Street Code Adherence, Callous-Unemotional Traits and the Capacity of Violent Offending Versus Non-Offending Urban Youth to Mentalize About Disrespect Murder

Total Page:16

File Type:pdf, Size:1020Kb

Street Code Adherence, Callous-Unemotional Traits and the Capacity of Violent Offending Versus Non-Offending Urban Youth to Mentalize About Disrespect Murder City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2015 Street Code Adherence, Callous-Unemotional Traits and the Capacity of Violent Offending versus Non-Offending Urban Youth to Mentalize About Disrespect Murder Zoe A. Berko Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/523 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Street Code Adherence, Callous-Unemotional Traits and the Capacity of Violent Offending versus Non-Offending Urban Youth to Mentalize About Disrespect Murder by Zoë A. Berko A dissertation proposal submitted to the Graduate Faculty in Clinical Psychology in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2015 © 2015 Zoë A. Berko All Rights Reserved ii This manuscript has been read and accepted by the Graduate Faculty in Clinical Psychology in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy __________________ ________________________ Date Steven Tuber, Ph.D. Chair of Examining Committee __________________ ________________________ Date Joshua Brumberg, Ph.D. Executive Officer in Psychology Arietta Slade, Ph.D. L. Thomas Kucharski, Ph.D. Elliot L. Jurist, Ph.D., Ph.D. Diana Puñales-Morejon, Ph.D. Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract STREET CODE ADHERENCE, CALLOUS-UNEMOTIONAL TRAITS AND THE CAPACITY OF VIOLENT OFFENDING VERSUS NON-OFFENDING URBAN YOUTH TO MENTALIZE ABOUT DISRESPECT MURDER By Zoë A. Berko Advisor: Steven Tuber, Ph.D. National statistics are not available on the proportion of violent juvenile offenses driven by the experience of being disrespected. However, the New York Police Department estimates that about 40% of the city’s shootings involve members of violent crews of 12 to 20 year olds with most of this gun violence driven by incidents of disrespect. Mentalization, defined as the ability to envision mental states (i.e., feelings, beliefs and intentions) in oneself and others, is viewed as underlying affect regulation, impulse control, self-monitoring, and the experience of self-agency, all of which are implicated in interpersonal violence (Fonagy, Gergely, Jurist, & Target, 2002). From a developmental psychodynamic perspective, the capacity to mentalize is seen as developing within the context of secure early attachment relationships via the process of caregiver affect attunement (Fonagy et al., 2002; Stern, 1985; Winnicott, 1963) with further scaffolding optimally provided by secure social contexts such as school and the wider socio- cultural environment (Twemlow, 2003). This mixed-methods pilot study investigated the extent and nature of breakdowns in mentalization in the context of street violence in a community sample (N = 18) of violent offending versus non-offending male adolescents from low-income New York City neighborhoods and the degree to which these breakdowns are shaped by level of street code iv adherence and callous-unemotional (CU) traits. Secondary analyses examined the relationship of CU traits with street code adherence and with the capacity to mentalize in the context of attachment relationships given the limited investigation of social-cultural and relational factors that may shape the development of CU traits. Self-report measures assessed participants' level of street code adherence, CU traits and the capacity to mentalize in attachment relationships. Mentalizing capacity in the context of street violence was assessed through a semi-structured interview using movie clips of disrespect murders involving teenaged perpetrators that was coded for level of reflective function by an independent rater as well as analyzed qualitatively. Violent offenders presented with significantly lower overall mentalizing capacities (M = 3.30, SD = .67) than controls (M = 4.19, SD = .88), t (df) = -2.41, p = .03) in the context of street violence. Qualitatively, violent offenders exhibited more frequent and extensive breakdowns than controls when called upon to mentalize both the perpetrators’ and victims’ experiences ranging from a more limited affective repertoire to the complete collapse of mentalization and greater defensive distancing (e.g., yawning). A higher level of street code adherence was found to be moderately related to a lower capacity to mentalize in the context of street violence. A medium effect size was found for the relationship between higher levels of CU traits and lower capacity to mentalize the victim’s (though not the perpetrators) experience. While this latter finding was not statistically significant it is suggested that with a larger sample size this effect may be statistically significant. Lower mentalizing capacities in the context of attachment relationships were found to be associated with higher levels of street code adherence. From this perspective, individuals