MIMI MELGAARD Costume Designer

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MIMI MELGAARD Costume Designer PROJECTS DIRECTORS PRODUCERS/STUDIOS STATION 19 Paris Barclay Chris Larson-Nitzsche, Betsy Beers Pilot Shonda Rhimes / ABC GREY’S ANATOMY Seasons 2 - 14 RoB Corn, Bill D’Elia, Sara White, RoB Corn, Betsy Beers Tom Verica, Shonda Rhimes / ABC Jeannot Szwarc, Julie Anne RoBinson, Dan Minahan PRIVATE PRACTICE Pilot & Season 1 Julie Anne RoBinson, Ann KindBerg, Betsy Beers Mark Tinker Shonda Rhimes / ABC & Various Directors COMMANDER-IN-CHIEF Series Dan Minahan, Rod Lurie / Touchstone / ABC Vincent Misiano & Various Directors THE INSIDE Pilot and Series Tim Minear Gareth Davies / Imagine / FBC & Various Directors AMERICAN DREAMS Series Various Directors Jim Chory, David Semel, Jonathan Prince NBC DEMARCO AFFAIRS Pilot Michael Dinner Neely Swanson, David E. Kelley / ABC THE BROTHERHOOD OF POLAND, N.H. Various Directors Michael Pressman, Alice West Series David E. Kelley / CBS 111 GRAMERCY PARK Pilot Bill D’Elia David Latt / NBC GIRL’S CLUB Series Various Directors RoB Corn, David E. Kelley / FOX ALLY McBEAL Series Various Directors Bill D’Elia, David E. Kelley / FOX MORE, PATIENCE Pilot Jon TurteltauB Gavin Polone / ColumBia-TriStar TURN IT UP RoBert Adetuyi Bennett Walsh / New Line ROSWELL Series Various Directors Carol Trussell / Fox DAY ONE Pilot Michael Katleman Grace Gilroy / Jim Sharp / Regency GRAPEVINE Pilot & Series David Frankel CBS Studios DROP DEAD GORGEOUS Feature Film Michael Patrick Jann Claire Best / New Line BROWNS REQUIEM Feature Film Jason Freeland Main Street Media LATE LAST NIGHT Feature Film Steve Brill Jim Burke / Screenland Pictures THREE Pilot Michael Katleman Paramount Pictures / MTV ENEMY Pilot Michael Katleman Sony Pictures BLACK CIRCLE BOYS Matthew Carnahan Lunaria Films Official Selection – Sundance Film Festival HOW TO BE A PLAYER Feature Film Lionel Martin Island Pictures BLOODHOUNDS MOW Michael Katleman USA Network THE LITTLE DEATH Feature Film Jan Verhayen Island Pictures .

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Network Primetime & Ott Programming
NETWORK PRIMETIME & OTT PROGRAMMING Flash #2 - 12 October 2018 Two weeks of the 2018-19 primetime season are behind us and the third week is in motion. Two weeks does not a season make as we continue to look at the overall network landscape and what is happening so far. Aside from the traditional ratings, we continue to review our perspective on the performance of the new and returning programs across social media and what impact that may have. Next week, we’ll have a look at the CW premieres and will mix it up a little with HUT/PUT overviews, freshman series week-to-week performances, genre breakdowns and a first look at L+SD versus L+7 data. This FLASH includes: ▪ CHART TOPPERS: Weekly Primetime Wrap-Up-top network and cable performers Page 1 ▪ BY THE NUMBERS-overall network primetime and 10:30-11PM performance Pages 2-3 ▪ TOP IT OFF: TOP 10, TOP 15, TOP 25 PROGRAMS Pages 3-4 ▪ TOP 25 PROGRAMS: NETWORK TALLY Page 4 ▪ ARE YOU READY FOR SOME SUNDAY NIGHT FOOTBALL? Page 5 ▪ WHERE DO THE FRESHMAN SERIES STAND? Page 5-6 ▪ SCORECARD: WHO TOOK THE NIGHT? Page 7 ▪ ON THE CABLE FRONT-a quick look at cable’s primetime ratings Pages 7-8 ▪ WHAT’S THE BUZZ-a review of social media and how it impacts the new TV season Pages 8-11 WEEKLY HEADLINES ▪ Whether because of all the social controversy or despite it, THE NEIGHBORHOOD was the top debuting series this week. FBI surpassed MANIFEST in total viewers. GOD FRIENDED ME was in the top 3 of the freshman entries this week and registered the most gains on Facebook after air.
