DOCSLIB.ORG

Lot 1 SEX PISTOLS LP's, Never Mind the Bollocks

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Lot 1 SEX PISTOLS LP's, Never Mind the Bollocks Jefferys Auctions - Antique & Modern Furniture, Vinyl Record Collection, Jewellery & Effects - Starts 08 Jan 2020 Lot 1 SEX PISTOLS LP'S, Never Mind The Bollocks, 1977 Edition, The Great Rock 'N' Roll Swindle, Sid Sings, My Way, Some Products plus 3 7" singles 'Fuzz box, Vicious Burger & Vindaloo summer (9 records in total) Estimate: 50 - 80 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 2 SEX PISTOLS, various albums including Some Product, two Great Rock 'N' Roll Swindles, one Sid Sings, Never Mind The Bollocks 1994 edition, also four 12" singles including God Save The Queen, Stepping Stone, Pretty Vacant etc (9 in total) Estimate: 50 - 80 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 3 THE CLASH, seven albums including London's Calling, Sandinista also Radio Clash, Outside Broadcast radio 5 with Cornwall Coliseum Clash pamphlet Estimate: 30 - 50 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 4 THE DAMNED ALBUMS, including Alive, Shepperton 1980, Strawberries, The Official Annual Fan Club Meeting, four LP's also Public Image, Religion Attack, Generation X debut album, also Valley Of The Doll & two 12" singles (10 in total) Estimate: 30 - 50 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 5 EATER THE ALBUM, also two EP's including the Eater Live Limited Edition EP also Happy Monday's album & five 12" singles (9 in total) Estimate: 25 - 40 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 6 U2, various U2 albums & 12" singles, albums including War, Rattle & Hum, The Joshua Tree, various early 12" single & also U2 All I Want Is You, Limited Edition single in tin (16 in total) Estimate: 40 - 60 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 7 ECHO & THE BUNNYMEN, four albums including Porcupine, Ocean Rain, Heaven Up Here etc also Sex Pistols, I Wanna Be (banned in the UK) The Psychedelic Furs album & 12" single also Skids albums including Scared To Dance, Absolute Game, Days In Europe etc (12 in total) Estimate: 50 - 80 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 8 INSPIRAL CARPETS, 10 LP's & EP's including Life, The Peel Session's, The Move also Killing Joke, Billy Idol, Tear Drop Explodes etc (15 in total) Estimate: 25 - 40 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 9 NEW FAST AUTOMATIC DAFFODILS ALBUM, Pigeonhole & Big with Fishes Eyes single also 3 EP's, Birdland, Limited Edition white album, The Spoons, Tell No Lies & various other albums (15 in total) Estimate: 20 - 30 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 10 BUZZCOCKS , albums, singles, Going Steady, Different Kind Of Tension, Stiff Little Fingers, Inflammable Material, Nobodies Hero's, also Stranglers three Elvis Costello, three Happy Mondays EP's, Sham 69 etc (14 in total) Estimate: 30 - 50 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids page 1 of 60 Jefferys Auctions - Antique & Modern Furniture, Vinyl Record Collection, Jewellery & Effects - Starts 08 Jan 2020 Lot 11 REM, Reconstruction, Chronic Town, Murmur, Reckoning also Blondie EP's, Denis, Ripher To Shreds, also Siouxsie & The Banshees, two The Ramones, Best Of The Doors, Hendrix In The West etc LP's & EP's (17 in total) Estimate: 30 - 50 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 12 THE JAM, albums including All Mod Cons, In The City, Setting Suns, Sound Effects, This Is The Modern World & Double L E 12" single, Town called Malice also The Smiths, A Charming Man (7 in total) Estimate: 25 - 40 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 13 SLAUGHTER & THE DOGS, albums Do It For Yourself & The Way We Were also an EP, The Roxy London W C 2, also albums including Jubilee, Sci-Fi Sex Stars, Blasmatics & other EP's (13 LP's/EP's in total) Estimate: 25 - 40 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 14 Various albums including The Stone Roses, Sham 69, Adventures Of The Hersham Boys, The Undertones, Ruts The Crack, Angelic Up Starts, New York Dolls etc (15 various EP's/LP's) Estimate: 25 - 40 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 15 UK SUBS, Another Kind Of Blues also UK Subs live, Alternative TV, Wah, Story Of The Blues EP, & The Maverick Years, The Associates, EP's Party Fears 2 & Club At Country etc (20 assorted albums & EP's) Estimate: 20 - 40 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 16 A box of LP's, EP's & Picture discs, including Jesus & Mary Chain, Simple Minds, Pretenders, Virgin Prunes, The Wild Swans, 3 picture discs including Shreck Back, Bullet Proof & A Dinky, (approximately 40 various albums, EP's