DOCSLIB.ORG

Camille A. Brown & Dancers

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Camille A. Brown & Dancers For Immediate Release Contact: Susan Weiler phone: (617) 876-4275 email: [email protected] To download high resolution digital photos go to www.WorldMusic.org and click “PRESS CENTER.” WORLD MUSIC/CRASHarts PRESENTS THE BOSTON DEBUT OF CAMILLE A. BROWN & DANCERS Performing the Boston premieres of New Second Line, City of Rain, and excerpts from Mr. Tol.e.rance Friday March 14, 7:30pm & Saturday, March 15, 8pm The Institute of Contemporary Art/Boston "Gutsy. Wild. Smart. Original.”—Dance Magazine BOSTON, MA -- World Music/CRASHarts presents the Boston debut of Camille A. Brown & Dancers on Friday, March 14, 7:30pm and Saturday, March 15, 8pm at the Institute of Contemporary Art, 100 Northern Ave., Boston. Tickets are $40. For tickets and information call World Music/CRASHarts at (617) 876-4275 or buy online at www.WorldMusic.org. Camille A. Brown has rapidly made a name for herself as a virtuosic dancer and provocative choreographer. Her dazzling company soars through history utilizing comedy, original music, animation, theater, and a poignantly retrospective dance vocabulary. Brown is a prolific choreographer who has been commissioned by Alvin Ailey American Dance Theater, Philadanco, Urban Bush Women, Complexions, and Hubbard Street 2, to list a few. She has achieved multiple accolades and awards for her daring works, including The International Association of Blacks in Dance Founders Award in 2013, the prestigious Princess Grace Award, and a Bessie nomination for Best Performance. Known for high theatricality, gutsy moves and virtuosic musicality, Camille A. Brown & Dancers explores typical, real life situations ranging from literal relationships to more complex themes with an eye on the past and present. Making a personal claim on history, through the lens of a modern female perspective, Brown leads her dancers through dazzling excavations of ancestral stories, both timeless and traditional, as well as immediate contemporary issues. The company will perform the Boston premiere of New Second Line (2006), commissioned by Reflections Dance Company. Inspired by the events of Hurricane Katrina, it is a celebration of the spirit and culture of the people of New Orleans. City of Rain premiered at the Joyce Theater in 2010 and is dedicated to Greg ‘Blyes’ Boomer. The company will also perform excerpts from Mr. Tol.e.rance (2012), a work that celebrates the humor and perseverance of the black performer and examines stereotypical roles dominating current popular Black culture. Camille A. Brown is a prolific choreographer who has achieved multiple accolades and awards for her daring works. A graduate of the LaGuardia High School of the Performing Arts, Brown earned a B.F.A. from the University of North Carolina School of the Arts. From 2001-2007, she was a member of Ronald K. Brown’s Evidence, A Dance Company, and was a guest artist with Rennie Harris’ Puremovement and Alvin Ailey American Dance Theater (2008 and 2011). She is the 2013 recipient of The International Association of Blacks in Dance Founders Award, winner of the prestigious Princess Grace Award (Choreography), the Mariam McGlone Emerging Choreographer Award (Wesleyan University), and the 2012 City College of New York Women & Culture Award. Her choreography and dynamic performances have led her to receive a Bessie nomination for Best Performance in her work, The Evolution of a Secured Feminine, and a Best Choreography nomination from the Black Theater Arts Alliance for her debut work set on the Ailey company, The Groove To Nobody’s Business. Dance companies that have commissioned her work include: Alvin Ailey American Dance Theater, Philadanco, Urban Bush Women, Complexions, Ailey II, Ballet Memphis, TU Dance, and Hubbard Street 2, among others. Camille A. Brown and Dancers have performed at major dance venues around the country, including The Joyce Theater, Bates Dance