Top 22 Celebrities Harmed by Medical Malpractice
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“From the Cracks in the Sidewalks of NYC”: The
“From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Urban Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 by Elizabeth Healy Matassa B.A. in Italian and French Studies, May 2003, University of Delaware M.A. in Geography, May 2006, Louisiana State University A Dissertation submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy January 31, 2014 Dissertation directed by Suleiman Osman Associate Professor of American Studies The Columbian College of Arts and Sciences of the George Washington University certifies that Elizabeth Healy Matassa has passed the Final Examination for the degree of Doctor of Philosophy as of August 21, 2013. This is the final and approved form of the dissertation. “From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 Elizabeth Healy Matassa Dissertation Research Committee: Suleiman Osman, Associate Professor of American Studies, Dissertation Director Elaine Peña, Associate Professor of American Studies, Committee Member Elizabeth Chacko, Associate Professor of Geography and International Affairs, Committee Member ii ©Copyright 2013 by Elizabeth Healy Matassa All rights reserved iii Dedication The author wishes to dedicate this dissertation to the five boroughs. From Woodlawn to the Rockaways: this one’s for you. iv Abstract of Dissertation “From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Urban Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 This dissertation argues that New York City’s 1970s fiscal crisis was not only an economic crisis, but was also a spatial and embodied one. -
Summach, the Structure, Function, and Genesis of the Prechorus
Volume 17, Number 3, October 2011 Copyright © 2011 Society for Music Theory The Structure, Function, and Genesis of the Prechorus (1) Jay Summach NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.11.17.3/mto.11.17.3.summach.php KEYWORDS: popular music, rock music, form, prechorus, sentence, srdc ABSTRACT: Prechoruses emerged in the mid-1960s as verse-chorus and strophic forms converged upon a four-part formal disposition that Everett (1999) calls “statement, restatement, departure, and conclusion,” or srdc. This study traces the expansion of the srdc scheme from its compact deployment in strophes to expanded iterations that approximate verse- chorus form. Received February 2011 [1] This article examines an episode in the evolution of verse-chorus form in pop/rock music. Until the mid-1960s, most verse-chorus songs alternated between the two formal sections from which verse-chorus form takes its name: verses and choruses. Example 1, Mark Dinning’s “Teen Angel,” illustrates the form.(2) As is typical for verse-chorus songs, the focal point of “Teen Angel” is the chorus: it contains the most engaging musical material; its unchanging lyric makes it easy to remember; and it is marked for special attention by additional vocal and instrumental parts. The verses, on the other hand, provide context: each verse advances the song narrative by presenting fresh lyrics; and the music is more modest in instrumentation and intensity so as not to steal attention from the chorus. In “Teen Angel,” the tempo is treated flexibly during the verses, which further distinguishes them from the choruses. -
311 Creatures
311 Creatures (For A While) 10 Years After I'd Love To Change The World 10,000 Maniacs Because The Night 10,000 Maniacs Candy Everybody Wants 10,000 Maniacs Like The Weather 10,000 Maniacs More Than This 10,000 Maniacs These Are Days 10,000 Maniacs Trouble Me 10cc I'm Not In Love 10cc The Things We Do For Love 112 Come See Me 112 Cupid 112 It's Over Now 112 Only You 112 Peaches & Cream 112Super Cat Na Na Na 1910 Fruitgum Co. 1 2 3 Red Light 1910 Fruitgum Co. Simon Says 20 Fingers Short Dick Man 2Pac California Love 2Pac Changes 2Pac Dear Mama 2Pac How Do You Want It 2Pau Heart And Soul 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down Duck And Run 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down The Road I'm On 3 Doors Down When I'm Gone 3 Of Hearts Arizon Rain 311 All Mixed Up 311 Amber 311 Down 311 I'll Be Here Awhile 311 You Wouldn't Believe 38 Special Caught Up In You 38 Special Hold On Loosely 38 Special Rockin' Into The Night 38 Special Second Chance 38 Special Wild Eyed Southern Boys 3LW I Do 3LW No More Baby 3LW Playas Gon' Play 3rd Strike Redemption 3rd Stroke No Light 4 Non Blondes What's Up 4 PM Sukiyaki 4 Runner Cain's Blood 4 Runner Ripples 4Him Basics Of Life 5 Stairsteps Ooh Child 50 cent pimp 50 Cent In Da Club 50 Cent Wanksta 5th Dimension Aquarius 5th Dimension Last Night I Didn't Get To Sleep At All 5th Dimension One Less Bell To Answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up And Away 5th Dimension Wedding Bell Blues 69 Boyz Tootie Roll 702 Get It Together 702 Steelo 702 Where My -
