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1 COPYRIGHT STATEMENT This Copy of the Thesis Has Been
University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2012 Life Expansion: Toward an Artistic, Design-Based Theory of the Transhuman / Posthuman Vita-More, Natasha http://hdl.handle.net/10026.1/1182 University of Plymouth All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. COPYRIGHT STATEMENT This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognize that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the author’s prior consent. 1 Life Expansion: Toward an Artistic, Design-Based Theory of the Transhuman / Posthuman by NATASHA VITA-MORE A thesis submitted to the University of Plymouth in partial fulfillment for the degree of DOCTOR OF PHILOSOPHY School of Art & Media Faculty of Arts April 2012 2 Natasha Vita-More Life Expansion: Toward an Artistic, Design-Based Theory of the Transhuman / Posthuman The thesis’ study of life expansion proposes a framework for artistic, design-based approaches concerned with prolonging human life and sustaining personal identity. To delineate the topic: life expansion means increasing the length of time a person is alive and diversifying the matter in which a person exists. -
Jason Flemyng Maybe I Was Russian in My Former Life…
we have only fresh and savory news! March 2014 | № 03 (126) DO NOT MISS: March 22 — Birthday of Korchma in Krasnokazarmennaya Street March 25 — Birthday of Korchma in Petrovka Street More news and photos at www.tarasbulba.us e U v o [email protected] k l r a h Project manager – Yuri Beloyvan i it n [email protected] i w an e c ad uisine – m Jason Flemyng Maybe I was RussIan In My foRMeR lIfe… 15 yEarS of SuccESS korchma ‘taraS BulBa’ cElEBratES itS BirthDay! GooD nEWS for thE GourmEtS! in march your faVoritE chain of ukrainian rEStaurantS korchma ‘taraS BulBa’ cElEBratES itS 15th anniVErSary. on our BirthDay WE not juSt SErhiy Prytula: rEcEiVE But alSo GiVE out PrESEntS. our motto: 15 yEarS – 25th of march – you’re going to laugh, but i am not a big fan of salo 15% off to Each GuESt. Exotic collEction: indian conch Shell, Wooden Drymba and corn Violin… taraS ShEVchEnko: the 200th anniversary of the birth of the genius’ DELIVERY OF HOMEMADE UKRAINIAN FOOD AND HOTLINE 6+ www.tarasbulba.us (212) 510-75-10 2 | guest guest | 3 ImpressIve settIngs, uneclIpsed actors’ performances, and box offIce records – thIs Is what accompanIed the trIumph of the hIghly – What will be your next project after antIcIpated new versIon of the fIlm vIy. that the fIlm was hIghly successful Is proved by the fact that In russIa oleg stepchenko’s pIcture Viy? Or will you take a break from filming? became the fIrst multI-mIllIon fIlm In 2014 and left the new leodardo dI caprIo fIlm the wolf of wall street far behInd. -
The Revenge of Geography: What the Map Tells Us About Coming
Copyright © 2012 by Robert D. Kaplan Maps copyright © 2012 by David Lindroth, Inc. All rights reserved. Published in the United States by Random House, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York. RANDOM HOUSE and colophon are registered trademarks of Random House, Inc. The preface contains material from four earlier titles by Robert D. Kaplan: Soldiers of God (New York: Houghton Mifflin Harcourt Publishing Company, 1990), An Empire Wilderness (New York: Random House, Inc., 1998), Eastward to Tartary (New York: Random House, Inc., 2000), and Hog Pilots, Blue Water Grunts (New York: Random House, Inc., 2007). LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Kaplan, Robert D. The revenge of geography : what the map tells us about coming conflicts and the battle against fate / by Robert D. Kaplan. p. cm. eISBN: 978-0-679-60483-9 1. Political geography. I. Title. JC319.K335 2012 320.1′2—dc23 2012000655 www.atrandom.com Title-spread image: © iStockphoto Jacket design: Greg Mollica Front-jacket illustrations (top to bottom): Gerardus Mercator, double hemisphere world map, 1587 (Bridgeman Art Library); Joan Blaeu, view of antique Thessaly, from the Atlas Maior, 1662 (Bridgeman Art Library); Robert Wilkinson, “A New and Correct Map v3.1_r1 But precisely because I expect little of the human condition, man’s periods of felicity, his partial progress, his efforts to begin over again and to continue, all seem to me like so many prodigies which nearly compensate for the monstrous mass of ills and defeats, of indifference and error. Catastrophe and ruin will come; disorder will triumph, but order will too, from time to time. -
