CV Danforth 2 10
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Bbbs 38 (2012)
38 2012 BULLETIN OF BRITISH BYZANTINE STUDIES BULLETIN OF BRITISH BYZANTINE STUDIES 38 ISSN 0265-162 2012 being the Bulletin of the Society for the Promotion of Byzantine Studies 1. Chairmen, Secretaries and Addresses of National Committees of the International Association of Byzantine Studies Albania: Dhorka Dhamo, Pellumb Xhufi, Rr Sulejman Pasha Pall 124, Shk. 3, Apart 37, Tirana, Albania Australia: Dr Bronwen Neil (President), Centre for Early Christian Studies, Australian Catholic University, PO Box 456, Virginia, Queensland 4014 ([email protected]); Dr Andrew Gillett (Secretary & Newsletter Editor), Department of Ancient History, Division of Humanities, Macquarie University, New South Wales 2109. Email: [email protected] Austria: Prof Dr Andreas Külzer (Secretary), Institut für Byzantinistik und Neogräzistik der Universität Wien, Postgrasse 7, A-1010 Vienna, Austria. Email: [email protected] Belgium: Anne Tihon (President); Jacques Noret (Vice-President and Treasurer); Caroline Mace (Secretary). Address of the Society for Byzantine Studies: Rue Ducale 1, 1000 Brussels, Belgium; address of the secretariat: Kardinaal Mercierplein 2, B3000 Leuven, Belgium Brazil: Angela Comnene, G. Kambani, 505 St Laurent Blvd, suite 106, Ottawa K1K4-4, Canada Bulgaria: Prof. Vassil Ghiuselev (President), University of Sofia "St Kliment Ohridski", Faculty of History, 15 Tsar Osvoboditel Bd., Room 40A, 1504 Sofia, Bulgaria. Canada: Antony Littlewood, Dept. of Classical Studies, The University of Western Ontario, Talbot College, London, Ontario, Canada N6A 3K7 Chile: Alejandro Zorbas, Universidad de Chile, Facultad de Filosofia, Centro de Estudios Bizantinos y Neohelenicos, Casilla 10136, Santiago, Chile China: Zhu Huan, Xu Jia-Lin, Wang Yue, History Dept., Lanzhou University, 730000 Lanzhou, Gansu Province, P. -
26 Grem Dzons.Indd
Ni{ i Vizantija XI 385 Graham Jones EARTH, FIRE, AND WATER: CONSTANTINE AND HELENA IN THE RITUAL HERITAGE OF EUROPE AND ITS NEIGHBOURHOOD Each year over three days in early June, icons of Constantine the Great and his mother Helena are held aloft by fire-walkers as they dance across hot cinders in villages of south-east Bulgaria and northern Greece. Recent research is divided over the antiquity and likely origins of this ritual, but at least two centuries of practice qualifies it as an established part of Europe’s cultural land- scape.1 It may be helpful to the debate, and in pursuit of the research theme at the 2012 symposium, to ask what if any common ground exists between these ceremonies and comparable traditions in other European regions and in other ages. Moreover, what processes might have brought these customs and the most famous son of Niš and his mother together? 1 The most recent and thorough treatment is Valeriâ Fol and Rouja Neikova, Fire and Music (Sofia, Prof. Marin Drinov Academic Publishing House, 2000). See also Valeriâ Fol, ‘La danse de braise des Nestinari: Entretien avec Valeria Fol’, Nouvelle Ecole 59/60 (2010- 11), pp. 210-16, hereafter Fol, ‘Danse’. For the Greek astenaria performances, Katerina J. Kakouri, Dionysiaka: Aspects of the Popular Thracian Religion of Today, trs. Helen Cola- clides (Athens, G. C. Eleftheroudakis, 1965). For the metabolic and psychological effects, Loring M. Danforth, Fire-walking and Religious Healing. The Anastenaria of Greece and the American Fire-walking Movement (Princeton, Princeton University Press, 1989), hereafter Danforth, ‘Firewalking’. -
Ritual Year 8 Migrations
