Understanding Disability and Assistive Technology

Total Page:16

File Type:pdf, Size:1020Kb

Understanding Disability and Assistive Technology Free ebooks ==> www.ebook777.com BOOKS FOR PROFESSIONALS BY PROFESSIONALS® O Connor RELATED Pro HTML5 Accessibility Build exciting, accessible, and usable web sites and apps with Pro HTML5 Accessibility. This book walks you through the process of designing user interfaces to be used by everyone, regardless of ability. It gives you the knowledge and skills you need to use HTML5 to serve the needs of the widest possible audience, including people with disabilities using assistive technology (AT) and older people. With Pro HTML5 Accessibility, you’ll learn: • How accessibility makes for good web site design • The fundamentals of ATs and how they interact with web content • How to apply HTML5 to your web projects in order to design more accessible content • How JavaScript and WAI-ARIA can be used with HTML5 to support the development of accessible web content • Important usability and user-centered design techniques that can make your HTML5 projects reach a wider audience Filled with practical advice, this book helps you master HTML5 and good accessibility design. It explores the new semantics of HTML5 and shows you how to combine them with authoring practices you may know from using earlier versions of HTML. It also aims to demonstrate how HTML5 content is currently supported (or not) by ATs such as screen readers and what this practically means for you as you endeavor to make your HTML5 projects accessible. Shelve in Web Design/HTML User level: Intermediate–Advanced SOURCE CODE ONLINE www.apress.com www.ebook777.com Free ebooks ==> www.ebook777.com For your convenience Apress has placed some of the front matter material after the index. Please use the Bookmarks and Contents at a Glance links to access them. Free ebooks ==> www.ebook777.com Contents at a Glance About the Author................................................................................................... xv About the Technical Reviewer ............................................................................. xvi Acknowledgments .............................................................................................. xvii Introduction ....................................................................................................... xviii Chapter 1: Introduction to HTML5 Accessibility ....................................................1 Chapter 2: Understanding Disability and Assistive Technology ...........................23 Chapter 3: JavaScript Isn’t a Dirty Word, and ARIA Isn’t Just Beautiful Music....67 Chapter 4: API and DOM......................................................................................111 Chapter 5: HTML5: The New Semantics and New Approaches to Document Markup ...............................................................................................................127 Chapter 6: Images, Rich Media, Audio, and Video in HTML5 ..............................175 Chapter 7: HTML5 and Accessible Data Tables...................................................221 Chapter 8: HTML5 and Accessible Forms ...........................................................243 Chapter 9: HTML5, Usability, and User-Centered Design....................................271 Chapter 10: Tools, Tips, and Tricks: Assessing Your Accessible HTML5 Project ................................................................................................................295 Appendix A: WCAG 2.0 Client-Side Scripting Techniques ..................................319 Appendix B: Definition of WAI-ARIA Roles ..........................................................347 Index ...................................................................................................................359 iv www.ebook777.com Free ebooks ==> www.ebook777.com Introduction This book aims to help web designers and developers come to grips with building exciting, accessible, and usable web sites/applications with HTML5. The book looks at using HTML5 to serve the needs of the widest possible audience, including people with disabilities using assistive technology (AT) and older people. It aims to be a useful go-to guide by giving you practical advice. The book explores the new semantics of HTML5 and how to combine them with authoring practices you may know from using earlier versions of HTML. It also aims to demonstrate how HTML5 content is currently supported (or not) by assistive technologies such as screen readers, and what this practically means for you as you endeavor to make your HTML5 projects accessible. The HTML5 specification is huge, with new APIs and patterns that can be difficult to understand from an accessibility perspective. Accessibility itself can also seem complex and nuanced, in particular if you have no experience dealing with the needs of people with disabilities. This book aims to hold your hand through the process of gaining an understanding of the needs of people with disabilities, as well as the new specification. Accessibility isn’t a mysterious or esoteric subject, but it is nuanced. And HTML5 is a game- changer. Ultimately, creating accessible content is really a quality design issue. (Good design enables; bad design disables.) And getting design right is often a matter of choosing the correct approach. This book hopes to be your companion in understanding both, HTML5 and good accessibility design. Who This Book Is For Pro HTML5 Accessibility is for the intermediate to more advanced web designer and developer who is already