MUSIC WEEK AUGUST 6, 1977 CBS Targets 1 Billion World Sales By
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Joni Mitchell, Blue (1971) Lyrics1
MUSC-21900 Freeze Joni Mitchell, Blue (1971) 1 Lyrics 1. All I Want And it undoes all the joy that could be I want to have fun, I want to shine like the sun I am on a lonely road and I am traveling I want to be the one that you want to see Traveling, traveling, traveling I want to knit you a sweater Looking for something, what can it be Want to write you a love letter Oh I hate you some, I hate you some, I love I want to make you feel better you some I want to make you feel free Oh I love you when I forget about me I want to make you feel free I want to be strong I want to laugh along I want to belong to the living 2. My Old Man Alive, alive, I want to get up and jive My old man I want to wreck my stockings in some juke He's a singer in the park box dive He's a walker in the rain Do you want - do you want - do you want to He's a dancer in the dark dance with me baby We don't need no piece of paper Do you want to take a chance From the city hall On maybe finding some sweet romance with Keeping us tied and true me baby My old man Well, come on Keeping away my blues All I really really want our love to do He's my sunshine in the morning Is to bring out the best in me and in you too He's my fireworks at the end of the day All I really really want our love to do He's the warmest chord I ever heard Is to bring out the best in me and in you Play that warm chord, play and stay baby I want to talk to you, I want to shampoo you We don't need no piece of paper I want to renew you again and again From the city hall Applause, applause - Life is our -
CVX904783 HUFFINGTON POST Feature
A Conversation with Nazareth's Dan McCafferty Mike Ragogna : Dan, let's talk about all things Nazareth and Rock 'N' Roll Telephone , your twenty-fourth album, right? That's a great achievement. How did you get here? Dan McCafferty : I think we're just a band that grew up and started to write our own songs and stuff. Coming from Scotland at that time, there were really only four or five big gigs that people used to come and visit. It's not like that now, of course. We started like any other band, doing Chuck Berry covers and Little Richard covers and on through the early eighties and then you start to write your own stuff. We played every place, eventually got signed and made records. It was a gradual buildup, but we always worked. Up until I got sick, we were doing two hundred, two sixty gigs a year. It was that work ethic thing, "It's got to be a proper job." Plus, you enjoy it so much! It just kind of flew by, Mike, I hope to tell you, but it was very interesting along the way. MR : Dan, how did you guys develop your sound? DM : I guess just paying attention to what was going on and what we really liked. I found out at a very early age that I preferred people like Little Richard to Cliff Richard, that kind of thing. Pop music was okay, it was better than listening to your dad's music, but it didn't have enough balls. As the years go on you develop, and when I discovered American music, Little Richard and Chuck Berry and then later in life people like Bob Seger and all the Detroit bands, it was just like, "Whoa, what's going on here?" Because at home, we had The Shadows and people like Billy Fury who were all kind of pseudo-American imitations of Elvis and stuff, where you guys were producing stuff that was frightening to us at the time and we wanted to go there. -
Joni Mitchell Complete So Far …