whose early attachment related experiences did not support the acquisition of adequate mentalizing capacities may be more drawn to the predictable yet organizing framework for interpersonal interactions provided by street code. Finally, a case v study of one of the violent offender participants is presented to demonstrate how impoverished emotional responses among high CU and high street-code adhering youth may, in part, represent a “turning off” of emotions secondary to the trauma of community violence. Implications for the adaption of mentalization-based therapy for street code-invested violent youth are discussed. Key Words: Mentalization, Disrespect Murder, Street Culture, Callous-unemotional traits, Juvenile Offenders. vi Acknowledgements I am indebted to the many people who have provided their support, guidance and professional expertise both during my doctoral training at the City College of New York and in bringing this study to its completion. This study was inspired by my clinical work with violent juvenile offenders within the New York City Department of Juvenile Justice (NYC-DJJ) before coming to City College. I would therefore like to start by expressing my thanks to my former clinical supervisors and colleagues at NYC-DJJ for all they taught me about working with juvenile-justice involved youth: Ron Carter, Kali Council, Cindy Gordon, Marion Jamison, Keri-Ann Ket Ying, Petrice Knight, Shelby Morgan, Sara Blumberg-Peterson, Jose Quinones, Dr. Monique Terrell, Dr. Sean Turner and Linda VanDemark. I would like to express my gratitude to my committee members, Dr. Steven Tuber, Dr. L. Thomas Kucharski and Dr. Arietta Slade for the incredible mentorship that they provided throughout my doctoral journey. I am immensely grateful to my chair, Dr. Steven Tuber for all he has taught me about psychodynamic work with children and adolescents, and his consistent support of my development as a clinician, researcher and parent. I would like to thank Dr. Kucharski for his guidance in crafting the callous-unemotional traits piece of the study and for his academic and clinical training in Forensic Psychology. I would like to thank Dr. Slade for her investment in helping me develop as a writer and for her inspiring teaching of attachment theory that formed the theoretical foundation of my dissertation. To my readers, Dr. Elliot Jurist and Dr. Diana Punales-Morejon, I would like to express my thanks for your close reading of my work, and thought provoking questions about my study that I hope to be able to incorporate into future, vii related research projects. In particular, I would like express my appreciation to Dr. Jurist for his scholarship on mentalization that shaped my thinking about this topic. I would also like to thank the professors within the CUNY Clinical and Forensic Psychology Doctoral programs at City College and John Jay College of Criminal Justice in whose courses I was able to develop the different components of this project: Dr. Angela Crossman, Dr. Mark Fondacaro, Dr. Iris Hellner, Dr. Jeffrey Rosen, and Dr. Louis Schlesinger. In addition, I would like to extend my thanks to Dr. Mary Kim Brewster and Dr. Salomon Bankier for their supervision of my clinical training in family therapy and psychodynamic therapy with at-risk adolescents while at City. My dissertation would not have been possible without the candid and vulnerable testimonies of the study participants about their experience of street violence. I am enormously grateful to you for sharing your stories and hope that my study gives accurate voice to your experiences. Thanks to Gisele Castro, Sarah Deming, Nadia Encarnacion and Nathanial Quinn for their assistance in connecting me to the initial study participants. I would like to thank Dr. Olga Poznansky for her coding of the MASVI measure and Dr. Sarai Batchelder for her assistance with data analysis. I would also like to express my appreciation for the grants awarded by the CUNY Graduate Center and the Far Fund that allowed me to fund this study. I need to thank my parents, John and Sue Barlow, my brother, Nick Barlow and my in- laws, Eugene and Amelia Berko, for their invaluable support and encouragement throughout this process. Special thanks to my dear friends, Dr. Kahlila Robinson and Dr. Elizabeth Freidin- Baumann. It was a privilege sharing my doctoral journey at City College with you. Special thanks also to Dr. Sara Pappas for your friendship and encouragement to pursue graduate studies in the United States. I am particularly grateful to Johanna Miller, Brenda Bardwell and the staff viii of the CUNY Graduate Center Child Development Center for their loving and dedicated care of my sons as I worked on my dissertation. Most importantly, I need to express my deepest gratitude to my husband, Steve Berko and to our sons Reuben and Gabriel. Steve, I could never have done this without you. Finally, I would like to dedicate this dissertation to the memory of my maternal grandfather, Nelson Gunn, and my cousin, Matthew Richardson, whose own educational journeys were an inspiration to me.
