Westview News VOLUME 16, NUMBER 9 SEPTEMBER 2020 $2.00
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Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
Patterns of Behavior: Analyzing Modes of Social Interaction from Prehistory to the Present
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Supervised Undergraduate Student Research Chancellor’s Honors Program Projects and Creative Work 5-2010 Patterns of Behavior: Analyzing Modes of Social Interaction from Prehistory to the Present Whitney Nicole Hayden University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Part of the Other Languages, Societies, and Cultures Commons Recommended Citation Hayden, Whitney Nicole, "Patterns of Behavior: Analyzing Modes of Social Interaction from Prehistory to the Present" (2010). Chancellor’s Honors Program Projects. https://trace.tennessee.edu/utk_chanhonoproj/1374 This Dissertation/Thesis is brought to you for free and open access by the Supervised Undergraduate Student Research and Creative Work at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Chancellor’s Honors Program Projects by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. Patterns of BEHAVIOR APPROPRIATE INTERACTION IN SOCIETY: FROM PREHISTORY TO THE PRESENT Patterns of BEHAVIOR APPROPRIATE INTERACTION IN SOCIETY: FROM PREHISTORY TO THE PRESENT We are spending less time with physical people and the community and more time with objects. We are getting to the point where we don’t have to interact with people in the physical: e-mail, instant messaging, texting, tweeting, and social networking. Are we having real conversations? There is no intonation in an e-mail or text message. Doesn’t intonation, body language, and facial expressions make up half of the experience in a conversation? Merriam-Webster defines “conversation” as such: oral exchange of Western civilization has been captivated by the electronic sentiments, observations, opinions, or ideas. -
Portland City Council Agenda
CITY OF OFFICIAL PORTLAND, OREGON MINUTES A REGULAR MEETING OF THE COUNCIL OF THE CITY OF PORTLAND, OREGON WAS HELD THIS 11TH DAY OF JANUARY, 2012 AT 9:30 A.M. THOSE PRESENT WERE: Commissioner Fish, Presiding; Commissioners Fritz, Leonard and Saltzman; Mayor Adams teleconferenced, 5. Commissioner Leonard arrived at 9:38 a.m. OFFICERS IN ATTENDANCE: Karla Moore-Love, Clerk of the Council; Tracy Reeve, Senior City Attorney; and Steve Peterson, Sergeant at Arms. On a Y-5 roll call, the Consent Agenda was adopted. Disposition: COMMUNICATIONS 26 Request of Jan Walker to address Council regarding the benefit of programs that educate, mentor and support small business development and growth (Communication) PLACED ON FILE 27 Request of Silke Akerson to address Council regarding police presence and expenses related to protests (Communication) PLACED ON FILE 28 Request of Karl Chromy to address Council regarding his civil rights (Communication) PLACED ON FILE TIMES CERTAIN 29 TIME CERTAIN: 9:30 AM – Accept the Graffiti Abatement Semi-Annual Progress Report (Previous Agenda 1349; Report introduced by Commissioner Fritz) 30 minutes requested Motion to accept the report: Moved by Commissioner Fritz and seconded by ACCEPTED Commissioner Saltzman. (Y-5) 1 of 104 January 11, 2012 30 TIME CERTAIN: 10:00 AM – Accept the Report on the 2012 State Legislative Agenda (Report introduced by Mayor Adams) 30 minutes requested Motion to include proposed legislative changes to Oregon senior and disabled property tax deferral program: Moved by Commissioner ACCEPTED Leonard and seconded by Commissioner Saltzman. (Y-5) AS AMENDED Motion to accept report: Moved by Commissioner Fritz and seconded by Commissioner Saltzman. -
The Palm-Up Puzzle: Meanings and Origins of a Widespread Form in Gesture and Sign
REVIEW published: 26 June 2018 doi: 10.3389/fcomm.2018.00023 The Palm-Up Puzzle: Meanings and Origins of a Widespread Form in Gesture and Sign Kensy Cooperrider 1*, Natasha Abner 2 and Susan Goldin-Meadow 1 1 Department of Psychology, University of Chicago, Chicago, IL, United States, 2 Department of Linguistics, University of Michigan, Ann Arbor, MI, United States During communication, speakers commonly rotate their forearms so that their palms turn upward. Yet despite more than a century of observations of such palm-up gestures, their meanings and origins have proven difficult to pin down. We distinguish two gestures within the palm-up form family: the palm-up presentational and the palm-up epistemic. The latter is a term we introduce to refer to a variant of the palm-up