DOCSLIB.ORG

'Dynasty' Show Review Immersed in the Storytelling of Opera

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
'Dynasty' Show Review Immersed in the Storytelling of Opera Have an idea for a story? [email protected] • A guide to J-Pop • Vancouver Opera Young Artists event • A Little Late with Lilly Singh review ARTS ...and more ‘Dynasty’ show review › Who knew rich people could have personality? Sonam Kaloti Cristal Jennings (Ana Brenda Contreras)— Arts Editor and my personal favourite—Joseph Anders (Alan Dale), the family butler. There’s oap operas are wild. I’ve never been honestly a lot of characters to keep up Sinto them, likely because I’ve had to with, but somehow Dynasty pulls it off. endure extremely dramatic Indian ones The show leaves enough time for each throughout most of my life. Fast close-ups individual storyline and gives characters of shocked faces paired with orchestral opportunities to develop throughout the horror music still flash in my nightmares. seasons. I will admit though, if anyone can create a Such a character is Fallon, who is DenofGeek.com 'Dynasty' via for image Promotional compelling story with the exact same plot phenomenal. She’s a badass—powerful, about right off the bat. I’m not sure if this is a butler-turned-father to one of Blake’s as every other show on the network, it’s quick, witty, and empowered. She knows is what the 1 percent is like in real life, but kids. He is tasked with everything from the writers of Indian cinema. The general what she wants and how to get it; she often I guess I wouldn’t doubt it. The show gives planting flowers, arranging parties, being favourite among such soaps is the classic goes down the low road in order to fulfill off the impression that rich people live in a parental figure to the youngsters—all the “girl who marries into a family with evil in- her needs. However, while she may seem a social bubble in which they never meet way to dumping bodies in the middle of a laws” trope, and while I wish the interest in like a confident and all-around perfect God anyone who is just a normie. lake. that narrative had died a good fifteen years at the beginning of season 1, her character Despite these tight social bubbles Every character is more charming ago, here we are in the Netflix era with the unravels beautifully. She luckily retains her and seemingly pompous rich people, than any Disney prince, and it’s utterly same evil in-laws—but they’re Caucasian confidence, and it isn’t fake like in most Dynasty’s characters are extremely open. captivating to watch. The writing is this time. shows. I’d love to see more unapologetically Steven Carrington is gay and in a public spectacular and convinces you that the In comes Dynasty, a reboot of the confident female characters like her. Yet a relationship with Sam Jones (Rafael de characters are powerful not only due to 1981 soap of the same name. It features “flaw” she has to work on throughout the la Fuente). There are a variety of shared their material wealth but because of their a wealthy Atlanta family (a dynasty, if show is the fact that she can’t let her guard custody relationships under the Carrington capability for clever and bold dialogue. you will) who have become accustomed down and be vulnerable. She’s a role- roof. No one bats an eye at these Sure the drama feels surreal and to wealth because of their inherited oil model if I’ve ever seen one; she is always relationships, but considering that the oftentimes cliché, but the great character company. They live in a manor and are as striving to be better and protect those she family has to deal with murders, money, development caught me off guard. The dysfunctional as the media would like us to cares about, while trying to take on the and everything in between, the family family is this big pot of completely different believe rich households are. entire world and making more than a few probably doesn’t have the time or mental personalities that you’d expect to hate, The father and the head of the thousand mistakes along the way. space to do so. yet somehow you grow to love them and company is Blake Carrington (Grant Show). It’s strange watching a show where The show never feels too exhausting understand how they fit perfectly together. Along with him, the house consists of his everyone is capable and has a lot of with the drama because comedic relief I’ve never been excited about the trope of son Steven (James Mackay), his daughter influence. Any character on the show who is thrown in constantly. Additionally, the a love triangle before, so that can speak for Fallon (Elizabeth Gillies), his ex-wife Alexis is not already a tremendously rich and comedy is never forced, because it’s been itself. (Nicollette Sheridan), season 1 wife Cristal influential person becomes one very fast. developed to be part of the characters’ Season three will be premiering on Flores (Nathalie Kelley), season 2 wife Usually they have some powerful family in personalities. Take Anders for example, he October 11. another state that the viewers don’t learn Immersed