Drinking the River Dry
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CISAC Pays Tribute to Its President Robin Gibb, the Voice of a Generation and Relentless Champion for the Rights of Creators
CISAC pays tribute to its President Robin Gibb, the voice of a generation and relentless champion for the rights of creators CISAC, the International Confederation of Societies of Authors and Composers, has expressed its deep sadness at the news that its President, British singer and songwriter Robin Gibb, has passed away. PARIS – 21/05/2012 – Robin Gibb died in the night of Sunday 20 May 2012, at the age of 62, after fighting a long-term illness. Alongside his brothers Barry and Maurice, performing as The Bee Gees, he was part of one of the most successful songwriting teams in the history of pop music. As President of CISAC for the past five years, Robin Gibb was also the tireless voice of three million creators around the world as the leader of the members of CISAC’s 232 authors’ societies in 121 countries. He enthusiastically used his position as President of the organisation and as one of the world’s most popular songwriters to persuade global policy makers to support creators and promote and uphold the value of copyright. Following a first term as president, Gibb was unanimously re-elected for an additional three- year mandate in June 2010. At the time, Gibb said, “The presidency of CISAC is a role that means a great deal to me because, as a songwriter, I am a passionate believer in the collective management of rights by authors' societies. While the entire entertainment sector is at a crossroads, I want to leverage this new mandate to help develop a management rights system that is sustainable in the digital age, a system that meets public demand for easy access to all our works while preserving the rights and interests of everyone, including fair payment for creators to use their works." Paying tribute to Gibb, French painter and CISAC Vice-President Hervé Di Rosa said, “The spirit of Robin Gibb’s commitment and passion towards the authors’ cause will stay alive in us all. -
Summach, the Structure, Function, and Genesis of the Prechorus
Volume 17, Number 3, October 2011 Copyright © 2011 Society for Music Theory The Structure, Function, and Genesis of the Prechorus (1) Jay Summach NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.11.17.3/mto.11.17.3.summach.php KEYWORDS: popular music, rock music, form, prechorus, sentence, srdc ABSTRACT: Prechoruses emerged in the mid-1960s as verse-chorus and strophic forms converged upon a four-part formal disposition that Everett (1999) calls “statement, restatement, departure, and conclusion,” or srdc. This study traces the expansion of the srdc scheme from its compact deployment in strophes to expanded iterations that approximate verse- chorus form. Received February 2011 [1] This article examines an episode in the evolution of verse-chorus form in pop/rock music. Until the mid-1960s, most verse-chorus songs alternated between the two formal sections from which verse-chorus form takes its name: verses and choruses. Example 1, Mark Dinning’s “Teen Angel,” illustrates the form.(2) As is typical for verse-chorus songs, the focal point of “Teen Angel” is the chorus: it contains the most engaging musical material; its unchanging lyric makes it easy to remember; and it is marked for special attention by additional vocal and instrumental parts. The verses, on the other hand, provide context: each verse advances the song narrative by presenting fresh lyrics; and the music is more modest in instrumentation and intensity so as not to steal attention from the chorus. In “Teen Angel,” the tempo is treated flexibly during the verses, which further distinguishes them from the choruses. -