Olga Zaitseva: Every Woman Is a Witch…
We have only fresh and savory news! December 2013 | № 12 (123) DO NOT MISS: December 8 – Korchma on Borovskoye Highway December 22 — Korchma in Sadovo-Samotochnaya Street December 29 — Korchma in Pyatnitskaya Street December 29 — Korchma in Bochkova Street More news and photos at www.tarasbulba.us e U v o [email protected] k l r a h Project manager – Yuri Beloyvan i it n [email protected] i w an e c ad uisine – m OLGA ZAITSEVA: EVERY WOMAN IS A WITCH… VIY: RETURNING PREMIERE 30 january in 3D INCREDIBLE ASIA: Blood, sacrifices and cremation in Nepal THE NEW YEAR: tar barrels, flower offerings and mass spam DELIVERY OF HOMEMADE UKRAINIAN FOOD AND HOTLINE 6+ www.tarasbulba.us (212) 510-75-10 2 | GUEST SHE BROUGHT TOGETHER THE OPPOSITE FEATURES OF A BEAUTY AND A WICKED WITCH IN THE ROLE OF GOGOL’S PANNOCHKA FROM THE HORROR STORY VIY, IN SEARCH OF THE BEST ANGLE SHE COULD LIE IN A COFFIN FOR HOURS … SHE WAS CHOSEN FOR THE PART FROM AMONG THOUSANDS OF CANDIDATES AND THE RESULT SURPASSED ALL EXPECTATIONS… THE NEW 3D VERSION OF VIY COMES TO THEATERS ON JANUARY 30; MEANWHILE BULBA NEWS TALKED TO OLGA ZAYTSEVA WHO PORTRAYED THE LEGENDARY PANNOCHKA IN THE MOVIE. OLGA ZAITSEVA: “EVERY WOMAN IS A WITCH…” – Olga, how did you start your work with the film creators? What is your secret? – It’s not a secret, really. We have been working together for long time, and working well. It all started at casting, like with all actors. I came in, and what followed next was ridiculous. -
LEOŠ JANÁČEK Born July 3, 1854 in Hukvaldy, Moravia, Czechoslovakia; Died August 12, 1928 in Ostrava
LEOŠ JANÁČEK Born July 3, 1854 in Hukvaldy, Moravia, Czechoslovakia; died August 12, 1928 in Ostrava Taras Bulba, Rhapsody for Orchestra (1915-1918) PREMIERE OF WORK: Brno, October 9, 1921 Brno National Theater Orchestra František Neumann, conductor APPROXIMATE DURATION: 23 minutes INSTRUMENTATION: piccolo, three flutes, two oboes, English horn, E-flat and two B-flat clarinets, three bassoons, contrabassoon, four horns, three trumpets, three trombones, tuba, timpani, percussion, harp, organ and strings By 1914, the Habsburg dynasty had ruled central Europe for over six centuries. Rudolf I of Switzerland, the first of the Habsburgs, confiscated Austria and much surrounding territory in 1276, made them hereditary family possessions in 1282, and, largely through shrewd marriages with far-flung royal families, the Habsburgs thereafter gained control over a vast empire that at one time stretched from the Low Countries to the Philippines and from Spain to Hungary. By the mid-19th century, following the geo-political upheavals of the Napoleonic Wars, the Habsburg dominions had shrunk to the present territories of Austria, Hungary, Czech Republic and Slovakia, a considerable reduction from earlier times but still a huge expanse of land encompassing a great diversity of national characteristics. The eastern countries continued to be dissatisfied with their domination by the Viennese monarchy, however, and the central fact of the history of Hungary and the Czech lands during the 19th century was their striving toward independence from the Habsburgs. The Dual Monarchy of 1867 allowed the eastern lands a degree of autonomy, but ultimate political and fiscal authority still rested with Emperor Franz Joseph and his court in Vienna. -
Spangler Ku 0099D 11237 DA
