DEAD RECKONING, ISSUE ONE Spring, 2018
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Jan/Feb/Mar 2021 Winter Express Issue
Vol. 41 No. 1 INSIDE THIS ISSUE! Jan. Feb. Mar. Taborgrass: Passing e Torch, Helen Hakanson: Remembering A 2021 Musical LIfe and more... $500 Oregon Bluegrass Association Oregon Bluegrass Association www.oregonbluegrass.org By Linda Leavitt In March of 2020, the pandemic hit, and in September, two long-time Taborgrass instructors, mandolinist Kaden Hurst and guitarist Patrick Connell took over the program. ey are adamant about doing all they can to keep the spirit of Taborgrass alive. At this point, they teach weekly Taborgrass lessons and workshops via Zoom. ey plan to resume the Taborgrass open mic online, too. In the future, classes will meet in person, once that becomes feasible. et me introduce you to Kaden Kaden has played with RockyGrass (known as Pat), e Hollerbodies, and Hurst and Patrick Connell, the 2019 Band Competition winners Never Julie & the WayVes. Lnew leaders of Taborgrass. In 2018, Patrick As a mandolinist met Kaden at born in the ‘90s, Taborgrass, and Kaden was hugely started meeting inuenced by to pick. Kaden Nickel Creek. became a regular Kaden says that at Patrick’s Sunday band shied Laurelirst his attention to Bluegrass Brunch bluegrass. Kaden jam. According was also pulled to Patrick, “One closer to “capital B Sunday, Joe bluegrass” by Tony Suskind came to Rice, most notably the Laurelirst by “Church Street jam and brought Blues,” and by Brian Alley with Rice’s duet album him. We ended with Ricky Skaggs, Kaden Hurst and Patrick Connell up with this little “Skaggs and Rice.” group called e Kaden’s third major Come Down, Julie and the WayVes, Portland Radio Ponies. -
Notre Dame Review Notre Dame Review
NOTRE DAME REVIEW NOTRE DAME REVIEW NUMBER 8 Editors John Matthias William O'Rourke Senior Editor Steve Tomasula Founding Editor Valerie Sayers Managing Editor Editorial Assistants Kathleen J. Canavan Kelley Beeson Stacy Cartledge R. Thomas Coyne Contributing Editors Douglas Curran Matthew Benedict Jeanne DeVita Gerald Bruns Shannon Doyne Seamus Deane Anthony D'Souza Stephen Fredman Katie Lehman Sonia Gernes Marinella Macree Jere Odell Tom O'Connor Kymberly Taylor Haywood Rod Phasouk James Walton Ginger Piotter Henry Weinfield Laura Schafer Donald Schindler Elizabeth Smith-Meyer Charles Walton The Notre Dame Review is published semi-annually. Subscriptions: $15(individuals) or $20 (institu- tions) per year. Single Copy price: $8. Distributed by Media Solutions, Huntsville, Alabama and International Periodical Distributors, Solana Beach, California. We welcome manuscripts, which are read from September through April. Please include a SASE for return. Please send all subscription and editorial correspondence to: Notre Dame Review, The Creative Writing Program, Department of English, University of Notre Dame, Notre Dame, IN 46556. Notre Dame Review copyright 1999 by the University of Notre Dame ISSN: 1082-1864 Place/Displacement ISBN 1-892492-07-5 Cover Art: "Diagram for the Apprehension of Simple Forces," cibiachrome, 1997, 12 x 15 inches, by Jason Salavon. Courtesy of Peter Miller Gallery, Chicago. CONTENTS Genghis Khan story ..................................................................... 1 Yanbing Chen Anstruther; Knowledge; Alford -
TRIAL Technology in the Courtroom
TRIAL Technology in the Courtroom Reflections Summation: The Last Hurdle Gregory S. Cusimano t’s three o’clock in the morning and you’re not asleep. Your heart is racing and your eyes Iare wide open. “I’ve got to get some sleep – there’s no way I’ll ever get through tomorrow if I don’t get some rest,” you say to yourself. You can’t seem to stop the waves of random thoughts. Up to now there has been no clear winner in the trial. You can see that the jury is confused. The trial has been a real tug-of-war. Each side has bee pulled to the brink of disaster, but neither has gone over the edge. The victor is yet to be decided. It all rides on your closing argument. Can you breathe life into these well-worn facts? Can you make the jurors understand? Can you move them to feel the loss your clients have endured? Can you provide the jurors with what it takes to right this wrong? It’s all up to you. The responsibility is overwhelming. All the time, all the work, all the energy, the very future of the family you’ve grown to love depends on the words you choose and how you present them. You think of the first time the family walked into your office. You didn’t know their children, Johnny and Laura, their dreams, their losses. Well, they aren’t just clients now. Your life has become so entwined with theirs that it’s hard to tell where their lives stop and yours begins. -
2004/2005 Season!