Recommended publications
  • LEAPING TALL BUILDINGS American Comics SETH KUSHNER Pictures
    LEAPING TALL BUILDINGS LEAPING TALL BUILDINGS LEAPING TALL From the minds behind the acclaimed comics website Graphic NYC comes Leaping Tall Buildings, revealing the history of American comics through the stories of comics’ most important and influential creators—and tracing the medium’s journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Using interview-based essays, stunning portrait photography, and original art through various stages of development, this book delivers an in-depth, personal, behind-the-scenes account of the history of the American comic book. Subjects include: WILL EISNER (The Spirit, A Contract with God) STAN LEE (Marvel Comics) JULES FEIFFER (The Village Voice) Art SPIEGELMAN (Maus, In the Shadow of No Towers) American Comics Origins of The American Comics Origins of The JIM LEE (DC Comics Co-Publisher, Justice League) GRANT MORRISON (Supergods, All-Star Superman) NEIL GAIMAN (American Gods, Sandman) CHRIS WARE SETH KUSHNER IRVING CHRISTOPHER SETH KUSHNER IRVING CHRISTOPHER (Jimmy Corrigan, Acme Novelty Library) PAUL POPE (Batman: Year 100, Battling Boy) And many more, from the earliest cartoonists pictures pictures to the latest graphic novelists! words words This PDF is NOT the entire book LEAPING TALL BUILDINGS: The Origins of American Comics Photographs by Seth Kushner Text and interviews by Christopher Irving Published by To be released: May 2012 This PDF of Leaping Tall Buildings is only a preview and an uncorrected proof . Lifting
    [Show full text]
  • J a C K Kirb Y C Olle C T Or F If T Y- Nine $ 10
    JACK KIRBY COLLECTOR FIFTY-NINE $10 FIFTY-NINE COLLECTOR KIRBY JACK IT CAN’T BE! BUT IT IS! I’VE DISCOVERED... ...THE AND NOTHING WILL EVER BE THE SAME AGAIN!! 95 A TREASURE TROVE OF RARITIES BY THE “KING” OF COMICS! Contents THE OLD(?) The Kirby Vault! OPENING SHOT . .2 (is a boycott right for you?) KIRBY OBSCURA . .4 (Barry Forshaw’s alarmed) ISSUE #59, SUMMER 2012 C o l l e c t o r JACK F.A.Q.s . .7 (Mark Evanier on inkers and THE WONDER YEARS) AUTEUR THEORY OF COMICS . .11 (Arlen Schumer on who and what makes a comic book) KIRBY KINETICS . .27 (Norris Burroughs’ new column is anything but marginal) INCIDENTAL ICONOGRAPHY . .30 (the shape of shields to come) FOUNDATIONS . .32 (ever seen these Kirby covers?) INFLUENCEES . .38 (Don Glut shows us a possible devil in the details) INNERVIEW . .40 (Scott Fresina tells us what really went on in the Kirby household) KIRBY AS A GENRE . .42 (Adam McGovern & an occult fave) CUT-UPS . .45 (Steven Brower on Jack’s collages) GALLERY 1 . .49 (Kirby collages in FULL-COLOR) UNEARTHED . .54 (bootleg Kirby album covers) JACK KIRBY MUSEUM PAGE . .55 (visit & join www.kirbymuseum.org) GALLERY 2 . .56 (unused DC artwork) TRIBUTE . .64 (the 2011 Kirby Tribute Panel) GALLERY 3 . .78 (a go-go girl from SOUL LOVE) UNEARTHED . .88 (Kirby’s Someday Funnies) COLLECTOR COMMENTS . .90 PARTING SHOT . .100 Front cover inks: JOE SINNOTT Back cover inks: DON HECK Back cover colors: JACK KIRBY (an unused 1966 promotional piece, courtesy of Heritage Auctions) This issue would not have been If you’re viewing a Digital possible without the help of the JACK Edition of this publication, KIRBY MUSEUM & RESEARCH CENTER (www.kirbymuseum.org) and PLEASE READ THIS: www.whatifkirby.com—thanks! This is copyrighted material, NOT intended for downloading anywhere except our The Jack Kirby Collector, Vol.