building websites and applications but may need some help in understanding accessibility and transitioning to HTML5. Prerequisites The book can be read as a basic introduction to HTML5 and accessibility, but it may be more suited to the professional or experienced designer who already has knowledge of HTML4 as well as CSS, WAI- ARIA, and JavaScript experience. While no detailed knowledge of CSS, WAI-ARIA, or scripting is really required, it will help the reader to understand some of the design patterns and examples discussed in the book. xviii Free ebooks ==> www.ebook777.com INTRODUCTION Downloading the Code The code for the examples shown in this book is available on the Apress web site, www.apress.com. A link can be found on the book’s information page under the Source Code/Downloads tab. This tab is located underneath the Related Titles section of the page. Contacting the Author The author has a general aversion to social media but will use Twitter occasionally. You can follow him on Twitter as @joshueoconnor. xix www.ebook777.com Free ebooks ==> www.ebook777.com C H A P T E R 1 Introduction to HTML5 Accessibility In this chapter, I will introduce accessibility, define what it is, and discuss why you should be paying attention to reducing the barriers to access that might exist for many people in the systems you build. We will also look at HTML5 and examine its main differences from HTML 4—and you’ll see what this means for accessibility as well as how those differences will impact the way you build web sites and applications. Introduction to HTML5: The New Wave HTML5 is here. It is the new lingua franca for the Web. So what is it? HTML5 is the new version of HTML 4, XHTML1, and DOM Level 2 HTML. It has moved HTML from being a relatively simple document markup language to being a sophisticated platform for web applications with a host of new, rich application programming interfaces (APIs). As with all major changes in life, the transition might not be smooth. Such a major shift that adds a host of new elements and attributes presents particular challenges for you as an author as well as, potentially, for the consumer. HTML 4 was readily understood and offered features that could be used in imaginative ways. By leveraging these features in combination with other languages like Cascading Style Sheets (CSS) and JavaScript, developers could do things that were increasingly complex, pushing the models of user interaction. With the advent of Web 2.0–type content such as AJAX, dynamic content updating, and more client- side processing, we saw a variety of terrific, sophisticated applications being developed out of what were often semantically limited markup languages. This new wave of glossy widgets—and sometimes bizarre interaction models—often present many challenges to the user. If the user has a disability, the challenge is greater, because that user might not be able to access important widget functionality from the keyboard or content updates might be lost on the screen-reader user. Long before HTML5, many web designers started to really care about accessibility and look for ways to ensure their web sites and applications were usable by the widest audience. So grassroots movements like the Web Standards Project were born. An active and vibrant community arose that saw the challenges of improving the user experience and quality of design as a call to arms. If you are reading this, chances are you are a web designer or developer and you would like to know more about HTML5 and how it relates to accessibility. So you’re in the right place. This book assumes you have a decent level of knowledge of HTML 4, as well as some CSS experience and maybe some JavaScript experience. It also assumes you’re keen to learn about developing robust web sites and applications by using HTML5. If you’re not an expert CSS or JavaScript person and don’t even know much HTML, don’t worry! This book is designed to provide sufficient references to online materials and resources that will soon get 1 Free ebooks ==> www.ebook777.com
Recommended publications
  • John Athayde and Bruce Williams — «The Rails View
    What readers are saying about The Rails View This is a must-read for Rails developers looking to juice up their skills for a world of web apps that increasingly includes mobile browsers and a lot more JavaScript. ➤ Yehuda Katz Driving force behind Rails 3.0 and Co-founder, Tilde In the past several years, I’ve been privileged to work with some of the world’s leading Rails developers. If asked to name the best view-layer Rails developer I’ve met, I’d have a hard time picking between two names: Bruce Williams and John Athayde. This book is a rare opportunity to look into the minds of two of the leading experts on an area that receives far too little attention. Read, apply, and reread. ➤ Chad Fowler VP Engineering, LivingSocial Finally! An authoritative and up-to-date guide to everything view-related in Rails 3. If you’re stabbing in the dark when putting together your Rails apps’ views, The Rails View provides a big confidence boost and shows how to get things done the right way. ➤ Peter Cooper Editor, Ruby Inside and Ruby Weekly The Rails view layer has always been a morass, but this book reins it in with details of how to build views as software, not just as markup. This book represents the wisdom gained from years’ worth of building maintainable interfaces by two of the best and brightest minds in our business. I have been writing Ruby code for over a decade and Rails code since its inception, and out of all the Ruby books I’ve read, I value this one the most.