_ _Inhalt _ _content Vorwort editorial ........................................................................................................................................................ 3 Musiktheater music theatre................................................................................................................................................ 5 Schauspiel drama Uraufführungen world premieres ................................................................................................................................. 15 Erstaufführungen debut performances........................................................................................................................... 44 Kinder- und Jugendtheater children’s and youth theatre Uraufführungen world premieres ................................................................................................................................. 54 Erstaufführungen debut performances ........................................................................................................................... 64 Adressen Verlage adresses publishing houses ........................................................................................................................... 67 Adressen Theater adresses theatres ........................................................................................................................................ 68 Abkürzungen / abbreviations UA = Uraufführung /world premiere DSE = Deutschsprachige Erstaufführung / debut performance in -
Wavelength (March 1984)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 3-1984 Wavelength (March 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (March 1984) 41 https://scholarworks.uno.edu/wavelength/41 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. YOI of nine songs that for have been saved in the ''The Louisiana Hayride'' IT ALL BEGAN. Elvis' fame started when he began performing on the Louisiana Hayride radio nrftnrftiM Now for the first time ever performances are being made available to Elvis fans in a length album entitled ' postmarked on or before May 15. 1984 will automatically be tlitible tor a special drawing (you need not order to be elialbll to enter the drawing-see RULES below) . The lucky flraf prize winner receives a free trip lor two to Nashville. by air. The winner and guest will stay lor two nights in luxury Hear and see hotel accommodations and will tour .. Music Row" with O.J . Fontana as their host (Ask D.J. everything you always wanted to know about Elvis) . In addition. the grand prize winner Elvis was called receives the same tour lor two plus one of the most important gilts ever made to an Elvis tan : a movie projector owned and used by ELVIS . -
Poetic Connections in Tracy Letts's "Man from Nebraska," "August: Osage County," and "Superior Donuts."
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 2011 How to Get from Here to There: Poetic Connections in Tracy Letts's "Man from Nebraska," "August: Osage County," and "Superior Donuts." Deborah Ann Kochman University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the American Literature Commons, and the Theatre and Performance Studies Commons Scholar Commons Citation Kochman, Deborah Ann, "How to Get from Here to There: Poetic Connections in Tracy Letts's "Man from Nebraska," "August: Osage County," and "Superior Donuts."" (2011). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/3187 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. How to Get from Here to There: Poetic Connections in Tracy Letts‘s Man from Nebraska, August: Osage County, and Superior Donuts by Deborah Ann Kochman A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of English College of Arts and Sciences University of South Florida Major Professor: Sara Munson Deats, Ph.D. Lagretta Lenker, Ph.D. Susan Mooney, Ph.D. Date of approval: November 3, 2011 Five key words: Drama, Narrative, Poetry, Middle-aged men, American Dream Copyright © 2011 Deborah A. Kochman Dedication I dedicate this thesis to my children, Kristina and Michael, in apology for teaching too much narrative and not enough poetry. -
All Audio Songs by Artist
