MUSIC WEEK AUGUST 6, 1977 CBS Targets 1 Billion World Sales By

Total Page:16

File Type:pdf, Size:1020Kb

MUSIC WEEK AUGUST 6, 1977 CBS Targets 1 Billion World Sales By MUSIC WEEK AUGUST 6, 1977 Trade concern over CBS targets 1 billion world sales by CHRIS WHITE Europe. Canada, Australia, Japan rumours at the convention through three-tier 45 prices THE ANNUAL CBS imernaiional and various South American the week that the news of such a convention, in London throughoui countries. Staff from 31 countries signing would be broken on the last it will be long before singles cost list week attracted more than 1.300 were told by Walter Yetnikoff, night, and many observers believed FROM PAGE 1 £1." delegates from around the world, CBS Records Group president, that that the group in question was option but to discount. This state of Joan Utterson, with five Disque and may cost the US company at he was setting a target of one billion Wings, whose contract with EMI is affairs already exists with other stores on Tyneside, said, "I'm still least £1 million. Although the event dollars in world wide sales from all soon up for renewal. consumer goods, most notably hi-i getting over the shock of EMI's lias only been held in London once sources by 1980. CBS Records' UK managing hardware. recent price increases, but there before, in 1972. again no expense Social highlight of the week was a director Maurice Oberstein — seen Record buyers may be more aren't that many dealers who retail was spared either in terms of gala dinner on Saturday (30) sporting a badge with the motto, immune to price hikes than the singles at full-price anyway. Most hospitality, accommodation costs, climaxed by a special performance Yanks Go Home — told Music industry believes, respondents to resort to discounting. Because I face general entertainment, and the by the Beach Boys (the group's Week that he believed the Music Week's survey pointed out a lot of competition from the convention presentation. Brothers Records Inc. label recently convention had gone very smoothly. but they are still cost-conscious. Said multiples, my policy is to specialise Delegates attended from every signed a licensing deal with CBS). "When you have more than 1,200 Mark Green of the Record Room, in singles, and I retail them at 65p. major record territory around the An expected announcement that CBS representatives suddenly St. Albans, "The first question a Yet I am told that they are still more world. The US alone provided 800 CBS had signed a worldwide deal converging on London, then there customer asks is how much a record expensive than others which are sold representatives, many of whom flew with a band described as one of the are bound to be slight problems costs, and not whether we have it m locally. The main effect of the recent by chartered planes. Other world's top five rock groups, never thrown up, and some inconvenience stock. Discounting has obviously territories represented include materialised. There had been for people, but generally I believed increases is that 1 shall be more that everyone enjoyed themselves had a great effect on people's buying selective in future." and at the same time a lot of good habits, and the independent dealer Other dealers reached by Music work was achieved. The atmosphere has to make greater efforts. So far as Week shared similar views, with DJM image revamped - between CBS in the US with the the current three price levels for specific — but not always exclusive various international companies was singles are concerned, we intend to — criticisms levelled at the EMI 80p FROM PAGE 1 to Diana Warren in the promotion level them out at75p." decision. If the independent trade department, who is moving to UA's particularly rewarding. The Dot Costin of Startrack near brought the rights to the promotion team. David Silburn, convention also gave everyone a Maidstone, Kent, commented: "We has not become as hardened to price Scepter/Wand catalogue. "We have head of administration has left for chance to see different acts from all put our singles up the week before increases as they say the public is taken about 100 LPs from those personal reasons, and a replacement over the world." last and it doesn't seem to have now, it displays an adaptability at catalogues", James said, "and feel is being sought for him. Oberstein added that from an made much difference to trade — dealing with new RRPs. we have picked the best. We have His new plan for a&r starts with a artistic point of view, it had been everybody just seems to expect price Meanwhile, two more record made a lot of money out of them on cutback of the UK artists roster to good to see performances by