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Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D.
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Shonda Rhimes
YEAR OF How to Dance It Out, Stand in the Sun and Be Your Own Person SHONDA RHIMES READING GROUP GUIDE INTRODUCTION With three hit shows on television and three children at home, the uber-talented Shonda Rhimes had lots of good reasons to say NO when an unexpected invitation arrived. Hollywood party? No. Speaking engagement? No. Media appearances? No. And there was the side benefit of saying No for an introvert like Shonda: nothing new to fear. Then Shonda’s sister dropped a grenade on Shonda’s seemingly safe, happy life: “You never say yes to anything.” These words stuck in Shonda’s brain and prompted her to challenge herself: for one year, say yes to everything. Say YES to the unexpected invitations that come your way. Say YES to the things that scare you. Shonda reluctantly set out—and the results of her hard-won, yearlong journey are nothing short of transformative. In Year of Yes, Shonda Rhimes chronicles the powerful impact saying yes had on every aspect of her life—and how we can all change our lives with the power of YES. This reading group guide for Year of Yes includes an introduction, discussion questions, and ideas for enhancing your book club. The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the book. yesyesyesyesyesyesyesyesyesyesyesyesyesyesyesyesyesyesyesyesyesyesyesyesyesyesyesyesyesyesyesyes QUESTIONS & TOPICS FOR DISCUSSION 1. Shonda Rhimes has spent her entire life “making stuff up” and was lucky enough to make a career doing something she loves that comes naturally to her: writing fiction.
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Early 2021 Scripted Premiere Dates
Nov. 19, 2020 ABC ANNOUNCES EARLY 2021 SCRIPTED SERIES PREMIERE DATES NEW SERIES ‘CALL YOUR MOTHER’ STARRING KYRA SEDGWICK JOINS WEDNESDAY COMEDY BLOCK ON JAN. 13 ‘THE ROOKIE’ AND ‘MIXED-ISH’ RETURN FOR NEW SEASONS ON JAN. 3 AND JAN. 26, RESPECTIVELY TUESDAY NIGHT LINEUP ADDS ‘BLACK-ISH’ BEGINNING JAN. 26 ABC* ABC, this season’s No. 1 entertainment network among Adults 18-49 (1.0/6) and in Total Viewers (5.2 million), today announced early 2021 premiere dates for new and returning scripted series, including the debut of the empty-nester comedy series “Call Your Mother,” from creator Kari Lizer (“The New Adventures of Old Christine”). The new year will kick off with an all-new season of “The Rookie” on SUNDAY, JAN 3. Last season, “The Rookie” finished as Sunday’s No. 1 broadcast drama among Adults 18-49. The network’s Wednesday night comedy block will see the addition of the new series “Call Your Mother” as “black-ish” returns to Tuesday nights. Starring Kyra Sedgwick in her multicamera comedy debut, the series is set to premiere WEDNESDAY, JAN. 13, alongside midseason returns of “The Goldbergs,” “American Housewife” and “The Conners.” On TUESDAY, JAN. 26, “black-ish” returns, followed by the sophomore season premiere of “mixed- ish” and the continuation of the David E. Kelley drama “Big Sky.” “The Good Doctor” returns from a holiday break on MONDAY, JAN. 11, followed by “For Life” on WEDNESDAY, JAN. 20, and the continuation of “Station 19,” “Grey’s Anatomy” and “A Million Little Things” on THURSDAY, MARCH 4.