    [Show full text]
  • COMICS Viva Il Re! L a Vita E Le Opere Del Co-Creatore Della Marvel
    ADM Editore - nr. 35 settembre/ottobre 2017 Metti in collaborazione con Sui Fu FuMetti e Ale A StA Digit lA Rivi FUMETTO E SCUOLA l a parola a laura Scarpa e Paolo Forni SBAM!COMICS VIVA IL RE! l a vita e le opere del co-creatore della Marvel www.sbamcomics.it RE DEL TERRORE 100 ANNI DI JACK KIRBY ... IN CAMPO l otti e Mainardi ci raccontano Drawing by Ron Frenz, inks by Sal Buscema - Captain America © Marvel Comics America © Marvel - Captain Sal Buscema by inks Frenz, Ron by Drawing INTERVISTA ESCLUSIVA A il Diabolik “calcistico” FUMETTI RON FRENZ b ondi-leone-nanni L’ulTIMO DEI KIRBYANI! antonio Pannullo Fascinella-Zuppini NOVITÀ! arrivano in libreria gli IN QUESTO NUMERO 35 4 Pre-cover Dall’esperienza della rivista digitale fumettosa più bella di tutti i tempi, lo Sbam-sito ecco nelle migliori librerie i primi titoli della nostra nuovissima collana http://sbamcomics.it/ di volumi: sono nati gli Sbam! libri. Tutti i dettagli dell’iniziativa. 12 i n copertina SBAM!COMICS Il centenario del Re del Fumetto, Jack Kirby: per celebrarlo come si deve, abbiamo intervistato l’eccellente Ron Frenz, ultimo dei kirbyani e copertinista d’eccezione di questo numero di Sbam!, e ripercorso Sbam! Comics è la rivista digitale l’incredibile carriera del King! completamente gratuita per tutti 76 Fumetto e scuola Fortunatamente, sono ormai molto lontani i tempi in cui nelle scuole gli appassionati di fumetti: è diffusa la Sbam-vetrina dei nostri libri www.sbamcomics.it/sbamlibri vigeva il più assoluto ostracismo per i fumetti. Ma oggi, che rapporto c’è tra scuola e Nona Arte? Lo abbiamo chiesto a chi di insegnamento ogni due mesi tramite il sito del Fumetto se ne intende, laura Scarpa, e a un docente che propone www.sbamcomics.it.
    [Show full text]
  • 2News Summer 05 Catalog
    TwoMorrows 2015 Catalog SAVE 15 ALL BOOKS, MAGS WHEN YOU% & DVDs ARE 15% OFF ORDER EVERY DAY AT ONLINE! www.twomorrows.com *15% Discount does not apply to Mail Orders, Subscriptions, Bundles, Limited Editions, Digital Editions, or items purchased at conventions. Four Ways To Order: • Save us processing costs by ordering Print or Digital Editions ONLINE at www.twomorrows.com and you get at least 15% OFF cover price, plus exact weight-based postage (the more you order, the more you save on shipping—especially overseas customers)! Plus you’ll get a FREE PDF DIGITAL EDITION of each PRINT item you order, where available. OR: • Order by MAIL, PHONE, FAX, or E-MAIL DIGITALEDITIONS and add $1 per magazine or DVD and $2 per book in the US for Media Mail shipping. AVAILABLE OUTSIDE THE US, PLEASE CALL, E-MAIL, OR ORDER ONLINE TO CALCULATE YOUR EXACT POSTAGE! OR: • Download our new Apps on the Apple and Android App Stores! OR: • Use the Diamond Order Code to order at your local comic book shop! CONTENTS DIGITAL ONLY BOOKS . 2 AMERICAN COMIC BOOK CHRONICLES . .3 MODERN MASTERS SERIES . 4-5 COMPANION BOOKS . 6-7 ARTIST BIOGRAPHIES . 8-9 COMICS & POP CULTURE BOOKS . 10 ROUGH STUFF & WRITE NOW . 11 DRAW! MAGAZINE . 12 HOW-TO BOOKS . 13 COMIC BOOK CREATOR MAGAZINE . 14 COMIC BOOK ARTIST MAGAZINE . 15 JACK KIRBY COLLECTOR . 16-19 ALTER EGO MAGAZINE . 20-27 BACK ISSUE! MAGAZINE . 28-32 To be notified of exclusive sales, limited editions, and new releases, sign up for our mailing list! All characters TM & ©2015 their respective owners.
