6, 2012 The John F. Kennedy Center for the Performing Arts announces Nordic Cool 2013 International Festival of Theater, Dance, Music, Visual Arts, Literature, Design, and Film To Highlight Culture of Denmark, Finland, Iceland, Norway, and Sweden As Well as Territories of Greenland, the Faroe and Åland Islands In Ticketed and Free Events Throughout the Kennedy Center February 19 – March 17, 2013 (WASHINGTON, D.C.)—From February 19 to March 17, 2013, the John F. Kennedy Center for the Performing Arts presents an unprecedented festival highlighting the culture of the Nordic countries— Denmark, Finland, Iceland, Norway, Sweden—and the territories of Greenland, the Faroe, and Åland Islands. Continuing the Center’s tradition of producing renowned international celebrations by curating traditional and contemporary expressions of theater, dance, music, visual arts, literature, design, and film, this Festival will also explore the interplay of themes central to Nordic life, such as nature, technological innovation, environmental sustainability, entrepreneurial spirit, and youth culture. Seeking to answer the question of what is “Nordic,” this Festival aspires to offer clarity on a region of the world whose dynamic culture and creative economy have seemed elusive to many, particularly in America. By exploring the region’s cultural diversity, the Kennedy Center aims to foster an appreciation of the Nordic heritage, and an understanding of the region’s emerging global influence. In addition to the performing arts, New Nordic Cuisine will be highlighted in the Kennedy Center’s restaurants and demonstrations by the region’s renowned chefs will be featured on the Millennium Stage.
    [Show full text]
  • Vuosikertomus 2015 Vuosikertomus 2015 70
    SUOMEN SÄVELTÄJÄT RY VUOSIKERTOMUS 2015 VUOSIKERTOMUS 2015 70. toimintavuosi HALLINTO ORGANISAATIO Yhdistyksen toimisto sijaitsee aivan Helsingin keskustassa, Kampin Huipussa, Urho Kekkosen katu 2 C, jossa olemme Teoston alivuokralaisena. Johtokunta: Puheenjohtaja Antti Auvinen Varapuheenjohtaja Olli Virtaperko Jäsenet Markus Fagerudd Veli Kujala Ilari Laakso Veli-Matti Puumala Riikka Talvitie Johtokunta piti toimintavuoden aikana yksitoista varsinaista kokousta. Näiden lisäksi johtokunta ko- koontui kesäseminaariin elokuussa. Johtokunnan päätöksiä valmisteltiin mm. seuraavissa työryh- missä: - Johtokunnan kokouksia valmisteleva työryhmä - Sääntöuudistustyöryhmä vuosikokoukseen asti - Säveltäjädokumentaation ohjausryhmä - Komposition kehittämistyöryhmä - 70-vuotisjuhlatyöryhmä - Yhteiskuntasuhdetyöryhmä - Sääntöjen lisäksi alettiin valmistella ohjesääntöä, johon kirjataan johtokunnan, toimiston ja yhdistyksen toiminnan periaatteet ja toiminnassa noudatettavat menettelytavat. Vuoden aikana järjestettiin myös useita tapaamisia Teoston hallituksen vakavan musiikin edustajan, Kimmo Hakolan kanssa. Näissä tapaamisissa keskusteltiin Teoston piirissä esiin tulleista asioista. Henkilökunta: Toiminnanjohtaja: Annu Mikkonen Toimistoassistentti: Maisa Mikkonen, osa-aikainen 2 Kuva: Maarit Kytöharju Edessä vas. Pj. Antti Auvinen, Riikka Talvitie, Veli Kujala, Veli-Matti Puumala, Markus Fagerudd sekä vpj. Olli Virtaperko. Takana vas. Maisa Mikkonen ja oik. Annu Mikkonen. Kuvasta puuttuu Ilari Laakso. JÄSENET JA JÄSENKOKOUKSET Yhdistyksen jäsenmäärä
