Transformations of Photo and Film in Post-Holocaust Art. the Case Of
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Shoah 1 Shoah
Shoah 1 Shoah [1] (« catastrophe » ,שואה : Le terme Shoah (hébreu désigne l'extermination par l'Allemagne nazie des trois quarts des Juifs de l'Europe occupée[2] , soit les deux tiers de la population juive européenne totale et environ 40 % des Juifs du monde, pendant la Seconde Guerre mondiale ; ce qui représente entre cinq et six millions de victimes selon les estimations des historiens[3] . Ce génocide des Juifs constituait pour les nazis « la Solution finale à la question juive » (die Endlösung der Judenfrage). Le terme français d’Holocauste est également utilisé et l’a précédé. Le terme « judéocide » est également utilisé par certains pour qualifier la Destruction du ghetto de Varsovie, avril 1943. Shoah. L'extermination des Juifs, cible principale des nazis, fut perpétrée par la faim dans les ghettos de Pologne et d'URSS occupées, par les fusillades massives des unités mobiles de tuerie des Einsatzgruppen sur le front de l'Est (la « Shoah par balles »), au moyen de l'extermination par le travail forcé dans les camps de concentration, dans les « camions à gaz », et dans les chambres à gaz des camps d'extermination. L'horreur de ce « crime de masse »[4] a conduit, après-guerre, à l'élaboration des notions juridiques de « crime contre l'humanité »[5] et de « génocide »[6] , utilisé postérieurement dans d'autres contextes (génocide arménien, génocide des Tutsi, etc.). Une très grave lacune du droit international humanitaire a également été complétée avec l'adoption des Conventions de Genève de 1949, qui protègent la population civile en temps de guerre[7] . L'extermination des Juifs durant la Seconde Guerre mondiale se distingue par son caractère industriel, bureaucratique et systématique qui la rend unique dans l'histoire de l'humanité[8] . -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
Erzsebet Forgacs
Erzsebet Forgacs Key Make-Up Artist Education: • 1970: Study French in l,Alliance Francaise in Paris • 1972: Certificate of Final Examination in Secondary School Specialited in French • 1975-76: Study Italian lanquage and literature in Institute Italian in Budapest • 1978: Certificate Secondary of Study Foreign Trade Qualification: • 1980: Certificate for Cosmetician Profession-State Owned School for Professionals • Received the Award of "Ida Dallos" of the Cosmetician School • 1986: Certificate from the Cultural Ministry for Film Professionals,Scenic Section, High School Degree Nyelvismeret: • French - Stat Superior Certificate 1987 • Italian - Superior • English - Intermediate • German - Basic Position: • KEY MAKE-UP ARTIST from 1986- • Assistant Make-Up Artist from 1981- Exhibition: • 2007: III Richard on the Wall - organization and direction, for performance III Richard of the Theatre Vörösmarty of City Székesfehérvár with Hungarian Theatre Museum and Institute (2007) Teacher: • 2007-08: Teacher of Make-Up branch of the Crew-school of H.S.C. - (The Hungarian Society of Cinematographers) • Member of the Make-Up Section of H.S.C. (The Hungarian Society of Cinematographers) • 2010-11: Private tution in the subject of Make-Up on the Visual Education Department of the Hungarian University of Fine Arts (MKE) Award: • 2007: "JOLÁN ÁRVAI" AWARD Received the Diploma of the Award for outstanding work for the Hungarian Movie nominated by the Hungarian Directors and Cameramen Nominations: • 2001: NOMINATION of PARAMOUNT CLASSICS for the Best Period Make-Up (Feature) of Hollywood Make-Up Artist and Hair Stylist Guild Awards for the Film "SUNSHINE" • 2010: NOMINATION of DAVID DI DONATELLO Award 2010 (of Italian Film Academy) for the Best Make-Up (with Luigi Rochetti) for the Film "Memories of Anne Frank". -
THE POLISH POLICE Collaboration in the Holocaust
THE POLISH POLICE Collaboration in the Holocaust Jan Grabowski The Polish Police Collaboration in the Holocaust Jan Grabowski INA LEVINE ANNUAL LECTURE NOVEMBER 17, 2016 The assertions, opinions, and conclusions in this occasional paper are those of the author. They do not necessarily reflect those of the United States Holocaust Memorial Museum. First printing, April 2017 Copyright © 2017 by Jan Grabowski THE INA LEVINE ANNUAL LECTURE, endowed by the William S. and Ina Levine Foundation of Phoenix, Arizona, enables the Center to bring a distinguished scholar to the Museum each year to conduct innovative research on the Holocaust and to disseminate this work to the American public. Wrong Memory Codes? The Polish “Blue” Police and Collaboration in the Holocaust In 2016, seventy-one years after the end of World War II, the Polish Ministry of Foreign Affairs disseminated a long list of “wrong memory codes” (błędne kody pamięci), or expressions that “falsify the role of Poland during World War II” and that are to be reported to the nearest Polish diplomat for further action. Sadly—and not by chance—the list elaborated by the enterprising humanists at the Polish Foreign Ministry includes for the most part expressions linked to the Holocaust. On the long list of these “wrong memory codes,” which they aspire to expunge from historical narrative, one finds, among others: “Polish genocide,” “Polish war crimes,” “Polish mass murders,” “Polish internment camps,” “Polish work camps,” and—most important for the purposes of this text—“Polish participation in the Holocaust.” The issue of “wrong memory codes” will from time to time reappear in this study. -