Abstract This study sought to gain a deeper understanding of the types of benefits, programs, and organizational practices employers currently are providing to prevent distress among employees or to help employees become more resilient to adverse conditions. Forty-six employer representatives discussed the perceived strengths of their organizations’ approaches during interviews and discussion groups. Grounded theory methodology was employed to sample and analyze these data. Based on patterns that emerged from the narratives of these participants, a model is proposed to explain three effective approaches used by employers in addressing stress in the workplace: 1) preventing stress/building resilience, 2) providing information, resources, and benefits to employees, and 3) intervening actively with troubled employees. Trust, both in relationships and in organizational structures, emerged as a core concept explaining effectiveness of these approaches. This model may be used to frame future strategies used by employers to support healthy engaged employees and to guide investigations into social and emotional aspects related to work. iii Acknowledgments Finishing a dissertation feels similar to climbing a mountain – looking back on where you have been makes you feel a little weary, but the view from the top is quite exhilarating and immensely satisfying. You also see there are other peaks left to master. I offer warm gratitude to many people who helped me during my climb. To all of the professors over the years who created opportunities for thinking deeply and pondering life’s important questions. To Lisa Mische Lawson for helping to chart my course of study over the years in the Therapeutic Science curriculum and advice during the dissertation process. -
How to Cite Complete Issue More Information About This Article
Estudos de Psicologia (Campinas) ISSN: 0103-166X ISSN: 1982-0275 Programa de Pós-Graduação em Psicologia, Pontifícia Universidade Católica de Campinas GONZÁLEZ REY, Fernando Luís Vygotsky’s “The Psychology of Art”: A foundational and still unexplored text Estudos de Psicologia (Campinas), vol. 35, no. 4, 2018, October-December, pp. 339-350 Programa de Pós-Graduação em Psicologia, Pontifícia Universidade Católica de Campinas DOI: 10.1590/1982-02752018000400002 Available in: http://www.redalyc.org/articulo.oa?id=395357410002 How to cite Complete issue Scientific Information System Redalyc More information about this article Network of Scientific Journals from Latin America and the Caribbean, Spain and Journal's webpage in redalyc.org Portugal Project academic non-profit, developed under the open access initiative http://dx.doi.org/10.1590/1982-02752018000400002 SEÇÃO TEMÁTICA | THEMATIC SECTION PSICOLOGIA DA ARTE | PSYCHOLOGY OF ART Vygotsky’s “The Psychology of Art”: A foundational and still unexplored text A “Psicologia da Arte” de Vigotski: seu texto fundacional e ainda inexplorado Fernando Luís GONZÁLEZ REY1 0000-0003-3755-8385 Abstract In the last ten years, new trends in the interpretation of Vygotsky’s work have been developed, many of which have transcended the traditional interpretations that have been hegemonic in Soviet and Western psychology since the 1980s. Nonetheless, Vygotsky’s “The Psychology of Art” is among the most interesting books written by this Soviet psychologist and, paradoxically, has not received enough attention in the study of his legacy. In that book, Vygotsky developed a rich psychology, in dialogue with Philosophy, Sociology and Art. In this paper, some theoretical questions and concepts developed by Vygotsky are discussed, which were not included in the dominant interpretation of his work, neither in Soviet nor Western psychology. -
NARRATING the NATIONAL FUTURE: the COSSACKS in UKRAINIAN and RUSSIAN ROMANTIC LITERATURE by ANNA KOVALCHUK a DISSERTATION Prese
NARRATING THE NATIONAL FUTURE: THE COSSACKS IN UKRAINIAN AND RUSSIAN ROMANTIC LITERATURE by ANNA KOVALCHUK A DISSERTATION Presented to the Department of Comparative Literature and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy June 2017 DISSERTATION APPROVAL PAGE Student: Anna Kovalchuk Title: Narrating the National Future: The Cossacks in Ukrainian and Russian Romantic Literature This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of Comparative Literature by: Katya Hokanson Chairperson Michael Allan Core Member Serhii Plokhii Core Member Jenifer Presto Core Member Julie Hessler Institutional Representative and Scott L. Pratt Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2017 ii © 2017 Anna Kovalchuk iii DISSERTATION ABSTRACT Anna Kovalchuk Doctor of Philosophy Department of Comparative Literature June 2017 Title: Narrating the National Future: The Cossacks in