    [Show full text]
  • Commercial Tools in Speech Synthesis Technology
    International Journal of Research in Engineering, Science and Management 320 Volume-2, Issue-12, December-2019 www.ijresm.com | ISSN (Online): 2581-5792 Commercial Tools in Speech Synthesis Technology D. Nagaraju1, R. J. Ramasree2, K. Kishore3, K. Vamsi Krishna4, R. Sujana5 1Associate Professor, Dept. of Computer Science, Audisankara College of Engg. and Technology, Gudur, India 2Professor, Dept. of Computer Science, Rastriya Sanskrit VidyaPeet, Tirupati, India 3,4,5UG Student, Dept. of Computer Science, Audisankara College of Engg. and Technology, Gudur, India Abstract: This is a study paper planned to a new system phonetic and prosodic information. These two phases are emotional speech system for Telugu (ESST). The main objective of usually called as high- and low-level synthesis. The input text this paper is to map the situation of today's speech synthesis might be for example data from a word processor, standard technology and to focus on potential methods for the future. ASCII from e-mail, a mobile text-message, or scanned text Usually literature and articles in the area are focused on a single method or single synthesizer or the very limited range of the from a newspaper. The character string is then preprocessed and technology. In this paper the whole speech synthesis area with as analyzed into phonetic representation which is usually a string many methods, techniques, applications, and products as possible of phonemes with some additional information for correct is under investigation. Unfortunately, this leads to a situation intonation, duration, and stress. Speech sound is finally where in some cases very detailed information may not be given generated with the low-level synthesizer by the information here, but may be found in given references.
    [Show full text]
  • Html Cheat Sheet
    BEGINNER’S_ ​ HTML CHEAT SHEET Main root 2 Document metadata 2 Sectioning root 3 Content sectioning 3 Text content 4 Inline text semantics 6 Image and multimedia 8 Scripting 9 Demarcating edits 9 Table content 9 Forms 11 Interactive elements 12 WebsiteSetup.org - Beginner’s HTML Cheat Sheet ​ 1 Main root <html> … </html> The HTML <html> element represents the root (top-level element) of an HTML document, so it is also referred to as the root element. All other elements must be descendants of this element. Example: <!DOCTYPE html> <html lang="en"> <head>...</head> <body>...</body> </html> Document metadata <head> … </head> The HTML <head> element contains machine-readable information (metadata) about the document, like its title, scripts, and style sheets. <link> The HTML External Resource Link element (<link>) specifies relationships between the current document and an external resource. This element is most commonly used to link to stylesheets, but is also used to establish site icons (both "favicon" style icons and icons for the home screen and apps on mobile devices) among other things. <meta> The HTML <meta> element represents metadata that cannot be represented by other HTML meta-related elements, like <base>, <link>, <script>, <style> or <title> <style> … </style> The HTML <style> element contains style information for a document, or part of a document. <title> … </title> The HTML Title element (<title>) defines the document's title that is shown in a browser's title bar or a page's tab. Example: WebsiteSetup.org - Beginner’s HTML Cheat Sheet ​ 2 <!DOCTYPE html> <html lang="en"> <head>...</head> <body>...</body> </html> Sectioning root <body> … </body> The HTML <body> Element represents the content of an HTML document.
    [Show full text]
  • Models of Speech Synthesis ROLF CARLSON Department of Speech Communication and Music Acoustics, Royal Institute of Technology, S-100 44 Stockholm, Sweden
    Proc. Natl. Acad. Sci. USA Vol. 92, pp. 9932-9937, October 1995 Colloquium Paper This paper was presented at a colloquium entitled "Human-Machine Communication by Voice," organized by Lawrence R. Rabiner, held by the National Academy of Sciences at The Arnold and Mabel Beckman Center in Irvine, CA, February 8-9,1993. Models of speech synthesis ROLF CARLSON Department of Speech Communication and Music Acoustics, Royal Institute of Technology, S-100 44 Stockholm, Sweden ABSTRACT The term "speech synthesis" has been used need large amounts of speech data. Models working close to for diverse technical approaches. In this paper, some of the the waveform are now typically making use of increased unit approaches used to generate synthetic speech in a text-to- sizes while still modeling prosody by rule. In the middle of the speech system are reviewed, and some of the basic motivations scale, "formant synthesis" is moving toward the articulatory for choosing one method over another are discussed. It is models by looking for "higher-level parameters" or to larger important to keep in mind, however, that speech synthesis prestored units. Articulatory synthesis, hampered by lack of models are needed not just for speech generation but to help data, still has some way to go but is yielding improved quality, us understand how speech is created, or even how articulation due mostly to advanced analysis-synthesis techniques. can explain language structure. General issues such as the synthesis of different voices, accents, and multiple languages Flexibility and Technical Dimensions are discussed as special challenges facing the speech synthesis community.