GUITAR SONGBOOK EDITION1 JONI MITCHELL Complete SO FAR … Joni wishes to express her thanks … to Joel Bernstein: “As my repertoire of tunings expanded it became necessary to have a whole fleet of guitars set up in tuning families. It was Joel’s job to tune my guitars, and to do this he needed to learn at least the first eight bars of every one of my songs—therefore preserving these tunings which may have otherwise been lost, for which I am grateful”; to Henry Diltz for capturing these special moments in time with his photos; to Jeffrey Pepper Rodgers for asking interview questions that actually pertained to the art and the music; to Dana D’Elia and all the staff at Alfred Music who participated in the making of this book; and special thanks to Aaron Stang for overseeing the production of this project with such care. Produced by Alfred Music P.O. Box 10003 Van Nuys, CA 91410-0003 alfred.com All rights reserved. Printed in USA. No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, stored in a retrieval system, or transmitted by any means without written permission from the publisher. In order to comply with copyright laws, please apply for such written permission and/or license by contacting the publisher at alfred.com/permissions. ISBN-10: 0-7390-9588-9 ISBN-13: 978-0-7390-9588-1 Transcriptions by Joel Bernstein, Daniel Libertino, and Andrew DuBrock Cover photo by Jack Robinson, The Jack Robinson Archive, LLC; robinsonarchive.com All inside photos by Henry Diltz; morrisonhotelgallery.com Contents Foreword ................................................................................................................................................................................ -
"Weird Al" Yankovic
"Weird Al" Yankovic - Ebay Abba - Take A Chance On Me `M` - Pop Muzik Abba - The Name Of The Game 10cc - The Things We Do For Love Abba - The Winner Takes It All 10cc - Wall Street Shuffle Abba - Waterloo 1927 - Compulsory Hero ABC - Poison Arrow 1927 - If I Could ABC - When Smokey Sings 30 Seconds To Mars - Kings And Queens Ac Dc - Long Way To The Top 30 Seconds To Mars - Kings And Queens Ac Dc - Thunderstruck 30h!3 - Don't Trust Me Ac Dc - You Shook Me All Night Long 3Oh!3 feat. Katy Perry - Starstrukk AC/DC - Rocker 5 Star - Rain Or Shine Ac/dc - Back In Black 50 Cent - Candy Shop AC/DC - For Those About To Rock 50 Cent - Just A Lil' Bit AC/DC - Heatseeker A.R. Rahman Feat. The Pussycat Dolls - Jai Ho! (You AC/DC - Hell's Bells Are My Destiny) AC/DC - Let There Be Rock Aaliyah - Try Again AC/DC - Thunderstruck Abba - Chiquitita AC-DC - It's A Long Way To The Top Abba - Dancing Queen Adam Faith - The Time Has Come Abba - Does Your Mother Know Adamski - Killer Abba - Fernando Adrian Zmed (Grease 2) - Prowlin' Abba - Gimme Gimme Gimme (A Man After Midnight) Adventures Of Stevie V - Dirty Cash Abba - Knowing Me, Knowing You Aerosmith - Dude (Looks Like A Lady) Abba - Mamma Mia Aerosmith - Love In An Elevator Abba - Super Trouper Aerosmith - Sweet Emotion A-Ha - Cry Wolf Alanis Morissette - Not The Doctor A-Ha - Touchy Alanis Morissette - You Oughta Know A-Ha - Hunting High & Low Alanis Morrisette - I see Right Through You A-Ha - The Sun Always Shines On TV Alarm - 68 Guns Air Supply - All Out Of Love Albert Hammond - Free Electric Band -
Download This Document
