Emblematic Gestures Among Hebrew Speakers in Israel
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Teaching ‘YES’ and ‘NO’ to Confirm Or Reject
TalkLink Wahanga Tu Korero Assistive Technology Services Teaching ‘YES’ and ‘NO’ to Confirm or Reject Purpose of this guide: To provide an alternative way for people to indicate a confirmation or a rejection of a choice, when they are not physically able to point to their choice, AND when they are not able to use a universal head nod / head shake to indicate yes or no. Why teach ‘YES’ and ‘NO’? Yes’ and ‘no’ are an important part of communication. We use these to accept/reject things, confirm information, make choices, and more. Some people with complex communication needs are not physically able to point directly to objects or symbols to communicate what they want. These people would benefit from learning an alternative way to indicate. They can do this by learning to give a YES or NO response to confirm or reject options presented to them by their communication partners; this is extremely important when using Partner-Assisted Scanning to help someone communicate. Given time, consistency and many opportunities to practise, anyone can learn to give a YES/NO response. What is YES and NO? The meaning of YES/NO changes based on the type of question being asked. For example: Using YES/NO to Confirm or Reject requests o Q: Do you want a banana? o A: YES = ‘I want this’ (confirm) and NO = ‘I don’t want this’ (reject). Using YES/NO to obtain information o Q: Is this a banana? o A: YES = ‘that is a banana’ and NO = ‘that is not a banana’. Using YES/NO to confirm or reject is an earlier developing skill which requires lower demand on memory, vocabulary and comprehension, compared to using YES/NO to answer information seeking questions. -
The Palm-Up Puzzle: Meanings and Origins of a Widespread Form in Gesture and Sign
REVIEW published: 26 June 2018 doi: 10.3389/fcomm.2018.00023 The Palm-Up Puzzle: Meanings and Origins of a Widespread Form in Gesture and Sign Kensy Cooperrider 1*, Natasha Abner 2 and Susan Goldin-Meadow 1 1 Department of Psychology, University of Chicago, Chicago, IL, United States, 2 Department of Linguistics, University of Michigan, Ann Arbor, MI, United States During communication, speakers commonly rotate their forearms so that their palms turn upward. Yet despite more than a century of observations of such palm-up gestures, their meanings and origins have proven difficult to pin down. We distinguish two gestures within the palm-up form family: the palm-up presentational and the palm-up epistemic. The latter is a term we introduce to refer to a variant of the palm-up that prototypically involves lateral separation of the hands. This gesture—our focus—is used in speaking communities around the world to express a recurring set of epistemic meanings, several of which seem quite distinct. More striking, a similar palm-up form is used to express the same set of meanings in many established sign languages and in emerging sign Edited by: systems. Such observations present a two-part puzzle: the first part is how this set of Marianne Gullberg, Lund University, Sweden seemingly distinct meanings for the palm-up epistemic are related, if indeed they are; the Reviewed by: second is why the palm-up form is so widely used to express just this set of meanings. We Gaelle Ferre, propose a network connecting the different attested meanings of the palm-up epistemic, University of Nantes, France with a kernel meaning of absence of knowledge, and discuss how this proposal could be Maria Graziano, Lund University, Sweden evaluated through additional developmental, corpus-based, and experimental research. -
Abstract Birds, Children, and Lonely Men in Cars and The
ABSTRACT BIRDS, CHILDREN, AND LONELY MEN IN CARS AND THE SOUND OF WRONG by Justin Edwards My thesis is a collection of short stories. Much of the work is thematically centered around loneliness, mostly within the domestic household, and the lengths that people go to get out from under it. The stories are meant to be comic yet dark. Both the humor and the tension comes from the way in which the characters overreact to the point where either their reality changes a bit to allow it for it, or they are simply fooling themselves. Overall, I am trying to find the best possible way to describe something without actually describing it. I am working towards the peripheral, because I feel that readers believe it is better than what is out in front. BIRDS, CHILDREN, AND LONELY MEN IN CARS AND THE SOUND OF WRONG A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of English by Justin Edwards Miami University Oxford, Ohio 2008 Advisor:__________________________ Margaret Luongo Reader: ___________________________ Brian Roley Reader:____________________________ Susan Kay Sloan Table of Contents Bailing ........................................................................1 Dating ........................................................................14 Rake Me Up Before You Go ....................................17 The Way to My Heart ................................................26 Leaving Together ................................................27 The End -