rises these days. Singles are now 70p companies have announced rises export — which is what we wanted, about ten (the number including established acts, including the Beach here; we always try to go 5p under affecting their product. Beserkley although it may have contributed to lease tape and outside production Boys, James Taylor and BozScaggs, the RRP although we have not yet singles, distributed by Selecta, move making us look like a rather deals stood at 32) and those are to be alongside performances by potential worked out our policy on the EMI to 75p this week; United Artists mediocre and middle-of-the-road strong rock and pop acts. The roster hit performers. "We took a lot of singles." make a similar change for 45s, and record company here at home." will be kept at around a dozen in CBS people, including the various Nigel Waller of Ear'ere Records, takes its UAS album series to £3.49 The Vee-Jay catalogue has been future. The few new signings are managing directors and vice- Lancaster, said; "We have been from £3.25. The firm's UAG range dropped altogether. "We were just likely to include a punk band. presidents, to see the Vibrators at selling chart singles at 65p, but now goes to £3.75 from £3.49, and UAK not getting any tapes out of them in Tony Palmer, head of a&r, has the Vortex punk club in London and we will make a price rise to 70p from £3.75 to £3.99. Double-albums Los Angeles and so the contract was resigned, but will continue, like the although after the gruelling schedule across-the-board, with EMI 45s up rise to £5.49 (£4.99) and single-play aborted." other a&r men affected in a smaller of the day they could have been to 75 p. There will be a few raised tapes move to £3.99 (£3.49). Sunset James has unburdened DJM of DJM reshuffle earlier this year, to forgiven for just wanting a quiet eyebrows when people hear about budget albums are now priced at the direct administration of the work on company acts as an evening, they came along and really the new EMI prices, but by and £1.99, an increase of 25p. The hikes licensed labels but will retain a independent producer. Les Tomlin, appreciated the performance. 1 think arc the first from UA since financial interest; he has done a deal who has been DJM head of sales for a lot of them began to realise that large, people will pay them. This is September last. with Pickwick for release of the several years, moves over to head punk is music." the first time in my memory that a remaining budget product, and six a&r. He will be recruiting an Oberstein said that the convention price rise discounted ten percent will album releases are planned under assistant to help look for solid rock had been particularly useful for CBS be higher than the old RRP." NEMS owe that agreement for this autumn. acts. A replacement for Tomlin in UK, and his main regret was that "Everyone is moaning about the James is also talking to tv the sales department has yet to be space limitation had meant many price increases, but they are still THE NEMS Organisation, including merchandisers about use of this found. people from the Soho Square offices paying," said Mrs Dunlay of B.G. the NEMS Agency offshoot, has licensed product. The decision to initiate sweeping were unable to attend. "For CBS in Records, Stockport. "All my singles moved offices from its old Other staff changes announced changes had, James concluded, London, it gave us the opportunity are on sale at 70p, but EMI discs will Nemperor House headquarters at 3, this week and last do not, James come about when he realised that the to meet international people on an have logo up io75p. It is about time Hill Street to new premises at 55, emphasised, amount to an exercise sales force could not function a&r level. There was a strong artist the dealer profit margin went up as South Audley Street, London W1 in staff cutting. DJM's turnover has properly because the product it was representation, with Crawler and well as the consumer price. I doubt if (01-409 1091). dropped this year, but it is not in any working on was not good enough. Lone Star both gaining a good financial trouble, and is not "They had nothing to sell, and were reaction when they performed at the attempting to economise but to give losing credibility with the dealers. evening banquets, and it also Demand for ILR franchises itself a new direction. Staff leaving The company has been suffering provided an occasion for names like to take up other jobs have been from bad product which has given it Tina Charles and Sailor to meet with FROM PAGE 1 secured it enough parliamentary Trisha O'Kecfe and Paula Adams, a bad image, and this is preventing CBS people from other territories.