42Nd Sports Winners Press Release
THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES ANNOUNCES THE WINNERS OF THE 42nd ANNUAL SPORTS EMMY® AWARDS Ceremony Highlights Women in Sports Television and HBCUs New York, NY - June 8, 2021 - The National Academy of Television Arts and Sciences (NATAS) announced tonight the winners of the 42nd Annual Sports Emmy® Awards. which were live-streamed at Watch.TheEmmys.TV and available on the various Emmy® apps for iOS, tvOS, Android, FireTV, and Roku (full list at apps.theemmys.tv/). The live-virtual presentation was filled with a star-studded group of sports television personalities as presenters such as Emmanuel Acho, Studio Host (FOX), Nate Burleson, Studio Analyst (CBS Sports), Fran Charles, Studio Host (MLB Network), Jim Gray, Sportscaster (Showtime), Andrew Hawkins Studio Analyst (NFL Network), Andrea Kremer, Correspondent (HBO), Laura Rutledge, Studio Host (ESPN), Mike Tirico, Studio Host (NBC Sports) and Matt Winer, Studio Host (Turner). With more women nominated in sports personality categories than ever before, there was a special roundtable celebrating this accomplishment introduced by WNBA player Asia Durr that included most of the nominated female sportscasters such as Erin Andrews (FOX), Ana Jurka (Telemundo), Adriana Monsalve (Univision/TUDN), Rachel Nichols (ESPN), Pilar Pérez (ESPN Deportes), Lisa Salters (ESPN) and Tracy Wolfson (CBS). In addition to this evening’s distinguished nominees and winners, Elle Duncan, anchor (ESPN) announced a grant to historically black colleges/universities (HBCUs) sponsored by Coca-Cola honoring a HBCU student studying for a career in sports journalism administered by the National Academy’s Foundation. Winners were announced in 46 categories including Outstanding Live Sports Special, Live Sports Series and Playoff Coverage, three Documentary categories, Outstanding Play-by-Play Announcer, Studio Host, and Emerging On-Air Talent, among others. -
2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
AF Brochurafestivalinternacion
O FESTIVAL O Festival Internacional de Trombone privilegiará, por um lado, uma programação de carácter pedagógico, tendo em vista o desenvolvimento musical e humano de jovens trombonistas, através de diversas atividades como Masterclasses, Workshops e inúmeros momentos de reflexão e partilha de conhecimentos e experiências. Por outro lado, propomo-nos a desenvolver um festival com mais momentos de expressão artística e musical, sempre relacionada com a família deste instrumento, numa programação muito audaciosa, com grupos convidados nacionais, mais eclética, com géneros que vão da música dita Erudita à Música Contemporânea. Estarão presentes trombonistas portugueses das principais escolas, conservatórios e orquestras portuguesas como trombonistas da Orquestra Sinfónica Portuguesa, Orquestra Sinfónica do Porto - Casa da Música, Remix Ensemble – Casa da Música e trombonistas portugueses a trabalhar em orquestras europeias de referência como a Philharmonisches Staatsorchestes Hamburg (Alemanha), Tonkünstler-Orchester Niederösterreich (Áustria). The Festival Henceforth, the program of the International Trombone Festival will privilege a pedagogical program, aiming at the musical and human development of young trombonists through several activities such as Masterclasses,Workshops, Exhibitions, Collective and Chamber Music Classes and numerous moments of reflection and sharing of knowledge and experiences. Notwithstanding, it will also aim to develop a festival with more moments of artistic and musical expression - always related to this instrument’s -
'Live from New York'
Thursday, October 11, 2018 • APG News B5 5 2 0 part of the cast for _______ years. 9. He served as the original anchor for the “Weekend Update” segment of “Saturday - + ( 19. She was the first woman to host Night Live.” % “Saturday Night Live.” 11. Colin Jost and _________ currently serve as 20. “The Unfrozen Caveman __________,” was a co-anchors on the recurring “SNL” sketch # recurring character created by Jack Handey “Weekend Update.” " 5! and played by Phil Hartman on “Saturday 55 Night Live” from 1991 through 1996. 13. Actor Alec Baldwin has hosted “Saturday Night Live” more than anyone else, _________ 52 50 21. This original “SNL” cast member played a times between 1990 and 2017. 5- samurai in several sketches. 16. “Saturday TV________” was the title of a 5+ 23. Enid Strict, better known as “The recurring skit on “Saturday Night Live” 5( 5% _________Lady”, is a recurring character from featuring cartoons created by “SNL” writer aseries of sketches on “Saturday Night Live,” Robert Smigel. that was created and played by cast 5# 5" member Dana Carvey. 