in the storytelling of opera › Arts at One – Vancouver Opera Young Artists event review Sonam Kaloti facial expressions. The story also turned angelic with soft transitions, and that Arts Editor multiple times. The start was loving and paired magnificently with Pepper’s also playful; Oosten jumped and twirled soothing tenor range. Despite beautifully rts at One at Douglas College’s around, grinning wildly. Further in the matching vocals, the choreography made ALaura C. Muir Theatre hosted the story, she showed anger through totally the visual aspect of the performance Vancouver Opera Young Artists on stiff movements. Her voice changed pitch rather uncomfortable. Pepper was September 19. The performing opera often—down and up, up and down—all choreographed to hold his lover group was composed of Irina Medvedeva, over her range to fulfill the story. Taunting Medvedeva, though the two were stiff and soprano, Gena van Oosten, mezzo- and mischievous emotions are perfectly seemed to avoid eye contact until they soprano, Daevyd Pepper, tenor, Nicholas conveyed through staccato and driven neared the end of the song. Borg, baritone, and Andrea Van Pelt, piano, despite seeming like a difficult task. The second duet, “Il core vi dono,” pianist. Oosten’s vocal riffs are clean and her vocal by Wolfgang Amadeus Mozart, featured The group walked onto the set, control is phenomenal. Oosten and Borg. Oosten’s voice is rather laughing and toasting with wine glasses. Borg later performed, “Votre toast, classic and timeless, working wonderfully It was clear that, although they did not je peux vous le rendre,” by Georges Bizet, with the intensity of Borg’s lower register. speak to each other in English, they otherwise known as the “Toreador Song.” The duet pairings were a good decision. were communicating through the song Borg held the audience on a string, with Although the stiff slow dance and as though it were their native tongue. all eyes on him. This piece was far lower romance pose made a comeback in this Dressed elegantly, they began the night in pitch (with Borg being baritone) yet duet, Oosten saved the awkward tension with a group piece, “Libiamo ne’ lieti the song was immensely theatrical and by grinning at Borg and actively melting calici” by Giuseppe Verdi. Pelt’s quick just as emotionally fulfilling as any other. into his touch. hands on the keys beautifully set a Intense at first, the piece progressively The last few pieces were performed professional tone for the performance. got bouncier until it felt like watching in English, and though it should’ve been Oosten demonstrated amazing a live-action Disney villain song. Borg nice being able to understand what the range and vocal ability during “Una seemed satisfied after his performance— story behind each piece was, the mystery voce poco fa,” by Gioachino Rossini. shooting a cunning smile before stepping and beauty of the classics were favourable. Despite the words being foreign, the off backstage. Nonetheless, these five incredibly talented story was clear since it was acted out by The first duet, “Parigi, O Cara,” musicians put on a spectacular show and way of movement, dancing, gestures and by Giuseppe Verdi, featured Pepper left their audience in awe. and Medvedeva. Medvedeva’s voice is Photo by Barrie Barrington Barrie by Photo.
Load more

Recommended publications
  • Luis Venegas What to Read, Watch, Listen To, and Know About to Become a Bullet-Proof Style Expert
    KUltur kriTik SChOol of FasHion Vol. 1: LuiS VEnegas What to read, watch, listen to, and know about to become a bullet-proof style expert. SULEMAN ANAYA (username: vertiz136) talked to the Spanish magazine mastermind LUIS VENEGAS about his list of references. coat, jacket, and pants: Lanvin Homme, waistcoat: Polo Ralph Lauren, shirt: Dior Homme, bow tie: Marc Jacobs, shoes: Pierre Hardy photo: Chus Antón, styling: Ana Murillas 195 KUltur SChOol kriTik of FasHion At 31, Luis Venegas is already a one-man editorial powerhouse. He produces and publishes three magazines that, though they have small print runs, have a near-religious following: the six-year-old Fanzine 137 – a compendium of everything Venegas cares about, Electric Youth (EY!) Magateen – an oversized cornucopia of adolescent boyflesh started in 2008, and the high- ly lauded Candy – the first truly queer fashion magazine on the planet, which was launched last year. His all-encompassing, erudite view of the fashion universe is the foundation for Venegas’ next big project: the fashion academy he plans to start in 2011. It will be a place where people, as he says, “who are interested in fashion learn about certain key moments from history, film and pop culture.” To get a preview of the curriculum at Professor Venegas’ School of Fashion, Suleman Anaya paid Venegas a visit at his apartment in the Madrid neighborhood of Malasaña, a wonderful space that overflows with the collected objects of his boundless curiosity. Television ● Dynasty ● Dallas What are you watching these days in your scarce spare time? I am in the middle of a Dynasty marathon.