Ukrainian and Russian Romantic Literature This dissertation investigates nineteenth-century narrative representations of the Cossacks—multi-ethnic warrior communities from the historical borderlands of empire, known for military strength, pillage, and revelry—as contested historical figures in modern identity politics. Rather than projecting today’s political borders into the past and proceeding from the claim that the Cossacks are either Russian or Ukrainian, this comparative project analyzes the nineteenth-century narratives that transform pre- national Cossack history into national patrimony. Following the Romantic era debates about national identity in the Russian empire, during which the Cossacks become part of both Ukrainian and Russian national self-definition, this dissertation focuses on the role of historical narrative in these burgeoning political projects. -
Stress, Cortison Und Homöostase
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by RERO DOC Digital Library N.T.M. 18 (2010) 169–195 0036-6978/10/020169-27 DOI 10.1007/s00048-010-0017-2 Published online: 10 August 2010 RTICLES PRINGER ASEL Ó 2010 S B AG /A . RTIKEL A Stress, Cortison und Homöostase Künstliche Nebennierenrindenhormone und physiologisches Gleichgewicht, 1936–1960 Lea Haller Stress, Cortisone and Homeostasis. Adrenal Cortex Hormones and Physiological Equilibrium, 1936–1960 This article investigates the emergence of the concept of stress in the 1930s and outlines its changing disciplinary and conceptual frames up until 1960. Originally stress was a physio- logical concept applied to the hormonal regulation of the body under stressful conditions. Correlated closely with chemical research into corticosteroids for more than a decade, the stress concept finally became a topic in cognitive psychology. One reason for this shift of the concept to another discipline was the fact that the hormones previously linked to the stress concept were successfully transferred from laboratory to medical practice and adopted by disciplines such as rheumatology and dermatology. Thus the stress concept was dissociated from its hormonal context and became a handy formula that allowed postindustrial soci- ety to conceive of stress as a matter of individual concern. From a physiological phenomenon stress turned into an object of psychological discourse and individual coping strategies. Keywords: Stress, general adaptation syndrome, hormones of the adrenal cortex, corti- sone therapy, coping Schlüsselwörter: Stress, Allgemeines Adaptationssyndrom, Nebennierenrindenhormone, Cortisontherapie, Stressbewältigung ,,No concept in the modern psychological, sociological, or psychiatric literature is more extensively studied than stress.’’ Stevan E. -
Cinemeducation Movies Have Long Been Utilized to Highlight Varied
Cinemeducation Movies have long been utilized to highlight varied areas in the field of psychiatry, including the role of the psychiatrist, issues in medical ethics, and the stigma toward people with mental illness. Furthermore, courses designed to teach psychopathology to trainees have traditionally used examples from art and literature to emphasize major teaching points. The integration of creative methods to teach psychiatry residents is essential as course directors are met with the challenge of captivating trainees with increasing demands on time and resources. Teachers must continue to strive to create learning environments that give residents opportunities to apply, analyze, synthesize, and evaluate information (1). To reach this goal, the use of film for teaching may have advantages over traditional didactics. Films are efficient, as they present a controlled patient scenario that can be used repeatedly from year to year. Psychiatry residency curricula that have incorporated viewing contemporary films were found to be useful and enjoyable pertaining to the field of psychiatry in general (2) as well as specific issues within psychiatry, such as acculturation (3). The construction of a formal movie club has also been shown to be a novel way to teach psychiatry residents various aspects of psychiatry (4). Introducing REDRUMTM Building on Kalra et al. (4), we created REDRUMTM (Reviewing [Mental] Disorders with a Reverent Understanding of the Macabre), a Psychopathology curriculum for PGY-1 and -2 residents at Rutgers Robert Wood Johnson Medical School. REDRUMTM teaches topics in mental illnesses by use of the horror genre. We chose this genre in part because of its immense popularity; the tropes that are portrayed resonate with people at an unconscious level. -
