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Mayor Landrieu and Race Relations in New Orleans, 1960-1974
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of New Orleans University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-20-2011 Phases of a Man Called 'Moon': Mayor Landrieu and Race Relations in New Orleans, 1960-1974 Frank L. Straughan Jr. University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Straughan, Frank L. Jr., "Phases of a Man Called 'Moon': Mayor Landrieu and Race Relations in New Orleans, 1960-1974" (2011). University of New Orleans Theses and Dissertations. 1347. https://scholarworks.uno.edu/td/1347 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Phases of a Man Called ―Moon‖: Mayor Landrieu and Race Relations in New Orleans, 1960-1974 A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Arts in History by Frank L. -
CISAC Pays Tribute to Its President Robin Gibb, the Voice of a Generation and Relentless Champion for the Rights of Creators
CISAC pays tribute to its President Robin Gibb, the voice of a generation and relentless champion for the rights of creators CISAC, the International Confederation of Societies of Authors and Composers, has expressed its deep sadness at the news that its President, British singer and songwriter Robin Gibb, has passed away. PARIS – 21/05/2012 – Robin Gibb died in the night of Sunday 20 May 2012, at the age of 62, after fighting a long-term illness. Alongside his brothers Barry and Maurice, performing as The Bee Gees, he was part of one of the most successful songwriting teams in the history of pop music. As President of CISAC for the past five years, Robin Gibb was also the tireless voice of three million creators around the world as the leader of the members of CISAC’s 232 authors’ societies in 121 countries. He enthusiastically used his position as President of the organisation and as one of the world’s most popular songwriters to persuade global policy makers to support creators and promote and uphold the value of copyright. Following a first term as president, Gibb was unanimously re-elected for an additional three- year mandate in June 2010. At the time, Gibb said, “The presidency of CISAC is a role that means a great deal to me because, as a songwriter, I am a passionate believer in the collective management of rights by authors' societies. While the entire entertainment sector is at a crossroads, I want to leverage this new mandate to help develop a management rights system that is sustainable in the digital age, a system that meets public demand for easy access to all our works while preserving the rights and interests of everyone, including fair payment for creators to use their works." Paying tribute to Gibb, French painter and CISAC Vice-President Hervé Di Rosa said, “The spirit of Robin Gibb’s commitment and passion towards the authors’ cause will stay alive in us all. -
Summach, the Structure, Function, and Genesis of the Prechorus
Volume 17, Number 3, October 2011 Copyright © 2011 Society for Music Theory The Structure, Function, and Genesis of the Prechorus (1) Jay Summach NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.11.17.3/mto.11.17.3.summach.php KEYWORDS: popular music, rock music, form, prechorus, sentence, srdc ABSTRACT: Prechoruses emerged in the mid-1960s as verse-chorus and strophic forms converged upon a four-part formal disposition that Everett (1999) calls “statement, restatement, departure, and conclusion,” or srdc. This study traces the expansion of the srdc scheme from its compact deployment in strophes to expanded iterations that approximate verse- chorus form. Received February 2011 [1] This article examines an episode in the evolution of verse-chorus form in pop/rock music. Until the mid-1960s, most verse-chorus songs alternated between the two formal sections from which verse-chorus form takes its name: verses and choruses. Example 1, Mark Dinning’s “Teen Angel,” illustrates the form.(2) As is typical for verse-chorus songs, the focal point of “Teen Angel” is the chorus: it contains the most engaging musical material; its unchanging lyric makes it easy to remember; and it is marked for special attention by additional vocal and instrumental parts. The verses, on the other hand, provide context: each verse advances the song narrative by presenting fresh lyrics; and the music is more modest in instrumentation and intensity so as not to steal attention from the chorus. In “Teen Angel,” the tempo is treated flexibly during the verses, which further distinguishes them from the choruses. -