The Connection Virginia
ConnectionA Publication of Lindenwood University for the Alumni In this issue: Winter 2015 Pg. Carol Transou Pg. LCIE Program Pg. Brett Barger Pg. John Creer And much more of the Respect This Honoring Alumnus Named Beloved AD latest news & events 3 Strong Woman 8 40 Top Alumni 15 Belleville President 18 Retiring from your alma mater! All Dressed Up for the Holidays President’s Message ALUMNI PRIDE FROM COVER TO COVER Homecoming & Reunion in October was a great experience! On page 15, you can read about Dr. Brett Barger Despite a packed schedule, I had the chance to meet many from the class of ’93. He’s an alumnus who’s accomplished of our dedicated and committed alumni and see their love quite a bit, and he now serves as president of Lindenwood’s of Lindenwood firsthand. Karen and I particularly enjoyed Belleville campus. visiting with the ladies from our 50-year class of 1965! I can’t go much further without mentioning John Creer, This edition of Connection is filled with alumni pride– who has had a storied career here at Lindenwood. Our from our historic alumni gate, dressed up for the holidays beloved athletics director and former track coach, featured on the cover, all the way to our distinguished alumni board on Page 18, is retiring after 25 years. It was a very touching president, Judy Brown (’67), on the back page. moment to see him receive a Distinguished Service Award during the Hall of Fame banquet at Homecoming. I have to give a shout-out to Carol Transou from the class of ’58 (page 3)! What an honor to have one of our Have a wonderful holiday season. -
AF Brochurafestivalinternacion
O FESTIVAL O Festival Internacional de Trombone privilegiará, por um lado, uma programação de carácter pedagógico, tendo em vista o desenvolvimento musical e humano de jovens trombonistas, através de diversas atividades como Masterclasses, Workshops e inúmeros momentos de reflexão e partilha de conhecimentos e experiências. Por outro lado, propomo-nos a desenvolver um festival com mais momentos de expressão artística e musical, sempre relacionada com a família deste instrumento, numa programação muito audaciosa, com grupos convidados nacionais, mais eclética, com géneros que vão da música dita Erudita à Música Contemporânea. Estarão presentes trombonistas portugueses das principais escolas, conservatórios e orquestras portuguesas como trombonistas da Orquestra Sinfónica Portuguesa, Orquestra Sinfónica do Porto - Casa da Música, Remix Ensemble – Casa da Música e trombonistas portugueses a trabalhar em orquestras europeias de referência como a Philharmonisches Staatsorchestes Hamburg (Alemanha), Tonkünstler-Orchester Niederösterreich (Áustria). The Festival Henceforth, the program of the International Trombone Festival will privilege a pedagogical program, aiming at the musical and human development of young trombonists through several activities such as Masterclasses,Workshops, Exhibitions, Collective and Chamber Music Classes and numerous moments of reflection and sharing of knowledge and experiences. Notwithstanding, it will also aim to develop a festival with more moments of artistic and musical expression - always related to this instrument’s -
IPG Spring 2020 Rock Pop and Jazz Titles
Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian . -
Access the Best in Music. a Digital Version of Every Issue, Featuring: Cover Stories