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Expand the Story. Change the World. Reframe: Advancing Gender Parity in Hollywood
™ Expand the story. Change the world. ReFrame: Advancing Gender Parity in Hollywood We believe inclusive representation in media can transform the world by allowing us to better understand and connect with one another. Our mission is to catalyze a culture shift, with a peer-to-peer approach, engaging decision makers from the top to ensure lasting gender parity at every level in Hollywood. REFRAME EXECUTIVE SUMMARY 1 Who We Are ReFrame™ is an influential and dedicated group of active entertainment industry leaders —more than 50 male and female Ambassadors—that includes studio heads, agency partners, senior network executives, directors, writers, actors, and guild leaders committed to increasing the number of women of all backgrounds working in film, TV, and media. Together, we have developed a research-based action plan to further gender parity in the media industry. Our unique, industry-wide collaboration invites company leadership peers to adopt measurable actions to shift a complex system in which women have been consistently underrepresented. ReFrame™ Partners—film, TV, and media companies—will commit to participating in programs that will result in more diverse storytelling for expanded audiences around the globe. Founded and led by Women In Film and Sundance Institute, ReFrame™ is a non-profit organization intended to be additive to other diversity initiatives and allies making change. Foundational to the program is the core belief that gender parity is intersectional with equity for all underrepresented groups, and ReFrame™ welcomes
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Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Directing For A Comedy Series A.P. Bio Handcuffed May 16, 2019 Jack agrees to help Mary dump her boyfriend and finds the task much harder than expected, meanwhile Principal Durbin enlists Anthony to do his dirty work. Jennifer Arnold, Directed by A.P. Bio Nuns March 14, 2019 As the newly-minted Driver's Ed teacher, Jack sets out to get revenge on his mother's church when he discovers the last of her money was used to buy a statue of the Virgin Mary. Lynn Shelton, Directed by A.P. Bio Spectacle May 30, 2019 After his computer breaks, Jack rallies his class to win the annual Whitlock's Got Talent competition so the prize money can go towards a new laptop. Helen and Durbin put on their best tuxes to host while Mary, Stef and Michelle prepare a hand-bell routine. Carrie Brownstein, Directed by Abby's The Fish May 31, 2019 When Bill admits to the group that he has Padres season tickets behind home plate that he lost in his divorce, the gang forces him to invite his ex-wife to the bar to reclaim the tickets. Betsy Thomas, Directed by After Life Episode 2 March 08, 2019 Thinking he has nothing to lose, Tony contemplates trying heroin. He babysits his nephew and starts to bond -- just a bit -- with Sandy. Ricky Gervais, Directed by Alexa & Katie The Ghost Of Cancer Past December 26, 2018 Alexa's working overtime to keep Christmas on track. But finding her old hospital bag stirs up memories that throw her off her holiday game.
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Examining Interracial Relationships in Shondaland
Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses 5-2017 Gender in Black and White: Examining Interracial Relationships in ShondaLand Caitlin V. Downing Salve Regina University, [email protected] Follow this and additional works at: https://digitalcommons.salve.edu/pell_theses Part of the Film and Media Studies Commons Downing, Caitlin V., "Gender in Black and White: Examining Interracial Relationships in ShondaLand" (2017). Pell Scholars and Senior Theses. 110. https://digitalcommons.salve.edu/pell_theses/110 This Article is brought to you for free and open access by the Salve's Dissertations and Theses at Digital Commons @ Salve Regina. It has been accepted for inclusion in Pell Scholars and Senior Theses by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. Gender in Black and White: Examining Interracial Relationships in ShondaLand By Caitlin Downing Prepared for Dr. Esch English Department Salve Regina University May 8, 2017 Downing 1 Gender in Black and White: Examining Interracial Relationships in ShondaLand ABSTRACT: Shonda Rhimes has been credited for crafting progressive television dramas that attract millions of viewers. Scholars have found that through the use of tactics like colorblind casting, Rhimes unintentionally creates problematic relationships between characters. Focusing on production techniques and dialogue, this paper examines episodes from two of her most popular shows, How To Get Away With Murder and Scandal. This paper argues that while the shows pursue progressive material, the shows present African-American female characters that require partners. Further, both white male characters negatively influence the women’s independence.