    [Show full text]
  • May 5, 2007 (Pages 2083-2168)
    Pennsylvania Bulletin Volume 37 (2007) Repository 5-5-2007 May 5, 2007 (Pages 2083-2168) Pennsylvania Legislative Reference Bureau Follow this and additional works at: https://digitalcommons.law.villanova.edu/pabulletin_2007 Recommended Citation Pennsylvania Legislative Reference Bureau, "May 5, 2007 (Pages 2083-2168)" (2007). Volume 37 (2007). 18. https://digitalcommons.law.villanova.edu/pabulletin_2007/18 This May is brought to you for free and open access by the Pennsylvania Bulletin Repository at Villanova University Charles Widger School of Law Digital Repository. It has been accepted for inclusion in Volume 37 (2007) by an authorized administrator of Villanova University Charles Widger School of Law Digital Repository. Volume 37 Number 18 Saturday, May 5, 2007 • Harrisburg, PA Pages 2083—2168 Agencies in this issue The Courts Bureau of Professional and Occupational Affairs Department of Agriculture Department of Banking Department of Environmental Protection Department of Health Department of Public Welfare Department of Transportation Fish and Boat Commission Insurance Department Pennsylvania Gaming Control Board Pennsylvania Public Utility Commission State Board of Nursing State Board of Vehicle Manufacturers, Dealers and Salespersons Detailed list of contents appears inside. PRINTED ON 100% RECYCLED PAPER Latest Pennsylvania Code Reporter (Master Transmittal Sheet): No. 390, May 2007 published weekly by Fry Communications, Inc. for the PENNSYLVANIA BULLETIN Commonwealth of Pennsylvania, Legislative Reference Bu- reau, 647 Main Capitol Building, State & Third Streets, (ISSN 0162-2137) Harrisburg, Pa. 17120, under the policy supervision and direction of the Joint Committee on Documents pursuant to Part II of Title 45 of the Pennsylvania Consolidated Statutes (relating to publication and effectiveness of Com- monwealth Documents).
    [Show full text]
  • Street Codes, Routine Activities, Neighborhood Context, and Victimization: an Examination of Alternative Models
    Street Codes, Routine Activities, Neighborhood Context, and Victimization: An Examination of Alternative Models A Dissertation Submitted to the Graduate School of the University of Cincinnati In Partial Fulfillment of the Requirements for the Degree of Doctorate of Philosophy (Ph.D.) In the School of Criminal Justice of the College of Education, Criminal Justice, and Human Services 2013 By Susan M. McNeeley B.A., Centenary College of Louisiana, 2007 M.A., University of Memphis, 2009 Dissertation Committee: Pamela Wilcox, Ph.D. (Chair) John Wooldredge, Ph.D Francis T. Cullen, Ph.D Eric A. Stewart, Ph.D. ABSTRACT According to Elijah Anderson’s Code of the Street (1999), individuals in disadvantaged communities adopt a set of oppositional values, partly because demonstrating these values allows them to avoid victimization. However, the empirical evidence on the effect of the street code on victimization is mixed, with several studies finding that those who adhere to the values provided in the code are at greater risk for victimization. This study incorporates lifestyle-routine activities theory in order to better understand the relationships between subcultural values, opportunity, and victimization. Specifically, three theoretical models are tested. In the first model, the main effects of code-related beliefs are examined, net of activities. The second model proposes an indirect effect of subcultural values on victimization through an increase in public activities or lifestyle. The third model is interactive in nature; one’s beliefs and activities may interact to increase the chances of experiencing victimization, with adherence to subcultural values affecting victimization to a greater extent for those who more often engage in public activities.