Institute of National Remembrance
Institute of National Remembrance https://ipn.gov.pl/en/news/654,The-Stroop-Report-available-online.html 2021-10-02, 06:36 25.04.2013 The Stroop Report available online The Stroop Report, originally entitled The Jewish Quarter of Warsaw is No More!, which was prepared for Heinrich Himmler after the destruction of the Warsaw ghetto in 1943, is a unique document in human history. We have just published it on the website of the Institute of National Remembrance at www.pamiec.pl/ftp/ilustracje/Raport_STROOPA.pdf It is available in Polish and German. The uniqueness of the report is not tarnished by the fact that, as by Professor Andrzej Zbikowski writes in the introduction to the release of the Report in 2009, it does not differ from hundreds of other German reports on the destruction of European Jews. It describes the liquidation of Jewish communities in a language of statistics, officially and in a neutral and purely technical tone. However, it reveals in an exceptional way the attitude of Germans towards the Jews as the main ideological enemy of the Third Reich. The report also shows their views on the genocide of the Jews planned in cold blood. Contrary to Stroop's intentions the Report became a posthumous tribute for the Jewish people. It shows their moral and ethical superiority. Everyone knows the picture of a little Jewish boy in a large cap standing with raised hands among terrified people at whom German soldiers point their barrels - it comes from the Report. Dozens of photographs form an integral part of the document. -
PDF Presentation
Hoecker/Auschwitz Albums Photo Analysis Hoecker/Auschwitz Albums Photo Analysis United States Holocaust Memorial Museum Hoecker/Auschwitz Albums Photo Analysis United States Holocaust Memorial Museum Auschwitz-Birkenau Located in German-occupied Poland, Auschwitz consisted of three camps including a killing center. The camps were opened over the course of nearly two years, 1940-1942. Auschwitz closed in January 1945 with its liberation by the Soviet army. More than 1.1 million people died at Auschwitz, including nearly one million Jews. Those who were not sent directly to gas chambers were sentenced to forced labor. The Auschwitz complex differed from the other Nazi killing centers because it included a concentration camp and a labor camp as well as large gas chambers and crematoria at Birkenau constructed for the mass murder of European Jews. Hoecker/Auschwitz Albums Photo Analysis United States Holocaust Memorial Museum Hoecker/Auschwitz Albums Photo Analysis United States Holocaust Memorial Museum Hoecker/Auschwitz Albums Photo Analysis United States Holocaust Memorial Museum Hoecker/Auschwitz Albums Photo Analysis United States Holocaust Memorial Museum Hoecker/Auschwitz Albums Photo Analysis United States Holocaust Memorial Museum Hoecker/Auschwitz Albums Photo Analysis United States Holocaust Memorial Museum Hoecker/Auschwitz Albums Photo Analysis United States Holocaust Memorial Museum Hoecker/Auschwitz Albums Photo Analysis United States Holocaust Memorial Museum Hoecker/Auschwitz Albums Photo Analysis United States Holocaust Memorial Museum Auschwitz Album The "Auschwitz Album" specifically depicts the arrival of Hungarian Jews and the selection process that the SS imposed upon them. Lili Jacob (later Zelmanovic Meier), was deported with her family to Auschwitz in late May 1944 from Bilke (today: Bil'ki, Ukraine), a small town which was then part of Hungary. -
Famine Fascism
Fraud, Famine and .. , Fascism. The Ukrainian Genocide Myth from Hitler to Harvard ..