The Shrug: Forms and Meanings of a Compound Enactment Camille Debras
The Shrug: Forms and Meanings of a Compound Enactment Camille Debras To cite this version: Camille Debras. The Shrug: Forms and Meanings of a Compound Enactment. Gesture, John Ben- jamins Publishing, 2017, 16 (1), pp.1–34. 10.1075/gest.16.1.01deb. hal-01640701 HAL Id: hal-01640701 https://hal.parisnanterre.fr//hal-01640701 Submitted on 21 Jan 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Te shrug Forms and meanings of a compound enactment Camille Debras Université Paris Ouest Nanterre La Défense Te shrug is a widely shared gesture ensemble with several diferent compo- nents. Tese include: lifing the shoulders; rotating the forearms outwards with extended fngers to a “palm up” position; with mouth frmly closed, pulling the lips downwards (the “mouth shrug”), which may or may not be combined with raising the eyebrows and tilting the head to one side. It comprises a rich yet consistent network of forms (a single component or a combination of compo- nents can index the whole enactment). Tese components, together or in various combinations, are shown to express incapacity, powerlessness, indetermina- tion, indiference, obviousness which, we suggest, are unifed by a common semantic theme of personal disengagement. -
Human–Robot Interaction by Understanding Upper Body Gestures
Yang Xiao Human–Robot Interaction by Zhijun Zhang* Aryel Beck Understanding Upper Body Institute for Media Innovation Gestures Nanyang Technological University Singapore Junsong Yuan School of Electrical and Electronic Engineering Abstract Nanyang Technological University Singapore In this paper, a human–robot interaction system based on a novel combination of sensors is proposed. It allows one person to interact with a humanoid social robot Daniel Thalmann using natural body language. The robot understands the meaning of human upper Institute for Media Innovation body gestures and expresses itself by using a combination of body movements, facial Nanyang Technological University expressions, and verbal language. A set of 12 upper body gestures is involved for Singapore communication. This set also includes gestures with human–object interactions. The gestures are characterized by head, arm, and hand posture information. The wearable Immersion CyberGlove II is employed to capture the hand posture. This information is combined with the head and arm posture captured from Microsoft Kinect. This is a new sensor solution for human-gesture capture. Based on the pos- ture data from the CyberGlove II and Kinect, an effective and real-time human gesture recognition method is proposed. The gesture understanding approach based on an innovative combination of sensors is the main contribution of this paper. To verify the effectiveness of the proposed gesture recognition method, a human body gesture data set is built. The experimental results demonstrate that our approach can recognize the upper body gestures with high accuracy in real time. In addition, for robot motion generation and control, a novel online motion planning method is proposed. -
Happy Dance, Slow Clap: Using Reaction Gifs to Predict Induced Affect on Twitter
Happy Dance, Slow Clap: Using Reaction GIFs to Predict Induced Affect on Twitter Boaz Shmueli1;2;3 , Soumya Ray2, and Lun-Wei Ku3 1Social Networks and Human-Centered Computing, TIGP, Academia Sinica 2Institute of Service Science, National Tsing Hua University 3Institute of Information Science, Academia Sinica [email protected] [email protected] [email protected] Abstract presently most human-annotated emotion datasets are labeled with perceived emotions (e. g., Strap- induced emotion Datasets with labels are parava and Mihalcea, 2008; Preo¸tiuc-Pietroet al., scarce but of utmost importance for many NLP tasks. We present a new, automated method for 2016; Hsu and Ku, 2018; Demszky et al., 2020). collecting texts along with their induced reac- Induced emotions data can be collected using phys- tion labels. The method exploits the online use iological measurements or self-reporting, but both of reaction GIFs, which capture complex affec- methods are complex, expensive, unreliable and tive states. We show how to augment the data cannot scale easily. Still, having well-classified with induced emotions and induced sentiment induced emotions data is of utmost importance labels. We use our method to create and pub- to dialogue systems and other applications that lish ReactionGIF, a first-of-its-kind affective aim to detect, predict, or elicit a particular emo- dataset of 30K tweets. We provide baselines for three new tasks, including induced senti- tional response in users. Pool and Nissim(2016) ment prediction and multilabel classification used distant supervision to detect induced emotions of induced emotions. Our method and dataset from Facebook posts by looking at the six available open new research opportunities in emotion emoji reactions. -