    [Show full text]
  • Microdata 184 Cross-Document Messaging 187 Accessible Rich Internet Applications (ARIA) 188 Accessibility 188 in Conclusion 191
    Mobile HTML5 Estelle Weyl Mobile HTML5 by Estelle Weyl Copyright © 2014 Estelle Weyl. All rights reserved. Printed in the United States of America. Published by O’Reilly Media, Inc., 1005 Gravenstein Highway North, Sebastopol, CA 95472. O’Reilly books may be purchased for educational, business, or sales promotional use. Online editions are also available for most titles (http://my.safaribooksonline.com). For more information, contact our corporate/ institutional sales department: 800-998-9938 or [email protected]. Editors: Simon St. Laurent and Meghan Blanchette Indexer: Lucie Haskins Production Editor: Kristen Brown Cover Designer: Randy Comer Copyeditor: Kiel Van Horn Interior Designer: David Futato Proofreaders: Troy Mott and Jasmine Kwityn Illustrator: Rebecca Demarest November 2013: First Edition Revision History for the First Edition: 2013-11-12: First release See http://oreilly.com/catalog/errata.csp?isbn=9781449311414 for release details. Nutshell Handbook, the Nutshell Handbook logo, and the O’Reilly logo are registered trademarks of O’Reilly Media, Inc. Mobile HTML5, the image of a Racket-tailed Drongo, and related trade dress are trademarks of O’Reilly Media, Inc. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and O’Reilly Media, Inc., was aware of a trade‐ mark claim, the designations have been printed in caps or initial caps. While every precaution has been taken in the preparation of this book, the publisher and author assume no responsibility for errors or omissions, or for damages resulting from the use of the information contained herein. ISBN: 978-1-449-31141-4 [LSI] Table of Contents Introduction.
    [Show full text]
  • Text-To-Speech Synthesis System for Marathi Language Using Concatenation Technique
    Text-To-Speech Synthesis System for Marathi Language Using Concatenation Technique Submitted to Dr. Babasaheb Ambedkar Marathwada University, Aurangabad, INDIA For the award of Doctor of Philosophy by Mr. Sangramsing Nathsing Kayte Supervised by: Dr. Bharti W. Gawali Professor Department of Computer Science and Information Technology DR. BABASAHEB AMBEDKAR MARATHWADA UNIVERSITY, AURANGABAD November 2018 Abstract A speech synthesis system is a computer-based system that should be able to read any text aloud with a particular language or multiple languages. This is also called as Text-to- Speech synthesis or in short TTS. Communication plays an important role in everyones life. Usually communication refers to speaking or writing or sending a message to another person. Speech is one of the most important ways for human communication. There have been a great number of efforts to incorporate speech for communication between humans and computers. Demand for technologies in speech processing, such as speech recogni- tion, dialogue processing, natural language processing, and speech synthesis are increas- ing. These technologies are useful for human-to-human like spoken language translation systems and human-to-machine communication like control for handicapped persons etc., TTS is one of the key technologies in speech processing. TTS system converts ordinary orthographic text into acoustic signal, which is indis- tinguishable from human speech. For developing a natural human machine interface, the TTS system can be used as a way to communicate back, like a human voice by a computer. The TTS can be a voice for those people who cannot speak. People wishing to learn a new language can use the TTS system to learn the pronunciation.