    [Show full text]
  • Se Opp for Glamour, Intriger Og Legendariske Catfights: Nå Er Dynastiet Tilgjengelig På Viafree
    Familien samlet. F.v: Sammy Jo Carrington, Claudia Blaisdel Carrington, Blake Carrington Krystle Carrington, Alexis Carrington og Fallon Carrington Colby. 20-03-2018 14:18 CET Se opp for glamour, intriger og legendariske catfights: Nå er Dynastiet tilgjengelig på Viafree. Tidenes mest ikoniske såpeoperaer har inntatt Viafree. Nå kan du fråtse i elleville intriger og herlig galskap i seriene Glamour, I gode og onde dager, og siste tilskudd på såpestammen, Dynastiet. Da Dynastiet ble sendt på TV på 80-tallet var det folketomme gater og folk satt klistret til skjermen for å få med seg feiden mellom de to steinrike familiene Carrington og Colby, og ikke minst de legendariske catfightene mellom sjefshurpa Alexis og den skinnhellige Krystle. Nå kan skandalene, de skyhøye skulderputene, det voluminøse håret, utroskapen og de ulidelige cliffhangerne gjenoppleves. Hver dag blir nye episoder av alle de tre seriene tilgjengelige for strømming på Viafree - helt gratis. Påsken er med andre ord reddet, og det er ingen grunn til å bli Blake om nebbet. Se innebygd innhold her Nordic Entertainment Group (NENT Group) er Nordens ledende underholdningsleverandør. Vi underholder millioner av mennesker hver dag med våre strømmetjenester, TV-kanaler og radiostasjoner, og våre produksjonsselskaper skaper nytt og spennende innhold for medieselskaper i hele verden. Vi gjør livet mer underholdende ved å tilby de beste og mest varierte opplevelsene – fra direktesendt radio og sport, til filmer, serier, musikk og egenproduserte programmer. Med hovedkvarter i Stockholm er NENT Group en del av Modern Times Group MTG AB, et ledende internasjonalt digitalt underholdningskonsern som er notert på Nasdaq Stockholm (‘MTGA’ og ‘MTGB’).
    [Show full text]
  • FALL 2009 87 Fugue, Hip Hop and Soap Opera
    FALL 2009 87 Fugue, Hip Hop and Soap Opera: Transcultural Connections and Theatrical Experimentation in Twenty-First Century US Latina Playwriting Anne García-Romero A tension can exist between theatrical experimentation and commercial viability. If a playwright writes a play which challenges traditional notions of structure, character and language, will her play get produced? If her play solely adheres to hegemonic, dramaturgical norms, is it more likely to get produced? Early twenty-first century Latina playwrights are writing plays with fractured narratives, multi-cultural characters and linguistic hybridities. In this essay, through examining Elliot, A Soldier’s Fugue by Quiara Alegría Hudes, Tropic of X by Caridad Svich and Fuente by Cusi Cram, I propose that these playwrights’ theatrical experimentations, created by exploring and subverting diverse artistic models, reflect the dynamics of transculturation and that the resulting plays are not only commercially viable but vital to twenty-first century US theater. Hudes, a Yale-trained composer, utilizes compositional fugue structure in her play, Elliot, A Soldier’s Fugue as she delves into the life of a Puerto Rican veteran from Philadelphia confronting a second tour of duty in Iraq. A fugue consists of a composition for multiple voices or instruments in which “a subject is stated unaccompanied in a single voice (or instrument). Then a second voice enters with the answer…The original voice continues with the counterpoint against the answer. After this a third voice enters in turn with the subject again while the first two voices continue with counterpoint against it. Finally, a fourth voice enters, now with the answer, while all three of the other voices accompany it with counterpoint” (Verrall ix).