Institute of Ethnology and Folklore Studies with Ethnographic Museum at the Bulgarian Academy of Sciences — SIEF Working Group on The Ritual Year Edited by Dobrinka Parusheva and Lina Gergova Sofia • 2014 THE RITUAL YEAR 8 MIGRATIONS The Yearbook of the SIEF Working Group on The Ritual Year Sofia, IEFSEM-BAS, 2014 Peer reviewed articles based on the presentations of the conference in Plovdiv, Bulgaria, 26-29 June 2012 General Editor: Emily Lyle Editors for this issue: Dobrinka Parusheva and Lina Gergova Language editors: Jenny Butler, Molly Carter, Cozette Griffin-Kremer, John Helsloot, Emily Lyle, Neill Martin, Nancy McEntire, David Stanley, Elizabeth Warner Design and layout: Yana Gergova Advisory board: Maria Teresa Agozzino, Marion Bowman, Jenny Butler, Molly Carter, Kinga Gáspár, Evy Håland, Aado Lintrop, Neill Martin, Lina Midholm, Tatiana Minniyakhmetova, David Stanley, Elizabeth Warner The Yearbook is established in 2011 by merging former periodicals dedicated to the study of the Ritual Year: Proceedings of the (5 volumes in 2005–2011). Published by the Institute of Ethnology and Folklore Studies with Ethnographic Museum at the Bulgarian Academy of Sciences ISSN 2228-1347 © Authors © Dobrinka Parusheva & Lina Gergova, editors © Yana Gergova, design and layout © SIEF Working Group on The Ritual Year © IEFSEM-BAS CONTENTS Foreword 9 THE SEED-STORE OF THE YEAR Emily Lyle 15 MODERN SPORTS AWARDS CEREMONIES – A GENEALOGICAL ANALYSIS Grigor Har. Grigorov 27 THE RITUAL OF CHANGE IN A REMOTE AREA: CONTEMPORARY ARTS AND THE RENEWAL OF A -
Summary of the Anastenaria Ritual/Event
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ The Anastenaria ritual performance in relation to witnessing and elements of stage practice Andreadi, Ioli Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 05. Oct. 2021 This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Title: The Anastenaria ritual performance in relation to witnessing and elements of stage practice Author: Ioli Andreadi The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. -
Civilisations, 61-1 | 2012, « Au-Delà Du Consensus Patrimonial » [En Ligne], Mis En Ligne Le 22 Décembre 2015, Consulté Le 02 Février 2020
Civilisations Revue internationale d'anthropologie et de sciences humaines 61-1 | 2012 Au-delà du consensus patrimonial Résistances et usages contestataires du patrimoine Édition électronique URL : http://journals.openedition.org/civilisations/3096 DOI : 10.4000/civilisations.3096 ISSN : 2032-0442 Éditeur Institut de sociologie de l'Université Libre de Bruxelles Édition imprimée Date de publication : 22 décembre 2012 ISBN : 2-87263-038-4 ISSN : 0009-8140 Référence électronique Civilisations, 61-1 | 2012, « Au-delà du consensus patrimonial » [En ligne], mis en ligne le 22 décembre 2015, consulté le 02 février 2020. URL : http://journals.openedition.org/civilisations/3096 ; DOI: 10.4000/civilisations.3096 Ce document a été généré automatiquement le 2 février 2020. © Tous droits réservés 1 Pour les chercheurs en sciences sociales, l’identification des différentes significations attribuées à l’acte patrimonial et l’analyse des configurations contrastées dans lesquelles les patrimoines sont créés deviennent des questions centrales. La ramification internationale des réseaux, le poids de normes patrimoniales globalisées, la diversification sociale des acteurs et l’éclatement des régimes de légitimité ont incité les auteurs de ce numéro à interroger les usages alternatifs, revendicatifs et contestataires des constructions patrimoniales. Ils montrent, à travers des exemples africains, européens ou asiatiques, que ce qui est souvent présenté comme faisant l’objet d’une transmission consensuelle et nécessaire, est en fait contesté, accommodé et -
The Dick Crum Collection, Date (Inclusive): 1950-1985 Collection Number: 2007.01 Extent: 42 Boxes Repository: University of California, Los Angeles