311 Creatures
311 Creatures (For A While) 10 Years After I'd Love To Change The World 10,000 Maniacs Because The Night 10,000 Maniacs Candy Everybody Wants 10,000 Maniacs Like The Weather 10,000 Maniacs More Than This 10,000 Maniacs These Are Days 10,000 Maniacs Trouble Me 10cc I'm Not In Love 10cc The Things We Do For Love 112 Come See Me 112 Cupid 112 It's Over Now 112 Only You 112 Peaches & Cream 112Super Cat Na Na Na 1910 Fruitgum Co. 1 2 3 Red Light 1910 Fruitgum Co. Simon Says 20 Fingers Short Dick Man 2Pac California Love 2Pac Changes 2Pac Dear Mama 2Pac How Do You Want It 2Pau Heart And Soul 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down Duck And Run 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down The Road I'm On 3 Doors Down When I'm Gone 3 Of Hearts Arizon Rain 311 All Mixed Up 311 Amber 311 Down 311 I'll Be Here Awhile 311 You Wouldn't Believe 38 Special Caught Up In You 38 Special Hold On Loosely 38 Special Rockin' Into The Night 38 Special Second Chance 38 Special Wild Eyed Southern Boys 3LW I Do 3LW No More Baby 3LW Playas Gon' Play 3rd Strike Redemption 3rd Stroke No Light 4 Non Blondes What's Up 4 PM Sukiyaki 4 Runner Cain's Blood 4 Runner Ripples 4Him Basics Of Life 5 Stairsteps Ooh Child 50 cent pimp 50 Cent In Da Club 50 Cent Wanksta 5th Dimension Aquarius 5th Dimension Last Night I Didn't Get To Sleep At All 5th Dimension One Less Bell To Answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up And Away 5th Dimension Wedding Bell Blues 69 Boyz Tootie Roll 702 Get It Together 702 Steelo 702 Where My -
The Ne St at Home
SHOP IN lEWARK YOUR MONEY FIR T THE NE ST AT HOME ~~Ull1be l' 51 The Newark Post, Newark, Delaware, Thursday, March 23, Hl50 ENTS l ,;i (;J'OSS 1).,jve lS IFeature«} Again In UNOfficial Will T C·· , OverTop With $5200; Rotarian Minstrel Give Talk At World WO ontests ArlSe In .Electwn Not d ,ArtI ~ s W~l Exceeds ] 91,9 Total Affairs Parley Here Race; F. A. Wheeless W lthclraws In MethodIst App~alerv Jce On M.u'ch 31. 'rown Among' Firs t In State To Newark C. of C. Urges Members Durnall Seeks Reelection In Middle Oi It'iet; Danie l Hat·- Hit Quota, Lanier Say To AUend Conference April vey, Kiwanis Head, File In Eastel'll' Philadelphia Concert Star To 'Sing- Olu'ano Role In Faure In Thanking Public 10 At U. of D. N one Appear FOI' Mayol' Requiem At 8 :30 P. M. The pa~e quicke ned in t.he town election (his week when conte (s suclcl nly Newark wen t ov~r the top in the The Newark Chamber of Commerce d veloped.1I1 the mIddle and eas(em districts. The choir of the Newark Methodist recent Red CroSs dnve ,1V1.th. n t.otal of w holeheartedly endorses the public COllJ~c l lman ~rank A. Duma U fil ed on Tuesday for reelection in the mid- Church, under the dir etion of John $5200 Dr. Charles N. Ldl1!el , JI ., gen conference on world economic develop- d,le dlstnct oPPosIte Dr. Charles N. Lanier, Jr., who is seeking his first term. -
2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
AF Brochurafestivalinternacion
O FESTIVAL O Festival Internacional de Trombone privilegiará, por um lado, uma programação de carácter pedagógico, tendo em vista o desenvolvimento musical e humano de jovens trombonistas, através de diversas atividades como Masterclasses, Workshops e inúmeros momentos de reflexão e partilha de conhecimentos e experiências. Por outro lado, propomo-nos a desenvolver um festival com mais momentos de expressão artística e musical, sempre relacionada com a família deste instrumento, numa programação muito audaciosa, com grupos convidados nacionais, mais eclética, com géneros que vão da música dita Erudita à Música Contemporânea. Estarão presentes trombonistas portugueses das principais escolas, conservatórios e orquestras portuguesas como trombonistas da Orquestra Sinfónica Portuguesa, Orquestra Sinfónica do Porto - Casa da Música, Remix Ensemble – Casa da Música e trombonistas portugueses a trabalhar em orquestras europeias de referência como a Philharmonisches Staatsorchestes Hamburg (Alemanha), Tonkünstler-Orchester Niederösterreich (Áustria). The Festival Henceforth, the program of the International Trombone Festival will privilege a pedagogical program, aiming at the musical and human development of young trombonists through several activities such as Masterclasses,Workshops, Exhibitions, Collective and Chamber Music Classes and numerous moments of reflection and sharing of knowledge and experiences. Notwithstanding, it will also aim to develop a festival with more moments of artistic and musical expression - always related to this instrument’s -