    [Show full text]
  • Alumni Magazine C2-C4camjf07 12/21/06 2:50 PM Page C2 001-001Camjf07toc 12/21/06 1:39 PM Page 1
    c1-c1CAMJF07 12/22/06 1:58 PM Page c1 January/February 2007 $6.00 alumni magazine c2-c4CAMJF07 12/21/06 2:50 PM Page c2 001-001CAMJF07toc 12/21/06 1:39 PM Page 1 Contents JANUARY / FEBRUARY 2007 VOLUME 109 NUMBER 4 alumni magazine Features 52 2 From David Skorton Residence life 4 Correspondence Under the hood 8 From the Hill Remembering “Superman.” Plus: Peres lectures, seven figures for Lehman, a time capsule discovered, and a piece of Poe’s coffin. 12 Sports Small players, big win 16 Authors 40 Pynchon goes Against the Day 40 Going the Distance 35 Camps DAVID DUDLEY For three years, Cornell astronomers have been overseeing Spirit 38 Wines of the Finger Lakes and Opportunity,the plucky pair of Mars rovers that have far out- 2005 Atwater Estate Vineyards lived their expected lifespans.As the mission goes on (and on), Vidal Blanc Associate Professor Jim Bell has published Postcards from Mars,a striking collection of snapshots from the Red Planet. 58 Classifieds & Cornellians in Business 112 46 Happy Birthday, Ezra 61 Alma Matters BETH SAULNIER As the University celebrates the 200th birthday of its founder on 64 Class Notes January 11, we ask: who was Ezra Cornell? A look at the humble Quaker farm boy who suffered countless financial reversals before 104 Alumni Deaths he made his fortune in the telegraph industry—and promptly gave it away. 112 Cornelliana What’s your Ezra I.Q.? 52 Ultra Man BRAD HERZOG ’90 18 Currents Every morning at 3:30, Mike Trevino ’95 ANATOMY OF A CAMPAIGN | Aiming for $4 billion cycles a fifty-mile loop—just for practice.
    [Show full text]
  • A Kiss Is Just... Australian Journal of Communication, 23(2), Pp
    This may be the author’s version of a work that was submitted/accepted for publication in the following source: McKee, Alan (1996) A kiss is just... Australian Journal of Communication, 23(2), pp. 51-72. This file was downloaded from: https://eprints.qut.edu.au/42051/ c Copyright 1996 Australian Journal of Communication This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. http:// search.informit.com.au.ezp01.library.qut.edu.au/ fullText;dn= 970606184;res=APAFT A Kiss is Just Page 1 A Kiss is Just. 1. Before we begin, as it were, a warning: a decades-old warning from the heart of heterosexual romance.
    [Show full text]
  • Dynasty Season 7 Episode Guide
    Dynasty season 7 episode guide Continue Season 9 Season 8 Season 7 Season 6 Season 5 Season 4 Season 3 Season 2 Season 1 Special Season 1 1981 The first three episodes of the dynasty were originally broadcast as a three-hour movie on ABC. To re-run this was edited into three separate episodes. 1. Oil (1) Broadcast: b: January 12-1981 Big, wealthy oil tycoon Blake Carrington and his former secretary, Krystle Grant Jennings marry. Krystle's ex-boyfriend, Matthew Blaisdel, who has been working as a geologist for a year and a half at one of Blake's oil rigs in the Middle East, is thrown out and returned to Denver. He accidentally meets Krystle, and they both start to think that there may be a spark to the left of their previous relationship, and Krystle starts getting a second thought about the wedding. She's a little bit of a arguing about it with Blake. Blake's children, Steven Daniel Carrington and Fallon Carrington, are also returning to Denver after being away. Blake doesn't get well along with Stephen because Stephen is gay and Blake won't accept it. 2. Oil Matthew gets a small visit from an old friend, Walter Lankershim. Walter asks for money because he's in trouble. He lent money to Blake for oil drilling, but he didn't strike. Matthew refuses to give him money. Matthew goes to visit his current wife Claudia, who is in a psychiatric hospital for 18 months, but he learns that she is much better, and she was released.
    [Show full text]
  • Rampaging Rhinos, a Tomboy Lover and the Prince with a Death Wish
    Rampaging rhinos, a tomboy lover pand the prince with a death wish CHRISTOPHER throne, bored to distraction by his STEVENS life of ‘princing and kinging’, looking for a heroic death? On an earlier trip, he had nearly LAST NIGHT’S TV been mauled by a lion. The big cat had been shot and wounded, but as Edward VIII: The Lion King ))))); Edward approached it, the animal CSI: Crime Scene Investigation )**** sprang up. Only a lucky reaction shot saved his life. But it was the experience of shooting an elephant that turned EX, royals, intrigue, the prince into a conservationist. charging rhinos — the The animal’s magnificent gentle- ness touched him. story of Edward VIII’s That night, he wrote in his journal: 1930 African safari has ‘To want to hurt him seems as everything that Holly- unthinkable as to want to hurt an woodS craves. old gentleman from the alms house.’ With Hugh Jackman as the Prince He started campaigning for an end of Wales and Keira Knightley as his to the slaughter safaris, where tomboyish lover, Toodles, any film wealthy tourists roamed the of it would be a certain hit. Serengeti in cars, blasting away at But even Hollywood can’t conjure everything with automatic rifles. up what made Edward VIII: The One party killed 11,000 animals. Lion King (C4) so extraordinary: Life on the savannah was surreal close-up footage of big game on the in other ways. Edward’s entourage attack, filmed by Edward himself had restaurants and ballrooms with suicidal daring. under canvas, drank chilled In one sequence, the prince stalked champagne from crystal goblets on towards a sleeping rhinoceros and her daily picnics, dined on four-course, calf.