ALL AUDIO SONGS BY ARTIST ARTIST TRACK NAME 1814 INSOMNIA 1814 MORNING STAR 1814 MY DEAR FRIEND 1814 LET JAH FIRE BURN 1814 4 UNUNINI 1814 JAH RYDEM 1814 GET UP 1814 LET MY PEOPLE GO 1814 JAH RASTAFARI 1814 WHAKAHONOHONO 1814 SHACKLED 2 PAC CALIFORNIA LOVE 20 FINGERS SHORT SHORT MAN 28 DAYS RIP IT UP 3 DOORS DOWN KRYPTONITE 3 DOORS DOWN HERE WITHOUT YOU 3 JAYS IN MY EYES 3 JAYS FEELING IT TOO 3 THE HARDWAY ITS ON 360 FT GOSSLING BOYS LIKE YOU 360 FT JOSH PYKE THROW IT AWAY 3OH!3 STARSTRUKK ALBUM VERSION 3OH!3 DOUBLE VISION 3OH!3 DONT TRUST ME 3OH!3 AND KESHA MY FIRST KISS 4 NON BLONDES OLD MR HEFFER 4 NON BLONDES TRAIN 4 NON BLONDES PLEASANTLY BLUE 4 NON BLONDES NO PLACE LIKE HOME 4 NON BLONDES DRIFTING 4 NON BLONDES CALLING ALL THE PEOPLE 4 NON BLONDES WHATS UP 4 NON BLONDES SUPERFLY 4 NON BLONDES SPACEMAN 4 NON BLONDES MORPHINE AND CHOCOLATE 4 NON BLONDES DEAR MR PRESIDENT 48 MAY NERVOUS WRECK 48 MAY LEATHER AND TATTOOS 48 MAY INTO THE SUN 48 MAY BIGSHOCK 48 MAY HOME BY 2 5 SECONDS OF SUMMER GOOD GIRLS 5 SECONDS OF SUMMER EVERYTHING I DIDNT SAY 5 SECONDS OF SUMMER DONT STOP 5 SECONDS OF SUMMER AMNESIA 5 SECONDS OF SUMMER SHE LOOKS SO PERFECT 5 SECONDS OF SUMMER KISS ME KISS ME 50 CENT CANDY SHOP 50 CENT WINDOW SHOPPER 50 CENT IN DA CLUB 50 CENT JUST A LIL BIT 50 CENT 21 QUESTIONS 50 CENT AND JUSTIN TIMBERLAKE AYO TECHNOLOGY 6400 CREW HUSTLERS REVENGE 98 DEGREES GIVE ME JUST ONE NIGHT A GREAT BIG WORLD FT CHRISTINA AGUILERA SAY SOMETHING A HA THE ALWAYS SHINES ON TV A HA THE LIVING DAYLIGHTS A LIGHTER SHADE OF BROWN ON A SUNDAY AFTERNOON -
Raw Thought: the Weblog of Aaron Swartz Aaronsw.Com/Weblog
Raw Thought: The Weblog of Aaron Swartz aaronsw.com/weblog 1 What’s Going On Here? May 15, 2005 Original link I’m adding this post not through blogging software, like I normally do, but by hand, right into the webpage. It feels odd. I’m doing this because a week or so ago my web server started making funny error messages and not working so well. The web server is in Chicago and I am in California so it took a day or two to get someone to check on it. The conclusion was the hard drive had been fried. When the weekend ended, we sent the disk to a disk repair place. They took a look at it and a couple days later said that they couldn’t do anything. The heads that normally read and write data on a hard drive by floating over the magnetized platter had crashed right into it. While the computer was giving us error messages it was also scratching away a hole in the platter. It got so thin that you could see through it. This was just in one spot on the disk, though, so we tried calling the famed Drive Savers to see if they could recover the rest. They seemed to think they wouldn’t have any better luck. (Please, plase, please, tell me if you know someplace to try.) I hadn’t backed the disk up for at least a year (in fairness, I was literally going to back it up when I found it giving off error messages) and the thought of the loss of all that data was crushing. -
Media Release
MEDIA RELEASE 14 July 2008 The only reason you need to get to EkkA this year. Nova Live and Loud @ EkkA is best in show! If you’re a closet ‘EkkA tragic’ and need an excuse to visit the best event in Brisbane in August, here it is – Faker, Butterfingers and Regurgitator. Fast becoming recognised as the best value and definitely the most fun outdoor gig in Brisbane, NOVA LIVE and LOUD @ EkkA returns in 2008 over three big nights. And best of all it’s included in your EkkA entry ticket price of just $22 max ($16 concession / $12 up to age 14)! For all you secret EkkA lovers, who don’t want to admit your addiction, here’s your excuse to come early and secretly check out the dogs and cookery pavilions or ride the Skywalker before a night of sensational music in Nova Park (right alongside Sideshow Alley). The EkkA just keeps spreading that magic star dust with previous Nova Live and Loud @EkkA bands Sneaky Sound System, Little Birdie, The Beautiful Girls, Evermore and The Butterfly Effect all playing at the EkkA before hitting the big time. Wonder what’s in the stars for this year’s EkkA line up? FRIDAY AUGUST 8 – BUTTERFINGERS WITH AVALON DRIVE Brisbane band Butterfingers released their debut album Breakfast at Fatboys in 2004 and since then has been a staple on the Australian music scene. With two ARIA nominations under their belt and a new album set to come out this year, Butterfingers will open with a bang on the first big night of Nova Live and Loud. -
Sleep Handout Sept 2019.Pdf
Glenn E. Cahn, PhD PLLC 3205 Randall Parkway, #117 Wilmington, NC 28403 910 332 4134 www.ILMpsychtesting.com Sleep DISCLAIMER: the following is not meant to treat anyone with advice or tell you what you should do, such as relative to use of medication, exercise, or changing your diet. The information in this handout is merely offering what has been published in the research literature, as well as based on my professional experience. Talk to a doctor or other appropriate professionals as to what is best for your own specific needs. It should also be appreciated that everyone has their own perspective on how to improve health. Nutritionists do it through food. Physicians do it through medicine. Psychologists do it through changing thoughts, feelings, and behaviors. Consequently, what is