http://oac.cdlib.org/findaid/ark:/13030/kt2r29q890 No online items Finding Aid for the The Dick Crum Collection 1950-1985 Processed by Ethnomusicology Archive Staff. Ethnomusicology Archive UCLA 1630 Schoenberg Music Building Box 951657 Los Angeles, CA 90095-1657 Phone: (310) 825-1695 Fax: (310) 206-4738 Email: [email protected] URL: http://www.ethnomusic.ucla.edu/Archive/ ©2009 The Regents of the University of California. All rights reserved. Finding Aid for the The Dick Crum 2007.01 1 Collection 1950-1985 Descriptive Summary Title: The Dick Crum Collection, Date (inclusive): 1950-1985 Collection number: 2007.01 Extent: 42 boxes Repository: University of California, Los Angeles. Library. Ethnomusicology Archive Los Angeles, California 90095-1490 Abstract: Dick Crum (1928-2005) was a teacher, dancer, and choreographer of European folk music and dance, but his expertise was in Balkan folk culture. Over the course of his lifetime, Crum amassed thousands of European folk music records. The UCLA Ethnomusicology Archive received part of Dick Crum's personal phonograph collection in 2007. This collection consists of more than 1,300 commercially-produced phonograph recordings (LPs, 78s, 45s) primarily from Eastern Europe. Many of these albums are no longer in print, or, are difficult to purchase. More information on Dick Crum can be found in the Winter 2007 edition of the EAR (Ethnomusicology Archive Report), found here: http://www.ethnomusic.ucla.edu/archive/EARvol7no2.html#deposit. Language of Material: Collection materials in English, Croatian, Bulgarian, Serbian, Greek Access Collection is open for research. Publication Rights Some materials in these collections may be protected by the U.S. -
Competing Ideologies in Greek Culture, Ancient and Modern
Competing Ideologies in Greek Culture, Ancient and Modern Competing Ideologies in Greek Culture, Ancient and Modern By Evy Johanne Håland Competing Ideologies in Greek Culture, Ancient and Modern By Evy Johanne Håland This book first published in English 2019 Originally published in Norwegian (2011 Bodø: Licentia Publishers) Translated to English by the author Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Evy Johanne Håland All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-2612-7 ISBN (13): 978-1-5275-2612-9 This book is dedicated to the memory of my Besta (“Granny”), who through her practical faith demonstrated that it is possible to believe in Huldra (a supernatural female creature or kind of Nymph) and Christ at one and the same time. TABLE OF CONTENTS List of Tables .............................................................................................. ix List of Figures.............................................................................................. x A Note on Transliteration ......................................................................... xix Preface to the English Edition and Acknowledgements -
RURAL CULTURAL HERITAGE in EUROPE: from PAST to PRESENT a Synthesis Report of Research
L A PromotionL of a Cultural R A AL R R U U U R R R Area Common T T L U C T L U C L U C to European Rural Communities PROMOTION OF A CULTURAL AREA COMMON TO EUROPEAN RURAL COMMUNITIES "CULTURE 2000" FRAMEWORK PROGRAMME IN SUPPORT OF CULTURE RURAL CULTURAL HERITAGE IN EUROPE: FROM PAST TO PRESENT A Synthesis Report of Research www.cultural.net Promotion of a Cultural Area Common to European Rural Communities RURAL CULTURAL HERITAGE IN EUROPE: FROM PAST TO PRESENT A Synthesis Report of Research Compiled and edited by PRISMA Athens 2009 1 Preface THE CULT RURAL PROJECT have an active interest in rural heritage and sustainable CULT RURAL or Promotion of a Cultural Area Common to development, by: European Rural Communities is a transnational project co- a) Setting up a European Rural Heritage Network; funded by the European Commission in the context of “Culture b) Organising a summer