Festival, Whitebird Dance, and Jacob's Pillow. Her works have been performed at The Kennedy Center, The Apollo, Brooklyn Academy of Music, Madison Square Garden, and New York City Center. She was the Choreographer for Saverio Palatella's line, Wholegarment 3D, for New York Fashion Week in 2008. A career highlight for Brown, was being named choreographer for the Broadway revival of A Streetcar Named Desire in 2012, along with the Off-Broadway musical production, Soul Doctor. She also choreographed a production of Pins & Needles in 2011 presented by The Foundry Theater. Brown choreographed William Shakespeare’s The Winter's Tale for The McCarter Theater in Princeton, NJ, which also ran in Washington, D.C at the Shakespeare Theater last spring. Fortress of Solitude, also featuring her choreography, will debut at the Public Theater this fall. Recently, Brown was awarded a New York City Center Choreography Fellowship and a 2014 Joyce Award to collaborate with DANCECleveland to create Black Girl, a dance and music composition that depicts the challenges faced by African- American women and girls trying to carve out a positive identity in urban American culture. Free preperformance talks with dance critic Debra Cash 30 minutes prior to curtain in the ICA lobby. Free postperformance Q&A with the company Friday, March 14. For More Information visit: www.camilleabrown.org About World Music/CRASHarts World Music, a non-profit organization established in 1990, is New England’s premier presenter of global culture, featuring music and dance from the far and near corners of the globe. In 2001, World Music launched CRASHarts as a division of World Music dedicated to presenting a contemporary performing arts series in greater Boston. World Music/CRASHarts strives to offer audiences an opportunity to share in many different cultural and artistic expressions and seeks to foster an atmosphere of discovery and exploration. The organization presents approximately 70 concerts and 15 educational programs per year. For more information, call (617) 876-4275 or visit www.WorldMusic.org World Music/CRASHarts is funded in part by the Massachusetts Cultural Council, a state agency which also receives support from the National Endowment for the Arts. To: .
Load more

Recommended publications
  • Malpaso Dance Company Is Filled with Information and Ideas That Support the Performance and the Study Unit You Will Create with Your Teaching Artist
    The Joyce Dance Education Program Resource and Reference Guide Photo by Laura Diffenderfer The Joyce’s School & Family Programs are supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council; and made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. Special support has been provided by Con Edison, The Walt Disney Company, A.L. and Jennie L. Luria Foundation, and May and Samuel Rudin Family Foundation, Inc. December 10, 2018 Dear Teachers, The resource and reference material in this guide for Malpaso Dance Company is filled with information and ideas that support the performance and the study unit you will create with your teaching artist. For this performance, Malpaso will present Ohad Naharin’s Tabla Rasa in its entirety. Tabula Rasa made its world premiere on the Pittsburgh Ballet Theatre on February 6, 1986. Thirty-two years after that first performance, on May 4, 2018, this seminal work premiered on Malpaso Dance Company in Cuba. Check out the link here for the mini-documentary on Ohad Naharin’s travels to Havana to work with Malpaso. This link can also be found in the Resources section of this study guide. A new work by company member Beatriz Garcia Diaz will also be on the program, set to music by the Italian composer Ezio Bosso. The title of this work is the Spanish word Ser, which translates to “being” in English. I love this quote by Kathleen Smith from NOW Magazine Toronto: "As the theatre begins to vibrate with accumulated energy, you get the feeling that they could dance just about any genre with jaw-dropping style.