17. This comedian was the first to host 2! “Saturday Night Live,” in the debut October 25 24. An “SNL” episode normally begins with a 1975 episode. ________ open sketch that ends with 22 20 someone breaking character and 18. This co-creator and writer of the hit NBC 2- proclaiming, “Live from New Yo rk, it’s show “Seinfeld” briefly wrote for “SNL.” Saturday Night!” 2+ 19. This current “SNL” cast member has 2( 25. “The Boston __________” are fictional impersonated celebrities like Roseanne Barr, characters featured on “Saturday Night Live,” Meghan Trainor, Rebel Wilson and Adele. -
Suddenly Mommy Program 2019
Suddenly Mommy merch available! Online at ClearlyBlonde.com Theatre INSERT NAME Presents Starring Remember The Leopard Written by Anne Marie Scheffler Print Robe from MILF Story Consultant Rosie Shuster Life Crisis? Production Design by Andy Moro Also available on www.- Original Song by Erinne White, Choreography by Nicola Pantin clearlyblonde.com Follow Anne Marie on Facebook! facebook.com/AnneMarieScheffler twitter @clearlyblonde instagram @annemariescheffler www.suddenlymommy.com Insert Date 2019 Suddenly Mommy! wrote many episodes of Square Pegs, as well as Bob and Margaret. She story edited CatDog, wrote screenplays for 6 of the major stu- Written & Performed by Anne Marie Scheffler dios including Warner Brothers and MGM. Rosie also produced many Story Consultant Rosie Shuster Carol Burnett Shows in the 90s, and a Superman's 50th Anniversary Production Design by Andy Moro Special. About Andy Moro About The Show Andy Moro has collaborated with companies including Native Earth Anne Marie Scheffler jumps into a new world of funny! Having kids! Performing Arts, Red Sky Performance, VideoCabaret, Topological Sure, she thought that’s what she always wanted, but they’re so Theatre, Cabaret Productions, Kaha:wi Dance Theatre, Buddies in much work! It looked so easy in the brochure! A mom in real life, Bad Times, Halfbreed Productions, da da kamera and more. Recent Scheffler exposes the truth of motherhood in an authentic and hilar- work includes Set and Lights for VideoCabaret’s War of 1812 at the ious way. She’ll make you feel good about your parenting skills! Stratford Festival, Set and Lights for Native Earth’s Free as Injuns, Projections for Kaha:wi’s Transmigration Set and Projections for About Anne Marie Scheffler* Kaha:wi’s Medicine Bear, Topological and YPT’s Beyond the Cuckoo’s Anne Marie is the writer and performer of 8 one woman shows, in- Nest, Waawaate Fobister’s AGOKWE and Red Sky’s Migrations at the cluding Situation: NORMA, Watch Norma’s Back, Leaving Norma, Dat- Banff Centre. -
The Creative Life of 'Saturday Night Live' Which Season Was the Most Original? and Does It Matter?
THE PAGES A sampling of the obsessive pop-culture coverage you’ll find at vulture.com ost snl viewers have no doubt THE CREATIVE LIFE OF ‘SATURDAY experienced Repetitive-Sketch Syndrome—that uncanny feeling NIGHT LIVE’ WHICH Mthat you’re watching a character or setup you’ve seen a zillion times SEASON WAS THE MOST ORIGINAL? before. As each new season unfolds, the AND DOES IT MATTER? sense of déjà vu progresses from being by john sellers 73.9% most percentage of inspired (A) original sketches season! (D) 06 (B) (G) 62.0% (F) (E) (H) (C) 01 1980–81 55.8% SEASON OF: Rocket Report, Vicki the Valley 51.9% (I) Girl. ANALYSIS: Enter 12 51.3% new producer Jean Doumanian, exit every 08 Conehead, Nerd, and 16 1975–76 sign of humor. The least- 1986–87 SEASON OF: Samurai, repetitive season ever, it SEASON OF: Church Killer Bees. ANALYSIS: taught us that if the only Lady, The Liar. Groundbreaking? breakout recurring ANALYSIS: Michaels Absolutely. Hilarious? returned in season 11, 1990–91 character is an unfunny 1982–83 Quite often. But man-child named Paulie dumped Billy Crystal SEASON OF: Wayne’s SEASON OF: Mr. Robinson’s unbridled nostalgia for Herman, you’ve got and Martin Short, and Neighborhood, The World, Hans and Franz. SNL’s debut season— problems that can only rebuilt with SNL’s ANALYSIS: Even though Whiners. ANALYSIS: Using the second-least- be fixed by, well, more broadest ensemble yet. seasons 4 and 6 as this is one of the most repetitive ever—must 32.0% Eddie Murphy. -
Read Ebook {PDF EPUB} the Best American Sports Writing 2000 by Dick Schaap the Best American Sports Writing 2000 by Dick Schaap