Urban Public Space, Privatization, and Protest in Louis Armstrong Park and the Treme, New Orleans
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 2001 Protecting 'Place' in African -American Neighborhoods: Urban Public Space, Privatization, and Protest in Louis Armstrong Park and the Treme, New Orleans. Michael Eugene Crutcher Jr Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Crutcher, Michael Eugene Jr, "Protecting 'Place' in African -American Neighborhoods: Urban Public Space, Privatization, and Protest in Louis Armstrong Park and the Treme, New Orleans." (2001). LSU Historical Dissertations and Theses. 272. https://digitalcommons.lsu.edu/gradschool_disstheses/272 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
Housing Desegregation in the Era of Deregulation Christopher Bonastia
Housing Desegregation in the Era of Deregulation Christopher Bonastia hen Jimmy Carter was sworn into the nation’s highest office on January 20, 1977, Civil Rights supporters mustered some hope. In “The State of Black WAmerica—1977,” the Urban League reflected this tempered optimism: After eight years of a national Administration that blacks—rightly or wrongly—regarded as hostile to their needs and aspirations, they now feel that 1977 might bring a change in direction and that possibly the same type of moral leadership that led the nation to accept the legiti- macy of black demands for equality during the 60s, might once again be present in Washington.1 While 94 percent of Black voters supported Carter, the intensity with which the administration would address issues of racial inequality was unclear. As Hugh Davis Graham notes, Carter “stepped into a policy stream that since the late 1960s had carried two conflicting currents”: the “white backlash” politics ex- emplified by Nixon’s “Southern strategy,” and “the quiet mobilization of a com- prehensive regime of civil rights regulation. By the mid-1970s, the expanded civil rights coalition, under the adept coordination of the Leadership Confer- ence on Civil Rights, had won bipartisan respect in Congress for its ability to mobilize constituency group support.” However, Civil Rights gains tended to come in “complex areas little understood by the general public, such as employee testing and minority hiring tables,” rather than in high-profile issues such as housing desegregation.2 While housing had ranked high on Carter’s list of legislative priorities, his focus was on bolstering construction, home ownership, public housing, and rent subsidies rather than fair-housing issues.3 Ironically, fair-housing proponents would have been pleased if HUD’s commitment to desegregation under Carter Christopher Bonastia is a professor of sociology at Lehman College and the City University of New York Graduate Center and the associate director of honors programs at Lehman College. -
The Bee 1St Edition Pdf, Epub, Ebook
THE BEE 1ST EDITION PDF, EPUB, EBOOK Noah Wilson-Rich | 9781400852192 | | | | | The Bee 1st edition PDF Book More information about this seller Contact this seller 2. Previous owner's name on the front flyleaf. Archived from the original on 7 November Kenny later said that writing the song "Sweet Music Man" made him cut his hair and let it go gray, plus get rid of the earring. Inscription to the f. Searching for a new image, he soon developed a more middle-of-the-road, gravel-voiced style. The album cover was designed by Klaus Voormann , who had previously done the cover for Revolver by The Beatles , amongst others. Some discoloring to title page. Published by Bee- Line Books. Published by Candlewick Press MA He released one