    [Show full text]
  • Stephen M. Rooks
    Stephen M. Rooks Vassar College 95 Vassar Road Box 743 Poughkeepsie, New York 12603 124 Raymond Avenue (845) 463-0020/416-8056 (cell) Poughkeepsie, New York 12604-0743 [email protected] (845) 437-7472 (845) 437-7818 (fax) [email protected] EDUCATIONAL BACKGROUND B.A. (Cum Laude) Dartmouth College – Senior Fellow in Music 1977 The Mercersburg Academy 1973 French and German PROFESSIONAL WORK EXPERIENCE Professor of Dance and Resident Choreographer, Vassar College, 1996 to present Guest Artist-in-Residence, University of North Carolina School of the Arts, 2001 Lecturer in Dance, Howard University, 1993 – 1996 Instructor of Dance, Alvin Ailey American Dance Center, 1991 – 1996 Guest Instructor of Dance, Martha Graham Dance Center 1997 to present PRINCIPAL DANCER WITH MARTHA GRAHAM DANCE COMPANY, 1981 –1991; 1998, 2007 (Danced major roles in Graham repertory) DANCER WITH ALVIN AILEY II, 1980 – 1981 (performed in works by Alvin Ailey, Tally Beatty, Ulysses Dove, and Donald McKayle) PUBLICATIONS Rooks, Steve “An Interview with Ann Reinking: Teacher’s Wisdom” Dance Magazine, November 2006 TEACHING Undergraduate Courses: Beginning through Advanced Modern Dance (courses all informed by the codified Martha Graham technique – Vassar College), 1996 to present Graham Technique and Repertory (intermediate technique, repertory, and lectures on Martha Graham –Vassar College), 2003 to present Dance Composition/Craft of Choreography (working with students on the study, process, creation and performance of dance –Vassar College), 1996 to present Advanced
    [Show full text]
  • In This Issue
    FALL 2019 IN THIS ISSUE JONATHAN BISS CELEBRATING BEETHOVEN: PART I November 5 DANISH STRING QUARTET November 7 PILOBOLUS COME TO YOUR SENSES November 14–16 GABRIEL KAHANE November 23 MFA IN Fall 2019 | Volume 16, No. 2 ARTS LEADERSHIP FEATURE In This Issue Feature 3 ‘Indecent,’ or What it Means to Create Queer Jewish Theatre in Seattle Dialogue 9 Meet the Host of Tiny Tots Concert Series 13 We’re Celebrating 50 Years Empowering a new wave of Arts, Culture and Community of socially responsible Intermission Brain arts professionals Transmission 12 Test yourself with our Online and in-person trivia quiz! information sessions Upcoming Events seattleu.edu/artsleaderhip/graduate 15 Fall 2019 PAUL HEPPNER President Encore Stages is an Encore arts MIKE HATHAWAY Senior Vice President program that features stories Encore Ad 8-27-19.indd 1 8/27/19 1:42 PM KAJSA PUCKETT Vice President, about our local arts community Sales & Marketing alongside information about GENAY GENEREUX Accounting & performances. Encore Stages is Office Manager a publication of Encore Media Production Group. We also publish specialty SUSAN PETERSON Vice President, Production publications, including the SIFF JENNIFER SUGDEN Assistant Production Guide and Catalog, Official Seattle Manager ANA ALVIRA, STEVIE VANBRONKHORST Pride Guide, and the Seafair Production Artists and Graphic Designers Commemorative Magazine. Learn more at encorespotlight.com. Sales MARILYN KALLINS, TERRI REED Encore Stages features the San Francisco/Bay Area Account Executives BRIEANNA HANSEN, AMELIA HEPPNER, following organizations: ANN MANNING Seattle Area Account Executives CAROL YIP Sales Coordinator Marketing SHAUN SWICK Senior Designer & Digital Lead CIARA CAYA Marketing Coordinator Encore Media Group 425 North 85th Street • Seattle, WA 98103 800.308.2898 • 206.443.0445 [email protected] encoremediagroup.com Encore Arts Programs and Encore Stages are published monthly by Encore Media Group to serve musical and theatrical events in the Puget Sound and San Francisco Bay Areas.
