OPEN AIR KINO Spielboden Dornbirn

Total Page:16

File Type:pdf, Size:1020Kb

OPEN AIR KINO Spielboden Dornbirn OPEN AIR KINO Spielboden Dornbirn Freitag, 15.7.2005, 22.00 Uhr, im Freien, Eintritt: € 7,-/4,- Open Air Kino „Die fetten Jahre sind vorbei“ Film von Hans Weingartner. D/Ö 2004, 124 Min, Farbe, 35 mm Jan, Peter und Jule sind drei rebellische junge Außenseiter. Der eigenbrötlerische Jan verspürt eine tiefe Wut auf eine ungerechte Welt, sein Mitbewohner Peter teilt dieses Gefühl, nur weniger verbissen. Gemeinsam sind sie "Die Erziehungsberechtigten" und stören mit subversiven Aktionen die Hochsicherheitszonen der Reichen. Ihre Botschaft an den Geldadel lautet: "Die fetten Jahre sind vorbei". Als Peters Freundin Jule wegen Überschuldung bei den beiden in der WG einziehen muss, weiß sie zunächst von den nächtlichen Einbrüchen nichts.Doch als Jan und Jule sich rettungslos und ohne Peters Wissen ineinander verlieben, weiht Jan sie in das Geheimnis ein. Jule überredet Jan zu einer riskanten Aktion. Doch im Übermut unterläuft ihnen ein folgenschwerer Fehler. Sie rufen Peter zu Hilfe und aus den drei Erziehungsberechtigten werden unversehens drei Entführer. Auf einer einsamen Hütte in den Bergen kommt es zu einer Konfrontation zwischen den drei Idealisten und der Generation an der Macht in Gestalt des Topmanagers Hardenberg. Schon nach kurzer Zeit nimmt die Konfrontation eine überraschende Wendung. Samstag, 16.7.2005, 22.00 Uhr, im Freien, Eintritt: € 7,-/4,- Open Air Kino „Coffee and Cigarettes“ Film von Jim Jarmusc. USA 2003, 35mm / sw, Länge: 96 Min., Englische Originalfassung Steven Wright trinkt literweise Kaffee, damit er schneller träumen kann. Notarzt Tom Waits ist stolz, dass er das Rauchen aufgegeben hat. Das Schöne daran, versucht er Iggy Pop zu überzeugen, sei die Tatsache, dass man jederzeit wieder anfangen kann. Und schon belohnen sie sich gemeinsam mit einer Zigarette und einer weiteren Tasse Kaffee.Wie all die anderen Nikotin- und Koffein-Junkies in Jim Jarmuschs neuem Film COFFEE AND CIGARETTES. Sie vernebeln sich die Köpfe und diskutieren neue Elvis-Verschwörungstheorien, die richtige Zubereitung englischen Tees, den umweltschonenden Einsatz von Nikotin als Insektizid und die Frage, warum noch niemand Kaffee als Eis am Stiel auf den Markt gebracht hat.Der New Yorker Indie-Zauberer Jarmusch lässt seinen skurrilen Clan (Steve Buscemi, Roberto Benigni, die Wu-Tang Köpfe RZA und GZA sowie Bill Murray, Cate Blanchett u.v.a.) in elf entspannten Episoden bizarre Geschichten aus New York erzählen. Sein lakonischer Humor und die Musik von Funkadelic, Iggy Pop und anderen haben Suchtpotential - nicht nur für Jarmusch-Fans! Sonntag, 17.7.2005, 22.00 Uhr, im Freien, Eintritt: € 7,-/4,- Open Air Kino „Alles auf Zucker“ Film von Dani Levy. D 2004, 90 Min., Farbe, 35 mm Jakob Zuckermann (Henry Hübchen), ein Jude? "Mit dem Club habe ich nichts zu tun", verkündet Jaeckie Zucker voller Inbrunst. Doch da irrt er sich. Denn dem zu DDR-Zeiten beliebten Sportreporter und Lebemann steht das Wasser bis zum Hals: Der Gerichtsvollzieher droht mit Knast und seine Frau Marlene (Hannelore Elsner) mit Scheidung. Für den gewitzten Billardspieler gibt es nur noch eine Hoffnung: Das mit 100.000 Euro dotierte European Pool Turnier. Doch unmittelbar vor Turnierbeginn stirbt Jaeckies Mutter. Und Mammes Testament hält eine besondere Überraschung parat: Das Erbe fällt ihnen nur dann zu, wenn sich die seit über 40 Jahren verfeindeten Söhne Samuel (Udo Samel) und Jakob versöhnen – und wenn sie samt ihrer Familien das jüdische Gesetz einhalten und sieben Tage strengste Totenwache halten. Während Marlene einen Crashkurs in Sachen jüdischer Tradition absolviert und die orthodoxe Verwandtschaft mit koscheren Häppchen versorgt, gibt es für Jaeckie ein ganz anderes Problem – das Billardturnier wurde soeben eröffnet … News zur Filmfabrik Neuer Saal 3 ist ein digitales Kino Die Filmfabrik befindet sich zur Zeit in einer heißen Umbruchphase: Durch den Spielbodenzubau wird den Filmfreunden ab März 2005 mit dem Saal 3 des Spielboden ein hochwertig ausgestatteter digitaler Filmsaal zur Verfügung stehen, der bis zu 60 Personen Platz bietet. Ermöglicht wurde diese Neuerung durch die Teilnahme des Spielboden am EU Projekt EuropeanDocuZone, bei dem 200 europäische Arthouse-Kinos in 8 EU Staaten digital vernetzt werden. Jeden Mittwoch Film Für den Filmfabrikbesucher heißt das, es gibt ab März 2005 jeden Mittwoch Film am Spielboden! Am ersten Mittwoch im Monat wird zeitgleich mit den 200 europäischen Partnerkinos die Europapremiere eines Dokumentarfilms zu erleben sein. Dieser Film wird in der Folgewoche wiederholt werden. Jeden 3. Mittwoch im Monat werden wir österreichweit - gemeinsam mit unseren DocuZone Partnern in den Bundesländern - Premieren von Dokus, Spielfilmen oder einer Auswahl aus dem jeweils aktuellen Diagonale – Programm zu sehen bekommen. Wiederholung ebenfalls in der Folgewoche. .
Recommended publications
  • AF Yo Bill Murray 051016.Indd
    Primera edición, noviembre 2016 © Marta Jiménez © Ilustraciones: sus autores © Diseño de cubierta e ilustraciones en Momentos Murray: Pedro Peinado © Diseño de colección: Pedro Peinado www.pedropeinado.com Edición de Antonio de Egipto y Marga Suárez www.estonoesuntipo.com Bandaàparte Editores www.bandaaparteeditores.com ISBN 978-84-944086-8-7 Depósito Legal CO-1591-2016 Este libro está bajo Licencia Creative Commons Reconocimiento – NoComercial – SinObraDerivada (by-nc-nd): No se permite un uso comercial de la obra original ni la generación de obras derivadas. +info: www.es.creativecommons.org Impresión: Gráficas La Paz. www.graficaslapaz.com El papel empleado para la impresión de este libro proviene de bosques gestionados de manera sostenible, desde el punto de vista medioambiental, económico y social. Impreso en España A mi padre y a mi madre, que no recuerdan dónde han visto a Bill Murray RZA: Tú eres Bill Murray. Bill Murray: Lo sé, pero no se lo digas a nadie. GZA: ¿Qué quieres decir con que no lo cuente, Bill Murray? La gente vendrá, te verá, eres Bill Murray, es obvio, a menos que uses un disfraz o algo. Bill Murray: Estoy disfrazado. GZA: Maldición, eso es terrible, amigo. (Coffee and Cigarettes. Jim Jarmusch, 2004) THE EVERYDAY MAN por Javier del Pino Un humorista muy conocido suele decir que hay dos tipos de có- micos: los que tienen gracia y los que tienen que trabajar para tener gracia. Lo dice con resignación, porque pertenece a la segunda cate- goría. Nada le hubiera gustado más que haber nacido con las carac- terísticas indescriptibles que definen a ese minúsculo grupo de per- sonas que, en un universo tan multitudinario, tienen la pintoresca virtud de expresar sentimientos o provocar reacciones sin decir nada y sin hacer nada.