academy and a conference on the 2000”, the Framework Programme in Support of Culture. theme of the project c) Organising 4 transnational and 7 national workshops CULT RURAL looks at the heritage of rural areas, trying to link to discuss and debate the theme of the project and gain the past with the present and draw lessons that are valuable feedback for the research and the exhibitions. for contemporary life and the sustainable development of rural d) Set up a website www.cultrural.net to make the activities areas. The project, carried out between October 2006 and and products of the project accessible to everyone. -
Vals Cruzado
Syllabus of Dance Descriptions STOCKTON FOLK DANCE CAMP – 2019 – FINAL 10/2019 In Memoriam Nelda Drury – 1918-2019 Nelda Drury nurtured the folk dance community in Texas, but her influence in the international folk dance community was felt throughout the United States. She was a dance specialist, her area of expertise being the dances of Mexico, and Central and South America. At the age of five, Nelda gave her first dance performance during a celebration in a small town in Texas. She grew up learning a wide variety of Mexican dances and later studied at the University of Mexico in Mexico City under the late Alura Flores de Angeles. Nelda did extensive research in Mexican, Central American, and South American dance. Her teaching took her throughout the United States, Mexico, the Orient, and Europe, presenting her seminars and Nelda Drury, circa 2014. displaying her dance form. She had a wealth of dance costumes that she collected on her round-the-world travels. She devoted her life to bringing folk dances from around the world to San Antonio specifically, and to Texas in general. She taught at folk dance camps and workshops all over the United States and, in turn, invited teachers she met doing so to teach at the yearly San Antonio Folk Dance Festival that she founded. Nelda taught at Stockton Folk Dance Camp in 1974. Ruth Levin Duree – 1942-2019 Ruth and her husband Richard Duree attended Stockton Folk Dance Camp for many years, most recently in 2014. Ruth met Richard in a Hungarian dance class he was teaching at Coastline College in 1989. -
Οδηγοσ Εκθεσησ Exhibition Guide
AL R U R T L Ανάδειξη U ενός κοινού C πολιτισμικού χώρου των Ευρωπαϊκών Αγροτικών Κοινωνιών Rural heritage ΕΚΘΕΣΗΣ and collective identity Building the sustainability of rural communities Πολιτιστική Κληρονομιά του Αγροτικού Χώρου & ΟΔΗΓΟΣ Promotion Συλλογική Ταυτότητα of a Cultural Area Common Οικοδομώντας την to European αειφόρο ανάπτυξη των Rural Communities αγροτικών κοινωνιών EXHIBITION GUIDE . ΛΑΟΓΡΑΦIΚΟ ΚΑI IΣΤΟΡIΚΟ ΜΟΥΣΕIΟ ΚΟΜΟΤΗΝΗΣ 10 IΑΝΟΥΑΡIΟΥ-10 ΜΑΡΤIΟΥ 2009 FOLKLORE AND HISTORICAL MUSEUM OF KOMOTINI 10 JANUARY-10 MARCH 2009 Η ΕΚΘΕΣΗ ΣΥΝΔΙΟΡΓΑΝΩΘΗΚΕ ΑΠΟ: ■ Ευρωπαϊκή Ακαδημία για τη Βιώσιμη Αγροτική Ανάπτυξη (Εuracademy EXHIBITION CO-ORGANISERS Association) σε συνεργασία με το Λαογραφικό και Ιστορικό Μουσείο ■ The European Academy for Sustainable Rural Development Κομοτηνής (Ελλάδα) (Euracademy Association) in cooperation with the Folklore and History ■ Μουσείο Kresow - Lubaczow (Πολωνία) Museum of Komotini (GR) ■ Εθνικό Ιστορικό Μουσείο (Βουλγαρία). ■ Muzeum Kresow - Lubaczow (PL) ■ PRISMA - Κέντρο Αναπτυξιακών Μελετών (Ελλάδα) ■ National Museum of History (BG) ΣΥΝΤΟΝΙΣΜΟΣ ■ PRISMA Centre for Development Studies (GR) Φούλη Παπαγεωργίου, Αρχιτέκτων Rural heritage OVERALL COORDINATION ΜΟΥΣΕΙΟΛΟΓΙΚΗ ΜΕΛΕΤΗ and Fouli Papageorgiou, Architect (GR) ■ Λουίζα Καραπιδάκη, Ιστορικός Τέχνης, Μουσειολόγος collective identity MUSEOLOGICAL STUDY ΣΧΕΔΙΑΣΜΟΣ ΕΚΘΕΣΗΣ ΕΚΘΕΣΗΣ Louisa Karapidaki, Art Historian, Museologist (GR) ■ Χλόη Βαρελίδη, Αρχιτέκτων Building the EXHIBITION DESIGN ΚΕΙΜΕΝΑ ΚΑΙ ΕΡΕΥΝΑ ΓΙΑ ΤΟΝ ΟΔΗΓΟ ΤΗΕ ΕΚΘΕΣΗΣ sustainability -