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TV LISTINGS Lake Geneva Regional News
C6 | THURSDAY, JUNE 3, 2021 TV LISTINGS LAKE GENEVA REGIONAL NEWS THURSDAY EVENING MOVIES JUNE 3, 2021 SUNDAY EVENING MOVIES JUNE 6, 2021 7 PM 7:30 8 PM 8:30 9 PM 9:30 10 PM 10:30 11 PM 11:30 7 PM 7:30 8 PM 8:30 9 PM 9:30 10 PM 10:30 11 PM 11:30 Young United Mom (s) B Positive Clarice Catherine News The Late Show With James The 43rd Annual Kennedy Center Honors: NCIS: New Orleans News Seinfeld Paid Pro- Storm of # WISC Sheldon States (cc) (s) (cc) Martin escapes. (s) Stephen Colbert (s) Corden # WISC Entertainers receive recognition. (N) (s) (cc) “Stashed” (s) (s) (cc) gram (cc) Suspicion Manifest “Duty Free” Law & Order: Special Law & Order: Orga- TMJ4 Tonight Show-J. Seth Mey- (6:00) Gymnastics: America’s Got Talent “Auditions 1” Variety TMJ4 TMJ4 Paid Pro- Paid Pro- $ WTMJ (N) (s) (cc) Victims Unit (N) nized Crime (N) (cc) News Fallon ers $ WTMJ U.S. Championships. acts audition. (s) (cc) News News gram (cc) gram (cc) Beat Shazam “Every- House- Duncan- FOX 6 News at 9 FOX 6 Seinfeld Seinfeld Extra (N) The Simp- The Great The Moodys (N) FOX 6 News at 9 FOX 6 FOX 6 Graham Seinfeld & WITI body Dance Now!” Broken ville (s) (N) (cc) News (cc) (s) (cc) (s) (cc) & WITI sons North (s) (s) (cc) (N) (cc) News Sports Bensinger (s) (cc) Station 19 “Forever Grey’s Anatomy Rebel Lana confronts News at Jimmy Kimmel Live! Nightline Celebrity Family The Chase “We’re To Tell the Truth ABC7 Eyewitness Inside Best of _ WLS and Ever, Amen” (N) (Season Finale) (s) Grady about his past.
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2008 Sentinel Awards Ceremony and Panel
1 The Norman Lear Center 2008 Sentinel for Health Awards The Sentinel for Health Awards The Norman Lear Center The Sentinel for Health Awards recognize exemplary The Norman Lear Center achievements of television storylines that inform, educate is a nonpartisan research and motivate viewers to make choices for healthier and and public policy center safer lives. For many loyal viewers, television dramas and that studies the social, comedies provide both entertainment and information political, economic and about disease, injury and disability. A compelling storyline cultural impact of that demonstrates risky behavior and consequences, or entertainment on the world. The Lear Center translates shows how to avoid risk, can benefit millions of viewers its findings into action through testimony, journalism, and their loved ones. strategic research and innovative public outreach campaigns. On campus, from its base in the USC Each entry is screened by Hollywood, Health & Society Annenberg School for Communication, the Lear Center staff for eligibility. Qualifying entries are evaluated in two builds bridges between schools and disciplines whose rounds of judging. In the first round of judging, each sto- faculty study aspects of entertainment, media and ryline is reviewed for accuracy by a panel of topic experts culture. Beyond campus, it bridges the gap between who take the following into consideration: the entertainment industry and academia, and between them and the public. Through scholarship and research; * How the health problem can be prevented through its conferences, public events and publications; * How a character’s choices affect his/her health or safety and in its attempts to illuminate and repair the world, the * What causes the health problem and how it impacts the Lear Center works to be at the forefront of discussion and lives and relationships of characters practice in the field.
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Fall 2018 Network Primetime Preview
FALL 2018 PRIMETIME PREVIEW Brought to you by KATZ TV CONTENT STRATEGY CONTENT IS EVERYWHERE TELEVISION MAKES UP THE LION’S SHARE OF VIDEO MEDIA Television 80% Share of Time Spent with Video Media 4:46 Time Spent 5:57 H:MM/day All other with TV Video 20% All Other Video includes TV-Connected Devices (DVD, Game Console, Internet Connected Device); Video on Computer, Video Focused App/Web on Smartphone, Video Focused App/Web on Tablet Source: Nielsen Total Audience Report Q1 2018. Chart based on Total U.S. Population 18+ THE NEW FACES OF BROADCAST…FALL 2018 AND SOME RETURNING ONES TOO! SOME OF BROADCAST’S TOP CONTENT COMPETITORS NOTABLE NEW & RETURNING OTT SERIES NOTABLE NEW & RETURNING CABLE SERIES CONTENT – OTT & CABLE Every day more and more content Broadcast Network content creators defecting Quantity of content does not mean quality Critical, nomination-worthy successes Alternative Programming THE BIG PICTURE A Look at the Performance of All Viewing Sources in Primetime THE BIG PICTURE – PRIMETIME LANDSCAPE 2017/2018 Broadcast Other Pay Cable 7% Broadcast Networks 3% 20% Diginets 2% All Viewing PBS 3% Sources Total HH Share of Audience All Advertiser Supported DVR, VOD, Cable Ent. Vid. Games, 40% 13% News 20% 77% 10% Sports AOT 5% Note: BroadCast Networks=ABC, CBS, NBC, FOX, CW. BroadCast other = Azteca, Estrella, Ion, Telemundo, Univision, Unimas, Independent Broadcast. Diginets=Bounce TV, Cozi TV, EsCape, Grit, Heroes & Icons, LAFF, Me TV and PBS Source: Nielsen NNTV, 09/25/2017 - 05/23/2018, HH Shares, L+SD data. THE BIG PICTURE – PRIMETIME HH LANDSCAPE 2007/2008 2012/2013 2017/2018 58 56 53 -17% 49 48 48 in past 5 years 45 42 40 26 17 3 4 4 4 2012/2013 2017/2018 2007/2008 6 6 7 5 5 5 5 5 7 Broadcast DVR, Video AOT Pay Cable Ad-Supported Cable Ent.