etc) Estimate: 50 - 80 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 17 CRASS BOXED ALBUM, Christ The Album, The Clash, Black Market Clash, Virgin Prunes, boxed 10" records, Echo & The Bunnymen, Bicutter including free poster & also A Promise EP Estimate: 30 - 50 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 18 SPANDAU BALLET, signed record sleeve "She Loved Like Diamond" signed by the band including Tony Hadley, Martin Kemp, Gary Kemp also a Gerry Lee Lewis signed photograph Estimate: 30 - 50 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 19 VARIOUS LPS, including Dead Kennedys, Fresh Fruit for Rotting Vegetables, magazine with Real Life, The Slits with cut, etc, 12 lps/eps Estimate: 20 - 30 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 20 30 VARIOUS SINGLES BY 999, Ruts, Virgin Prunes, Cockney Rejects, etc Estimate: 25 - 40 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids page 2 of 60 Jefferys Auctions - Antique & Modern Furniture, Vinyl Record Collection, Jewellery & Effects - Starts 08 Jan 2020 Lot 21 U2, 30 Us singles, including limited edition in vinyl, Hold Me, Thrill Me, Kiss Me, Kill Me, Unforgetable Fire, New Year's Day, etc Estimate: 30 - 50 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 22 30 VARIOUS SINGLES, including The Jesus and Mary Chain, Darklands Special Edition Pack and Happy When it Rains Special Limited Edition box with 3, 7" tracks, also 10 various Stranglers singles, also Siouxie and the Banshees singles, etc Estimate: 25 - 40 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 23 32 ASSORTED SINGLES, including 12 JAM singles, In the City, Down the Tube Station at Midnight, Eton Rifles, Going Underground, also Kulashaker, etc Estimate: 25 - 40 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 24 30 ASSORTED SINGLES, mainly 70s punk including Antipasti, Theatre of Hate, Dead Kennedys, etc Estimate: 20 - 40 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 25 33 ASSORTED SINGLES, mainly Sex Pistols, including Pretty Vacant, Great Rock N Roll Swindle, God Save the Queen, etc, also a number of Damned singles Estimate: 30 - 50 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 26 31 ASSORTED SINGLES, including The Buzzcocks, Stiff Little Fingers, The Undertones, Squeeze, etc Estimate: 25 - 40 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 27 30 ASSORTED SINGLES, including The Skids, Sham '69, Run DMC, etc Estimate: 20 - 30 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 28 30 ASSORTED SINGLES, including approx 15 Clash singles and others Estimate: 25 - 40 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 29 30 ASSORTED SINGLES, including UK Subs, Eater, etc Estimate: 20 - 30 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 30 31 ASSORTED SINGLES , including Status Quo, Adam and the Ants, The Boo Radleys, etc Estimate: 20 - 30 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.6% inc VAT for Live Bidding and Autobids Lot 31 CRATE OF 30 ASSORTED SINGLES by Primal Scream, Angelic Upstarts, The Cure, etc Estimate: 20 -
Load more

Recommended publications
  • Some Facts and Comments on the Strange Clouds
    First published at http://www.fe.up.pt/~feliz and YouTube on the 13 April 2011, and registered with the Portuguese Society of Authors Some Facts and Comments on the Strange Clouds People Around the World Call ªChemtrailsº, and Their Probable Relation to the HAARP System Includes some directives for a possible scientific research plan J. Manuel Feliz-Teixeira March 2011 Physics, Modelling and Simulation [email protected] KEYWORDS: artificial clouds, solar radiation, global In 2007, near 30% of the population of my country were warming, contrails, abnormal aircraft trails, public health, already suffering chronic rhinitis1. In this article we give a fear, climate change. testimony of our own empirical observations and comment on some aspects that may be related to the ABSTRACT phenomenon. We hope this may be seen as a contribution to those in the Sciences of Health and Environment who Near 10 years have passed since my eyes could for the probably might like to investigate the issue by means of a first time observe one of those abnormal trails crossing truly scientific perspective. In that sense, we will also the entire sky. It was a clean day of a wonderful blue sky. make some references to the project known as High 2 And, over our heads, a first line of a constant width Frequency Active Auroral Research Program (HAARP) , hundreds of kilometres in length was splitting such a blue which many people on the Internet suspect of also being ceiling into two parts. Only a single flight did it, in the related to such abnormal aircraft trails.