Pretenders Synopsis Trailer About the Series Ekaterina
Ekaterina: Pretenders Genre: Historical Drama Length: 16х52’ Format: HD Director: Dmitri Iosifov Cast: Marina Alexandrova, Vladimir Yaglych, Pavel Tabakov, Natalya Alekseevna, Angelina Strechina, Artur Ivanov, Artyom Alekseev, Alina Tomnikova, Sergey Koltakov, Alexander Tkachev, Stanislav Strelkov Distributor: Sovtelexport, the official sales branch of Russia Television and Radio Synopsis 1774. The rule of the great and mighty Ekaterina is threatened. The Russo-Turkish War continues, draining the Empire’s treasury. Numerous pretenders appear with claims to the throne. The Peasants’ War is in full swing – a war led by Yemelyan Pugachev, who passed himself off as Peter III. There is danger brewing inside the palace, too: the noblemen want to pass the throne on to her oldest son, Paul. Ekaterina’s personal life is troubled. She has lost hope of having a child with Prince Potemkin. She has new love interests, new favorites. But the biggest and most important love of the Empress is Russia itself. Ekaterina has to make decisions that determine the fate of her throne and her empire. Trailer About the series Ekaterina: Pretenders is a continuation of the saga about the most outstanding and independent woman on the Russian throne. the series about formation of the Russian Empire, troubling period in the country’s history and the Great Empress who was making this history. Two seasons of “Ekaterina“ were an extraordinary success: “Ekaterina“ triumphed at the MEDIAMIXX 2017 Festival in Thessaloniki, Greece. The series took the first prize of the following categories: “Best Drama”, “Best Director“, “Best Camera”. The TV series was awarded Orpheus statuette at the TEFI awards (the most prestigious award given in the Russian television industry), and the Golden Eagle Award (an award given by the National Academy of Motion Pictures Arts and Sciences of Russia). -
Lev Vygotsky: Philologist and Defectologist, a Sociointellectual Biography1
Lev Vygotsky: Philologist and Defectologist, A Sociointellectual Biography1 ANTON YASNITSKY York University Among the pioneers of psychology, Lev Vygotsky (1896-1934) may be the best known of those who are least understood. This is not just a problem of historical scholarship: The misunderstanding of Vygotsky started with his own students and collaborators—during his lifetime—and continued after his death. It is, in other words, integrated into the litera ture. And that literature, as a result, appears fractured and inconsistent. Indeed, the larg est and the best intellectual biography of Vygotsky is titled Understanding Vygotsky: A Quest for Synthesis (van der Veer & Valsiner, 1991). Yet even this excellent book is far from providing a full and complete story. The dis covery of the real Vygotsky is still to come. Figure 7.1 Lev Vygotsky, 1925. There are many reasons for systematic misunderstanding—even misrepresenta tion. Among them we can include Vygotsky's changes in theoretical outlook; his premature death at the age of 37, when he was in the middle of the most prolific period of his career; the lack of public access to manuscripts and documents in the Vygotsky archives; problems of posthumous editing; and the censorship of his works published in the Soviet Union, the effects of which were in turn multiplied 109 rui i wn YAsni i br\Y LEV VYGOTSKY 111 by mistakes that accumulated in Western translations (Yasnitsky, 2010; van der conferences" to coordinate their research. This network was instrumental in the Veer & Yasnitsky, in press). These confusions, and many others, have resulted in an development and dissemination of Vygotskian thought during his lifetime, although image of Vygotsky that can be described charitably as having been constructed by especially after his death, both in the Soviet Union and internationally.