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE MARCH 23, 2020 Page 1 of 27 INSIDE Lil Uzi Vert’s ‘Eternal Atake’ Spends • Roddy Ricch’s Second Week at No. 1 on ‘The Box’ Leads Hot 100 for 11th Week, Billboard 200 Albums Chart Harry Styles’ ‘Adore You’ Hits Top 10 BY KEITH CAULFIELD • What More Can (Or Should) Congress Do Lil Uzi Vert’s Eternal Atake secures a second week No. 1 for its first two frames on the charts dated Dec. to Support the Music at No. 1 on the Billboard 200 albums chart, as the set 28, 2019 and Jan. 4, 2020. Community Amid earned 247,000 equivalent album units in the U.S. in Eternal Atake would have most likely held at No. Coronavirus? the week ending March 19, according to Nielsen Mu- 1 for a second week without the help of its deluxe • Paradigm sic/MRC Data. That’s down just 14% compared to its reissue. Even if the album had declined by 70% in its Implements debut atop the list a week ago with 288,000 units. second week, it still would have ranked ahead of the Layoffs, Paycuts The small second-week decline is owed to the chart’s No. 2 album, Lil Baby’s former No. 1 My Turn Amid Coronavirus album’s surprise reissue on March 13, when a new (77,000 units). The latter set climbs two rungs, despite Shutdown deluxe edition arrived with 14 additional songs, a 27% decline in units for the week.Bad Bunny’s • Cost of expanding upon the original 18-song set. -
Kenyon Collegian Archives
Digital Kenyon: Research, Scholarship, and Creative Exchange The Kenyon Collegian Archives 4-15-2010 Kenyon Collegian - April 15, 2010 Follow this and additional works at: https://digital.kenyon.edu/collegian Recommended Citation "Kenyon Collegian - April 15, 2010" (2010). The Kenyon Collegian. 187. https://digital.kenyon.edu/collegian/187 This Book is brought to you for free and open access by the Archives at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in The Kenyon Collegian by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. Established 1856 Volume CXXXVII, Number 21 www.kenyoncollegian.com THE KENYON COLLEGIAN Gambier, Ohio Thursday, April 15, 2010 12 Pages Kenyon Discusses the Future of Political Parties Reverend Karl Stevens Retires from College, Joins Parish Full-Time BY Marika GarlaND the people from all different walks of News Assistant life and all different circumstances.” Stevens said he feels privileged After serving the College for to work with parishioners at St. seven years, Episcopal Chaplain to Paul’s, but that he will miss working Kenyon College Karl Stevens has with Kenyon students. “There’s this announced his resignation, effective wild creativity that takes place [with at the end of this semester. He will Kenyon students]. It’s very social,” continue to live in Gambier but will he said. “I don’t find that in too begin working full-time as the Priest- many other places, and I really like in-Charge at St. Paul’s Episcopal it.” Despite his resignation, Stevens Church in Mount Vernon, where said he will continue to be involved he has been working part-time since in the Kenyon community. -
Maurice Und Robin Gibb Wenn Gene Tödliche Darmerkrankungen Verursachen
Maurice und Robin Gibb Wenn Gene tödliche Darmerkrankungen verursachen Die Bee Gees gehören neben den Beatles, Elvis Presley und worden war verstarb Maurice Gibb am 12. Januar 2003 im Michael Jackson zu den erfolgreichsten Künstlern aller Alter von nur 52 Jahren an den Folgen einer Darmoperation. Zeiten. Sie schrieben nicht nur eigene Songs, sondern kompo- Aus dem Autopsiebericht geht hervor, dass die Todesursache nierten zahlreiche Hits für andere Künstler. eine ischämische Enteropathie war, die auf einen Darmver- Die Zwillinge Robin und Maurice kamen am 22. Dezem- schluss zurückzuführen war. Offensichtlich lag bei Maurice ber 1949 zur Welt und waren 3 Jahre jünger als ihr Bruder eine seltene Form der angeborenen Malrotation