that prototypically involves lateral separation of the hands. This gesture—our focus—is used in speaking communities around the world to express a recurring set of epistemic meanings, several of which seem quite distinct. More striking, a similar palm-up form is used to express the same set of meanings in many established sign languages and in emerging sign Edited by: systems. Such observations present a two-part puzzle: the first part is how this set of Marianne Gullberg, Lund University, Sweden seemingly distinct meanings for the palm-up epistemic are related, if indeed they are; the Reviewed by: second is why the palm-up form is so widely used to express just this set of meanings. We Gaelle Ferre, propose a network connecting the different attested meanings of the palm-up epistemic, University of Nantes, France with a kernel meaning of absence of knowledge, and discuss how this proposal could be Maria Graziano, Lund University, Sweden evaluated through additional developmental, corpus-based, and experimental research. -
This Special One Day Dance Officer Curriculum Can Be Added to Your Existing Private Camp for Your Team
This special One Day Dance Officer Curriculum can be added to your existing private camp for your team. The instructor will offer a short “Officer Camp Dance” then have at least 4-5 different leadership and technique workshops that will motivate your officers to be great leaders. The director will receive a special document CD with an officer handbook that is over 75 pages of instructional material that will offer support to your officers throughout the year, as well as a music CD with over 20 pieces of music, including the music for the Officer Camp Dance. Here are a few of the officer workshops that you can choose from: “Teaching Basic Dance Technique” “Know Your Role as a Leader” “Teaching & Polishing Routines” “Partnering Techniques for Modern” “Developing Lyrical Technique” “Team Motivation and Leadership Styles” “Leaps and Turns” “Tricks and Stunts” “Kick and Stretching Technique” “Creative Choreography” “Discipline is Something You Do For Someone” “Problem Solving” Although we highly recommend that the officers attend a full three day curriculum to learn routines and experience the workshops above as well as observing other teams at camp, it is important that the officers have a good basis for starting off the school year armed with valuable information that will inspire them to be the role models and leaders that will guide your team to a successful season. Here is a suggested schedule for the additional One Day Officer Camp to add to your team private camp: 8:30-9:00am Stretching and Kick Techniques (Workshop #1) 9:00-10:30am Learn Officer Camp Dance 10:45-11:30am Workshop #2 (choose from list) 11:30-12:15pm Workshop #3 (choose from list) 12:15-1:00pm Lunch on your own 1:00-2:00pm Workshop #4 (choose from list) 2:15-3:15pm Workshop #5 (choose from list) 3:30-4:30pm Workshop #6 (choose from list) Directors can design a schedule based on your officer group’s needs. -
The Difference Between American Sign Language and Body Language in Greetings
Multicultural Education Volume 7, Issue 5, 2021 _______________________________________________________________________________________ The Difference Between American Sign Language and Body Language in Greetings Najlaa Hayyawi Abbar,Hasanain Hassan Shaheed Article Info Abstract Article History Permanency durability the non-verbal greetings are these greetings up to expectation work no longer necessity speaking then voice; then it can stay Received: understood by way of whole classes over individuals. Greetings through March 17, 2021 physique gestures are the critical share of non-vocal greetings. They hold been mentioned throughout it delivery note according to dense standards Accepted: about linguists. Moreover, that paper suggests the distinction in gesture or May 14, 2021 signal sound of definitive issues. Sign call is distinctive for incapable men and women between their talking yet hard of hearing ones, whilst the usage Keywords : of greetings by way of gestures is because every concerning the regular then Gesture, American Sign broken people. So, we perform speech so greetings via gestures are normal Language, Body word as that has been proven of it paper. Language DOI: 10.5281/zenodo.4763144 Introduction Permanency durability stability permanency stability The fact to that amount languages are not solely objectives, socially neutral units for conveying meaning, however are attached over including identities and ethnic businesses grudging consequences for the associative assessment of, or the attitudes in the direction of languages, of a tribe conventional (or ethnic) agencies hold certain attitudes in the direction of each other, pertaining to after theirs differing associative positions. Greeting including gestures is some regarding these attitudes. (Thomas,1995:47). Gestures are no longer simply actions and can in no way stay totally defined in merely kinesics terms. -