    [Show full text]
  • School for Performing Arts
    Volume 5 Winter 2015 NOTES School for Performing Arts TICKETS ON SALE JAN 15! Event Right on the heels of the theatrical release (with an all star Calendar cast including Meryl Streep and Johnny Depp) Bronx House Saturday, January 3 School for Performing Arts, in collaboration with the Bronx House Winter Open House Riverdale Children’s Theater will present our own stars in a 11 am — 3 pm production of INTO THE WOODS, JR. In this Tony Award Monday, January 5 Winter Group Music winning Broadway musical, written by Stephen Sondheim and Dance classes begin and James Lapine, the Brothers Grimm hit the stage with an Select Mondays beginning January epic fairytale about wishes, family and the choices we make. Dance for PD, 2:30-3:45 Call office for schedule Join us as all of your favorite characters—Cinderella, Little Red Riding Hood, Jack (and his Monday, January 19 beanstalk) and the Witch—meet and interact in this whimsical original story. Martin Luther King Day, No Classes PERFORMANCES: Sat—Fri, February 14-20 All tickets $10 Fridays, February 20 & 27th, 7:00pm President’s Week, No Classes Limited Group Rates Available Fri/Sat/Sun, February 20-March 1 Saturdays, February 21 & 28, 2:00 & 7:00pm Purchase tickets online at tix.com! Into the Woods Jr. Performances Sundays, February 22 & March 1, 2:00pm Sunday, March 15 Trip to see Moscow Festival Ballet 4 pm (see page 4 of newsletter) Did you know our dance program is committed to inspiring and developing our students’ talent at Saturday, March 28 both the recreational and competitive level? Bronx House Spring Open House DANCE 11 am—3 pm We provide a solid foundation for dance as we help every student discover their strengths to Monday, March 30 WITH reach their highest dance and personal potential.
    [Show full text]
  • Newsletter Vol
    YOUNG DANCEMAKERS COMPANY NEWSLETTER VOL.. # 9 JANUARY 2009 13 Seasons • 206 Alumni from 53 NYC Public High Schools A note from Alice...... Auditions The 2008 season---a great year in so many at Dance Theater for the Workshop, 2009 company ways---18 creative voices---12 vibrant origi- 219 West 19 Street, Sunday, March 8 11:30-6 nal student works created in July---free Call-backs Saturday, March 14 performances for hundreds in Manhattan, Queens, Brooklyn and the Bronx--- SPREAD THE WORD And presented by the professional Obtain application forms from high Dancenow/NYC Festival: APPLY NOW. ”Young Dancemakers Company, did a really school teachers or on line: good job in three separate pieces......impres- www.ecfs.org/ydc.asp sive....” OffOffOff 2008 “ ....including the charming teenage Young Dancemakers Company,...” NY Times, 10/30/2008. AND excerpts from a repertory work of the TheJune 2009 29-August Season 2 Cunningham Dance Company, Merce Cun- ningham’s “Field Dances,” staged by Mary Performancess all over town. Lisa Burns and Robert Swinston. Season to be announced : AND the DANCE NY immersion into pro- (watch for the ANDup-coming flyer). fessional dance in New York: concerts, semi- nars, workshops with NY dance artists. Save The Date Gala Celebration Concert Onward to our 14th year of making dances, Saturday evening, with scores of urban teens of varied back- grounds and levels of dance experience, August 1 at 7:30 PM at the Ailey dancing all over town, and sometimes out- Citigroup Theater. of-town, in free performances of their own original work for thousands of young people EVERYBODY DANCE! and adults, through the years.
    [Show full text]
  • Doug Elkins Choreography, Etc
    Christopher Duggan Christopher doug elkins choreography, etc. Doug Elkins, Choreographer/Artistic Director Amy Cassello, General Manager Anne Davison, Dramaturg Randi Rivera, Production Stage Manager Justin Levine, Music Co-Director Matt Stine, Music Co-Director Dancers: Alexander Dones, Mark Gindick, Deborah Lohse, Cori Marquis, Kyle Marshall, Aaron Mattocks, Donnell Oakley, John Sorensen-Jolink PROGRAM Hapless Bizarre -Intermission- Mo(or)town/Redux Thursday, March 6 at 7:30 PM Friday, March 7 at 8 PM Saturday, March 8 at 2 PM & 8 PM Support provided by the New England Foundation for the Arts' National Dance Project, with lead funding from the Doris Duke Charitable Foundation and The Andrew W. Mellon Foundation, with additional support from the National Endowment for the Arts. Media Sponsor 8 | DANCE CELEBRATION PROGRAM NOTES Hapless Bizarre Originally conceived by Doug Elkins, Barbara Karger and Michael Preston Choreography by Doug Elkins in collaboration with the dancers Music Direction and Engineering by Justin Levine and Matt Stine Dramaturgy by Anne Davison Lighting by Amanda K. Ringger Costumes by Oana Botez Creative Consulting by David Neumann Dancers: Mark Gindick, Deborah Lohse, Cori Marquis, Kyle Marshall, Donnell Oakley, John Sorensen-Jolink Hapless Bizarre was made possible by the New England Foundation for the Arts' National Dance Project, with lead funding from the Doris Duke Charitable Foundation and additional funding from the Andrew W. Mellon Foundation, the MetLife Foundation and the National Endowment for the Arts. Hapless Bizarre was hatched and first previewed at The Yard, an artist residency and performance center dedicated to contemporary dance, theatre and related arts, as part of the 2012-2013 season.