Recommended publications
  • Joni Mitchell, Blue (1971) Lyrics1
    MUSC-21900 Freeze Joni Mitchell, Blue (1971) 1 Lyrics 1. All I Want And it undoes all the joy that could be I want to have fun, I want to shine like the sun I am on a lonely road and I am traveling I want to be the one that you want to see Traveling, traveling, traveling I want to knit you a sweater Looking for something, what can it be Want to write you a love letter Oh I hate you some, I hate you some, I love I want to make you feel better you some I want to make you feel free Oh I love you when I forget about me I want to make you feel free I want to be strong I want to laugh along I want to belong to the living 2. My Old Man Alive, alive, I want to get up and jive My old man I want to wreck my stockings in some juke He's a singer in the park box dive He's a walker in the rain Do you want - do you want - do you want to He's a dancer in the dark dance with me baby We don't need no piece of paper Do you want to take a chance From the city hall On maybe finding some sweet romance with Keeping us tied and true me baby My old man Well, come on Keeping away my blues All I really really want our love to do He's my sunshine in the morning Is to bring out the best in me and in you too He's my fireworks at the end of the day All I really really want our love to do He's the warmest chord I ever heard Is to bring out the best in me and in you Play that warm chord, play and stay baby I want to talk to you, I want to shampoo you We don't need no piece of paper I want to renew you again and again From the city hall Applause, applause - Life is our
    [Show full text]
  • CVX904783 HUFFINGTON POST Feature
    A Conversation with Nazareth's Dan McCafferty Mike Ragogna : Dan, let's talk about all things Nazareth and Rock 'N' Roll Telephone , your twenty-fourth album, right? That's a great achievement. How did you get here? Dan McCafferty : I think we're just a band that grew up and started to write our own songs and stuff. Coming from Scotland at that time, there were really only four or five big gigs that people used to come and visit. It's not like that now, of course. We started like any other band, doing Chuck Berry covers and Little Richard covers and on through the early eighties and then you start to write your own stuff. We played every place, eventually got signed and made records. It was a gradual buildup, but we always worked. Up until I got sick, we were doing two hundred, two sixty gigs a year. It was that work ethic thing, "It's got to be a proper job." Plus, you enjoy it so much! It just kind of flew by, Mike, I hope to tell you, but it was very interesting along the way. MR : Dan, how did you guys develop your sound? DM : I guess just paying attention to what was going on and what we really liked. I found out at a very early age that I preferred people like Little Richard to Cliff Richard, that kind of thing. Pop music was okay, it was better than listening to your dad's music, but it didn't have enough balls. As the years go on you develop, and when I discovered American music, Little Richard and Chuck Berry and then later in life people like Bob Seger and all the Detroit bands, it was just like, "Whoa, what's going on here?" Because at home, we had The Shadows and people like Billy Fury who were all kind of pseudo-American imitations of Elvis and stuff, where you guys were producing stuff that was frightening to us at the time and we wanted to go there.
    [Show full text]
  • Joni Mitchell Complete So Far …
    GUITAR SONGBOOK EDITION1 JONI MITCHELL Complete SO FAR … Joni wishes to express her thanks … to Joel Bernstein: “As my repertoire of tunings expanded it became necessary to have a whole fleet of guitars set up in tuning families. It was Joel’s job to tune my guitars, and to do this he needed to learn at least the first eight bars of every one of my songs—therefore preserving these tunings which may have otherwise been lost, for which I am grateful”; to Henry Diltz for capturing these special moments in time with his photos; to Jeffrey Pepper Rodgers for asking interview questions that actually pertained to the art and the music; to Dana D’Elia and all the staff at Alfred Music who participated in the making of this book; and special thanks to Aaron Stang for overseeing the production of this project with such care. Produced by Alfred Music P.O. Box 10003 Van Nuys, CA 91410-0003 alfred.com All rights reserved. Printed in USA. No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, stored in a retrieval system, or transmitted by any means without written permission from the publisher. In order to comply with copyright laws, please apply for such written permission and/or license by contacting the publisher at alfred.com/permissions. ISBN-10: 0-7390-9588-9 ISBN-13: 978-0-7390-9588-1 Transcriptions by Joel Bernstein, Daniel Libertino, and Andrew DuBrock Cover photo by Jack Robinson, The Jack Robinson Archive, LLC; robinsonarchive.com All inside photos by Henry Diltz; morrisonhotelgallery.com Contents Foreword ................................................................................................................................................................................