    [Show full text]
  • I Wanna Be Me”
    Introduction The Sex Pistols’ “I Wanna Be Me” It gave us an identity. —Tom Petty on Beatlemania Wherever the relevance of speech is at stake, matters become political by definition, for speech is what makes man a political being. —Hannah Arendt, The Human Condition here fortune tellers sometimes read tea leaves as omens of things to come, there are now professionals who scrutinize songs, films, advertisements, and other artifacts of popular culture for what they reveal about the politics and the feel W of daily life at the time of their production. Instead of being consumed, they are historical artifacts to be studied and “read.” Or at least that is a common approach within cultural studies. But dated pop artifacts have another, living function. Throughout much of 1973 and early 1974, several working- class teens from west London’s Shepherd’s Bush district struggled to become a rock band. Like tens of thousands of such groups over the years, they learned to play together by copying older songs that they all liked. For guitarist Steve Jones and drummer Paul Cook, that meant the short, sharp rock songs of London bands like the Small Faces, the Kinks, and the Who. Most of the songs had been hits seven to ten 1 2 Introduction years earlier. They also learned some more current material, much of it associated with the band that succeeded the Small Faces, the brash “lad’s” rock of Rod Stewart’s version of the Faces. Ironically, the Rod Stewart songs they struggled to learn weren’t Rod Stewart songs at all.
    [Show full text]
  • 65 in Important Decisions
    65 Years of Campus Coverage at Its Best in important decisions By ROCHELLE DURBAN currently going on with student on all loans. After talking with news editor aid. Congressman, Bill Paxon, repre• According to Multari, one of sentative of suburban Buffalo, Joseph Multari, secretary of the topics discussed was direct Multari found that Paxon agreed legislative affairs for Student Gov• lending and its future in the US. that the banks need to clean up ernment, attended the National Direct lending is a program in their act. "Because of all this YSU Association of Students for Higher which student loans go directly to will not have as many options on Education (NASHE) conference the Department of Education, in• financial aid as before," he said. in Washington DC Oct. 13-16. stead of going to a guaranteer. Other issues discussed besides NASHE is an organization "This is beneficial, because direct lending were loans, schol• consisting of students from Ohio, the student does not have to go arships, grants and graduate-aid Texas, Arizona and California. through a bank. Instead they can programs. "The biggest cut in stu• The purpose of the organization is obtain their money up front," dent aid will be dealing with sub• for students to get involved with Multari said. sidized loans," said Multari. political issues that affect students According to Multari, al• Originally a subsidized loan directly. though direct lending is benefi• included a six-month grace period NASHE was started in Octo• cial, the program it will not come where an accumulation of interest ber of 1994 to create a national to YSU.
    [Show full text]
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • Wade Gordon James Nelson Concordia University May 1997
    Never Mind The Authentic: You Wanted the Spectacle/ You've Got The Spectacle (And Nothing Else Matters?) Wade Gordon James Nelson A Thesis in The Department of Communication Studies Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts ai Concordia University Montreal, Quebec, Canada May 1997 O Wade Nelson, 1997 National Library Bibliothèque nationale 191 of Canada du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395, rue Weliington Ottawa ON KIA ON4 Ottawa ON KIA ON4 Canada Canada Your hie Votre réference Our file Notre reldrence The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of ths thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/fh, de reproduction sur papier ou sur fomat électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in thi s thesis. Neither the droit d'auteur qui protège cette thése. thesis nor substantiai extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. ABSTRACT Never Mind The Authentic: You Wanted The Spectacle/ Y ou've Got The Spectacle (And Nothing Else Matters?) Wade Nelson This thesis examines criteria of valuation in regard to popular music.
    [Show full text]
  • The Sex Pistols: Punk Rock As Protest Rhetoric
    UNLV Retrospective Theses & Dissertations 1-1-2002 The Sex Pistols: Punk rock as protest rhetoric Cari Elaine Byers University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Byers, Cari Elaine, "The Sex Pistols: Punk rock as protest rhetoric" (2002). UNLV Retrospective Theses & Dissertations. 1423. http://dx.doi.org/10.25669/yfq8-0mgs This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted.