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'Grey's Anatomy,' 'Station 19' Crossover Event
ABC Plots 'Grey's Anatomy,' 'Station 19' Crossover Event 09.20.2020 Grey's Anatomy Station 19 ABC's two Seattle-set Shondaland soaps, Grey's Anatomy and Station 19, return Nov. 12 with a primetime crossover event as Grey's enters its 17th season and Station 19 its fourth. Grey's Anatomy, which follows Seattle doctors at Grey Sloan Memorial Hospital, stars Ellen Pompeo as Meredith Grey, Chandra Wilson as Miranda Bailey, James Pickens Jr. as Richard Webber, Kevin McKidd as Owen Hunt, Jesse Williams as Jackson Avery, Caterina Scorsone as Amelia Shepherd, Camilla Luddington as Jo Wilson, Kelly McCreary as Maggie Pierce, Kim Raver as Teddy Altman, Giacomo Gianniotti as Andrew DeLuca, Greg Germann as Tom Koracick, Chris Carmack as Atticus "Link" Lincoln, Jake Borelli as Levi Schmitt, Richard Flood as Cormac Hayes and Anthony Hill as Winston Ndugu.Â Grey's Anatomy was created and is executive produced by Shonda Rhimes. Krista Vernoff serves as showrunner and executive producer. Betsy Beers, Mark Gordon, Debbie Allen, Zoanne Clack, Andy Reaser and Meg Marinis are executive producers.Â Station 19, which delivered its most-watched season ever in season three, follows a group of firefighters as they work on the front lines, delivering patients to Grey Sloan Memorial and taking on other emergencies.Â Station 19 stars Jaina Lee Ortiz as Andy Herrera, Jason George as Ben Warren, Boris Kodjoe as Robert Sullivan, Grey Damon as Jack Gibson, Barrett Doss as Victoria Hughes, Jay Hayden as Travis Montgomery, Okieriete Onaodowan as Dean Miller, Danielle Savre as Maya Bishop and Stefania Spampinato as Carina DeLuca.
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Moving Technology Ethics at the Forefront of Society, Organisations and Governments 41 2
BRIDGERTON SERIES AS A PARADIGM OF FEMINIST CO-CREATION OF THE TELEVISION AUDIENCE Graciela Padilla-Castillo, Aysel Zeynalova, Asunción Bernárdez-Rodal Complutense University of Madrid (Spain) [email protected]; [email protected]; [email protected] INTRODUCTION Bridgerton is a television series created by Chris Van Dusen, produced by Chris Van Dusen, Betsy Beers and Shonda Rhimes. Its first season premiered worldwide on 25 December 2020 on Netflix. The first season has eight episodes, as is the norm for all Netflix series, and a second season is already confirmed thanks to the fact that it racked up 82 million views in the first month of its premiere (Zorrilla, 2021). If it follows the structure of the collection of novels written by Julia Quinn, from which the original idea stems, the series could have up to 8 seasons, as there are 8 different books, each centred on the 8 Bridgerton children. The action takes place in London, around 1810, among the high society parties. It begins with the presentation of the young brides to the Queen of England and the appearance of a gossip bulletin, signed by an anonymous author: Lady Whistledown. The plot, which at first sight does not seem very original, is adapted to our reality, offering original and necessary touches that form the basis of this investigation. On-screen, Shonda Rhimes innovates once again with a choral and multiracial cast, which she has previously imposed on all her series and which made her stand out especially from the first season of Grey's Anatomy onwards. Rhimes proposes blind casting so that actors and actresses are not chosen on the basis of physical characteristics imposed by the script.
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