    [Show full text]
  • The YEAR 2014 Top 250.Pdf
    WORLD MUSIC CHARTS EUROPE in the Year 2014 Compiled by Johannes Theurer on behalf of the Worldmusic Workshop of the European Broadcasting Union (EBU) The top 250 of 842 nominated records 1 SOUTAK Aziza Brahim Glitterbeat Western Sahara/Spain 2 TOUMANI & SIDIKI Toumani Diabate & Sidiki Diabate World Circuit Mali 3 TAMBUROCKET HUNGARIAN FIREWORKS Söndörgö Riverboat Hungary 4 TZENNI Noura Mint Seymali Glitterbeat Mauritania 5 BEWARE OF THE FETISH Kasai Allstars Crammed DR Congo 6 LINYERA Melingo World Village Argentina 7 GALIZA Kepa Junkera Folmusica Spain 8 AFRICAN WOMAN Sia Tolno Lusafrica Guinea 9 KONPA LAKAY Boulpik Lusafrica Haiti 10 LIBATION Sierra Leone's Refugee All Stars Cumbancha Sierra Leone/USA 11 LANDINI Aurelio Real World Honduras 12 SOO Habib Koite Contre-Jour Mali 13 LOVELY DIFFICULT Mayra Andrade Columbia/Stern's Cape Verde 14 FILM OF LIFE Tony Allen Harmonia Mundi/Jazz Village Nigeria 15 LE GRAND KALLE: HIS LIFE, HIS MUSIC Joseph Kabasele Stern's DR Congo 16 SALVADORA ROBOT Meridian Brothers Soundway Records Colombia 17 DEVIL'S TALE Adrian Raso & Fanfare Ciocarlia Asphalt Tango Records Romania/Canada 18 TALES FROM A FORGOTTEN CITY Mostar Sevdah Reunion Snail Records/World Connection Bosnia & Herzegowina 19 THE SOUND OF SIAM VOL 2 Various artists Soundway Thailand 20 HEVRA (TOGETHER) Aynur Dogan Sony Classical Turkey 21 MARIACHI BEAT Los de Abajo Flowfish Mexico - &s - 22 QUEEN BETWEEN Susheela Raman World Village UK 23 OUR KIND OF BOSSA Bossacucanova Six Degrees Brazil 24 FOFOULAH Fofoulah Glitterbeat UK 25 LET'S DANCE Ibibio
    [Show full text]
  • Karita Mattila TURKU Looks Forward to Her Summer Holiday and 2011 Concerts in Turku, Pp
    May–August 2011 Karita Mattila TURKU looks forward to her summer holiday and 2011 concerts in Turku, pp. 8-9 European Capital of Culture, here and now. The Finnish premiere Art sauna is The Baltic Sea, the See Turku as a of Isaac Julien’s the crowning archipelago and the tourist: Sightsee- Western Union: Small experience for River Aura – culture ing tours to Turku 7 Boats at Logomo 10 a summer day 14 thrives near water 20 neighbourhoods May – August 2011 TURKU 2011 Editorial p. 14 The Culture Vainio Kari Grand sailing 2011 Tall Ships ships come to Turku. Rega a Chairman of the Board Christoff er Taxell and Managing Director Cay Sevón from the Turku 2011 Foundation and President of the European Commission José Manuel Barroso in Turku on 5th March 2011. Sailing before the wind “I’d already heard that the Turku Capital of Cul- ture year was off to a great start, but now that I’ve visited Turku, I’m truly impressed by what I’ve seen. I believe that the year will have long-last- ing eff ects on the entire city and region.” These encouraging words were spoken by José Manuel Barroso, President of the European Commission, when he visited Turku in early March. I fi nd it easy to agree with him. We’re doing great! The diverse programme for the Capital of Cul- ture year was launched in accordance with the Arto Takala scheduled plans and so far the programme has at- tracted large audiences. Contents Logomo, the main stage for the cultural year, has exceeded expectations and has received a lot of praise.