    [Show full text]
  • Magisterarbeit / Master's Thesis
    MAGISTERARBEIT / MASTER’S THESIS Titel der Magisterarbeit / Title of the Master‘s Thesis MUSIK IST STENOGRAPHIE DER GEFÜHLE. Ein Versuch der Untersuchung der durch Musik und musikalischer Untermalung hervorgerufenen bzw. gestützten emotionalen Kommunikation in Filmen verfasst von / submitted by Katharina Köhle, bakk. phil. angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Magistra der Philosophie (Mag.phil.) Wien, 2019 / Vienna 2019 Studienkennzahl lt. Studienblatt / UA 066 841 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Publizistik- und Kommunikationswissenschaft degree programme as it appears on the student record sheet: Betreut von / Supervisor: Ao. Univ.-Prof. Dr. Fritz (Friedrich) Hausjell INHALTSVERZEICHNIS 1. EINFÜHRUNG _____________________________________________ S. 4 2. THEMENGRUNDLAGEN _____________________________________ S. 6 2.1. FILM ..................................................................................................................... S. 6 2.1.1. Definition ............................................................................................... S. 6 2.1.2. Historischer Abriss ................................................................................. S. 14 2.1.3. Filmtheorie .............................................................................................. S. 18 2.2. MUSIK .................................................................................................................
    [Show full text]
  • Politics Isn't Everything
    Vol. 9 march 2017 — issue 3 iNSIDE: TOWNHALL TO NO ONE - POLITICS ISN’T EVERYTHING - COLD - why aren’t millennials eating pho - still drinking - BEST PUNK ALBUM EVER?? - ASK CREEPY HORSE - LOST BOYS OF THE RIGHT - misjumped - record reviews - concert calendar Town hall to no one Recently I was invited to attend a town hall meeting for our local representative to Congress, Rep. Bill Flores. In this day and age, you definitely want to have access to the person your district voted to send to 979Represent is a local magazine Washington and represent the interests of your home for the discerning dirtbag. area. 100 or so people turned out, submitted questions, gave passionate testimonials, aired grievances, ex- pressed outrage, even gave praise to Flores for a certain Editorial bored stance (though that was brief). Gay, straight, trans, white, other, Christian, Jew, Muslim, atheist, profession- Kelly Minnis - Kevin Still al, student, retired...a cross-section of the district’s diverse populace attended. Local police kept everything low key, local media showed to document the process. Art Splendidness Ivory is white, coal is black, water is wet...who cares, Katie Killer - Wonko The Sane right? This sort of thing happens all the time all over the country so what was so special about this event? Folks That Did the Other Shit For Us It was a townhall meeting with our congress- man...without the actual congressman in attendance. HENRY CLAYMORE - CREEPY HORSE - TIMOTHY MEATBALL He decided not to participate and instead flew to Mar-A- DANGER - MIKE L. DOWNEY - Jorge goyco - TODD HANSEN Lago to pull on Daddy Trump’s shirttail to beg of some EZEKIAL HENRY - Rented mule - HENRY ROWE - STARKNESS of the Orange Julius’s attention.