des Dünn- Barry. Bereits im Alter von sechs Jahren standen die drei darms vor, die den Darmverschluss begünstigte. Ob der Gibb-Brüder unter verschiedenen Namen wie "The Rattle- Darmverschluss durch einen Tumor begünstigt wurde, lässt snakes", "Wee Johnny Hayes & The Blue Cats" oder "Barry sich dem Autopsiebericht nicht entnehmen. & The Twins" auf der Bühne. Weltberühmtheit erlangte sie Im November 2011 wurde bekanntgegeben, dass Robin unter den Namen Bee Gees. Gibb an Darmkrebs erkrankt sei, der bereits Lebermetastasen Nach Höhen und Tiefen erschienen 1975 die Titel "Jive ausgebildet habe. In der Folge erhielt er mehrere Chemothe- Talking" und "Nights on Broadway". Der unverkennbare rapien und unterzog sich verschiedenen chirurgischen Ein- dreistimmige Falsettgesang wurde für die Bee Gees und die griffen. Robin Gibb starb am 20. Mai 2012 an den Folgen der gesamte Disco-Ära ein Markenzeichen. 1977 erschien das Darmkrebserkrankung. Album "Saturday Night Fever", der Soundtrack zum gleich- Der Darmkrebs gilt mittlerweile als Paradigma für die namigen Film. -
Song Title Version 1 More Time Daft Punk 5,6,7,8 Steps All 4 L0ve Color Me Badd All F0r Y0u Janet Jackson All That I Need Boyzon
SONG TITLE VERSION 1 MORE TIME DAFT PUNK 5,6,7,8 STEPS ALL 4 L0VE COLOR ME BADD ALL F0R Y0U JANET JACKSON ALL THAT I NEED BOYZONE ALL THAT SHE WANTS ACE OF BASE ALWAYS ERASURE ANOTHER NIGHT REAL MCCOY BABY CAN I HOLD YOU BOYZONE BABY G0T BACK SIR MIX-A-LOT BAILAMOS ENRIQUE IGLESIAS BARBIE GIRL AQUA BLACK CAT JANET JACKSON BOOM, BOOM, BOOM, BOOM!! VENGABOYS BOP BOP BABY WESTUFE BRINGIT ALL BACK S CLUB 7 BUMBLE BEE AQUA CAN WE TALK CODE RED CAN'T BE WITH YOU TONIGHT IRENE CANT GET YOU OUT OF MY HEAD KYLIE MINOGUE CAN'T HELP FALLING IN LOVE UB40 CARTOON HEROES AQUA C'ESTLAVIE B*WITCHED CHIQUITITA ABBA CLOSE TO HEAVEN COLOR ME BADD CONTROL JANET JACKSON CRAZY FOR YOU MADONNA CREEP RADIOHEAD CRY FOR HELP RICK ASHLEY DANCING QUEEN ABBA DONT CALL ME BABY MADISON AVENUE DONT DISTURB THIS GROOVE THE SYSTEM DONT FOR GETTO REMEMBER BEE GEES DONT LET ME BE MISUNDERSTOOD SANTA ESMERALDA DONT SAY YOU LOVE ME M2M DONT TURN AROUND ACE OF BASE DONT WANNA LET YOU GO FIVE DYING INSIDE TO HOLDYOU TIMMY THOMAS EL DORADO GOOMBAY DANCE BAND ELECTRIC DREAMS GIORGIO MORODES EVERYDAY I LOVE YOU BOYZONE EVERYTHING M2M EVERYTHING COUNTS DEPECHE MODE FAITHFUL GO WEST FATHER AND SON BOYZONE FILL ME IN CRAIG DAVID FIRST OF MAY BEE GEES FLYING WITHOUT WINGS WESTLIFE FOOL AGAIN WESTLIFE FOR EVER AS ONE VENGABOYS FUNKY TOWN UPS INC GET DOWN TONIGHT KC & THE SUNSHINE BAND GET THE PARTY STARTED PINK GET UP (BEFORE THE NIGHT IS OVER) TECHNOTRONIC GIMME GIMME GIMME ABBA HAPPY SONG BONEY M. -
Page 1 of 4 I Started a Joke (Fingerstyle) - Assaf Levavy
I Started a Joke (Fingerstyle) - Assaf Levavy I Started a Joke (Fingerstyle) - Assaf Levavy (2/4) --------------------------------------------- Intro: (free style) ----- Example: D F#m G A _ _ _ _ _ _ _ _ _ _ | | | | | | | | | | | | | | | | | | e|-----2---|-------------|---------|---------| B|-------3-|---------2---|-----0---|-----2---| G|---2-----|-----2-------|-------0-|-------2-| (2x) D|-0-------|---4-------4-|---0-----|---2-----| A|---------|-------------|---------|-0-------| E|---------|-2-----2-----|-3-------|---------| Verse: ----- D F#m G A _ _ _ _ _ _ _ _ _ _ | | | | | | | | | | | | | | | | | | e|-5---2-3-5-|-2-------|-------0-2-|-3---5---| B|-3---------|-2-------|---0-3-----|-2-------| G|-2---------|-2-------|-----------|-2-------| D|-0---------|---------|-----------|---------| A|-----------|---------|-----------|-0-------| E|-----------|-2-------|-3---------|---------| 1. I started a joke which started the whole world 2. I started