    [Show full text]
  • Freier Download BA 94 Als
    BAD 94 ALCHEMY ...die zwei Grundmerkmale als Urfundament der Musik..., nach dem etwas nur dann als 'Musik' gelten kann, wenn es entweder über eine "elementare Großzügigkeit" verfügt, oder andererseits als "irgendein unartikuliertes Gebrüll" empfunden werden muss... Im "unartikulierten Gebrüll" als elementarer Bedingung ist enthalten, dass der Klang vom Schmerz des Daseins der Lebewesen ausgelöst wird. Demnach kann nichts als Musik gelten, was nicht vom verborgenen oder ausgedrückten Schmerz der Existenz erzählt, alles andere kann nur irgendein Blödsinn sein... György Szabados in einer Hommage an das musikalische Konzept von Bela Hamvas Der Teufel hole die Bücher, die einer versteht! Albert Paris Gütersloh Gelesen Boris Akunin - Fandorin ermittelt: Türkisches Gambit; Mord auf der Leviathan Claude Auclair - Simon. Zeuge der Zukunft 1- 5 Claude Auclair + Alain Riondet - Simon. Zeuge der Zukunft 6 - 9 John Barth - Die schwimmende Oper Christopher Ecker - Die letzte Kränkung T.S. Eliot - Old Possums Katzenbuch James Gordon Farrell - Troubles Annie Goetzinger - Pierre Christin - Detektei Hardy: Das verschwundene Parfum / Die schwache Spur / Das rote Gift Nikolaj Gogol - Die toten Seelen René Guénon - Der König der Welt Albert Paris Gütersloh - Eine sagenhafte Figur Béla Hamvas - Kierkegaard in Sizilien Fritz von Herzmanovsky-Orlando - Der Gaulschreck im Rosennetz; Das Maskenspiel der Genien Jurgis Kunčinas - Tūla Christian de la Mazière - Ein Traum aus Blut und Dreck Leonardo Padura - Ketzer François Schuiten + Benoît Peters - Nach Paris: Sternennacht Antanas Škėma - Das weiße Leintuch 2 Fahrt ins Blaue (Relaxin' in the Spirit of Jazz) Was tue ich im G ro ß e n S a a l der Würzburger Hochschule für Musik, der am 04. April 2017 anlässlich des Jubiläumskon- zertes zum 30.
    [Show full text]
  • 2014 18 Lifetime Achivement Award 2014 20
    INDEX PAGE INTRODUCTION JURY COORDINATORS 10 THE PRIX EUROPA AWARDS 2014 18 LIFETIME ACHIVEMENT AWARD 2014 20 COMPETING TELEVISION ENTRIES TV DOCUMENTARY 22 TV FICTION 46 TV CURRENT AFFAIRS 74 TV IRIS 92 PRIX GENEVE-EUROPE 108 COMPETING RADIO ENTRIES RADIO DOCUMENTARY 120 RADIO CURRENT AFFAIRS 156 RADIO FICTION 174 RADIO MUSIC 210 COMPETING ONLINE ENTRIES ONLINE 232 SPECIAL EVENTS 264 2 If I were to pick one word to describe the PRIX EUROPA, I would choose ‘gathering’. This year, for the 28th time, the PRIX EUROPA will gather the cream of the crop of European media. From all over the continent, people who share the same passion for television, radio and web will come to Berlin to compete against each other, and so pay testament to the dynamism of European public broadcasting. However, the strength of the festival goes beyond the competition itself. Its real virtue is that it gets young and old from different cultures, religions and languages communicating with and learning from each other. What’s more, this sort of collaboration helps us to understand each other – and that is of crucial moral, civil, social and cultural value in the turbulent world of the moment. I look forward to this exceptional event and to meeting you there. Yours sincerely, Roger de Weck PRIX EUROPA President Director General of Schweizerische Radio- und Fernsehgesellschaft - SRG SSR Welcome to Berlin, where PRIX EUROPA has built its home - with good reason. It is a city where ideas count more than high salaries, imagination defeats protocol, and talent can find space to develop.
    [Show full text]
  • LIFF 2018 Catalogue
    Welcome LEEDS INTERNATIONAL Welcome to FILM FESTIVAL the LIFF 2018 Catalogue The 32nd Leeds International Film Festival is presented in association with Leeds 2023, a partnership that has made possible the most extensive and diverse celebration of film in the city yet. From world premieres of films made in Leeds and Yorkshire to programmes chosen from over 6,000 films submitted from 109 countries, This festival’s winning short films may LIFF 2018 represents the epic scale and incredible qualify for consideration for the variety of global filmmaking culture. A big thank you to everyone who has contributed to the development of LIFF 2018 and to our audiences for their support of film culture in Leeds. Contents Partners 5 LIFF 2018 Team 6 Official Selection 9 Cinema Versa 63 Fanomenon 101 Time Frames 141 ENTRY REQUIREMENTS Leeds Short Film Awards 185 Oscars.org/Rules Index 243 2 3 Partners Partners Presented by Leading Funders Leading Partners In Association with Major Partners Supporting Partners Sorry to Bother You 4 5 Team Director Leeds City Centre Box Office Staff Venue Assistants Chris Fell Adam Hogarty, Dena Marsh, Kate Parkin, Katy Adams, Lewis Anderson, Daria Arofikina, LIFF 2018 Production Manager Dean Ramsden, Helen Richmond, Shirley Shortall. Jonathan Atkinson, Natasha Audsley, Tom Jamie Cross Bache, Ross Baillie-Eames, Jack Beaumont, Communications Manager Venue Coordinators Sophie Bellová, Emma Bird, Angie Bourdillon, Nick Jones Sue Barnes, Laura Beddows, Alice Duggan, Simon Brett, Hannah Broadbent, Michael Programme Manager Nils Finken, Matt Goodband, Tom Kendall, Brough, Jenna Brown, Julie Carrack, Jess Carrier, Team Alex King Katie Lee, Melissa McVeigh, Joe Newberry, Peter Clarke, Jessie Clayton, Sarah Danaher, Development Managers Vicki Rolley, Natalie Walton, Sarah Wilson.