    [Show full text]
  • BALLETX TOURS to the VAIL INTERNATIONAL DANCE FESTIVAL and the JOYCE THEATER to Present the Full-Length Production of Sunset, O639 Hours
    Media Contact: Allison Vanyur Marketing & Communications Coordinator 215- 893-9456 x128 [email protected] FOR IMMEDIATE RELEASE BALLETX TOURS TO THE VAIL INTERNATIONAL DANCE FESTIVAL AND THE JOYCE THEATER To present the full-length production of Sunset, o639 Hours Philadelphia, PA—BalletX, Philadelphia’s Premier Contemporary Ballet and the Resident Dance Company of The Wilma Theater, will travel to the Vail International Dance Festival in Vail, CO and the Joyce Theater in New York, NY to present the full-length production of Matthew Neenan and Rosie Langabeer’s Sunset, o639 Hours. Possessing “the confidence and artistry of a world class ballet company” (The Philadelphia Inquirer), this is BalletX’s third time presenting work at both highly acclaimed venues, and its first time touring a full-length work. Sunset, o639 Hours is a co-creation featuring choreography by BalletX Co-Founder Matthew Neenan and compositions by acclaimed New Zealand musician Rosie Langabeer. The full-length world premiere debuted in Philadelphia in the summer of 2014 to sold-out houses and critical acclaim, with The New York Times describing the experience as “beautifully elegiac, taking us into the hearts of people who lived decades ago.” Inspired by the true story of Captain Edwin Musick – an American pilot who completed the first airmail service between the U.S. and New Zealand in 1938, only to perish tragically on his return flight home — Sunset, o639 Hours reimagines this long- forgotten story through innovative choreography and a timeless score. Langabeer’s compelling compositions use invented insturments by Neil Feather to weave together original 1930’s- inspired songs, field tapes, and archival recordings from Musick’s flights to create a world that transports the audience into the lives of the Captain and his crew.
    [Show full text]
  • Moving Forward: 2020 American Dance Platform
    Moving Forward: 2020 American Dance Platform Symposium Schedule TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY January 7 January 8 January 9 January 10 January 11 REGISTRATION DANCE CLASS DANCE CLASS 2:00 - 4:00 PM 9:00 – 10:00 AM DANCE FORUM AT 9:00 – 10:00 AM Urban Bush Women APAP Embodiment Project NYU/Tisch School of the Arts 721 Broadway, Defining & New York Hilton Envisioning Dance in New York, NY 10003 Advancing Diversity Midtown Digital Space 12th Floor in Higher Education 1335 Avenue of the Dance Programs Americas | NY, NY 10:30 AM – 12:00 PM 9:00 AM – 12:00 PM 10:30 AM – 12:00 PM Arrive a day early and catch Urban Bush Women and With: Jawole Willa Jo With: Rebecca Salzer, Dayton Contemporary Dance Zollar, Cornelius Gesel R. Mason, and Company at The Joyce! Carter, and Charles Norah Zuniga Shaw O. Anderson STUDIO SESSIONS STUDIO SESSIONS STUDIO SESSIONS 12:30 – 2:30 PM 1:00 - 3:00 PM 12:30 – 2:30 PM With: Jeff Freidman, With: Sybil Huskey, With: Vincent Thomas, Trebien Pollard, Cheyla Clawson, Shih-Ming Li Chang Erika Moore, and Mark Broomfield, WELCOME RECEPTION & Lynn Frederiksen, Amy Wilkinson Robin Lakes, and 4:00 - 6:00 PM and Gregory King Tiffany Rhynard NYU/Tisch School of the Arts COCKTAILS AND COCKTAILS AND 721 Broadway, New York, NETWORKING NETWORKING FAREWELL NY 10003 RECEPTION @ 12th Floor JOYCE THEATER JOYCE THEATER Center for Ballet & 7:00 – 7:45 PM 7:00 – 7:45 PM the Arts JOYCE THEATER JOYCE THEATER JOYCE THEATER JOYCE THEATER PROGRAM A PROGRAM B PROGRAM C PROGRAM D 2:30 -3:30 PM 7:30 PM 7:30 PM 8:00 PM 8:00 PM UBW + DCDC LIMÓN DANCE + BRUCE EMBODIMENT ROSIE HERRERA+ 16-20 Cooper Sq.