    [Show full text]
  • October 29, 2013 (XXVII:10) Jim Jarmusch, DEAD MAN (1995, 121 Min)
    October 29, 2013 (XXVII:10) Jim Jarmusch, DEAD MAN (1995, 121 min) Directed by Jim Jarmusch Original Music by Neil Young Cinematography by Robby Müller Johnny Depp...William Blake Gary Farmer...Nobody Crispin Glover...Train Fireman John Hurt...John Scholfield Robert Mitchum...John Dickinson Iggy Pop...Salvatore 'Sally' Jenko Gabriel Byrne...Charlie Dickinson Billy Bob Thornton...Big George Drakoulious Alfred Molina...Trading Post Missionary JIM JARMUSCH (Director) (b. James R. Jarmusch, January 22, 1981 Silence of the North, 1978 The Last Waltz, 1978 Coming 1953 in Akron, Ohio) directed 19 films, including 2013 Only Home, 1975 Shampoo, 1972 Memoirs of a Madam, 1970 The Lovers Left Alive, 2009 The Limits of Control, 2005 Broken Strawberry Statement, and 1967 Go!!! (TV Movie). He has also Flowers, 2003 Coffee and Cigarettes, 1999 Ghost Dog: The Way composed original music for 9 films and television shows: 2012 of the Samurai, 1997 Year of the Horse, 1995 Dead Man, 1991 “Interview” (TV Movie), 2011 Neil Young Journeys, 2008 Night on Earth, 1989 Mystery Train, 1986 Down by Law, 1984 CSNY/Déjà Vu, 2006 Neil Young: Heart of Gold, 2003 Stranger Than Paradise, and 1980 Permanent Vacation. He Greendale, 2003 Live at Vicar St., 1997 Year of the Horse, 1995 wrote the screenplays for all his feature films and also had acting Dead Man, and 1980 Where the Buffalo Roam. In addition to his roles in 10 films: 1996 Sling Blade, 1995 Blue in the Face, 1994 musical contributions, Young produced 7 films (some as Bernard Iron Horsemen, 1992 In the Soup, 1990 The Golden Boat, 1989 Shakey): 2011 Neil Young Journeys, 2006 Neil Young: Heart of Leningrad Cowboys Go America, 1988 Candy Mountain, 1987 Gold, 2003 Greendale, 2003 Live at Vicar St., 2000 Neil Young: Helsinki-Naples All Night Long, 1986 Straight to Hell, and 1984 Silver and Gold, 1997 Year of the Horse, and 1984 Solo Trans.
    [Show full text]
  • 1 Ma, Mu and the Interstice: Meditative Form in the Cinema of Jim
    1 Ma, Mu and the Interstice: Meditative Form in the Cinema of Jim Jarmusch Roy Daly, Independent Scholar Abstract: This article focuses on the centrality of the interstice to the underlying form of three of Jim Jarmusch’s films, namely, Stranger Than Paradise (1984), Dead Man (1995) and The Limits of Control (2009). It posits that the specificity of this form can be better understood by underlining its relation to aspects of Far Eastern form. The analysis focuses on the aforementioned films as they represent the most fully-fledged examples of this overriding aesthetic and its focus on interstitial space. The article asserts that a consistent aesthetic sensibility pervades the work of Jarmusch and that, by exploring the significance of the Japanese concepts of mu and ma, the atmospheric and formal qualities of this filmmaker’s work can be elucidated. Particular emphasis is paid to the specific articulation of time and space and it is argued that the films achieve a meditative form due to the manner in which they foreground the interstice, transience, temporality and subjectivity. The cinema of Jim Jarmusch is distinctive for its focus on the banal and commonplace, as well as its rejection of narrative causality and dramatic arcs in favour of stories that are slight and elliptical. Night on Earth (1991), a collection of five vignettes that occur simultaneously in separate taxis in five different cities, explores the interaction between people within the confined space of a taxi cab and the narrow time-frame necessitated by such an encounter, while Coffee and Cigarettes (2004) focuses on similarly themed conversations that take place mostly in small cafes.1 The idea of restricting a film to such simple undertakings is indicative of Jarmusch’s commitment to exploring underdeveloped moments of narrative representation.