Brown, A.R. (2015) ‘Explaining the naming of heavy metal from rock’s “Back Pages”: a dialogue with Deena Weinstein’. Metal Music Studies, 1 (2): 233-261. Online at: http://dx.doi.org/10.1386/mms.1.2.233_1 ResearchSPAce http://researchspace.bathspa.ac.uk/ This version is made available in accordance with publisher policies. Please cite only the published version using the reference above. Your access and use of this document is based on your acceptance of the ResearchSPAce Metadata and Data Policies, as well as applicable law:- https://researchspace.bathspa.ac.uk/policies.html Unless you accept the terms of these Policies in full, you do not have permission to download this document. This cover sheet may not be removed from the document. Please scroll down to view the document. Author’s note: This is the final draft version of the article accepted for publication by Metal Music Studies on the 2nd December 2014. The final copy-edited article is due to be published as: Brown, A.R. (2015) ‘Explaining the Naming of Heavy Metal from Rock’s “Back Pages”: A dialogue with Deena Weinstein’, Metal Music Studies, I (2): 233-261 (April). Explaining the Naming of Heavy Metal From Rock’s “Back Pages”: A Dialogue with Deena Weinstein The origins of the term heavy metal or when the genre was first named is a perennial topic of debate and conjecture among fans, popular music historians, academic-fans and fan-academics. Such debates and refutations can also be found across the web, on metal-blogs, net-cyclopedias, discographies and fan forums. -
Name Artist Album Track Number Track Count Year Wasted Words
Name Artist Album Track Number Track Count Year Wasted Words Allman Brothers Band Brothers and Sisters 1 7 1973 Ramblin' Man Allman Brothers Band Brothers and Sisters 2 7 1973 Come and Go Blues Allman Brothers Band Brothers and Sisters 3 7 1973 Jelly Jelly Allman Brothers Band Brothers and Sisters 4 7 1973 Southbound Allman Brothers Band Brothers and Sisters 5 7 1973 Jessica Allman Brothers Band Brothers and Sisters 6 7 1973 Pony Boy Allman Brothers Band Brothers and Sisters 7 7 1973 Trouble No More Allman Brothers Band Eat A Peach 1 6 1972 Stand Back Allman Brothers Band Eat A Peach 2 6 1972 One Way Out Allman Brothers Band Eat A Peach 3 6 1972 Melissa Allman Brothers Band Eat A Peach 4 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Ain't Wastin' Time No More Allman Brothers Band Eat A Peach 6 6 1972 Oklahoma Hills Arlo Guthrie Running Down the Road 1 6 1969 Every Hand in the Land Arlo Guthrie Running Down the Road 2 6 1969 Coming in to Los Angeles Arlo Guthrie Running Down the Road 3 6 1969 Stealin' Arlo Guthrie Running Down the Road 4 6 1969 My Front Pages Arlo Guthrie Running Down the Road 5 6 1969 Running Down the Road Arlo Guthrie Running Down the Road 6 6 1969 I Believe When I Fall in Love Art Garfunkel Breakaway 1 8 1975 My Little Town Art Garfunkel Breakaway 1 8 1975 Ragdoll Art Garfunkel Breakaway 2 8 1975 Breakaway Art Garfunkel Breakaway 3 8 1975 Disney Girls Art Garfunkel Breakaway 4 8 1975 Waters of March Art Garfunkel Breakaway 5 8 1975 I Only Have Eyes for You Art Garfunkel Breakaway 7 8 1975 Lookin' for the Right One Art Garfunkel Breakaway 8 8 1975 My Maria B. -
Joni Mitchell Plugged Audience Were Excellent.Cor- Tive Musical and Technical Per- Responding with the Title Cut on Cussionist
14-THE YELL-APRIL 11, 1973 Trust vs. Tragedy Apia} about desegregation and historv department atUNLV.will human relations, written by a join Richard Erbe, principal at theatre arts student at L'N'l.V, Kermit Booker Elementary will be performed in several Las School, and Porter Troutman, Vegas elementary schools during associate director of the UNLV this month. Teacher Corns at UNLV. for a "Games in the Lunch Roinn," talk about racial relations. by Jack Sawyer, will be presented Adtni >sl in is free to all daring PTA meetings In the meetings, I'NLV Student Creative Theatre, M ■ libers of the cast are Joe a project funded b) th< Nevada Bishop and Carla Lawrence of Humanities