Pragmatism, Postmodernism and Education
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Egoism and the Post-Anarchic: Max Stirner's New Individualism
CALIFORNIA STATE UNIVERSITY SAN MARCOS THESLS SIGNATURE PAGE Tl IESIS SUBMITTED IN PARTIAL FULFILLMENT OF Tl IE REQUIREMENTS FOR THE DEGREE MASTER OF ARTS IN LITERA TUR.E AND WRITING STUDIES THESIS TJTLE: Egoism and the Post-Anarchic: Max Stimer's New Individualism AUTHOR: Kristian Pr'Out DATE OF SUCCESSFUL DEFEN E: May 911' 2019 --- THE THESIS HAS BEEN ACCEPTED BY THE THESIS COMMITTEE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN LITERATURE AND WRITING STUDIES. Oliver Berghof August 5, 2019 TIIESIS COMMITTEE CHAIR DATE Francesco Levato 8/5/19 TIIESIS COMMITTEE MEMBER DATE Heidi Breuer �-11 THESIS COMMITTEE MEMBER DATE Pr’Out 1 Egoism and the Post-Anarchic: Max Stirner’s New Individualism Kristian Pr’Out Pr’Out 2 Table of Contents Preface 3 Chapter 1 Max Stirner: Biographers and Interpreters 13 Stirner and The Dialectic: A Genealogy of Liberalism 23 Fichte and the Unique One: Speaking the Intangible 32 Chapter 2 Stirner and the Case for Anarchism 39 Stirner’s Egoism Meets Classical Anarchism 48 Welsh’s Dialectical Egoism and Post-Anarchist Individualism 64 Chapter 3 May 1968 and Its Impact 67 Post-Anarchism: A Contemporary Theoretical Model 82 Narrative and the Critique of Modernity 89 ‘Ownness,’ Power, and The Material 92 Conclusion: A Revenant Returns 102 Bibliography 104 Pr’Out 3 Preface In the 19th century, the influence of Georg W. F. Hegel was widespread. His works influenced anarchists, communists, the moderately liberal, and the staunchly traditional. In Hegel’s Phenomenology of Spirit (1977), history operates in certain movements - namely, that of a world spirit that ushers in new and different epochs (6-7). -
This Thesis Has Been Approved by the Honors
1 This thesis has been approved by The Honors Tutorial College and the Department of English ______________________________ Dr. Thom Dancer Professor, English Thesis Adviser ______________________________ Dr. Carey Snyder Honors Tutorial College, DOS, English ______________________________ Dr. Jeremy Webster Dean, Honors Tutorial College 2 Between Artifice and Actuality: The Aesthetic and Ethical Metafiction of Vladimir Nabokov and David Mitchell ____________________________________ A Thesis Presented to The Honors Tutorial College Ohio University _______________________________________ In Partial Fulfillment of the Requirements for Graduation from the Honors Tutorial College with the degree of Bachelor of Arts in English ______________________________________ by Trent A. McDonald April 2014 3 Acknowledgments The most important person to the completion of this thesis is Dr. Thom Dancer, the best thesis adviser one could hope for. His tireless support, strong critical eye, and passionate enthusiasm for contemporary literature have made this thesis as good as it possibly could be. All of the mistakes herein should not reflect on him and should only be credited to me. My parents, Missy and Scott McDonald, are of course responsible for my attending Ohio University. Without them I would have nothing. My Director of Studies, Dr. Carey Snyder, has been of great importance to my academic life over these past four years. The faculty of Ohio University also deserve my thanks for changing my mind about so many things; I must single out in particular Dr. Josephine Bloomfield, Dr. Joseph McLaughlin, Dr. Steve Hayes, Kristin LeMay, Dr. Samuel Crowl and Dr. Matthew Stallard. The Honors Tutorial College and Dean Jeremy Webster, former Assistant Dean Jan Hodson, and current Assistant Dean Cary Frith have my eternal gratitude for the opportunities they have given to me. -
POSTMODERN THEORY and the Subiecï of FEMNSM by Natalie