offered here is a reflection of my own bias and perspective. “Sleep is the chief nourisher in life’s feast.” – Macbeth, William Shakespeare Recommended sleep duration times, by age Age Recommended Appropriate Not recommended 0-3 months 14 to 17 hours 11 to 13 hours, 18 to 19 hours <11 hours, >19 hours 4-11 months 12 to 15 hours 10 to 11 hours, 16 to 18 hours <10 hours, >18 hours 1-2 years 11 to 14 hours 9 to 10 hours, 15 to 16 hours <9 hours, >16 hours 3-5 years 10 to 13 hours 8 to 9 hours, 14 hours <8 hours, >14 hours 6-13 years 9 to 11 hours 7 to 8 hours, 12 hours < 7 hours, >12 hours 14-17 years 8 to 10 hours 7 hours, 11 hours <7 hours, >12 hours 18-25 years 7 to 9 hours 6 hours, 10 to 11 hours <6 hours, >11 hours 26-64 years 7 to 9 hours 6 hours, 10 hours <6 hours, >10 hours 65+ years 7 to 8 hours 5 to 6 hours, 9 hours <5 hours, > 9 hours Taken from the National Sleep Foundation, and “scientifically grounded guidelines on the amount of sleep we need each night to improve the sleep health of the millions of individuals and parents who rely on us for this information.” Charles Czeisler, PhD, MD What keeps us most healthy? Getting regular exercise? A good, healthy diet? Adequate sleep? How long can you stay alive and healthy if you forego exercise temporarily? Months for sure. -
Tips, Education, Routines, & Checklists to Create Healthy Sleep Habits For
Tips, education, routines, & checklists to create healthy sleep habits for baby & parents from the beginning Congratulations on both your new baby and for the wise decision to teach healthy sleep habits right from the beginning! In this guide you'll receive tools, ideal schedules, tips, and education to get you started on the path to sleeping well and setting the foundation for healthy, independent sleep for your child. This plan covers babies 0-3 months and is meant to be flexible in nature. It is NOT meant to be used as a formal sleep training process, as you cannot formally sleep train a baby younger than 4 months. Did you know it’s possible for babies and children to look forward to bedtime and actually get excited about going to sleep? My daughter tells me when she is tired and ready for bed and my son tries to climb into his crib at the end of our routine! This is all possible for you and your baby and I'm honored to help you start your journey. I know you may be sleep deprived and you’re doing the best you can. I don’t judge any of your decisions up to this point, and I respect you for investing in your baby’s sleep health! I am here to guide you on creating healthy sleep habits for your baby that will last a lifetime. Keep this handy. The newborn/early infancy phase can be confusing and chaotic and it’s easy to feel overwhelmed. Use this guide as a tangible outline full of important tools to set a healthy foundation and refer back to when sleep gets disrupted. -
2006 Labyrinth, the Literary Magazine of the United States Naval Academy
Welcome to the 2006 Labyrinth, the literary magazine of the United States Naval Academy. Since the mid 1970’s, the Labyrinth has regularly published the creative work of midshipmen. Whether in the form of short stories, poetry, visual art, or music, our magazine has dedicated itself to providing a space for midshipmen expression of the highest quality. Not until last spring, however, through the generous donation of Mr. Larry Brady ’66 and family, did we secure enough funding to ensure annual printing. Knowing we would eventually be able to hold a hard copy of the Labyrinth in our hands energized the staff all year long. We also found the Brigade more responsive than ever to our calls for submissions. Our goal this year was to better illuminate the link between the words on these pages and the careers of the people who write them. LGEN Lennox, the Superintendent of West Point and holder of a Ph.D. in Literature from Princeton University, graciously agreed to introduce the Labyrinth. We have included the service selections for all of the first-class midshipmen, as well as the work of several alumni who have gone on to successful careers in the Navy and Marine Corps. The responses vary, but many of the issues remain the same. - Celidon Pitt ’06 (USMC Pilot) Editor Staff Assistant Editor…………...Michael DeCarolis ‘07 Art Editor…………………..Angela Laird ’06 (Surface Warfare: FFG 60 Rodney M. Davis, Everett, WA) Fiction Editor………………Travis Klempan ’06 (Surface Warfare: CG 59 USS Princeton, San Diego, CA) Poetry Editor………………Jaci Hanna ’06 (Surface Warfare: DDG 86 USS Shoup, Everett, WA) Publicity Manager………...Allysia Hood ‘07 Layout Manager…………..Genevieve Studer ‘08 The Future…………………DeeDee Collins ’07, Kyle Wright ’07, Thomas Newcomb ‘08, Jacob Pitchford ’08, Laura Young ‘08 Faculty Advisor………………………Asst.