    [Show full text]
  • Pretty Vacant: a History of UK Punk
    Pretty Vacant: A History of UK Punk Pretty Vacant: A History of UK Punk. Phil Strongman. 289 pages. Chicago Review Press, 2008. 1556527527, 9781556527524. 2008 London, early 1976. Oxford Street is a sea of long hair and flared jeans; prog rock prevails. But Ron Watts, the 100 Club’s "rock night” manager, has witnessed the impromptu and chaotic gigs at High Wycombe College of Art. He invites the Sex Pistols to start a residency in central London, and over the next eighteen months, everything changes.            Unlike many writers, Phil Strongman was actually at the 100 Club punk festival in September 1976 and witnessed punk’s violent and dramatic rise. After tracing its underground roots in New York and Detroit, Strongman shows how the Sex Pistols and the Clash, along with their confreres, took rock ’n’ roll closer to the edge than any band before them. But after the outrage over the Pistols’ legendary outburst on Bill Grundy’s TV show catapulted the band into the center of a press feeding frenzy, it was swiftly eclipsed by the blossoming of a new movement in time for the Queen’s Silver Jubilee. Punk had traveled from the underground to the mainstream in the space of six months.            Based on new interviews with Malcolm McLaren, Jah Wobble, Glen Matlock, Roadent, and many more, Strongman vividly re-creates the punk eruption and charts its spread across Britain and to the West Coast of the United States.
    [Show full text]
  • PUNK/ASKĒSIS by Robert Kenneth Richardson a Dissertation
    PUNK/ASKĒSIS By Robert Kenneth Richardson A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY WASHINGTON STATE UNIVERSITY Program in American Studies MAY 2014 © Copyright by Robert Richardson, 2014 All Rights Reserved © Copyright by Robert Richardson, 2014 All Rights Reserved To the Faculty of Washington State University: The members of the Committee appointed to examine the dissertation of Robert Richardson find it satisfactory and recommend that it be accepted. ___________________________________ Carol Siegel, Ph.D., Chair ___________________________________ Thomas Vernon Reed, Ph.D. ___________________________________ Kristin Arola, Ph.D. ii ACKNOWLEDGEMENTS “Laws are like sausages,” Otto von Bismarck once famously said. “It is better not to see them being made.” To laws and sausages, I would add the dissertation. But, they do get made. I am grateful for the support and guidance I have received during this process from Carol Siegel, my chair and friend, who continues to inspire me with her deep sense of humanity, her astute insights into a broad range of academic theory and her relentless commitment through her life and work to making what can only be described as a profoundly positive contribution to the nurturing and nourishing of young talent. I would also like to thank T.V. Reed who, as the Director of American Studies, was instrumental in my ending up in this program in the first place and Kristin Arola who, without hesitation or reservation, kindly agreed to sign on to the committee at T.V.’s request, and who very quickly put me on to a piece of theory that would became one of the analytical cornerstones of this work and my thinking about it.
    [Show full text]
  • “Punk Rock Is My Religion”
    “Punk Rock Is My Religion” An Exploration of Straight Edge punk as a Surrogate of Religion. Francis Elizabeth Stewart 1622049 Submitted in fulfilment of the doctoral dissertation requirements of the School of Language, Culture and Religion at the University of Stirling. 2011 Supervisors: Dr Andrew Hass Dr Alison Jasper 1 Acknowledgements A debt of acknowledgement is owned to a number of individuals and companies within both of the two fields of study – academia and the hardcore punk and Straight Edge scenes. Supervisory acknowledgement: Dr Andrew Hass, Dr Alison Jasper. In addition staff and others who read chapters, pieces of work and papers, and commented, discussed or made suggestions: Dr Timothy Fitzgerald, Dr Michael Marten, Dr Ward Blanton and Dr Janet Wordley. Financial acknowledgement: Dr William Marshall and the SLCR, The Panacea Society, AHRC, BSA and SOCREL. J & C Wordley, I & K Stewart, J & E Stewart. Research acknowledgement: Emily Buningham @ ‘England’s Dreaming’ archive, Liverpool John Moore University. Philip Leach @ Media archive for central England. AHRC funded ‘Using Moving Archives in Academic Research’ course 2008 – 2009. The 924 Gilman Street Project in Berkeley CA. Interview acknowledgement: Lauren Stewart, Chloe Erdmann, Nathan Cohen, Shane Becker, Philip Johnston, Alan Stewart, N8xxx, and xEricx for all your help in finding willing participants and arranging interviews. A huge acknowledgement of gratitude to all who took part in interviews, giving of their time, ideas and self so willingly, it will not be forgotten. Acknowledgement and thanks are also given to Judy and Loanne for their welcome in a new country, providing me with a home and showing me around the Bay Area.