    [Show full text]
  • VRB Handbook Done
    Virginia Regional Ballet Handbook 2018 – 2019 Dance Year 1228 Richmond Road, Williamsburg, VA 23185 4839 George Washington Memorial Hwy., Yorktown, VA 23692 757-229-2553 www.danceVRB.com [email protected] 1 Table of Contents ABOUT Virginia Regional Ballet 3 FOUNDERS 4 Heidrun S. Robitshek, Artistic Director & Instructor 4 Adelle Page Carpenter, Studio Director & Instructor 4 THE ACADEMY 5 Admission 5 Class Placement 5 Registration & Tuition 5 Online Account Access 6 Scholarship Program 6 General Information 6 Class/Rehearsal Rules 7 Class Descriptions 7 Summer Programs 9 Dress Code 10 PERFORMANCE OPPORTUNITIES 12 INSTRUCTORS & GUEST INSTRUCTORS 13 Instructors 13 Guest Instructors/Choreographers 15 2 ABOUT Virginia Regional Ballet In 2007, Heidi Robitshek, former artistic director and founder of the Chamber Ballet along with her protégée Adelle Carpenter founded the Virginia Regional Ballet to dedicate a school to the continued improvement and enhancement of classical ballet technique. Virginia Regional Ballet Academy sponsors the Virginia Regional Ballet, Inc., whose purpose is to bring to the community and develop among its citizens an educational and cultural program in dance. Virginia Regional Ballet is located in Williamsburg’s Art District at 1228 Richmond Road adjacent to the Williamsburg Community Pool and is professionally designed and constructed to provide the best possible facilities for instruction. In 2013, Virginia Regional Ballet acquired a second location in Yorktown at 5315 George Washington Memorial Highway and 110-B Dare Road. Virginia Regional Ballet Academy offers a beginning through pre-professional curriculum in all dance forms through a variety of weekly classes and performance opportunities. Professionally trained and experienced teachers qualified to teach classical ballet, contemporary, character, creative dance, jazz, tap, modern, hip-hop, and lyrical dance are available at all levels.
    [Show full text]
  • MINT Artsits Wall
    MY SUNFLOWER HAT New Mexico Dance Project Founded in 2019 by husband and wife team Scarlett Wynne and Erik Sampson, NMDP produces original concert works, performance installations, and short films that focus on capturing the imagination and inspiring curiosity. The company exists to widen the spectrum of how dance is accessed and experienced by its audience; emphasizing the art of storytelling as a means of bridging the divides brought on by cultural, racial, and social differences. New Mexico Dance Project is a contemporary dance company based in Santa Fe, New Mexico. Scarlett Wynne, Choreographer/ Artistic Director NMDP Scarlett has over ten years of professional experience in the performing arts industry as a dancer, choreographer, and instructor. She holds her Bachelor of Fine Arts in Dance and has worked with companies across the country such as The Georgia Ballet, Dominic Walsh Dance Theatre, Lemon Sponge Cake Contemporary Ballet, Wonderbound, and The Big Muddy Dance Company. Currently, Scarlett is the Co-Founder and Artistic Director of the New Mexico Dance Project and serves as Resident Choreographer and Instructor with the New Mexico School for the Arts (Santa Fe, NM). Erik Sampson, Dancer/ Executive Director, NMDP Erik has worked professionally as a dancer, teacher, and choreographer since 2010 and holds his Bachelor of Fine Arts degree in Dance. In 2014, Erik’s passion for youth development and community impact lead him into Education resulting in the founding of the Arts Immersion Program in 2014, later known as the Immersion STEAM Schools. In 2019, Erik returned to the stage with New Mexico Dance Project and currently serves as the company’s Executive Director.