    [Show full text]
  • 2News Summer 05 Catalog
    The JACK KIRBY COLLECTOR #63 All characters TM & © Marvel Characters, Inc. $10.95 SUMMER 2014 THE ISSUE #63, SUMMER 2014 C o l l e c t o r Contents The Marvel Universe! OPENING SHOT . .2 (let’s put the Stan/Jack issue to rest in #66, shall we?) A UNIVERSE A’BORNING . .3 (the late Mark Alexander gives us an aerial view of Kirby’s Marvel Universe) GALLERY . .37 (mega Marvel Universe pencils) JACK KIRBY MUSEUM PAGE . .48 (visit & join www.kirbymuseum.org) JACK F.A.Q.s . .49 (in lieu of Mark Evanier’s regular column, here’s his 2008 Big Apple Kirby Panel, with Roy Thomas, Joe Sinnott, and Stan Goldberg) KIRBY OBSCURA . .64 (the horror! the horror! of S&K) KIRBY KINETICS . .67 (Norris Burroughs on Thing Kong) IF WHAT? . .70 (Shane Foley ponders how Jack’s bad guys could’ve been badder) RETROSPECTIVE . .74 (a look at key moments in Kirby’s later life and career) INCIDENTAL ICONOGRAPHY . .82 (we go “under the sea” with Triton) CUT ’N’ PASTE . .84 (the lost FF #110 collage) KIRBY AS A GENRE . .86 (the return of the return of Captain Victory) UNEARTHED . .89 (the last survivor of Kirby’s Marvel Universe?) COLLECTOR COMMENTS . .91 PARTING SHOT . .96 Cover inks: MIKE ROYER Cover color: TOM ZIUKO If you’re viewing a Digital Edition of this publication, PLEASE READ THIS: This is copyrighted material, NOT intended Spider-Man is the one major Marvel character we don’t cover this issue, but here’s a great sketch of Spidey that Jack drew for for downloading anywhere except our website or Apps.
    [Show full text]
  • Secret Identities: Graphic Literature and the Jewish- American Experience Brian Klotz University of Rhode Island, [email protected]
    University of Rhode Island DigitalCommons@URI Senior Honors Projects Honors Program at the University of Rhode Island 2009 Secret Identities: Graphic Literature and the Jewish- American Experience Brian Klotz University of Rhode Island, [email protected] Follow this and additional works at: http://digitalcommons.uri.edu/srhonorsprog Part of the Arts and Humanities Commons Recommended Citation Klotz, Brian, "Secret Identities: Graphic Literature and the Jewish-American Experience" (2009). Senior Honors Projects. Paper 127. http://digitalcommons.uri.edu/srhonorsprog/127http://digitalcommons.uri.edu/srhonorsprog/127 This Article is brought to you for free and open access by the Honors Program at the University of Rhode Island at DigitalCommons@URI. It has been accepted for inclusion in Senior Honors Projects by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. Klotz 1 Brian Klotz HPR401 Spring 2009 Secret Identities: Graphic Literature and the Jewish-American Experience In 1934, the comic book was born. Its father was one Maxwell Charles Gaines (né Ginsberg), a down-on-his-luck businessman whose previous career accomplishments included producing “painted neckties emblazoned with the anti-Prohibition proclamation ‘We Want Beer’” (Kaplan 2). Such things did not provide a sufficient income, and so a desperate Gaines moved himself and his family back in to his mother’s house in the Bronx. It was here, in a dusty attic, that Gaines came across some old newspaper comic strips and had his epiphany. Working with Eastern Color Printing, a “company that printed many of the Sunday newspaper comics sections in the Northeast” (Kaplan 2-3), Gaines began publishing pamphlet-sized collections of old comic strips to be sold to the public (this concept had been toyed with previously, but only as premiums or giveaways, not as an actual retail product).