·" ' . I Douglas Tonie ABOUT THE AUTHOR Born in Quebec, Douglas Tattle has spent most of his life in Western Canada. Tattle has worked as a photographer and photo-lab technician, fine anise, underground miner, and as a steelworker. An active trade unionise, Toccle edited the United Steelworkers' journal The Challen[!.er from 1975 co 1985, during which time the paper received over 20 international and Canadian labor journalism awards. Toccle has also worked as a labor history researcher, and as an organizer. During the 1970s he assisted the organizing drive of Chicano farmworkers in California and worked with Native Indian farmworkers in Manitoba. Toccle has wriccen for various Canadian and U.S. periodicals, magazines, and labor journals. ·Fraud, Famine and Fascis1n The Ukrainian Genocide Myth from Hitler to Harvard Douglas Tottle- PROGRESS BOOKS TORONTO ·~t .... , ; r ·'. i , I Copyright© 1987 by Douglas Tottle No part of this book may be reproduced, recorded or transmitted in any form or by any means, electronic, mechanical or photocopying, or by any information storage and retrieval system, without the prior written permission of the publisher, except for brief quotations for purposes of review. Cover art: Richard Slye Published by Progress Books 71 Bathurst Street Toronto, Canada MSV 2P6 Printed and bound in Canada Canadian Cataloguing in Publication Data Tottle, Douglas, 1944- Fraud, famine and fascism Bibliography: p. ISBN 0-919396-51-8 1. Ukraine - History - 1921-1947 - Public opinion. 2. Ukraine - History - 1921-1947 - Historiography. 3. Famines - Ukraine - Public opinion. 4. Famines Ukraine - Historiography. -
Young American Journalists in Germany and Poland International Summer Academy the Faces of Justice Auschwitz Album Revisited
O Ś WIĘ CIM ISSN 1899-4407 PEOPLE CULTURE HISTORY YOUNG AMERICAN JOURNALISTS IN GERMANY AND POLAND INTERNATIONAL SUMMER ACADEMY THE FACES OF JUSTICE AUSCHWITZ ALBUM REVISITED no. 31 July 2011 Oś—Oświęcim, People, History, Culture magazine, no. 31, July 2011 EDITORIAL BOARD: Oś—Oświęcim, People, History, Culture magazine EDITORIAL Last month, the Jewish Center host- Their authors were Rodryg Romer, Site? Gerhard Hausmann, a lecturer ed FASPE project participants, on his daughter Elżbieta, and her fi ancé at this German institution, answers which we reported in the previous Maksymilian Lohman, who were im- this question in an interview in this issue of the monthly. Among them prisoned in Auschwitz in 1943. Fam- Oś. were young journalists as well as ily members of the former prisoners students from the Columbia Univer- donated these priceless heirlooms. We also invite you to visit the ex- Editor: sity in New York. In this issue of Oś, Within this Oś, we also summarize hibition at the International Youth Paweł Sawicki we are publishing their texts, which the fi rst International Summer Acad- Meeting Center. For the fi rst time Editorial secretary: were the effect of the ten-day pro- emy, which was prepared for teach- in Poland, the works of Pat Mercer Agnieszka Juskowiak-Sawicka gram. To start with, we have chosen ers from abroad by the International Hutchens are on display. In total this Editorial board: general refl ections and descriptions Center for Education about Ausch- includes twenty-fi ve reproductions Bartosz Bartyzel Wiktor Boberek of the entire visit, as well as a text witz and the Holocaust; as well as of oil paintings, which are an artis- Jarek Mensfelt written by Eugene Kwibuka from report on a visit to the Memorial tic and literary interpretation from Olga Onyszkiewicz Rwanda, who, in a particularly emo- Site by members of the International the infamous Auschwitz Album. -
Informationen Zur Politischen Bildung/Izpb
Informationen 316 zur politischen Bildung / izpb 3/2012 Nationalsozialismus: Krieg und Holocaust 2 Nationalsozialismus: Krieg und Holocaust Inhalt Krieg und Holocaust ....................................................................... 4 Der Weg in den Krieg ......................................................................5 Außenpolitische Erfolge ......................................................................... 5 Wille zum Krieg .........................................................................................9 Hitler-Stalin-Pakt .................................................................................... 12 Krieg und Besatzung in Ost- und Westeuropa .......... 16 Siedlung und Vertreibung ...................................................................19 Kriegsalltag und Widerstand in Deutschland ........................... 20 Besetzung Westeuropas .......................................................................22 Luftkrieg gegen Großbritannien ..................................................... 24 Vernichtungskrieg gegen die Sowjetunion ..................................25 Massenmord und Holocaust ..................................................33 Krankenmord ............................................................................................33 Deportationen ......................................................................................... 36 Mord an den polnischen Juden .........................................................41 Wannsee-Konferenz ...............................................................................42 -
Filming the End of the Holocaust War, Culture and Society