    [Show full text]
  • Presented by Dancecleveland, Tri-C Performing Arts, the Joyce Theater Foundation, Northrop, and PMG ARTS Management 1
    Presented by DANCECleveland, Tri-C Performing Arts, The Joyce Theater Foundation, Northrop, and PMG ARTS Management 1 WELCOME! As the saying goes, ‘It takes a village to raise a child’ in our case it also refers to presenting a dance performance. With the cancellation of our entire season, it seemed impossible to imagine that we would have the chance to see a ‘live performance’ at all this year. Then the stars aligned. Northrop at the University of Minnesota, whose original live performance of Ronald K. Brown/EVIDENCE was to be the week following our performance here in Cleveland, wondered if it might be possible to broadcast a live performance of the Company to all of our patrons? With that, the Joyce Theater in New York City joined the conversation to share that they had been developing both the technology and the technical expertise to bring this idea about. With both a Director, Producer, multiple cameras, an expanse of time for rehearsal on stage and with all of us providing funds into the project, the impossible has become possible. As the idea has taken shape, Northrop took the lead in developing a series of additional events which we thought were both relevant and timely and excited to be able to share as part of the performance series. So without further ado, DANCECleveland, Cuyahoga Community College along with partners Northrop and the Joyce Theater present (drum roll please) Ronald K. Brown/EVIDENCE…..LIVE FROM THE JOYCE THEATER!!!!!!! Enjoy the Performance! Pamela Young Executive Director DANCECleveland Terri Pontremoli Director, Tri-C JazzFest & the Performing Arts Cuyahoga Community College 2 ARTISTIC DIRECTOR RONALD K.
    [Show full text]
  • ADF-Timeline.Pdf
    Timeline 1934 • ADF, then known as the Bennington School of Dance, is founded at Bennington College in Bennington, Vermont. The first six-week session attracts 103 students (68 of whom were dance teachers) from 26 states, the District of Columbia, Canada and Spain. Their ages range from 15 to 49. • Martha Hill and Mary Josephine Shelly are Co-Directors. Martha Graham, Doris Humphrey, Charles Weidman, and Hanya Holm, also known as "The Big Four,” are recruited to be faculty. They each teach for a week in succession. 1935 • Martha Graham premieres Panorama with Alexander Calder mobiles (his first dance collaboration). • Doris Humphrey premieres New Dance. • The "Big Four" overlap teaching during the six weeks. 1936 • Betty Ford (Elizabeth Bloomer) is a student. • Humphrey completes her New Dance Trilogy with premiere of With My Red Fires; Weidman creates Quest. • World debut of Lincoln Kirstein's Ballet Caravan. Kirstein delivers lectures on classical ballet. 1937 • Anna Sokolow, José Limón, and Esther Junger are the first Bennington Fellows. • Premieres of Holm's Trend, Limón's Danza de la Muerte, Sokolow's Facade-Esposizione Italiana. • Alwin Nikolais is a student. • Graham premieres two solos. 1938 • Premieres are Graham's American Document, Holm's Dance of Work and Play and Dance Sonata, Humphrey's Passacaglia in C Minor, and Weidman's Opus 51. • Anna Halprin and Alwin Nikolais are students. 1939 • Bennington School of Dance spends summer at Mills College in Oakland, CA. • Merce Cunningham is a student. • Limón premieres 5-part solo, Danza Mexicanas. • John Cage gives concert of percussion music. 1940 • School of Dance returns to Bennington and is incorporated under The School of the Arts to foster relationships with the other arts.
    [Show full text]