    [Show full text]
  • What's Hot @ Hofstra
    Write-O-Rama Summer Session 2 What’s Hot July 14-25, 2014 @ Hofstra Write-O-Rama & KidsDay How did this picture of Jimmy Fallon As is tradition in Write-O-Rama, each year we get to partner with get on the front cover of the Editor of KidsDay to write articles, conduct interviews, and our newspaper? You’ll work together as a team for 2 weeks. In addition, we are able to try have to look inside the never-before-seen products and meet celebrities! Instead of asking paper to find out! the celebrities common interview questions, our unique writing team asks personal questions that kids can relate to. The trips we take are once-in-a-lifetime opportunities, such as going to movie premieres and interactive exhibits. This session, we were able to interview musicians Nico & Vinz at NBC studios! Look inside to read their answers and to learn about our experience. Make sure to check out the Session 3 newspaper for more of our celebrity encounters and exclusive adventures! Check out all of the creative stories written by the Write-O- Rama group! You will also find our interviews and pictures Also from the game with Inside... The Harlem Wizards! Inside this newspaper are some great do-it-yourself crafts and activities that you can try at home. We hope you enjoy this issue of our newspaper! Nico & Vinz (& Jimmy Fallon, Too!) By: Bianca Kisin (PM) “Am I Wrong” video in Afri- ca is to show the good side Hi my name is Bianca and I of Africa.
    [Show full text]
  • Punk Preludes
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Supervised Undergraduate Student Research Chancellor’s Honors Program Projects and Creative Work Summer 8-1996 Punk Preludes Travis Gerarde Buck University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Recommended Citation Buck, Travis Gerarde, "Punk Preludes" (1996). Chancellor’s Honors Program Projects. https://trace.tennessee.edu/utk_chanhonoproj/160 This is brought to you for free and open access by the Supervised Undergraduate Student Research and Creative Work at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Chancellor’s Honors Program Projects by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. Punk Preludes Travis Buck Senior Honors Project University of Tennessee, Knoxville Abstract This paper is an analysis of some of the lyrics of two early punk rock bands, The Sex Pistols and The Dead Kennedys. Focus is made on the background of the lyrics and the sub-text as well as text of the lyrics. There is also some analysis of punk's impact on mondern music During the mid to late 1970's a new genre of music crept into the popular culture on both sides of the Atlantic; this genre became known as punk rock. Divorcing themselves from the mainstream of music and estranging nlany on their way, punk musicians challenged both nlusical and cultural conventions. The music, for the most part, was written by the performers and performed without worrying about what other people thought of it.
    [Show full text]
  • MM" ,/ Ljtta) Fln; #-{
    I99 KINGSToN RoAD LoNDON SW}g TeI,OI_540 oasi.. l 'rv MM" ,/ lJttA) fln; #-{ tru'rtterry Xffm-ry*LSS.e.Re.ffiS. seeffixss eg-ge"k&R"-4ffi *es-e cherry Red Recolds r. the Lond,on baeed, independ.ont Record. conpanyr have slgned, a three yo&r llce,'se a,greenent wtth the Sristol based gecords. Eeartbeat cherr! n"a sill-be marke! ?"d. prornote arl Eeartbeat product whicb wtli i*clud.ed, ritb cherry Redrs d,istriiutlon d.ear rriu-fp"rtan Rec ordg r First new release und,er the agreement nill be a l2,r track single by 3ristol. band. t0LAX0 4 $ersht6$ho"'A}n3.1'"]';f;i".;i'i:}'ix$i*;';;'kgr+BABrEsr wh,Lch iE rereased of stoqk for ine rait i;;; rsonthE. said raln Mc$ay on behar.f ol cherry Red,r?here are talented acts energlng f:rom tnl gristor so&e vexy will retaia totarTeY coirtioi-over &r€*r seaibeat conplo tetv ret'ain tbeir i"u*i-ii-"iiti.tbatr A. arrd, R. gid,e and havo the ad.vantage fiowever, they irr.rl 'ow of nationar *riirruutron asd havE il:fffr,tronotionaL and' markotlns raciriii.u ;;-*;;; i*,*r" ].lore luformatioa lain Uc$ay on 540 6g5I. ilrrsct*r: IeenMclrlry Registered Office, fr* S*uth .&udi*y Stre*t, fu*nc3*n W I t{u*r,r*+xl b€gK\S* €.ft*Jz-lr{ & Glaxo Babies : rliine Ilionths to the liscot (Cherry Red./ Heartbeat) Of all the new bands spawned in the Sristol area over the last few years, very few have had any lasting effect on the national scener most having dissolved into a mediochre pop/p.p soup.
    [Show full text]