    [Show full text]
  • "Weird Al" Yankovic
    "Weird Al" Yankovic - Ebay Abba - Take A Chance On Me `M` - Pop Muzik Abba - The Name Of The Game 10cc - The Things We Do For Love Abba - The Winner Takes It All 10cc - Wall Street Shuffle Abba - Waterloo 1927 - Compulsory Hero ABC - Poison Arrow 1927 - If I Could ABC - When Smokey Sings 30 Seconds To Mars - Kings And Queens Ac Dc - Long Way To The Top 30 Seconds To Mars - Kings And Queens Ac Dc - Thunderstruck 30h!3 - Don't Trust Me Ac Dc - You Shook Me All Night Long 3Oh!3 feat. Katy Perry - Starstrukk AC/DC - Rocker 5 Star - Rain Or Shine Ac/dc - Back In Black 50 Cent - Candy Shop AC/DC - For Those About To Rock 50 Cent - Just A Lil' Bit AC/DC - Heatseeker A.R. Rahman Feat. The Pussycat Dolls - Jai Ho! (You AC/DC - Hell's Bells Are My Destiny) AC/DC - Let There Be Rock Aaliyah - Try Again AC/DC - Thunderstruck Abba - Chiquitita AC-DC - It's A Long Way To The Top Abba - Dancing Queen Adam Faith - The Time Has Come Abba - Does Your Mother Know Adamski - Killer Abba - Fernando Adrian Zmed (Grease 2) - Prowlin' Abba - Gimme Gimme Gimme (A Man After Midnight) Adventures Of Stevie V - Dirty Cash Abba - Knowing Me, Knowing You Aerosmith - Dude (Looks Like A Lady) Abba - Mamma Mia Aerosmith - Love In An Elevator Abba - Super Trouper Aerosmith - Sweet Emotion A-Ha - Cry Wolf Alanis Morissette - Not The Doctor A-Ha - Touchy Alanis Morissette - You Oughta Know A-Ha - Hunting High & Low Alanis Morrisette - I see Right Through You A-Ha - The Sun Always Shines On TV Alarm - 68 Guns Air Supply - All Out Of Love Albert Hammond - Free Electric Band
    [Show full text]
  • Download This Document
    Brown, A.R. (2015) ‘Explaining the naming of heavy metal from rock’s “Back Pages”: a dialogue with Deena Weinstein’. Metal Music Studies, 1 (2): 233-261. Online at: http://dx.doi.org/10.1386/mms.1.2.233_1 ResearchSPAce http://researchspace.bathspa.ac.uk/ This version is made available in accordance with publisher policies. Please cite only the published version using the reference above. Your access and use of this document is based on your acceptance of the ResearchSPAce Metadata and Data Policies, as well as applicable law:- https://researchspace.bathspa.ac.uk/policies.html Unless you accept the terms of these Policies in full, you do not have permission to download this document. This cover sheet may not be removed from the document. Please scroll down to view the document. Author’s note: This is the final draft version of the article accepted for publication by Metal Music Studies on the 2nd December 2014. The final copy-edited article is due to be published as: Brown, A.R. (2015) ‘Explaining the Naming of Heavy Metal from Rock’s “Back Pages”: A dialogue with Deena Weinstein’, Metal Music Studies, I (2): 233-261 (April). Explaining the Naming of Heavy Metal From Rock’s “Back Pages”: A Dialogue with Deena Weinstein The origins of the term heavy metal or when the genre was first named is a perennial topic of debate and conjecture among fans, popular music historians, academic-fans and fan-academics. Such debates and refutations can also be found across the web, on metal-blogs, net-cyclopedias, discographies and fan forums.