    [Show full text]
  • 100 Top Creators Celebrate Jack Kirby's Greatest Work 100 Top Creators Celebrate Jack Kirby's Greatest Work 100 Top Creators
    100100100 TopTopTop CreatorsCreatorsCreators CelebrateCelebrate JackJackJack Kirby’sKirby’sKirby’s GreatestGreatest WorkWork TABLE OF CONTENTS Introduction by John Morrow..... 6 27. Kyle Baker: 54. José Villarrubia: 80. Kevin Eastman: Captain America.................... 60 Captain America #109......... 112 Kamandi #16 ....................... 162 THE GOLDEN AGE 28. Shannon Wheeler: 55. Joe Sinnott: 81. Thomas Yeates: 1. Paris Cullins: Blue Beetle....... 8 The X-Men #8........................ 62 Fantastic Four #95 ............... 114 Kamandi #19 ....................... 164 2. Allen Bellman: 29. Larry Hama: Sgt. Fury #13... 64 82. Scott Shaw!: Captain America Comics #5 .... 10 DC AND THE FOURTH WORLD 30. Steve Mitchell: 1st Issue Special #6 ............. 166 56. Jerry Ordway: 3. Mike Vosburg: Sgt. Fury #13 ......................... 65 83. Alan Davis: OMAC #4 ....... 170 Stuntman #2 ............................ 12 Mister Miracle #1 ............... 116 31. Fred Hembeck: 84. Batton Lash: 57. Dustin Nguyen: THE 1950s Fantastic Four #34 ................. 66 Our Fighting Forces ............. 172 The Forever People #6......... 117 4. John Workman: 32. W alter Simonson: 85. Alex Ross: 58. Will Meugniot: Boys’ Ranch #3 ........................ 14 Journey Into Mystery #113 ... 68 The Sandman #4 ................. 174 Mattel Comic Game Cards ...118 5. Bill Black: Captain 3-D #1 .... 16 33. Adam Hughes: 59. Al Milgrom: Jimmy Olsen RETURN TO MARVEL 6. T revor Von Eeden: Tales of Suspense #66 .......... 70 Adventures .......................... 120 86. Evan Dorkin: Fighting American #1 .............. 18 34. P . Craig Russell: 60. Cliff Galbraith: Superman’s Captain America’s Fantastic Four #40–70........... 72 7. Bob Burden: Pal, Jimmy Olsen #134........ 123 Bicentennial Battles ............ 176 Fighting American ................... 20 35. Richard Howell: 61. Dan Jurgens: Superman’s 87. Bruce Timm: Fantastic Four #45 ................
    [Show full text]
  • Understanding the Complexities and Origins of Gun Violence in Chicago
    Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2021 Understanding the Complexities and Origins of Gun Violence in Chicago Christopher Bilicic [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the American Politics Commons, Criminology Commons, Criminology and Criminal Justice Commons, Race and Ethnicity Commons, Social Control, Law, Crime, and Deviance Commons, Social Justice Commons, and the United States History Commons Recommended Citation Bilicic, Christopher, "Understanding the Complexities and Origins of Gun Violence in Chicago". Senior Theses, Trinity College, Hartford, CT 2021. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/866 UNDERSTANDING THE COMPLEXITIES AND ORIGINS OF GUN VIOLENCE IN CHICAGO A thesis presented by Christopher Bilicic to The Political Science Department in partial fulfillment of the requirements for Honors in Political Science Trinity College Hartford, CT April 10, 2021 Professor Anna Terwiel Stefanie Chambers Thesis Advisor Department Chair 2 Contents Chapter 1: Introduction 3 Chapter 2: Chicago’s History of Housing Discrimination and Racial Segregation 28 Chapter 3: Legal Cynicism and Chicago’s History of Police Abuse 68 Chapter 4: Public Policy Solutions 83 Chapter 5: Conclusion 134 3 Chapter 1 Introduction 4 Last summer, in the Englewood neighborhood of Chicago’s South Side, Yasmin Miller was driving home from her local laundromat with her 20-month-old son, Sincere Gaston, seated in the back of her car. Several stray bullets from a nearby shooting hit Yasmin’s car, killing her son. At a vigil for Sincere, Yasmin Miller made an emotional plea to her South Side community: “We need your help.