self-titled solo LP in which was reissued with one new song in , and also wrote commercial jingles. He was awarded the Nobel Prize in Literature in ]. Add to Basket Used Hardcover. Australian Chart Book — From Wikipedia, the free encyclopedia. From: Dale A. As he would continue to do in his solo career, Rogers cloaked some mature subject matter with a gentle delivery. Hung Medien. He is still listed as a working musician. Still a nice volume. This is the first printing. Covers a bit grubby. Very good. Dust Jacket Condition: Very Good. Seller Inventory aemo. Clair studio in on the Spicks and Specks sessions and was officially added first, accounting for some early photos with him and not Melouney, such as the one later used on the cover of Best of Bee Gees. -
2017 Annual Report
Annual 2017 Report Our ongoing investment into increasing services for the senior In 2017, The Actors Fund Dear Friends, members of our creative community has resulted in 1,474 senior and helped 13,571 people in It was a challenging year in many ways for our nation, but thanks retired performing arts and entertainment professionals served in to your generous support, The Actors Fund continues, stronger 2017, and we’re likely to see that number increase in years to come. 48 states nationally. than ever. Our increased activities programming extends to Los Angeles, too. Our programs and services With the support of The Elizabeth Taylor AIDS Foundation, The Actors Whether it’s our quick and compassionate response to disasters offer social and health services, Fund started an activities program at our Palm View residence in West ANNUAL REPORT like the hurricanes and California wildfires, or new beginnings, employment and training like the openings of The Shubert Pavilion at The Actors Fund Hollywood that has helped build community and provide creative outlets for residents and our larger HIV/AIDS caseload. And the programs, emergency financial Home (see cover photo), a facility that provides world class assistance, affordable housing 2017 rehabilitative care, and The Friedman Health Center for the Hollywood Arts Collective, a new affordable housing complex and more. Performing Arts, our brand new primary care facility in the heart aimed at the performing arts community, is of Times Square, The Actors Fund continues to anticipate and in the development phase. provide for our community’s most urgent needs. Mission Our work would not be possible without an engaged Board as well as the efforts of our top notch staff and volunteers. -
5 Million Gift from the Building and Construction Trades Department, Afl-Cio
Diabetes Research Institute Foundation Summer 2010 / Volume 37 / Issue 2 Miami / New York / Long Island / California / Washington, D.C. DRI ocus fJoin us on social media sites! Diabetes Research Institute Foundation Receives $5 MILLION GIFT FROM THE BUILDING AND CONSTRUCTION TRADES DEPARTMENT, AFL-CIO The Diabetes Research Institute Foundation’s largest contributor, the Building and Construction Trades Department (BCTD) of the AFL-CIO, has pledged $5 million to be awarded over five years. This new gift brings the total dollars raised to more than $45 million over the last 25 years and firmly cements the unions’ commitment to help the Diabetes Research Institute find a cure for diabetes. According to Building and Construction Trades Department President Mark Ayers , the construction industry has been hit particularly hard by the decline in the economy, yet NEW Website, NEW Look, he attests that now is not the time to step away from the BCTD's commitment. MORE Features! “This dreadful disease continues to have a profound impact on people’s lives in Have you visited DiabetesResearch.org lately? If so, good times and in bad. Our members across the country subscribe to the belief that you’ve seen that we have completely redesigned ‘tough times never last – but tough people do,’ and our commitment to finding a our website to make it more dynamic and user- cure is enduring and unwavering,” said President Ayers. “We’ve come too far to friendly. After a year of development, the new site turn back now.” was launched with many new features and tools to offer a better experience and more information Continued on Page 3 for our visitors.