    [Show full text]
  • IAMIC Conference 2009
    Welcome to the Future: New Music in Global Spaces 1 IAMIC Conference 2009 Contents: Introduction Conference Programme Session Notes Speaker Biographies Attendees Concert Details DVD June 4 – 10, 2009: Toronto & Vancouver, Canada IAMIC Conference 2009 2 Welcome to the Future: New Music in Global Spaces Thursday, June 4 to Wednesday, June 10, 2009 Toronto & Vancouver, Canada Introduction The Canadian Music Centre had the honour to host the 2009 IAMIC diversity and policy and international market development. With a total conference: Welcome to the Future: New Music in Global of 17 expert speakers, and case studies as well as talk-back panels, the Spaces , during its 50th Anniversary. Over the course of one week in two symposia engaged participants in thought-provoking discussions Canada, delegates closely examined the role of Music Information Centres and provided insights to possible models of the future. It was also a call in an industry environment that is rapidly changing and constantly to Music Information Centres to embrace and work with composers facing new challenges. Held in two cities, Toronto and Vancouver, the addressing their new requirements to survive in their composing careers. conference focused on such pertinent issues as new web developments The conference underlined the importance of an international network, for dissemination of music, the impact it has on copyright, cultural provided ample opportunities for making new contacts and establish - INTRODUCTION Welcome to the Future: New Music in Global Spaces 3 ing international cooperation for exchange, getting to know Canada’s Ensuring all can be viewed in near “real time” by all those not able to industry leaders, composers, promoters, presenters and performers.
    [Show full text]
  • 1 CHAPTER 1 INTRODUCTION Since the Latter Half of the Twentieth
    CHAPTER 1 INTRODUCTION Since the latter half of the twentieth century the creation of jazz music in the Nordic countries has evolved from a largely imitative practice, to a now often‐ acknowledged position at the vanguard of artistic innovation.1 A number of the improvisers from the Nordic lands, especially those active in the 1970s and 1980s, are now widely respected for the creation of unique approaches to both the compositional and improvisational elements of jazz music. This uniqueness has been most publicly profiled by the German record label ECM, which, during the 1970s and 1980s, released a number of now seminal recordings of the subject musicians of this thesis, all of whom have been instrumental in developing these distinctive improvisational mannerisms, now often referred to as 'The Nordic Sound'. The musical approaches that many of these artists adopted stood in stark contrast to the majority of improvised music occurring in other parts of the world at that time, and was notably less directly referential to the canon of American jazz music. For many listeners, aesthetic choices such as the notable preference for straight 8th feels over the jazz swing feel heralded a decidedly eurological musical aesthetic, or at least this was widely interpreted as such, and was seen as a breakaway from the dominantly African‐American musical innovations being developed by the majority of the American jazz artists at that time. Jan Garbarek, Edward Vesala, Terje Rypdal, Bobo Stenson, Arild Andersen and Jon Christiansen, to name just a small yet significant handful, are all Nordic musicians who have built international performing careers based upon this interpretation as innovators of a specifically eurological jazz music.