Printing New York City Cowboys
New York City Cowboys Written by J. J. Schamus Copyright (c) 2015 This screenplay may not be used or reproduced without the express written permission of the author. WGAW Registered 2015 Final Draft "NEW YORK CITY COWBOYS" FADE IN: EXT. CORRAL - DAY A hot, dusty day under a bright blue sky. A teen aged cowboy, DUKE Schamus, is standing in the corral. He is good looking but not pretty, with muscular build and broad shoulders. He speaks with a soft western drawl. Duke stands with a scowl on his face. An ivory handled Colt Peacemaker sits in a holster on his hip. Duke loosens the pistol in its holster, cracks his knuckles and turns his head in a circle to loosen his neck. He nods his head. DUKE You ready? A man, MONTE Bluefeather, is standing in the same corral. He is tall, over six feet and powerful looking. He has a dusky complexion and features that show he's part Native American. Monte also has a Colt in a holster on his hip. There's a scowl on his face and his thumbs are hooked in his belt. He nods. MONTE Ready. The two aren't facing each other but a fence rail twenty feet away with two sets of six assorted bottles and cans lined up on top. DUKE On three. One... two... three! They quickly draw and each fire SIX SHOTS, emptying their Colts at the targets on the fence rail. The cloud of smoke disperses in the light breeze. Duke has hit five out of six targets. -
Scholarworks@UNO Scrub
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-13-2016 Scrub Mark T. Williams University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Screenwriting Commons Recommended Citation Williams, Mark T., "Scrub" (2016). University of New Orleans Theses and Dissertations. 2206. https://scholarworks.uno.edu/td/2206 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Scrub A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Arts in Creative Writing (Screenwriting) By Mark Twain Williams B.A. University of New Orleans, 2007 May 2016 GAME ANNOUNCER (V.O.) (echoes over Black) K-O! FADE IN: INT. APEX 2004 TOURNAMENT ARENA - DAY A swooping view of the world championship electronic sports arena. Thousands crowd the stage like a music concert. -
Kamen Rider Fourze Astro Switch Secret Report
Kamen Rider Fourze Astro Switch Secret Report Dime Wye atomising her calottes so only that Stefan beseeches very spiccato. Dennis remains glimmering after Haley municipalises privatively or trapans any proctologists. Poul undock metabolically. Rider System as well as keeping things loose and light, which is always good for the beginning of the series. They discuss: The Matrix DVD, Yearbook Photos, Bob losing his mind and Ashley finally turns the podcast into being entirely about lesbian subtext. Miu and Shun went. Gentaro and Shun tag team it, managing to free Nadeshiko, who transforms as well; Gentaro and Nadeshiko Double Rocket Rider Kick Sadonas! Also Jerry is the absolute worst in canon. New episode summaries are up for December, and it looks like the KRC is celebrating Christmas in style at the Rabbit Hutch. During the party, a Zodiarts appear. Edenoites also possess telepathic abilities that are focused through a gem in the forehead, which can be hidden telepathically, though in times of stress can become visible. Also, all the text is in caps. Birth Buster from her. Down arrows to advance ten seconds. Meteor slid a small plastic piece in the end of his Storm Shaft and pulled it, preparing his final attack. The gang is forced to confront the power of the incel as Alex tries to turn a guy down and he resorts to drinking strong juice. Rider, and a lot more about Fourze over the last couple of days. Also Jazz Hands is out of prison. He of COURSE wipes the floor with both Birth and Proto Birth with relative ease. -
The Shrug: Forms and Meanings of a Compound Enactment Camille Debras