to cry which started the whole world D F#m G A _ _ _ _ _ _ _ _ | | | | | | | | | | | | | | | | e|-2---5---|-2-------|-3-------|-------0-| B|-3-------|-2-------|-0---0-3-|-2---3---| G|-2-------|-2-------|-0-------|-2-------| D|-0-------|-4-------|-0-------|---------| A|---------|-4-------|-2-------|-0-------| E|---------|-2-------|-3-------|---------| 1. crying But I didn't 2. laughing Oh If I'd only D F#m G A _ _ _ _ _ _ _ _ | | | | | | | | | | | | | | | | e|---------|-2-------|-3-------|-------0-| B|---------|-2-------|-0---0-3-|-2---3---| G|-2-------|-2-------|-0-------|-2-------| D|-0-------|-4-------|-0-------|---------| -
September 24, 1979 Washington, D.C
THE DAILY WARY OF PRESIDENT JIMMY CARTER DATE MO.. Day, Yr., THE WHITE HOUSE SEPTEMBER 24, 1979 WASHINGTON, D.C. T1ME DAY 5:00 a.m. MONDAY TlME ACXVITY From 1 To 5:oo R The President received a wake up call from the White House signal board operator. 5:30 The President went to the Oval Office. 8:oo ' 8:15 The President met with his Assistant for National Security I Affairs, Zbigniew Brzezinski. 8:53 The President went to the Cabinet Room. 8:53 9:19 The President participated in a meeting with members of the Junta of the Government of National Reconstruction of 1 Nicaragua. For a list of attendees, see APPENDIX "A." The Presidential party went to the patio outside the Cabinet Room. 9:19 t g:20 The Presidential party participated in a photo opportunity with members of the press. g:20 The President returned to the Oval Office. 9:37 1 P The President telephoned Senator J. Bennett Johnston I The call was not completed. i (D-Louisiana). I 9:37 9=39 P The President talked with Senator Henry M. Jackson (D-Washington). The President met with: Walter F. Mondale, Vice President g:45 'lo:20 Hamilton Jordan, Chief of Staff 9:45 10:15 Alonzo L. McDonald, Jr., White House Staff Director g:45 t10:15 Stuart E. Eizenstat, Assistant for Domestic Affairs ! and Policy 9:45 i I 10:15 Frank B. Moore, Assistant for Congressional Liaison g:45 1 10:15 Joseph L. "Jody" Powell, Press Secretary Robert G. Beckel, Special Assistant for Congressional Liaison R The President was telephoned by Representative James C. -
Disco .. Funk .. Soul . a Disagreeable New Sound for an Old Group
Wife of Argentinian Dictator .Real Star in Rock Opera Rice and Webber Team Up By Elias Lieberman Composer Webber and lyricist Rice have "Evita" - Time Rice and Andrew Lloyd woven together a clutch of melodies and Webber (MCA Records) well-worked lyrics that are stylistically the equal of their work in "Supers tar. " 'The term "rock-opera" has been ban The music drifts convincingly from died about quite a bit by the critics ever nightclub ballads to rock, from choruses of since the Who's "Tommy" and Webber Argentine army officers to a funeral and Rice's "Jesus Christ Superstar" march sung by Argentine workers. The debuted some years ago. The passing role of Evita Peron is sung by Julie years have done little to further define the Covington, a woman with a strong, term but the genre definitely lives on. engaging voice. She's at her best in the Webber and ' Rice have teamed up once operas' most melodic tune, "Don't Cry For again. I'll quote from a publicity blurb to Me Argentina." A gritty-voiced C. T. introduce their latest effort. " ·'Evita' " is Wilkerson sings the role of Che, the an opera based on the life story of Eva Argentine student who acts as wry com Peron, the second wife of the Argentine mentator as Evita's story unfolds. The role dictator, Juan Peron. ltis a story of people of Juan Peron is sung by Paul Jones, a whose lives were in politics but it is not a veteran of Manfred Mann's early days as political story.