    [Show full text]
  • Teemu Mäki. List of Albums in My CD Collection, 28.8.2021
    Sivu 1 / 261 Musiikki 65078 kappaletta, 257,5 päivää, 2,14 Tt Artisti Albumi Kappalemäärä Kesto A-Trak Vs. DJ Q-Bert Buck Tooth Wizards (1997, A-Trak Vs. DJ Q-Bert) 1 1:02:17 Aapo Häkkinen William Byrd: Music For The Virginals (rec.1999, Aapo Häkkinen) 15 1:10:51 Aaron Parks Invisible Cinema (20.–22.1.2008, Aaron Parks & Mike Moreno, Matt Penma… 10 55:01 Abbey Lincoln Abbey Lincoln Sings Billie Holiday, Vol. 1 (6.–7.11.1987) 10 57:07 Abbey Lincoln Abbey Lincoln Sings Billie Holiday, Vol. 2 (6.–7.11.1987) 7 40:19 Abbey Lincoln Abbey Sings Abbey (Lincoln, 25.–27.9 & 17.11.2006) 12 59:43 Abbey Lincoln Devil's Got Your Tongue (24.–25.2.1992, Abbey Lincoln) 11 1:10:00 Abbey Lincoln It's Magic (8/1958, Abbey Lincoln) 10 37:09 Abbey Lincoln It's Me (2002—2003, Abbey Lincoln) 11 52:49 Abbey Lincoln Over The Years (18.–21.2.2000, Abbey Lincoln) 10 51:03 Abbey Lincoln Painted Lady (30.5.1987, Abbey Lincoln feat. Archie Shepp) 6 44:49 Abbey Lincoln Talking To The Sun (25.–26.11.1983, Abbey Lincoln & S.Coleman/J.Weidm… 5 30:14 Abbey Lincoln A Turtle's Dream (May-Nov.1994, Abbey Lincoln) 11 1:09:10 Abbey Lincoln Who Used To Dance (5.–7.4. & 19.5.1996, Abbey Lincoln) 9 1:01:29 Abbey Lincoln Wholly Earth (3.–5.6.1998, Abbey Lincoln) 10 1:07:32 Abbey Lincoln The World Is Falling Down (21.–27.2.1990, Abbey Lincoln & C.Terry/J.McLe… 8 49:23 Abbey Lincoln You Gotta Pay the Band (2/1991, Abbey Lincoln & S.Getz/H.Jones/C.Hade… 10 58:31 Abbey Lincoln & Hank Jones When There Is Love (4.–6.10.1992, Abbey Lincoln & Hank Jones) 14 1:03:58 Abdullah Ibrahim Abdullah
    [Show full text]
  • Majamaki CV 2014
    SAMULI “TEHO” MAJAMÄKI Musician, Music producer, Teacher PERSONAL AND CONTACT INFORMATION: Born 10.12.1971, Pori, Finland Selkämerenkatu 6 F 81 00180 Helsinki Finland Tel: +358 40 515 0699 Email: [email protected] EDUCATION: Yogalates™ and smallgroups training, Byron Bay, Australia 2002 Diploma of remedial massage, Nature Care College, Sydney 2001 Music conservatorium of Turku 1990–93 and 1994–95 Music conservatorium of Joensuu 1993–94 Hankoniemi College, music course 1989–90 Keskipohjanmaa Music Conservatorium 1988–89 Lärkulla-Stiftelsens College, music course 1987–88 Music Academy of Pori 1979–1987 INSTRUMENTS: Vibraphone, marimba, mallet instruments Drums and ethnic percussions Self made percussions Santoor, irimba and other ethnic instruments Keyboards Own recording and production studio WORK EXPERIENCE AS MUSICIAN: Niillas Holmberg Kvarteahtta 2014– Ashimba trio 2013– Linda Fredriksson & Teho Majamäki –duo 2013– Johanna Kurkela Band 2012– Von Krahl Teater, Tallinn 2012 Andrew Ashimba & Teho Majamäki Band 2011– Ismo Alanko & Teho-osasto 2010– Tapani Rinne & Teho Majamäki -duo 2008– Ismo Alanko Teholla 2006– Riku Niemi’s projects 2006– Arnold Chiwalala PolePole Trio 2004–2006 RinneRadio 2002– Dance-theatre Eri 2000–2001 Ismo Alanko Säätiö 1997–2002 Teho Majamäki & Hepa Halme Duo 1999–2001 Ismo Alanko & Teho Majamäki Duo 1998–2000 Puppet theatre Vunukka 1995–1999 Olli Pohjola’s projects 1991–1998 Symphony orchestra Avanti! 1995–1998 Symphony orchestra VIVO 1986–1998 Ismo Alanko ja Vapaat soittajat 1995–1997 Nylon 66’ers 1991–1997 HC Andersen
    [Show full text]