    [Show full text]
  • Gimme Danger; Leehom Wang's Open Fire Concert Film Ken Derry University of Toronto, [email protected]
    Journal of Religion & Film Volume 20 Article 17 Issue 3 October 2016 10-2-2016 Gimme Danger; Leehom Wang's Open Fire Concert Film Ken Derry University of Toronto, [email protected] Recommended Citation Derry, Ken (2016) "Gimme Danger; Leehom Wang's Open Fire Concert Film," Journal of Religion & Film: Vol. 20 : Iss. 3 , Article 17. Available at: https://digitalcommons.unomaha.edu/jrf/vol20/iss3/17 This Toronto International Film Festival Review is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Gimme Danger; Leehom Wang's Open Fire Concert Film Abstract This is a comparative film review of Gimme Danger (2016), directed by Jim Jarmusch, and Leehom Wang's Open Fire Concert Film (2016), directed by Homeboy Music, Inc. Keywords Gimme Danger, Iggy Pop, Leehom Wang, Martin Luther King, Colin Kaepernick Author Notes Ken Derry is Associate Professor, Teaching Stream, in the Department of Historical Studies at the University of Toronto Mississauga (UTM). Since 2011 he has been a member of the editorial board of the Journal of Religion and Film, and since 2012 he has been the Co-chair of the Religion, Film, and Visual Culture Group for the American Academy of Religion. Aside from religion and film his teaching and research interests include considerations of religion in relation to literature, violence, popular culture, pedagogy, and Indigenous traditions. He is the recipient of the 2013 UTM Teaching Excellence Award.
    [Show full text]
  • Walpole Public Library DVD List A
    Walpole Public Library DVD List [Items purchased to present*] Last updated: 9/17/2021 INDEX Note: List does not reflect items lost or removed from collection A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Nonfiction A A A place in the sun AAL Aaltra AAR Aardvark The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.1 vol.1 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.2 vol.2 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.3 vol.3 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.4 vol.4 ABE Aberdeen ABO About a boy ABO About Elly ABO About Schmidt ABO About time ABO Above the rim ABR Abraham Lincoln vampire hunter ABS Absolutely anything ABS Absolutely fabulous : the movie ACC Acceptable risk ACC Accepted ACC Accountant, The ACC SER. Accused : series 1 & 2 1 & 2 ACE Ace in the hole ACE Ace Ventura pet detective ACR Across the universe ACT Act of valor ACT Acts of vengeance ADA Adam's apples ADA Adams chronicles, The ADA Adam ADA Adam’s Rib ADA Adaptation ADA Ad Astra ADJ Adjustment Bureau, The *does not reflect missing materials or those being mended Walpole Public Library DVD List [Items purchased to present*] ADM Admission ADO Adopt a highway ADR Adrift ADU Adult world ADV Adventure of Sherlock Holmes’ smarter brother, The ADV The adventures of Baron Munchausen ADV Adverse AEO Aeon Flux AFF SEAS.1 Affair, The : season 1 AFF SEAS.2 Affair, The : season 2 AFF SEAS.3 Affair, The : season 3 AFF SEAS.4 Affair, The : season 4 AFF SEAS.5 Affair,
    [Show full text]
  • Robert Wilson & Jim Jarmusch
    100 Flatbush Avenue 2nd Floor Brooklyn, NY 11217 718-330-0313 x 1 issueprojectroom.org Press Contact: Nick Scavo ​ [email protected] ISSUE Winter Benefit: Robert Wilson & Jim Jarmusch / Lucie Vítková Wednesday, February 6th, 2019 - 8pm | ISSUE Project Room 22 Boerum, Brooklyn, NY 11201 ​ $100 / $50 ISSUE Members / $250 After December 31st, 2018 Photo Credits: Yiorgos Kaplanidis, Amos Perrine Wednesday, February 6th, ISSUE is thrilled to present a collaborative performance between ​ two of America’s most renowned experimental artists, and members of ISSUE’s Advisory Council, theater director and visual artist Robert Wilson and film director, screenwriter, actor, ​ ​ ​ and musician Jim Jarmusch. In a benefit concert supporting ISSUE Project Room, the two will ​ ​ ​ stage a new collaboration featuring Wilson reading John Cage’s Lecture on Nothing alongside ​ ​ ISSUE Winter Benefit: Robert Wilson & Jim Jarmusch | February 6th, 2019 | ISSUE Project Room improvised musical accompaniment by Jarmusch. The evening opens with a performance from Czech composer, improviser and performer Lucie Vítková, an emerging artist who presents ​ ​ work with an experimental approach to accordion, hichiriki, harmonica, voice, and tap dance. ISSUE hosts this benefit in order to raise funds for ISSUE’s Artists-In-Residence (AIR) program. Entering its 13th year, the AIR program is a core part of ISSUE’s mission to be a cultural incubator for artistic innovation and inspire a diverse array of artists to take creative risks, commissioning and premiering numerous works that have expanded our understanding of the meaning and potential for art and performance. ISSUE is encouraged by Wilson and ​ Jarmusch’s support of innovative work in their respective fields and proud to have their advocacy in promoting this mission.