    [Show full text]
  • Name Artist Album Track Number Track Count Year Wasted Words
    Name Artist Album Track Number Track Count Year Wasted Words Allman Brothers Band Brothers and Sisters 1 7 1973 Ramblin' Man Allman Brothers Band Brothers and Sisters 2 7 1973 Come and Go Blues Allman Brothers Band Brothers and Sisters 3 7 1973 Jelly Jelly Allman Brothers Band Brothers and Sisters 4 7 1973 Southbound Allman Brothers Band Brothers and Sisters 5 7 1973 Jessica Allman Brothers Band Brothers and Sisters 6 7 1973 Pony Boy Allman Brothers Band Brothers and Sisters 7 7 1973 Trouble No More Allman Brothers Band Eat A Peach 1 6 1972 Stand Back Allman Brothers Band Eat A Peach 2 6 1972 One Way Out Allman Brothers Band Eat A Peach 3 6 1972 Melissa Allman Brothers Band Eat A Peach 4 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Ain't Wastin' Time No More Allman Brothers Band Eat A Peach 6 6 1972 Oklahoma Hills Arlo Guthrie Running Down the Road 1 6 1969 Every Hand in the Land Arlo Guthrie Running Down the Road 2 6 1969 Coming in to Los Angeles Arlo Guthrie Running Down the Road 3 6 1969 Stealin' Arlo Guthrie Running Down the Road 4 6 1969 My Front Pages Arlo Guthrie Running Down the Road 5 6 1969 Running Down the Road Arlo Guthrie Running Down the Road 6 6 1969 I Believe When I Fall in Love Art Garfunkel Breakaway 1 8 1975 My Little Town Art Garfunkel Breakaway 1 8 1975 Ragdoll Art Garfunkel Breakaway 2 8 1975 Breakaway Art Garfunkel Breakaway 3 8 1975 Disney Girls Art Garfunkel Breakaway 4 8 1975 Waters of March Art Garfunkel Breakaway 5 8 1975 I Only Have Eyes for You Art Garfunkel Breakaway 7 8 1975 Lookin' for the Right One Art Garfunkel Breakaway 8 8 1975 My Maria B.
    [Show full text]
  • Joni Mitchell Plugged Audience Were Excellent.Cor- Tive Musical and Technical Per- Responding with the Title Cut on Cussionist
    14-THE YELL-APRIL 11, 1973 Trust vs. Tragedy Apia} about desegregation and historv department atUNLV.will human relations, written by a join Richard Erbe, principal at theatre arts student at L'N'l.V, Kermit Booker Elementary will be performed in several Las School, and Porter Troutman, Vegas elementary schools during associate director of the UNLV this month. Teacher Corns at UNLV. for a "Games in the Lunch Roinn," talk about racial relations. by Jack Sawyer, will be presented Adtni >sl in is free to all daring PTA meetings In the meetings, I'NLV Student Creative Theatre, M ■ libers of the cast are Joe a project funded b) th< Nevada Bishop and Carla Lawrence of Humanities Committee, UN! V. LVa'i Hard) oi Clark High Tlif public is Invited to attend School and Lanyard Williams of the following programs: T : 3O Vallej High Si hod. p.m. Apt il 10 at Doris Hancock Sawyer, who isproject director Eli mentary School; 7;3u p.m. lor fhs experimental thi atre April lb at R,-x Bell Eli mentarj roup, is a sophomore honor School, 2. p.m. April 24 at West student. He has appeared In Charleston Elementary School numerous plays in !,:. h si hool and at 7:30 p.m. April 26 at and m Jul-. Bayleji Tin atn . Rose Warren Elementary School, Hi said tin theme of the play- A panel discussion will follow is that unless men hav • a basic each performance. trust in each other, traged;. Will Paul Burns, chairman of the result. Passion Sunday Concert Cast rehearses for "Games in the Lunchroom." Right is Jack Sawyer.
    [Show full text]
  • Inspired by Joni - the Albums
    Inspired by Joni - The Albums Compiled by: Simon Montgomery, © 2006 Please send comments, corrections or additions to: [email protected] Latest Update: May 23, 2021 Illustration from The Music Of Joni Mitchell Songbook Published by C.H. Hansen Publications All rights reserved. This material may not, in whole or part, be copied, reproduced, photocopied, translated, recorded, or reduced to any electronic medium, machine readable format or mechanical means without the express consent, in writing, from the specific lawful copyright holder. 1974 Sara Smith Sings The Best of A Tribute To Joni Mitchell Delmar #3013 (8 Track Cartridge) 1. Raised On Robbery 2. Woodstock 3. You Turn Me On, I'm A Radio 4. Chelsea Morning 5. California 6. Carey 7. The Circle Game 8. Night In The City 9. He Played Real Good For Free 1994 Back to the Garden – A Tribute to Joni Mitchell Intrepid Records #N21-00016 - Canada 01. Free Man In Paris Big Faith 02. This Flight Tonight Sara Craig 03. Carey Universal Honey 04. Big Yellow Taxi Lorraine Scott 05. Black Crow Molly Johnson 06. The Beat Of Black Wings Andy Stochansky 07. Shades Of Scarlett Conquering Martha And The Muffins 08. The Hissing Of Summer Lawns Funky Bummer featuring Anne Beadle 09. River Hugh Marsh, Jonathan Goldsmith, Rob Piltch, Martin Tielli 10. You Turn Me On, I'm A Radio Kurt Swinghammer 11. Coyote Spirit Of The West 12. Woodstock W.O.W. 13. Night In The City Jenny Whiteley 14. A Case Of You Sloan 15. Blonde In The Bleachers Squiddly featuring Maria Del Mar 16.