    [Show full text]
  • Wormed Voice Workshop Presentation
    Wormed Voice Workshop Presentation micro_research December 27, 2017 1 some worm poetry and songs: The WORM was for a long time desirous to speake, but the rule and order of the Court enjoyned him silence, but now strutting and swelling, and impatient, of further delay, he broke out thus... [Michael Maier] He worshipped the worm and prayed to the wormy grave. Serpent Lucifer, how do you do? Of your worms and your snakes I'd be one or two; For in this dear planet of wool and of leather `Tis pleasant to need neither shirt, sleeve, nor shoe, 2 And have arm, leg, and belly together. Then aches your head, or are you lazy? Sing, `Round your neck your belly wrap, Tail-a-top, and make your cap Any bee and daisy. Two pigs' feet, two mens' feet, and two of a hen; Devil-winged; dragon-bellied; grave- jawed, because grass Is a beard that's soon shaved, and grows seldom again worm writing the the the the,eeeronencoug,en sthistit, d.).dupi w m,tinsprsool itav f bometaisp- pav wheaigelic..)a?? orerdi mise we ich'roo bish ftroo htothuloul mespowouklain- duteavshi wn,jis, sownol hof." m,tisorora angsthyedust,es, fofald,junss ownoug brad,)fr m fr,aA?a????ck;A?stelav aly, al is.'rady'lfrdil owoncorara wns t.) sh'r, oof ofr,a? ar,a???????a? fu mo towess,eethen hrtolly-l,."tigolav ict,a???!ol, w..'m,elyelil,tstreamas..n gotaillas.tansstheatsea f mb ispot inici t.) owar.**1 wnshigigholoothtith orsir.tsotic.'m, sotamimoledug imootrdeavet..t,) sh s,tranciror."wn sieee h asinied.tiear wspilotor,) bla av.nicord,ier.dy'et.*tite m.)..*d, hrouceto hie, ig il m, bsomoug,.t.'l,t, olitel bs,.nt,.dotr tat,)aa? htotitedont,j alesil, starar,ja taie ass.nishiceroouldseal fotitoonckysil, m oitispl o anteeeaicowousomirot.
    [Show full text]
  • HTML5 Cheatsheet 2019
    CHEAT SHEET HTML5 WEB DEVELOPMENT Created by @Manz ( https://twitter.com/Manz ) https://lenguajehtml.com/ S HTML Syntax Tag structure C Comment Syntax Dev annotations S Social metadata For social networks HTML TAG/ATTRIBUTE SYNTAX HTML COMMENT SYNTAX FACEBOOK OPEN GRAPH <tag attribute="value"> content </tag> <!-- text without effects on webpage --> <meta> metadata tag for open graph property metadata type open graph D Document tags HTML main structure H Head tags Header & document metadata content metadata value open graph MAIN TAGS RELATIONS REQUIRED METADATA PROPERTIES <!DOCTYPE html> HTML5 document <link> document relation og:title title of your object <html> document content root tag href link to related document og:type type of your object <head> metadata header related docs hreflang code doc language en, es... music video article book <body> page content visible content type mime hint type for browser profile website title set title to stylesheet set og:image image url for preview G Global Attributes for all elements sizes hint size for favicon 64x64, 96x96 og:url canonical & absolute url DOM / STYLE ATTRIBUTES rel relation type with other document OPTIONAL METADATA PROPERTIES id element identifier unique per page BASIC RELATION og:audio complementary audio url class element class multiple per page alternate link to alternate version og:description 1-2 sentence descr. slot element slot reference to <slot> author link to author URL og:determiner word auto, the, a, an, ... style inline CSS styles css properties help link to help URL
    [Show full text]
  • Focus Styles
    Searching accessible components Sami Keijonen Recourses ● Guide to accessible components in Smashing Magazine. ● WAI-ARIA practises. ● Scott O’Haras accessible components. Components like (1/2) ● Focus styles ● Navigation ● Icon only components (social links) ● “Cards” (image, heading, text linking to article) ● Modal dialogs Components like (2/2) ● Accordion ● Tabs ● Styling checkboxes and radio buttons ● “Autocomplete” (dynamic search results) A11y Figma Kit ● A11y Figma Kit for inspiration and reminder. ○ Article explaining the a11y Figma Kit. ● Accessibility plugins for Figma. Focus styles ● All interactive elements (links, form elements etc.) should have focus styles. ○ Crucial for keyboard users. ● Remember to style focus styles in design process (not just hover). In WCAG 2.1 there is only color contrast 3:1 guideline. :focus { Focus styles outline: 0.25rem solid #222; } Color contrast? In 2.2 draft there are also guidelines for change of contrast and minimum area. Focus styles Note that if box-shadow is used, still use transparent outline for WIN high contrast mode. Good examples Never use :focus { outline: 0 } CSS :focus { box-shadow: ... outline: 0.25rem solid transparent; } :focus-visible is for that and now also Safari 14.1 supports it. // Base focus styles :focus { outline: 0.25em solid $color; Focus styles outline-offset: 0.25em; } What about when focus styles // Be careful to remove focus styles are triggered also using mouse // for “mouse” users. click? :focus:not(:focus-visible) { outline: none; More about focus styles. } <nav> <ul> Navigation <li><a href=”url”>Link 1</a></li> <li><a href=”url”>Link 2</a></li> </ul> Start with semantic markup </nav> Navigation <nav aria-label=”Main”> If there are several <ul> navigation, it’s good to add <li><a href=”url”>Link 1</a></li> name using aria-label <li><a href=”url”>Link 2</a></li> attribute.