    [Show full text]
  • Jack Kirby Collector #77•Summer 2019•$10.95
    THE BREAK OUT DDT AND RUN FOR YOUR LIFE! IT’S THE AND BUGS ISSUE JACK KIRBY COLLECTOR #77•SUMMER 2019•$10.95 with ERIC POWELL•MICHAEL CHO•MARK EVANIER•SEAN KLEEFELD•BARRY FORSHAW•ADAM McGOVERN•NORRIS BURROUGHS•SHANE FOLEY•JERRY BOYD 4 5 6 3 0 0 8 5 6 2 8 1 STARRING JACK KIRBY•DIRECTED BY JOHN MORROW•FEATURING RARE KIRBY ARTWORK•A TWOMORROWS PUBLISHING RELEASE Monster, Forager TM & © DC ComicsNew • Goom Gods TM TM & ©& Marvel © DC Characters,Comics. Inc. • Lightning Lady TM & © Jack Kirby Estate Contents THE Monsters & Bugs! OPENING SHOT ................2 ( something’s bugging the editor) FOUNDATIONS ................4 (S&K show the monsters inside us) ISSUE #77, SUMMER 2019 RETROSPECTIVE ..............12 Collector (from Vandoom to Von Doom) INCIDENTAL ICONOGRAPHY .....23 (you recall Giganto, don’t you?) KIRBY KINETICS ..............25 (the FF’s strange evolution) INFLUENCEES ................30 (cover inker Eric Powell speaks) GALLERY 1 ..................34 (monsters, in pencil) HORRORFLIK ................42 (Jack’s ill-fated Empire Pictures deal) KIRBY OBSCURA .............46 (vintage 1950s monster stories) JACK KIRBY MUSEUM .........48 (visit & join www.kirbymuseum.org) POW!ER ....................49 (two monster Kirby techniques) UNEXPLAINED ...............51 (three major myths of Kirby’s) BOYDISMS ...................54 (monsters, all the way back to the ’40s) KIRBY AS A GENRE ...........64 (Michael Cho on his Kirby influences) ANTI-MAN ..................68 (we go foraging for bugs) GALLERY 2 ..................72 (the bugs attack!) UNDISCOVERED
    [Show full text]
  • Click Above for a Preview, Or Download
    JACK KIRBY COLLECTOR THIRTY-EIGHT $9 95 IN THE US Jack Kirby (right) Burne Hogarth’s classic Dynamic Figure Drawing was a revelation to me as a budding teenage artist, but deep down I always wondered what a “how-to” book by Kirby would be like. Jack DYNAMIC never produced such a book, and if he had, it’s a safe bet nobody would’ve bought it for the words anyway. So here’s my take on what the cover might’ve FIGURE looked like. Hulk, Thing TM & ©2003 Marvel Characters, Inc. Big Barda TM & ©2003 DC Comics. DRAWING COPYRIGHTS: Atlas, Big Barda, Boy Commandos, Challengers of the Unknown, Darkseid, Demon, Dingbats of Danger Street, Dr. Fate, Forager, Forever People, Green Lantern, Jimmy Olsen, Kamandi, Lightray, Losers, Mr. Miracle, Negative Man, New Gods, Newsboy Legion, OMAC, Orion, Promethea, Pyra, Spectre, Superman, Toxl the World Killer, Wonder Woman, Young Romance TM & ©2003 DC Comics • Black Bolt, Black Panther, Bucky, Capt. America, Crystal, Dr. Doom, Dr. Strange, Dragon Man, Enchantress, Fantastic Four, Galactus, Gorgon, Hercules, Hulk, Human Torch, Infant Terrible, Inhumans, Invisible Girl, Iron Man, Karnak, Liberty Legion, Magneto, Makarri, Medusa, Melter, Modok, Mr. Fantastic, Nick Fury, Rawhide Kid, Red Skull, Sgt. Fury, Silver Surfer, Spider-Man, Sub-Mariner, Super Skrull, Thing, Thor, Triton, Two-Gun Kid, Warlock TM & ©2003 Marvel Characters, Inc. • Enchantra, Silver Star, The Family, Capt. Glory, Capt. Victory, Satan's Six, Inky, Galaxy Green TM & Spotlighting the artist of ©2003 Jack Kirby Estate • Boys' Ranch, Police Trap TM & ©2003 Simon & Kirby • THE FOURTH WORLD TRILOGY Thundarr TM & ©2003 Ruby-Spears Productions, Inc.
    [Show full text]