POSTMODERN THEORY AND THE SUBIECï OF FEMNSM by Natalie Kristina Baydack A thesis submitted to the Department of Political Studies in conformity with the requirernents of the Degree of Master of Arts Queen's University Kingston. Ontario, Canada April 1998 copyright O Nataiie Kristina Baydack, 1998 National Library Bibliothèque nationale du Canada Acquisitions and Acquisitions et Bibliographie Services semices bibliographiques 395 Wellington Street 395, rue Wellington Ottawa ON KIA ON4 Ottawa ON K1A ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the excIusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, disûibute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimes reproduced without the author's ou autrement reproduits sans son pemission. autorisation. This thesis examines the relevance and utility of postmodern perspectives on subjectivity to feminist theory. In feminist theory today there is widespread agreement that the univenal humanist su bject, dong with dl pnnciples of integrity . autonomous selfhood and continuous identity over time, are nothing more substantial than discursive products of repressive patriarchal regimes. -
Oscillation Between Modernism to Postmodernism in Shakespeare‘S Hamlet
ISSN 1799-2591 Theory and Practice in Language Studies, Vol. 1, No. 4, pp. 327-336, April 2011 © 2011 ACADEMY PUBLISHER Manufactured in Finland. doi:10.4304/tpls.1.4.327-336 Oscillation between Modernism to Postmodernism in Shakespeare‘s Hamlet Noorbakhsh Hooti English Department, Faculty of Arts, Razi University, Kermanshah, Iran Email: [email protected] Abstract—The universality and uniqueness of Shakespeare is his unyielding and resisting insistence on not surrendering to the fossilized logos and metanarratives. He has remained a genius, whose resisting and challenging views have surpassed time and place. This paper makes an attempt to show the dominant traits of modernism and postmodernism in Hamlet. The focal point of the study is to unfold the shift of modern and postmodern traits of the characters and as well as their oscillation between modern and postmodern world. By spotlighting Shakespeare’s modern and postmodern notions in his Hamlet, the study wants to put on show the affinity of Shakespeare with the 20th and 21th century generations, who vacillate between modern and postmodern world. Index Terms—modernism, postmodernism, oscillation, logos, metanarratives I. INTRODUCTION Different researchers have worked on Shakespeare‘s tragedies, especially his well-appreciated Hamlet. The main focus of this paper is to analyze the selected situations of the leading characters namely Hamlet, Claudius and Gertrude in Hamlet in both modern and postmodern bedrocks. Before reaching this analysis, the researcher gives a brief introduction of Modernism and Postmodernism. II. MODERNISM Literary modernism is a twentieth-century movement which takes new aspects of literature, as concerned with the changing situation of the society, into account. -
On Postmodern Feminist Legal Theory
On Postmodern Feminist Legal Theory Maxine Eichner° Postmodernism has, in the past two decades, swept through the academy. While there is no agreement regarding what, exactly, postmod- ernism means,' it is clear that many of the principles associated with it " B.A., Yale College, 1984; J.D., Yale Law School. 1988. A number of people have read drafts and given me comments along the way that made this a much better artcle. including Susan Bickford, Katharine Bartlett, John McGowan. Stephen Leonard. Michael Lienesch, Stephen Kellert, Christina Ewig, Christina Reilly. Carisa Showden. and the edi- tors of the Harvard Civil Rights-Civil Liberties Law Review. Conversations sith Louis Bilionis, Thomas Spragens, and Maria Savasta Kennedy helped me clarify views atspecific points in the article. Two scholars, in particular, read and responded to my work with far more attention and care than I could even have hoped: Pamela Conover and Marion Crain. The results of their thoughtful engagement show, I hope. throughout this Article. Finall) my thanks to Eric Stein who, as usual, tirelessly and uncomplainingly edited countless drafts. IScholars, even those generally considered amenable to postmoderism, disagree over what the term means and whether it is even a helpful designation. In John McGowan's words: Everyone begins the discussion of postmodernism by asking what the word could possibly mean ....One of the reasons that postinodernismt has been so slippery a term is that we don't know whether it names the kind of theorizing now rampant in the academy, the kind of architecture now cluttering our downtowns. and the kind of novels being written by Salman Rushdie, Gabriel Garcia Mirquez. -