    [Show full text]
  • American Television, Drama by Nathan G
    American Television, Drama by Nathan G. Tipton Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com Despite a steady increase in the number of "big screen" queer characters and queerly-themed movies, the overt presence of gays and lesbians on the American small screen has been (and continues to be) far more limited. As Suzanna Danuta Walters has explained, while film has long dealt with gay subjects (albeit in often stereotyped or "tragic" ways), television's explicitly family-centric format appeared to mandate that glbtq persons were simply not a part of families that made up "typical" family audiences. After all, Walters continues, the intense intimacy and centrality of television in the personal space of family life provides a particular type of viewing experience that is fundamentally distinct from the relative anonymity of movie theaters. Not surprisingly, this family-centrism is displayed most prominently in programs shown by the five broadcast television networks, ABC, CBS, NBC, The CW, and Fox. These networks have historically been reticent about tackling homosexuality in its multifarious forms, preferring instead to leave these programming decisions to the proliferating number of cable networks. Still, long before the advent of cable, broadcast networks were tentatively exploring homosexuality by vicariously inserting into dramatic television series stereotypically gay characters. Â Early Representations From 1968 to 1974, as Edward Alwood has explained, homosexuals on television were recognizable in programs such as Kojak, M*A*S*H, Police Woman, and Hawaii Five-O because of their routine representation as limp-wristed, effeminate drag queens who walked with a swish and talked in high-pitched voices.
    [Show full text]
  • The Eleventh Mount Haemus Lecture
    THE ORDER OF BARDS OVATES & DRUIDS MOUNT HAEMUS LECTURE FOR THE YEAR 2010 The Eleventh Mount Haemus Lecture Druidry & Transpersonal History by Dr Thomas Clough Daffern Table of Contents 1. Introductory: Transpersonal history, Druidry, and Synchronicity 2. Jung on the Transpersonal and on Druidry 3. Druidry in transpersonal history in general 4. The Druid revival in modern history: looking back through the lens of transpersonal history 5. Druidry and the transpersonal history of philosophy 6. Druidry and Philosophies of history through the lens of transpersonal history 7. Druidry and the history of suppressed narratives 8. Philosophies of history, revolutions, counter-revolutions and Druidry 9. Druid history and biblical history: Druidry and Judaism 10. Druid history and Christianity: 11. Druidry and freemasonic history 12. Druid history and Islamic and Sufi history 13. Druid history and Indian history – Buddhism, Jainism and Hinduism 14. Druid history, transpersonal history, the history of religions and religious education 15. Druid history, transpersonal history and the Arts 16. Druidry, transpersonal history, ecology and the history of the sciences 17. Druidry, peace history and the transpersonal: conclusions 1. Introduction Firstly, what exactly is “transpersonal history” ? I defined it during my doctoral research as the combination of the entire gamut of professional historical scientific research plus the added-in extra of the insights culled from modern transpersonal psychology. That is, it is a branch or sub-discipline of the historical
    [Show full text]
  • 022404 Carol Burnett, Don Cornelius, Bob Newhart And
    Contacts: Jennifer Zaldivar TV Land 212/846-8964 CAROL BURNETT, DON CORNELIUS, BOB NEWHART AND AARON SPELLING AMONG HONOREES AT THIRD ANNUAL TV LAND AWARDS: A CELEBRATION OF CLASSIC TV Awards Show Honoring the Best of Television to Tape at Santa Monica’s Barkar Hangar on Sunday, March 13 and Premiering on Wednesday, March 16 New York, NY, February 24, 2004 – TV Land announced today that The Carol Burnett Show , The Bob Newhart Show , Soul Train and legendary producer and show creator Aaron Spelling will all be honored at the third annual TV Land Awards: A Celebration of Classic TV , being taped at The Barker Hanger on Sunday, March 13 . The 90-minute special will premiere with a special simulcast on TV Land and Nick at Nite on Wednesday, March 16 at 9 p.m. ET/PT). The annual celebration recognizes shows and stars from television’s rich history and is presented by Revlon. Several awards will be bestowed upon some of television’s legendary series’ and stars. Celebrated film and television producer Aaron Spelling will receive the Pioneer Award, The Carol Burnett Show will be recognized with the Legend Award, The Bob Newhart Show will receive the Icon Award and Soul Train will be honored with the Pop Culture Award. TV Land will also present awards in several other categories, including The 2004 Future Classic Award – which TV Land unveiled in 1998 and is presented annually to the one new show from the past calendar year which best exemplifies the qualities of an emerging television classic. Last year’s recipient was FOX’s critically-acclaimed comedy series Arrested Development .