    [Show full text]
  • Voice Synthesizer Application Android
    Voice synthesizer application android Continue The Download Now link sends you to the Windows Store, where you can continue the download process. You need to have an active Microsoft account to download the app. This download may not be available in some countries. Results 1 - 10 of 603 Prev 1 2 3 4 5 Next See also: Speech Synthesis Receming Device is an artificial production of human speech. The computer system used for this purpose is called a speech computer or speech synthesizer, and can be implemented in software or hardware. The text-to-speech system (TTS) converts the usual text of language into speech; other systems display symbolic linguistic representations, such as phonetic transcriptions in speech. Synthesized speech can be created by concatenating fragments of recorded speech that are stored in the database. Systems vary in size of stored speech blocks; The system that stores phones or diphones provides the greatest range of outputs, but may not have clarity. For specific domain use, storing whole words or suggestions allows for high-quality output. In addition, the synthesizer may include a vocal tract model and other characteristics of the human voice to create a fully synthetic voice output. The quality of the speech synthesizer is judged by its similarity to the human voice and its ability to be understood clearly. The clear text to speech program allows people with visual impairments or reading disabilities to listen to written words on their home computer. Many computer operating systems have included speech synthesizers since the early 1990s. A review of the typical TTS Automatic Announcement System synthetic voice announces the arriving train to Sweden.
    [Show full text]
  • Towards Expressive Speech Synthesis in English on a Robotic Platform
    PAGE 130 Towards Expressive Speech Synthesis in English on a Robotic Platform Sigrid Roehling, Bruce MacDonald, Catherine Watson Department of Electrical and Computer Engineering University of Auckland, New Zealand s.roehling, b.macdonald, [email protected] Abstract Affect influences speech, not only in the words we choose, but in the way we say them. This pa- per reviews the research on vocal correlates in the expression of affect and examines the ability of currently available major text-to-speech (TTS) systems to synthesize expressive speech for an emotional robot guide. Speech features discussed include pitch, duration, loudness, spectral structure, and voice quality. TTS systems are examined as to their ability to control the fea- tures needed for synthesizing expressive speech: pitch, duration, loudness, and voice quality. The OpenMARY system is recommended since it provides the highest amount of control over speech production as well as the ability to work with a sophisticated intonation model. Open- MARY is being actively developed, is supported on our current Linux platform, and provides timing information for talking heads such as our current robot face. 1. Introduction explicitly stated otherwise the research is concerned with the English language. Affect influences speech, not only in the words we choose, but in the way we say them. These vocal nonverbal cues are important in human speech as they communicate 2.1. Pitch information about the speaker’s state or attitude more effi- ciently than the verbal content (Eide, Aaron, Bakis, Hamza, Pitch contour seems to be one of the clearest indica- Picheny, and Pitrelli 2004).
    [Show full text]
  • The Algorithms of Tajik Speech Synthesis by Syllable
    ITM Web of Conferences 35, 07003 (2020) https://doi.org/10.1051/itmconf/20203507003 ITEE-2019 The Algorithms of Tajik Speech Synthesis by Syllable Khurshed A. Khudoyberdiev1* 1Khujand Polytechnic institute of Tajik technical university named after academician M.S. Osimi, Khujand, 735700, Tajikistan Abstract. This article is devoted to the development of a prototype of a computer synthesizer of Tajik speech by the text. The need for such a synthesizer is caused by the fact that its analogues for other languages not only help people with visual and speech defects, but also find more and more application in communication technology, information and reference systems. In the future, such programs will take their proper place in the broad acoustic dialogue of humans with automatic machines and robotics in various fields of human activity. The article describes the prototype of the Tajik computer synthesizer by the text developed by the author, which is constructed on the principle of a concatenative synthesizer, in which the syllable is chosen as the speech unit, which in turn, indicates the need for the most complete description of the variety of Tajik language syllables. To study the patterns of the Tajik language associated with the concept of syllable, it was introduced the concept of “syllabic structure of the word”. It is obtained the statistical distribution of structures, i.e. a correspondence is established between the syllabic structures of words and the frequencies of their occurrence in texts in the Tajik language. It is proposed an algorithm for breaking Tajik words into syllables, implemented as a computer program.
    [Show full text]