    [Show full text]
  • The Dead Don't Die — They Rise from Their Graves and Savagely Attack and Feast on the Living, and the Citizens of the Town Must Battle for Their Survival
    THE DEAD DON’T DIE The Greatest Zombie Cast Ever Disassembled Bill Murray ~ Cliff Robertson Adam Driver ~ Ronnie Peterson Tilda Swinton ~ Zelda Wintson Chloë Sevigny ~ Mindy Morrison Steve Buscemi ~ Farmer Miller Danny Glover ~ Hank Thompson Caleb Landry Jones ~ Bobby Wiggins Rosie Perez ~ Posie Juarez Iggy Pop ~ Coffee Zombie Sara Driver ~ Coffee Zombie RZA ~ Dean Carol Kane ~ Mallory O’Brien Austin Butler ~ Jack Luka Sabbat ~ Zach Selena Gomez ~ Zoe and Tom Waits ~ Hermit Bob The Filmmakers Written and Directed by Jim Jarmusch Produced by Joshua Astrachan Carter Logan TABLE OF CONTENTS I. Synopsis . 4 II. “The Dead Don’t Die” Music and Lyrics by Sturgill Simpson 5 III. About the Production . 6 IV. Zombie Apocalypse Now . 8 V. State of the Nation . 11 VI. A Family Affair . 15 VII. Day For Night . 18 VIII. Bringing the Undead to Life . 20 IX. Anatomy of a Scene: Coffee! . 23 X. A Flurry of Zombies . 27 XI. Finding Centerville . 29 XII. Ghosts Inside a Dream . 31 XIII. About the Filmmaker – Jim Jarmusch . 33 XIV. About the Cast . 33 XV. About the Filmmakers . 49 XVI. Credits . 54 2 SYNOPSIS In the sleepy small town of Centerville, something is not quite right. The moon hangs large and low in the sky, the hours of daylight are becoming unpredictable, and animals are beginning to exhibit unusual behaviors. No one quite knows why. News reports are scary and scientists are concerned. But no one foresees the strangest and most dangerous repercussion that will soon start plaguing Centerville: The Dead Don't Die — they rise from their graves and savagely attack and feast on the living, and the citizens of the town must battle for their survival.
    [Show full text]
  • Johnny Stecchino with Roberto Benigni and Nicoletta Braschi Selected Filmography
    Johnny Stecchino with Roberto Benigni and Nicoletta Braschi Selected Filmography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Film Works Discussed During the Event Life Is Beautiful (La vita è bella). Dir. Roberto Benigni, 1997, Italy. 116 mins. Production Co.: Cecchi Cori Group Tiger Cinematografica / Melampo Cinematografica. The Monster (Il mostro). Dir. Roberto Benigni, 1994, Italy, France. 112 mins. Production Co.: Canal Plus / IRIS Films / La Sept Cinéma / Melampo Cinematografica / Union Générale Cinématographique. Johnny Stecchino. Dir. Roberto Benigni, 1991, Italy. 102 mins. Production Co.: Cecchi Cori Group Tiger Cinematografica / Penta Film / Silvio Berlusconi Communications. The Little Devil (Il piccolo diavolo). Dir. Roberto Benigni, 1988, Italy. 101 mins. Production Co.: Yarno Cinematografica / Cecchi Gori Group Tiger Cinematografica / Reteitalia. The Great Dictator. Dir. Charles Chaplin, 1940, U.S.A. 125 mins. Production Co.: Charles Chaplin Productions. The Kid. Dir. Charles Chaplin, 1921, U.S.A. 68 mins. Production Co.: Charles Chaplin Productions. Roberto Benigni Filmography To Rome with Love. Dir. Woody Allen, 2012, U.S.A, Italy, Spain. 112 mins. Production Co.: Medusa Film / Gravier Productions / Perdido Productions / Mediapro. Amos Poe’s Divine Comedy (La commedia di Amos Poe).