    [Show full text]
  • New on Video &
    New On Video & DVD The Little Rascals: The Complete Collection The hunt for those seemingly countless Little Rascals releases is over. For the first time ever, all 80 of Hal Roach's original 1929-1938 classic shorts featuring Buckwheat, Spanky, Alphalpha, and the rest of Our Gang--from the era before Roach sold the rights to MGM--are available here in one package. Included among this complete collection of uncut, remastered, and restored episodes are numerous contributions of various types from noted film historians, an addi- tional 10 silent shorts from Hal Roach's personal library, several documentaries including a look at racism as it pertains to the show, a special "where are they now" update featuring some of the surviving cast members, and much more. Disc1 includes the following episodes: "Small Talk," "Railroadin'," "Lazy Days," "Boxing Gloves," "Bouncing Babies," "Moan and Groan, Inc.," "Shivering Shakespeare," "The First Seven Years," "When the Wind Blows" and "Bear Shooters." Disc 2 includes the following episodes: "A Tough Winter," "Pups is Pups," "Teacher's Pet," "School's Out," "Helping Grandma," "Love Business," "Little Daddy," "Bargain Days," "Fly My Kite" and "Big Ears." Disc 3 includes the following episodes: "Shiver My Timbers," "Dog is Dogs," "Readin' and Writin'," "Free Eats," "Choo Choo," "Spanky," "The Pooch," "Hook and Ladder," "Free Wheeling" and "Birthday Blues." Disc 4 includes the following episodes: "Lad an' a Lamp," "Fish Hooky," "Forgotten Babies," "The Kid from Borneo," "Mush and Milk," "Bedtime Worries,"
    [Show full text]
  • Alan Dale. Height 188 Cm
    Actor Biography Alan Dale. Height 188 cm Awards. 2009 Nominated - Best Guest Starring Role in a Television Series for Lost (2004 ) - Academy of Science Fiction, Fantasy&Horror Films, USA 2008 Nominated - Outstanding Performance by an Ensemble in a Comedy Series for Ugly Betty (2006 ) - Screen Actors Guild Awards 2007 Nominated - Outstanding Performance by an Ensemble in a Comedy Series for Ugly Betty (2006 ) - Screen Actors Guild Awards Feature Film. 2015 Entourage John Ellis Warner Bros. Dir. Doug Ellin Prd. Doug Ellin, Stephen Levinson, Mark Wahlberg 2014 Grace: The Possession Father John Automatik Entertainment (Core) Dir. Jeff Chan Prd. Chris Ferguson, Brian Kavanaugh-Jones 2014 Captain America: The Winter Soldier World Security Council Member Dir. Anthony Russo, Joe Russo 2012 Beauty and the Beast Emperor Dorian ( TV Movie) 2011 A Little Bit of Heaven Dr Sanders Dir. Nicole Kassell Prd. Various 2011 Priest Monsignor Chamberlain Dir. Scott Stewart Prd. Various 2011 Happy New Year Bill Dir. K. Lorrel Manning Prd. Various 2011 The Girl with the Dragon Tattoo Detective Isaksson Dir. David Fincher Prd. Various PO Box 78340, Grey Lynn, www.johnsonlaird.com Tel +64 9 376 0882 Auckland 1245, NewZealand. www.johnsonlaird.co.nz Fax +64 9 378 0881 Alan Dale. Page 2 Feature continued... 2009 Don't Be Afraid of the Dark Jacoby Central City Studios (Lead) Dir. Troy Nixey Prd. Oliver Stapleton 2008 Indiana Jones and the Kingdom of General Ross Paramount Pictures the Crystal Skull Dir. Steven Spielberg Prd. Frank Marshall 2004 After the Sunset Security Chief New Line Cinema Dir. Brett Ratner Prd. Beau Flynn, Jay Stern, Tripp Vinson 2003 Hollywood Homicide Commander Preston Revolution Studios Dir.
    [Show full text]