Bibliografia Strandzha.Pdf
Библиография за историята на Странджанския край ISBN 978-954-07-4882-5 www.unipress.bg Охридски“ Климент „Св. издателство Университетско БИБЛИОГРАФИЯ за историята на Странджанския край Настоящата Библиография за историята на Странджа се- издава в рамките на проект за фундаментални научни изследвания „Комплексни и иновативни методи за диаг ностика и изследване на материалното и нематериално- културно наследство на Централна и Източна Странджа в- условията на миграции и демографски отлив“, който е фи нансиран от Фонд „Научни изследвания“ при Министер ството на образованието и науката (договор № ДН-10/16 от 21. 12. 2016 г.). Базова организация за осъществяването му е Софийският университет „Св. Климент Охридски“. Редакционна колегия: Албена Миланова Ангел Николов Ивайла Попова Мира Маркова БИБЛИОГРАФИЯ за историята на Странджанския край Марио Филипов, Любомир Рачев, Горан Стефанов Съставители Ангел Николов Научен редактор София • 2019 Университетско издателство „Св. Климент Охридски“ © 2019 Марио Филипов, Любомир Рачев, Горан Стефанов, съставители © 2019 Ангел Николов, научен редактор © 2019 Антонина Георгиева, художник © 2019 Университетско издателство „Св. Климент Охридски“ ISBN 978-954-07-4882-5 СъдъРжАнИе Увод / 7 I. Общи съчинения, тематични сборници и справочници / 9 II. Извори, архивни обзори, библиографии / 9 III. Историческо минало на Странджанския край / 13 1. Праистория, Античност / 13 2. Средновековие / 39 3. Османско владичество. Възраждане (XV–XIX в.) / 49 4. Странджанският край през периода 1878–1944 г. / 53 IV. Етнография. Фолклор / 57 V. Изкуство. Архитектура / 65 VI. Поселищна история и краезнание. Мемоари / 68 5 УВОд Настоящата библиография беше съставена в рамките на проекта за фундаментални научни изследвания „Комплексни и иновативни методи за диагностика и изследване на материалното и нематериално културно наследство на Централна и Източна Странджа в условията на миграции и демографски отлив“, който е финансиран от Фонд „Научни изследвания“- при Министерството на образованието и науката (договор № ДН-10/16 от 21. -
The CHARIOTEER an Annual Review of Modern Greek Culture
The CHARIOTEER An Annual Review of Modern Greek Culture NUMBER 21 1979 NIKOS KASDAGLIS SHAVED HEADS Novel Y ANNIS RITSOS Poetry KLEARCHOS LOUKOPOULOS Sculpture REVIEW OF BOOKS Published by Parnassos, Greek Cultural Society of New York $4.00 GEORGE CONSTANT: IN MEMORIAM George Constant was born, 1892, in Arahova, Greece. He died, 1978, in Southhampton, Long Island. He participated in more than 100 national and international exhibits and won numerous awards and prizes. Among these were: three Shilling Purchase Prizes {1939, 1945, and 1957); The Frank G. Logan Prize and Medal ( 1943) ; and The Library of Congress Purchase Prize {1947). In 1962, the Greek Government awarded him the highest honor for achievement in art, The Phoenix Cross of the Taxiarchs. The U.S. State Department purchased numerous watercolors, and the United States Information Agency select ed an oil to be reproduced in color for exhibition throughout the world. In 1977, he received The Charioteer Award from the Parnassos Society. Constant was a former Director of the Society of Inde pendent Artists and a former President of the Society of Mod ern Painters and Sculptors. He befriended and helped in numerable artists. He was especially interested in young artists and encouraged them in their work. He was a sensitive and passionate man who cared deeply for his fellow human beings. Constant's work appears in museums throughout this coun try and abroad, among them The Metropolitan Museum of Art, The Brooklyn Museum, The Philadelphia Museum of Art, The Dayton Art Institute, The Isaac Delgado Museum, The Tel-Aviv Museum, The Stedelijk Museum and The National Museum of Greece.