    [Show full text]
  • ARCHITECTURAL PROBES of the INFRAORDINARY; Co-Existence Through Everyday Spaces RESEARCH FIELD and Objectives
    ARCHITECTURAL PROBES OF THE INFRAORDINARY; co-existence through everyday spaces RESEARCH FIELD and objectives ‘[...] How should we take account of, question, describe what happens every day: the banal, the quotidian, the obvious, the common, the ordinary, the infra-ordinary, the background noise, the habitual?’ [...] Perec, Georges, ‘Approaches to What?’, L’Infra-ordinaire, 1973 The Art of Living, Saul Steinberg RESEARCH FIELD and objectives Coexistence in a Restless Borough; SECTION 1:50 Eroding Permanences of the Infraordinary; Intertwining narratives and conduits City as Archive RESEARCH FIELD and objectives Coexistence in a Restless Borough; Eroding Permanences of the Infraordinary; Intertwining narratives and conduits City as Archive > EVENTS IN REAL-TIME > DEPOSITIONS OVER TIME RESEARCH FIELD and objectives 1) conduct research of the infraordinary as a place of coexistence 2) to develop methods to explore and articulate this OVERALL PLAN: 1. Artistic Cross-fertilisations: Studies of artistic precedents - George Perec, Eugène Atget, Jim Jarmusch - forms an initial 2 foundation and framework for theoretical investigations, through their methods of cognition and systematic approaches to understand and represent the infraordinary spaces and multitude of layers in the city through literature, photography and moving pictures. 1 2. Biopsy + Probes of Insight: 3 The research is facilitated through meticulously selected biopsies - tissue samples - of the urban body, in which a series of probes of insight are developed to see, examine and describe the infraordinary spaces and inhabitants, where existing knowledge is tested out/examined and new knowledge is formed through practice-based development. 3. Collocation of the Infraordinary Archive: Throughout the project biopsies and output hereof are put next to each other and counterposed to discuss relations and overall themes.
    [Show full text]
  • Auteur Music in the Films of Wes Anderson
    Wayne State University Wayne State University Dissertations 1-1-2013 What Is This Music? Auteur Music In The iF lms Of Wes Anderson Lara Rose Hrycaj Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Recommended Citation Hrycaj, Lara Rose, "What Is This Music? Auteur Music In The iF lms Of Wes Anderson" (2013). Wayne State University Dissertations. Paper 662. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. WHAT IS THIS MUSIC? AUTEUR MUSIC IN THE FILMS OF WES ANDERSON by LARA HRYCAJ DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2013 MAJOR: COMMUNICATIONS Approved by: Advisor Date ! ! ! ! ! ! © COPYRIGHT BY LARA HRYCAJ 2013 All Rights Reserved DEDICATION I dedicate this to: Judy, Steve, and Nick Wes, Mark, and Randall and Mandy and the boys ii ACKNOWLEDGMENTS I would like to thank my advisor Jackie Byars. I am indebted to all the wisdom, hard work, and encouragement she has shared on my journey in earning my PhD. I would like to extend my gratitude to my committee. Hayg Oshagan and Juanita Anderson have been part of my entire dissertation process and have always kept me on my toes. I am grateful for Steven Shaviro and Pradeep Sopory for joining my committee late in the process. While Robert Burgoyne had to leave my committee, the genesis of this dissertation is due him sharing one of the earliest academic articles on Wes Anderson with me, and for this I am extremely grateful.
    [Show full text]