    [Show full text]
  • WARNER BROS. / WEA RECORDS 1970 to 1982
    AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS.
    [Show full text]
  • Nazareth Classics Volume 16 Mp3, Flac, Wma
    Nazareth Classics Volume 16 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Classics Volume 16 Country: US Released: 1987 Style: Hard Rock MP3 version RAR size: 1538 mb FLAC version RAR size: 1937 mb WMA version RAR size: 1238 mb Rating: 4.4 Votes: 685 Other Formats: MP3 ASF MIDI WMA AA FLAC MP1 Tracklist Hide Credits This Flight Tonight 1 3:22 Producer – Roger Glover Expect No Mercy 2 3:25 Producer – Manny Charlton Love Hurts 3 3:51 Producer – Manny Charlton Morning Dew 4 3:53 Producer – John Punter Carry Out Fellings 5 3:17 Producer – Manny Charlton Hair Of The Dog 6 4:09 Producer – Manny Charlton Razamanaz 7 3:48 Producer – Roger Glover Love Leads To Madness 8 4:04 Producer – John Punter I Want To (Do Everything) 9 4:15 Producer – Manny Charlton Holiday 10 3:34 Producer – Jeff Baxter Star 11 4:54 Producer – Manny Charlton Dressed To Kill 12 3:31 Producer – Jeff Baxter Broken Down Angel 13 3:44 Producer – Roger Glover My White Bicycle 14 3:27 Producer – Manny Charlton Heart's Grown Cold 15 4:00 Producer – John Punter Shanghai'd In Shanghai 16 3:44 Producer – Roger Glover Go Down Fighting 17 3:05 Producer – Roger Glover Companies, etc. Manufactured By – BMG Direct Marketing, Inc. – D 102022 Licensed To – BMG Direct Marketing, Inc. Credits Art Direction – Chuck Beeson, Rich Frankel* Coordinator [Project] – Barry Korkin Liner Notes – Sam Graham Mastered By – Frank DeLuna, Stewart Whitmore Notes ℗&© 1987 A&M Records, Inc. 6 page booklet Volume 16 in a series of collections commemorating A&M's 25th Anniversary Other versions
    [Show full text]
  • Liste Gebrauchtware Privatkunden Datum
    TWS-Source Of Deluge - Delmenhorst -- FON 04221-452011 -- FAX 04221-452012 Liste Gebrauchtware Privatkunden Seite: 1 Artikelnummer Interpret Titel Jahr Preis Beschreibung 310 G 42269 13 ENGINES A BLUR TO ME NOW 1991 7,00 € cut out 310 G 55515 28 DAYS UPSTYLEDOWN 2000 5,00 € limited edition with cd rom 320 G 60594 38 SPECIAL TOUR DE FORCE 1983 12,00 € LP 327 G 44956 38 SPECIAL YOU KEEP RUNNING AWAY 1982 4,00 € 7" vinyl single, written on 310 G 11847 40 GRIT NOTHING TO REMEMBER 2003 3,00 € 310 G 5454 454 BIG BLOCK YOUR JESUS 1995 2,00 € 327 G 44777 46 SHORT / KROMBACHERKELLERKINDER SPLIT 5,00 € 7" clear vinyl single 313 G 48055 4LYN LYN 2001 2,00 € MCD 310 G 13839 4LYN SAME 2001 5,00 € 327 G 44860 