Committee, UN! V. LVa'i Hard) oi Clark High Tlif public is Invited to attend School and Lanyard Williams of the following programs: T : 3O Vallej High Si hod. p.m. Apt il 10 at Doris Hancock Sawyer, who isproject director Eli mentary School; 7;3u p.m. lor fhs experimental thi atre April lb at R,-x Bell Eli mentarj roup, is a sophomore honor School, 2. p.m. April 24 at West student. He has appeared In Charleston Elementary School numerous plays in !,:. h si hool and at 7:30 p.m. April 26 at and m Jul-. Bayleji Tin atn . Rose Warren Elementary School, Hi said tin theme of the play- A panel discussion will follow is that unless men hav • a basic each performance. trust in each other, traged;. Will Paul Burns, chairman of the result. Passion Sunday Concert Cast rehearses for "Games in the Lunchroom." Right is Jack Sawyer. -
Inspired by Joni - the Albums
Inspired by Joni - The Albums Compiled by: Simon Montgomery, © 2006 Please send comments, corrections or additions to: [email protected] Latest Update: May 23, 2021 Illustration from The Music Of Joni Mitchell Songbook Published by C.H. Hansen Publications All rights reserved. This material may not, in whole or part, be copied, reproduced, photocopied, translated, recorded, or reduced to any electronic medium, machine readable format or mechanical means without the express consent, in writing, from the specific lawful copyright holder. 1974 Sara Smith Sings The Best of A Tribute To Joni Mitchell Delmar #3013 (8 Track Cartridge) 1. Raised On Robbery 2. Woodstock 3. You Turn Me On, I'm A Radio 4. Chelsea Morning 5. California 6. Carey 7. The Circle Game 8. Night In The City 9. He Played Real Good For Free 1994 Back to the Garden – A Tribute to Joni Mitchell Intrepid Records #N21-00016 - Canada 01. Free Man In Paris Big Faith 02. This Flight Tonight Sara Craig 03. Carey Universal Honey 04. Big Yellow Taxi Lorraine Scott 05. Black Crow Molly Johnson 06. The Beat Of Black Wings Andy Stochansky 07. Shades Of Scarlett Conquering Martha And The Muffins 08. The Hissing Of Summer Lawns Funky Bummer featuring Anne Beadle 09. River Hugh Marsh, Jonathan Goldsmith, Rob Piltch, Martin Tielli 10. You Turn Me On, I'm A Radio Kurt Swinghammer 11. Coyote Spirit Of The West 12. Woodstock W.O.W. 13. Night In The City Jenny Whiteley 14. A Case Of You Sloan 15. Blonde In The Bleachers Squiddly featuring Maria Del Mar 16. -
WARNER BROS. / WEA RECORDS 1970 to 1982
AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS. -
Nazareth Classics Volume 16 Mp3, Flac, Wma
Nazareth Classics Volume 16 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Classics Volume 16 Country: US Released: 1987 Style: Hard Rock MP3 version RAR size: 1538 mb FLAC version RAR size: 1937 mb WMA version RAR size: 1238 mb Rating: 4.4 Votes: 685 Other Formats: MP3 ASF MIDI WMA AA FLAC MP1 Tracklist Hide Credits This Flight Tonight 1 3:22 Producer – Roger Glover Expect No Mercy 2 3:25 Producer – Manny Charlton Love Hurts 3 3:51 Producer – Manny Charlton Morning Dew 4 3:53 Producer – John Punter Carry Out Fellings 5 3:17 Producer – Manny Charlton Hair Of The Dog 6 4:09 Producer – Manny Charlton Razamanaz 7 3:48 Producer – Roger Glover Love Leads To Madness 8 4:04 Producer – John Punter I Want To (Do Everything) 9 4:15 Producer – Manny Charlton Holiday 10 3:34 Producer – Jeff Baxter Star 11 4:54 Producer – Manny Charlton Dressed To Kill 12 3:31 Producer – Jeff Baxter Broken Down Angel 13 3:44 Producer – Roger Glover My White Bicycle 14 3:27 Producer – Manny Charlton Heart's Grown Cold 15 4:00 Producer – John Punter Shanghai'd In Shanghai 16 3:44 Producer – Roger Glover Go Down Fighting 17 3:05 Producer – Roger Glover Companies, etc. Manufactured By – BMG Direct Marketing, Inc. – D 102022 Licensed To – BMG Direct Marketing, Inc. Credits Art Direction – Chuck Beeson, Rich Frankel* Coordinator [Project] – Barry Korkin Liner Notes – Sam Graham Mastered By – Frank DeLuna, Stewart Whitmore Notes ℗&© 1987 A&M Records, Inc. 6 page booklet Volume 16 in a series of collections commemorating A&M's 25th Anniversary Other versions -