THE BALLAD of BUSTER SCRUGGS Written by Joel Coen and Ethan
THE BALLAD OF BUSTER SCRUGGS Written by Joel Coen and Ethan Coen 1. FADE IN Close on a heavy volume, morocco-bound. To the extent that the book does not fill the screen we see that it rests on a knotty, oaken table. A hand enters the bottom of the frame and opens the book to the title page. With its opposite page the cream-colored vellum now fills the screen. The title reads: The Ballad Of Buster Scruggs And Other Tales of the American Frontier --With Color Plates-- The page is turned again. The page on the left side is the table of contents, the page on the right is the list of color plates. Without pausing the unseen hand turns the page again to the title page of the first story: The Ballad of Buster Scruggs We hold for the briefest moment and the page is turned again to reveal a translucent sheet of rice paper, which is itself turned to reveal a full color illustration in the style of N.C. Wyeth. From a low angle the picture shows a burly outlaw rising to his feet from his place at a saloon card table. His right hand hovers over his holstered six-gun, a toothpick is clenched between his yellowed teeth. Objects on the table have been knocked askew by the sudden movement. The players around him all look off toward the object of the burly man’s ire, who occupies our (the viewer’s) perspective. We travel down to a caption below the illustration: “You seen ‘em, you play em,” sneered the hard man. -
Gestures: Your Body Speaks
GESTURES: YOUR BODY SPEAKS How to Become Skilled WHERE LEADERS in Nonverbal Communication ARE MADE GESTURES: YOUR BODY SPEAKS TOASTMASTERS INTERNATIONAL P.O. Box 9052 • Mission Viejo, CA 92690 USA Phone: 949-858-8255 • Fax: 949-858-1207 www.toastmasters.org/members © 2011 Toastmasters International. All rights reserved. Toastmasters International, the Toastmasters International logo, and all other Toastmasters International trademarks and copyrights are the sole property of Toastmasters International and may be used only with permission. WHERE LEADERS Rev. 6/2011 Item 201 ARE MADE CONTENTS Gestures: Your Body Speaks............................................................................. 3 Actions Speak Louder Than Words...................................................................... 3 The Principle of Empathy ............................................................................ 4 Why Physical Action Helps........................................................................... 4 Five Ways to Make Your Body Speak Effectively........................................................ 5 Your Speaking Posture .................................................................................. 7 Gestures ................................................................................................. 8 Why Gestures? ...................................................................................... 8 Types of Gestures.................................................................................... 9 How to Gesture Effectively.......................................................................... -
Westview News VOLUME 16, NUMBER 9 SEPTEMBER 2020 $2.00
The Voice of the West Village WestView News VOLUME 16, NUMBER 9 SEPTEMBER 2020 $2.00 a very peaceful neighborhood.” The last murder recorded in the West Murder on Christopher Street Village was on New Year’s Eve, 2019 when Jonathan Berlin, 62, was fatally shot in the By Roger Paradiso & Anthony Paradiso chest at 110 Bedford Street. Police say Ber- lin may have been murdered during a drug Dashawn Bush, 36, was murdered on deal gone wrong. Christopher St. in the West Village at The West Village Patch has reported sev- around 4.20am on August 17th. His life- eral disturbing incidents in recent months. less body lay out on the sidewalk in front There was a stabbing of a 52-year-old vic- of the Hudson Bagel shop on Christopher tim recently at 222 West 14th Street. And Street when police came upon the scene. there have been several burglaries reported Bush was taken to the Lenox Health by the Patch recently in the West Village. Complex but later died from his injuries, Speaking to local shop owners who re- authorities shared. quested anonymity, we heard that they “I’m still shocked,” said Shamel Bush, thought the Village was not as safe as it was Dashawn’s brother. He told the Daily before the Pandemic and lock down. Many News on Saturday, “I'm still going in and out shop owners are closing their doors early at of crying. I can't believe it, it's just disbelief.” six o’clock because there is a lot of fighting Bush had recently been hired at Amazon. -
The Gestural Communication of Bonobos (Pan Paniscus): Implications for the Evolution of Language