707 HELL OR HIGH WATER / MEGA FORCE 1982 3,00 € 7" Single 310 G 7738 88 CRASH FIGHT WICKET PENCES 1993 2,00 € 310 G 25423 A D SAME 1993 3,00 € 327 G 61780 A FLOCK OF SEAGULLS I RAN 1982 8,00 € LP Vinyl Maxi Single small 310 G 30902 A PERFECT CIRCLE THIRTENTH STEP 2003 9,00 € 320 G 12156 AARON, LEE CALL OF THE WILD 1985 4,00 € LP 327 G 61726 AARON, LEE POWERLINE 1987 4,00 € one sided 7 inch single, 320 G 23334 AARON, LEE SAME 1987 4,00 € LP 320 G 64407 AARON, LEE SAME 1982 5,00 € LP 310 G 6181 ABADDON I AM LEGION 2000 5,00 € 310 G 8810 ABOMINATION RITES OF THE ETERNAL HATE 2000 5,00 € 310 G 47223 ABSORBED SUNSET BLEEDING 1999 16,00 € 310 G 64482 ABSTUERZENDE BRIEFTAUBEN DER LETZTE MACHT DIE TÜR ZU 7,00 € 310 G 53022 ABSTÜRZENDE BRIEFTAUBEN AUSSER KONTROLLE 1992 7,00 € 60 minute live cd 310 G 55825 ABSTÜRZENDE BRIEFTAUBEN DAS KRIEGEN WIR SCHON HIN
    [Show full text]
  • Page 1 TEACHER, TEACHER .38 SPECIAL I GO BLIND 54-40
    Page 1 TEACHER, TEACHER .38 SPECIAL I GO BLIND 54-40 OCEAN PEARL 54-40 Make Me Do) ANYTHING YOU WANT A FOOT IN COLD WATER HAND IN MY POCKET ALANIS MORISSETTE HEAD OVER FEET ALANIS MORISSETTE IRONIC ALANIS MORISSETTE THANK YOU ALANIS MORISSETTE UNINVITED ALANIS MORISSETTE YOU LEARN ALANIS MORISSETTE YOU OUGHTA KNOW ALANIS MORISSETTE BLACK VELVET ALANNAH MYLES LOVE IS ALANNAH MYLES LOVER OF MINE ALANNAH MYLES SONG INSTEAD OF A KISS ALANNAH MYLES STILL GOT THIS THING ALANNAH MYLES FANTASY ALDO NOVA MORE THAN WORDS CAN SAY ALIAS HELLO HURRAY ALICE COOPER BIRMINGHAM AMANDA MARSHALL DARK HORSE AMANDA MARSHALL FALL FROM GRACE AMANDA MARSHALL LET IT RAIN AMANDA MARSHALL BABY I LOVE YOU ANDY KIM BE MY BABY ANDY KIM HOW'D WE EVER GET THIS WAY? ANDY KIM I FORGOT TO MENTION ANDY KIM ROCK ME GENTLY ANDY KIM SHOOT 'EM UP BABY ANDY KIM BAD SIDE OF THE MOON APRIL WINE ENOUGH IS ENOUGH APRIL WINE I WOULDN'T WANT TO LOSE YOUR LOVE APRIL WINE I'M ON FIRE FOR YOU BABY APRIL WINE JUST BETWEEN YOU AND ME APRIL WINE LIKE A LOVER, LIKE A SONG APRIL WINE OOWATANITE APRIL WINE ROCK AND ROLL IS A VICIOUS GAME APRIL WINE ROLLER APRIL WINE SAY HELLO APRIL WINE SIGN OF THE GYPSY QUEEN APRIL WINE TONITE IS A WONDERFUL TIME APRIL WINE YOU COULD HAVE BEEN A LADY APRIL WINE YOU WON'T DANCE WITH ME APRIL WINE BLUE COLLAR BACHMAN-TURNER OVERDRIVE GIMME YOUR MONEY PLEASE BACHMAN-TURNER OVERDRIVE HEY YOU BACHMAN-TURNER OVERDRIVE LET IT RIDE BACHMAN-TURNER OVERDRIVE Page 2 LOOKIN' OUT FOR #1 BACHMAN-TURNER OVERDRIVE ROLL ON DOWN THE HIGHWAY BACHMAN-TURNER OVERDRIVE TAKIN'
    [Show full text]