Filming the End of the Holocaust War, Culture and Society Series Editor: Stephen McVeigh, Associate Professor, Swansea University, UK Editorial Board: Paul Preston LSE, UK Joanna Bourke Birkbeck, University of London, UK Debra Kelly University of Westminster, UK Patricia Rae Queen’s University, Ontario, Canada James J. Weingartner Southern Illimois University, USA (Emeritus) Kurt Piehler Florida State University, USA Ian Scott University of Manchester, UK War, Culture and Society is a multi- and interdisciplinary series which encourages the parallel and complementary military, historical and sociocultural investigation of 20th- and 21st-century war and conflict. Published: The British Imperial Army in the Middle East, James Kitchen (2014) The Testimonies of Indian Soldiers and the Two World Wars, Gajendra Singh (2014) South Africa’s “Border War,” Gary Baines (2014) Forthcoming: Cultural Responses to Occupation in Japan, Adam Broinowski (2015) 9/11 and the American Western, Stephen McVeigh (2015) Jewish Volunteers, the International Brigades and the Spanish Civil War, Gerben Zaagsma (2015) Military Law, the State, and Citizenship in the Modern Age, Gerard Oram (2015) The Japanese Comfort Women and Sexual Slavery During the China and Pacific Wars, Caroline Norma (2015) The Lost Cause of the Confederacy and American Civil War Memory, David J. Anderson (2015) Filming the End of the Holocaust Allied Documentaries, Nuremberg and the Liberation of the Concentration Camps John J. Michalczyk Bloomsbury Academic An Imprint of Bloomsbury Publishing Plc LONDON • OXFORD • NEW YORK • NEW DELHI • SYDNEY Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2014 Paperback edition fi rst published 2016 © John J. -
The Auschwitz Album Brochure
THETHE AUSCHWITZAUSCHWITZ ALBUMALBUM TheThe storystory ofof aa transporttransport American Society for Yad Vashem THE AUSCHWITZ ALBUM he “Auschwitz Album” exhibit is based on an T album, which is the only surviving visual evidence of the process of mass murder at Auschwitz-Birkenau. It is a unique document donated to Yad Vashem by Lili Jacob-Zelmanovic Meier. The Exhibition created by Yad Vashem was first pre- sented at the United Nations in New York in January 2005 in observance of the 60th Anniversary of the liberation of Auschwitz. The photos were taken at the end of May or begin- ning of June 1944, either by Ernst Hofmann or by Bernhard Walter, two SS men whose task was to take ID photos and fingerprints of inmates (not Jews who were sent directly to the gas chambers). The photos show the arrival of Hungarian Jews from Carpatho- Ruthenia. Many of them came from the Berehov Ghetto, which itself was a collecting point for Jews from several other small towns. Eighteen-year-old Lili Jacob and her family were among these 3,500 deportees. Upon arriving at Auschwitz, Lili was sent to Dora, a Nazi slave labor camp 400 miles to the west, where she was eventually liberated by the Americans. While searching for warm clothing inside an abandoned German barracks, Lili came across a photograph album. Upon opening the album, Lili found familiar images of her family and friends, members of the doomed Auschwitz transport. It is extraordinary to think that out of hundreds of thousands of families who arrived at Birkenau, Lili uncovered such personal images of her transport, her family and her friends. -
THE INVISIBLE BRIDGE Film Project Dan Ravasz
THE INVISIBLE BRIDGE FILM PROJECT - NEW YORK TIMES BESTSELLER New York Times «Hauntingly beautiful» Financial Times «Profoundly moving» Washington Post «Brilliant» Newsday «As romantic as Doctor Zhivago» BUDAPEST, PARIS AND NEW YORK ROMANTIC, EPIC AND INSPIRING LOVE AND DARKNESS AT THE EDGE OF WORLD WAR II THE INVISIBLE BRIDGE is a grand love story full of secrets and a tale of three brothers whose lives are torn apart by war. A marriage tested by deceit and disaster, a family threatened with annihilation, bound by love, tradition and history. Suspense, survival, sacrifice: A haunting love story – an epic World War II saga. Genre: Love Story, Family Drama and War Film in the likes of THE ENGLISH PATIENT, SOPHIE’S CHOICE, SUNSHINE, THE PIANIST and DR. ZHIVAGO Status: In Development Amid War, Destinies Are Found and Lost Paris, 1937. Andras Lévi, a Hungarian architecture student, arrives from Budapest with a scholarship, a single suitcase, and a mysterious letter he promised to deliver. But when he falls into a passionate relationship with the letter's recipient - Claire Morgenstern, a Hungarian émigré with a shadowy past and a decade older than him - he becomes privy to a secret that will alter the course of his and his family’s history. Meanwhile, as his elder brother takes up medical studies in Italy and his younger brother leaves school for the stage, Europe’s unfolding tragedy sends each of their lives into terrifying uncertainty as Europe erupts in a cataclysm of war. Two families bound by the same destiny are tossed by the winds of war from 1937 until 1945, from 1956 and beyond, when the surviving family members are able to flee Communist Hungary for freedom and a new life in America.