The Shrug: Forms and Meanings of a Compound Enactment Camille Debras To cite this version: Camille Debras. The Shrug: Forms and Meanings of a Compound Enactment. Gesture, John Ben- jamins Publishing, 2017, 16 (1), pp.1–34. 10.1075/gest.16.1.01deb. hal-01640701 HAL Id: hal-01640701 https://hal.parisnanterre.fr//hal-01640701 Submitted on 21 Jan 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Te shrug Forms and meanings of a compound enactment Camille Debras Université Paris Ouest Nanterre La Défense Te shrug is a widely shared gesture ensemble with several diferent compo- nents. Tese include: lifing the shoulders; rotating the forearms outwards with extended fngers to a “palm up” position; with mouth frmly closed, pulling the lips downwards (the “mouth shrug”), which may or may not be combined with raising the eyebrows and tilting the head to one side. It comprises a rich yet consistent network of forms (a single component or a combination of compo- nents can index the whole enactment). Tese components, together or in various combinations, are shown to express incapacity, powerlessness, indetermina- tion, indiference, obviousness which, we suggest, are unifed by a common semantic theme of personal disengagement. -
Ancient Carved Ambers in the J. Paul Getty Museum
Ancient Carved Ambers in the J. Paul Getty Museum Ancient Carved Ambers in the J. Paul Getty Museum Faya Causey With technical analysis by Jeff Maish, Herant Khanjian, and Michael R. Schilling THE J. PAUL GETTY MUSEUM, LOS ANGELES This catalogue was first published in 2012 at http: Library of Congress Cataloging-in-Publication Data //museumcatalogues.getty.edu/amber. The present online version Names: Causey, Faya, author. | Maish, Jeffrey, contributor. | was migrated in 2019 to https://www.getty.edu/publications Khanjian, Herant, contributor. | Schilling, Michael (Michael Roy), /ambers; it features zoomable high-resolution photography; free contributor. | J. Paul Getty Museum, issuing body. PDF, EPUB, and MOBI downloads; and JPG downloads of the Title: Ancient carved ambers in the J. Paul Getty Museum / Faya catalogue images. Causey ; with technical analysis by Jeff Maish, Herant Khanjian, and Michael Schilling. © 2012, 2019 J. Paul Getty Trust Description: Los Angeles : The J. Paul Getty Museum, [2019] | Includes bibliographical references. | Summary: “This catalogue provides a general introduction to amber in the ancient world followed by detailed catalogue entries for fifty-six Etruscan, Except where otherwise noted, this work is licensed under a Greek, and Italic carved ambers from the J. Paul Getty Museum. Creative Commons Attribution 4.0 International License. To view a The volume concludes with technical notes about scientific copy of this license, visit http://creativecommons.org/licenses/by/4 investigations of these objects and Baltic amber”—Provided by .0/. Figures 3, 9–17, 22–24, 28, 32, 33, 36, 38, 40, 51, and 54 are publisher. reproduced with the permission of the rights holders Identifiers: LCCN 2019016671 (print) | LCCN 2019981057 (ebook) | acknowledged in captions and are expressly excluded from the CC ISBN 9781606066348 (paperback) | ISBN 9781606066355 (epub) BY license covering the rest of this publication. -
Lyrics and Motions
Camp Kilimanjaro Song Motion Descriptions !Camp Kilimanjaro Camp Kilimanjaro – throughout entire song as these words are sung, move fists around each other in a circular motion Get ready for adventure – left hand motions to come along Excitement is at hand – pump left hand, pump right hand, pump both hands at the same time and create fists We’re going on a safari to a wild and distant land – pass hands across each other to either side of body, step back, shake hands (“jazz hands”) Camp Kilimanjaro – move fists around each other in a circular motion From the plains of Serengeti – pass hands across each other to either side of body To the jungles deep within – cup hands and move outwards to either side of body And to the highest mountain top – move hands from either side into a mountain peak Our journey now begins at – walk in a circle Camp Kilimanjaro – move fists around each other in a circular motion We’ll sing the songs of Africa – cup hand over mouth and move to the left We’ll join its mighty chorus – cup hand over mouth and move to the right Gain wisdom from the Words of Life – open left hand makes circular motion facing out, open right hand makes circular motion facing out That God has laid before us – both hands lie flat, palms up, then move up as if opening a window Jambo – waves with left hand Let’s go – motion to “come along” with right hand To Camp Kilimanjaro – step with each leg and create mountain peak with hands Camp Kilimanjaro – move fists around each other in a circular motion And on this track we’ll learn the path God