Liste Gebrauchtware Privatkunden Datum
TWS-Source Of Deluge - Delmenhorst -- FON 04221-452011 -- FAX 04221-452012 Liste Gebrauchtware Privatkunden Seite: 1 Artikelnummer Interpret Titel Jahr Preis Beschreibung 310 G 42269 13 ENGINES A BLUR TO ME NOW 1991 7,00 € cut out 310 G 55515 28 DAYS UPSTYLEDOWN 2000 5,00 € limited edition with cd rom 320 G 60594 38 SPECIAL TOUR DE FORCE 1983 12,00 € LP 327 G 44956 38 SPECIAL YOU KEEP RUNNING AWAY 1982 4,00 € 7" vinyl single, written on 310 G 11847 40 GRIT NOTHING TO REMEMBER 2003 3,00 € 310 G 5454 454 BIG BLOCK YOUR JESUS 1995 2,00 € 327 G 44777 46 SHORT / KROMBACHERKELLERKINDER SPLIT 5,00 € 7" clear vinyl single 313 G 48055 4LYN LYN 2001 2,00 € MCD 310 G 13839 4LYN SAME 2001 5,00 € 327 G 44860 707 HELL OR HIGH WATER / MEGA FORCE 1982 3,00 € 7" Single 310 G 7738 88 CRASH FIGHT WICKET PENCES 1993 2,00 € 310 G 25423 A D SAME 1993 3,00 € 327 G 61780 A FLOCK OF SEAGULLS I RAN 1982 8,00 € LP Vinyl Maxi Single small 310 G 30902 A PERFECT CIRCLE THIRTENTH STEP 2003 9,00 € 320 G 12156 AARON, LEE CALL OF THE WILD 1985 4,00 € LP 327 G 61726 AARON, LEE POWERLINE 1987 4,00 € one sided 7 inch single, 320 G 23334 AARON, LEE SAME 1987 4,00 € LP 320 G 64407 AARON, LEE SAME 1982 5,00 € LP 310 G 6181 ABADDON I AM LEGION 2000 5,00 € 310 G 8810 ABOMINATION RITES OF THE ETERNAL HATE 2000 5,00 € 310 G 47223 ABSORBED SUNSET BLEEDING 1999 16,00 € 310 G 64482 ABSTUERZENDE BRIEFTAUBEN DER LETZTE MACHT DIE TÜR ZU 7,00 € 310 G 53022 ABSTÜRZENDE BRIEFTAUBEN AUSSER KONTROLLE 1992 7,00 € 60 minute live cd 310 G 55825 ABSTÜRZENDE BRIEFTAUBEN DAS KRIEGEN WIR SCHON HIN -
Page 1 TEACHER, TEACHER .38 SPECIAL I GO BLIND 54-40
Page 1 TEACHER, TEACHER .38 SPECIAL I GO BLIND 54-40 OCEAN PEARL 54-40 Make Me Do) ANYTHING YOU WANT A FOOT IN COLD WATER HAND IN MY POCKET ALANIS MORISSETTE HEAD OVER FEET ALANIS MORISSETTE IRONIC ALANIS MORISSETTE THANK YOU ALANIS MORISSETTE UNINVITED ALANIS MORISSETTE YOU LEARN ALANIS MORISSETTE YOU OUGHTA KNOW ALANIS MORISSETTE BLACK VELVET ALANNAH MYLES LOVE IS ALANNAH MYLES LOVER OF MINE ALANNAH MYLES SONG INSTEAD OF A KISS ALANNAH MYLES STILL GOT THIS THING ALANNAH MYLES FANTASY ALDO NOVA MORE THAN WORDS CAN SAY ALIAS HELLO HURRAY ALICE COOPER BIRMINGHAM AMANDA MARSHALL DARK HORSE AMANDA MARSHALL FALL FROM GRACE AMANDA MARSHALL LET IT RAIN AMANDA MARSHALL BABY I LOVE YOU ANDY KIM BE MY BABY ANDY KIM HOW'D WE EVER GET THIS WAY? ANDY KIM I FORGOT TO MENTION ANDY KIM ROCK ME GENTLY ANDY KIM SHOOT 'EM UP BABY ANDY KIM BAD SIDE OF THE MOON APRIL WINE ENOUGH IS ENOUGH APRIL WINE I WOULDN'T WANT TO LOSE YOUR LOVE APRIL WINE I'M ON FIRE FOR YOU BABY APRIL WINE JUST BETWEEN YOU AND ME APRIL WINE LIKE A LOVER, LIKE A SONG APRIL WINE OOWATANITE APRIL WINE ROCK AND ROLL IS A VICIOUS GAME APRIL WINE ROLLER APRIL WINE SAY HELLO APRIL WINE SIGN OF THE GYPSY QUEEN APRIL WINE TONITE IS A WONDERFUL TIME APRIL WINE YOU COULD HAVE BEEN A LADY APRIL WINE YOU WON'T DANCE WITH ME APRIL WINE BLUE COLLAR BACHMAN-TURNER OVERDRIVE GIMME YOUR MONEY PLEASE BACHMAN-TURNER OVERDRIVE HEY YOU BACHMAN-TURNER OVERDRIVE LET IT RIDE BACHMAN-TURNER OVERDRIVE Page 2 LOOKIN' OUT FOR #1 BACHMAN-TURNER OVERDRIVE ROLL ON DOWN THE HIGHWAY BACHMAN-TURNER OVERDRIVE TAKIN'