Read Ebook {PDF EPUB} The Best American Sports Writing 2000 by Dick Schaap The Best American Sports Writing 2000 by Dick Schaap. AUDIO/VIDEO Sports Reporters ESPN's Sports Reporters remembers its host and good friend Dick Schaap. Real: 56.6. Sports Reporters On September 16, Dick Schaap delivered his final 'parting shot' on the Sports Reporters. Real: 56.6 | ISDN Cable Modem. Dick Schaap, whose humorous, often brutally honest approach to sports made him one of the most beloved, respected and honored journalists of the past half century, died Friday from post-operative complications after hip replacement surgery. He was 67. Schaap had most recently been the host of "ESPN Magazine's Sports Reporters" on television and "The Sporting Life" on ESPN Radio with his son, Jeremy -- one of his six children. His career in journalism began more than 50 years ago and included work in television, radio, newspapers, magazines and books. Dick Schaap wrote 33 books, a dozen of them autobiographies "as told to Dick Schaap." While sports journalism, aided and abetted by talk radio, has become louder, harsher and more judgmental over the years, Schaap stuck to the basics: a pointed quip, a poignant quote, an amusing anecdote to give his audience a special insight into the people he knew. He was a master storyteller who changed the way we thought about sports and the people who entertain us in stadiums and arenas. Schaap had a politician's knack for remembering people, and he could drop more names in one sentence than someone reading from Who's Who in America. -
The Past and Future City: How Historic Preservation Is Reviving America's Communities
Notes Introduction 1. LA Conservancy, “Japanese-American Heritage,” https://www.laconser vancy.org/japanese-american-heritage. LA Conservancy, “The Maravilla Handball Court and El Centro Grocery Store,” https://www.laconser vancy.org/locations/maravilla-handball-court-and-el-centro-grocery. “Old Homies Pay Tribute to History, Handball, and a Woman Named Michi,” Eastsider LA, June 29, 2009, http://theeastsiderlahomehistory .blogspot.com/2009/06/old-hommies-play-tribute-to-history.html. Hec- tor Becerra, “Extending a Hand to a Faded East L.A. Handball Court,” Los Angeles Times, February 14, 2010, http://articles.latimes.com/2010 /feb/14/local/la-me-handball14-2010feb14. 2. LA Conservancy, “The Maravilla Handball Court.” Becerra, “Extending a Hand.” “Old Homies Pay Tribute.” 3. Becerra, “Extending a Hand.” “Old Homies Pay Tribute.” Newly Paul, “Group Works to Preserve East LA’s Maravilla Handball Court,” KPCC, February 23, 2010, http://www.scpr.org/news/2010/02/23/12216/group -works-preserve-east-las-maravilla-handball-c/. 4. Paul, “Group Works to Preserve East LA’s Maravilla Handball Court.” 5. Ibid. 6. Ibid. “East L.A. Handball Court Declared a State Historic Landmark,” Eastsider LA, August 7, 2012, http://www.theeastsiderla.com/2012/08 /east-l-a-handball-court-declared-a-state-historic-landmark/. 7. Maria Lewicka, “Place Attachment: How Far Have We Come in the Last 40 Years?,” Journal of Environmental Psychology 31 (2011): 211, 225; and Maria Lewicka, “Place Attachment, Place Identity, and Place Memory: Restoring the Forgotten City Past,” Journal of Environmental Psychology 28 (2008): 211. Quoted in Tom Mayes, “Why Old Places Matter: Con- 263 Stephanie Meeks with Kevin C. -
AS YOU LIKE IT, the First Production of Our 50Th Anniversary Season, and the First Show in Our Shakespearean Act
Welcome It is my pleasure to welcome you to AS YOU LIKE IT, the first production of our 50th anniversary season, and the first show in our Shakespearean act. Shakespeare’s plays have been a cornerstone of our work at CSC, and his writing continues to reflect and refract our triumphs and trials as individuals and collectively as a society. We inevitability turn to Shakespeare to express our despair, bewilderment, and delight. So, what better place to start our anniversary year than with the contemplative search for self and belonging in As You Like It. At the heart of this beautiful play is a speech that so perfectly encapsulates our mortality. All the world’s a stage, and we go through so many changes as we make our exits and our entrances. You will have noticed many changes for CSC. We have a new look, new membership opportunities, and are programming in a new way with more productions and a season that splits into what we have called “acts.” Each act focuses either on a playwright or on an era of work. It seemed appropriate to inaugurate this with a mini-season of Shakespeare, which continues with Fiasco Theater's TWELFTH NIGHT. Then there is Act II: Americans dedicated to work by American playwrights Terrence McNally (FIRE AND AIR) and Tennessee Williams (SUMMER AND SMOKE); very little of our repertoire has focused on classics written by Americans. This act also premieres a new play by Terrence McNally, as I feel that the word classic can also encapsulate the “bigger idea” and need not always be the work of a writer from the past.