The Gestural Communication of Bonobos (Pan paniscus): Implications for the Evolution of Language A thesis submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology of the College of Arts and Sciences by MaryLauren Malone B.A. Psychology, Wittenberg University Committee Chair: Jeremy Koster, Ph.D. Committee Member: Katherine Whitcome, Ph.D. Abstract Primate studies allow us to examine origins of language because the methods of communication exhibited by living great apes may be similar to interactions of our last common ancestor. The study of homologous traits permits inferences about early human behavior that would otherwise be unsubstantiated speculation. The chimpanzee-bonobo clade shares approximately 98.8% of DNA with humans, making the genus Pan an excellent comparative group to study the origins of language. The three categories of gestures include auditory, tactile, and visual contact with the recipient. Arbib, Liebal and Pika (2008) suggest the modified gestural origins theory in which they state that imitation and pantomime dominated the early evolutionary stages of gesturing. The theory proposes that practical manual skills promoted complex imitation, followed by pantomime, which in turn allowed for rich gestural communication. An observational study conducted by Pika et al. (2005) generated a gestural repertoire of two bonobo groups, thereby providing a framework for understanding flexibility and variability of gesture use. Flexibility refers to the performance of the same action within different social contexts, while variability describes the range of multiple gestures within a repertoire. The present study aims to expand the current knowledge of gestural communication among bonobos. -
CATHOLIC CONVERSION and ENGLISH IDENTITY a Dissertation
“I HAVE NOT A HOME:” CATHOLIC CONVERSION AND ENGLISH IDENTITY A Dissertation Submitted to the Graduate School of the University of Notre Dame in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Teresa Huffman Traver, B.A. Chris Vanden Bossche, Director Graduate Program in English Notre Dame, Indiana July 2007 © Copyright 2007 Teresa Huffman Traver “I HAVE NOT A HOME:” CATHOLIC CONVERSION AND ENGLISH IDENTITY Abstract By Teresa Huffman Traver Throughout the nineteenth century, religious identity, national identity, and domesticity converge in the depiction of broken homes, foreign invaders, and homeless converts which abound in anti-Catholic literature. This literature imagines conversion to Roman or Anglo-Catholicism as simultaneously threatening the English home and the English nation through the adoption of the anti-domestic practices of celibacy and monasticism. However, constructions of conversion as a rejection of domesticity and English identity were not limited to anti-Catholic propaganda: mainstream novelists made use of stock anti-Catholic tropes for rather more complicated purposes. In light of this convergence between religion, nation, and home, this dissertation explores novels by John Henry Newman, Margaret Oliphant, Charlotte Yonge, and Charlotte Brontë in the context of mid-century journal and newspaper articles, court cases, religious tracts and popular anti-Catholic fiction. I argue that in literature concerned with Catholic conversion and the Tractarian movement, the trope of finding a home became a tool for imagining new domestic, Teresa Huffman Traver religious, and national communities. Victorian constructions of English national identity and domesticity were always mutually constitutive, as domesticity was understood to be one of the identifying markers of “Englishness,” while the home served as a microcosm of the nation. -
The Carson Review
The Carson Review Marymount Manhattan College 2019 – 2020 Volume 4 MMCR2020TEXT.indd 1 3/4/20 9:43 AM MMCR2020TEXT.indd 2 3/4/20 9:43 AM The Carson Review The Literary Arts Journal of Marymount Manhattan College 221 E. 71st Street Department of English & World Literatures New York, New York 10021 Student Editors Alyssa Cosme, Kayla Cummings, Tavia Cummings, Kellie Diodato, Kasey Dugan, Savannah Fairbank, Genesis Johnson, Jasmine Ledesma, Liam Mandelbaum, Sadie Marcus, David Medina, Bailee Pelton, Maria Santa Poggi, Alejandro Rojas, Jane Segovia, and Abby Staniek Contributing Editors Carly Schneider and Alexandra Dill Layout Connie Amoroso Faculty Advisor Dr. Jerry Williams Front Cover Window with Bird, Digital Media, by Kennedy Blankenship Back Cover Literary Award Winners Published under the auspices of the English & World Literatures Department The Carson Review ©2020 All rights retained by the authors MMCR2020TEXT.indd 3 3/4/20 9:43 AM Submission Guidelines The Carson Review is published once a year in the Spring. We invite sub- missions of poetry, fiction, creative nonfiction, and cover art from current students at Marymount Manhattan College. Selecting material for the next issue will take place in the Fall of 2020. The deadline is October 15th, 2020. All literary submissions should include a cover sheet with the writer’s name, address, telephone number, e-mail address, and the titles of all work(s) sub- mitted. The author’s name should not appear on the actual pages of poetry, fiction, and creative nonfiction. Double-space all prose and single-space all poetry. For such texts, we ask that you send electronic submissions as Word documents (non-pdf) to [email protected].