Postmodern Philosophy and Legal Thought
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1997 Postmodern Philosophy and Legal Thought Douglas E. Litowitz Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the Philosophy Commons Recommended Citation Litowitz, Douglas E., "Postmodern Philosophy and Legal Thought" (1997). Dissertations. 3666. https://ecommons.luc.edu/luc_diss/3666 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1997 Douglas E. Litowitz LOYOLA UNIVERSITY CIITCAGO POSTMODERN PIITLOSOPHY AND LEGAL THOUGHT VOLUME I (CHAPTERS 1 TO 5) A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PIITLOSOPHY DEPARTMENT OF PIITLOSOPHY BY DOUGLAS E. LITOWITZ CIITCAGO, ILLINOIS JANUARY, 1997 Copyright by Douglas E. Litowitz, 1996 All rights reserved. ii TABLE OF CONTENTS VOLUME I (Chapters One through Five) Chapter 1. INTRODUCTION: UNDERSTANDING POSTMODERNISM GENERALLY . 1 1.1 Overview of the Project . 1 1. 2 Structure of the Manuscript . 7 1. 3 Understanding Modernism and Postmodernism . 11 (i) Historical Emergence of Postmodernism . 11 (ii) Theoretical Emergence of Postmodernism ..... 15 1.4 Death of Grand Narratives .................. 18 2. METHODOLOGICAL ISSUES IN POSTMODERN LEGAL PHILOSOPHY . 34 2 .1 Internal and External Legal Theory . 35 (i) Anglo-American Legal Theory tends to be Internal .................. 49 (ii) Postmodern Legal Theory tends to be External . -
Post-Anarchism Today” 2010.1
9 9 Anarchist Developments in Cultural Studies “Post-Anarchism today” 2010.1 Editorial — Post-anarchism Today Lewis Call∗ Welcome to Post-anarchism Today. This is certainly not USA Today, et ce n’est certainement pas Aujourd’hui en France. Indeed, it is a refreshing antidote to all such discourses of modern state capitalism. During its short but colourful existence, post-anarchism has always been libertarian and socialist in its basic philosophical outlook: that’s the anarchism part. But post-@ has also maintained its independence from modern rationalism and modern concepts of subjectivity: that’s the post- part. As I survey post-anarchism today, I find to my surprise and delight that both parts are stronger than ever. It’s now clear that post-@ is a part of anarchism, not something that stands against it. It’s equally clear that post-@ has changed anarchism in some interesting and important ways. I speak of post-anarchism today because I believe that we are liv- ing through a post-anarchist moment. I know,I know: the owl of Minerva flies only at dusk, so how can I claim to understand the mo- ment I’m living in? But one of the many great things about post-@ is that it means we can be done, finally, with Hegel. Minerva’s owl needs to get a job. We need a new bird, faster, more intuitive, more open source: something more like the Linux penguin. Things hap- pen faster than they used to, and the rate of change is accelerating. Our ability to comment on these things must also accelerate. -
Modernism in the Twenty-First Century a Comparison of Virginia Woolf’S Mrs Dalloway and Zadie Smith’S NW
Modernism in the Twenty-First Century A Comparison of Virginia Woolf’s Mrs Dalloway and Zadie Smith’s NW Aantal woorden: 23.964 SASKIA DE CEUSTER Studentennummer: 01508283 Promotor: Prof. dr. Birgit Van Puymbroeck Masterproef voorgelegd voor het behalen van de graad master in de Vergelijkende moderne letterkunde. Academiejaar: 2018 – 2019 De Ceuster 1 De Ceuster 2 Voorwoord Met deze masterproef sluit ik mijn opleiding vergelijkende moderne letterkunde af. Het schrijven van deze thesis was een boeiend proces, dat soms al eens wat vlotter of wat minder vlot verliep, en ik wil dan ook in het bijzonder mijn promotor Prof. dr. Van Puymbroeck bedanken voor de constante beschikbaarheid en de uitgebreide feedback doorheen het denk- en schrijfproces. De Ceuster 3 De Ceuster 4 Table of Contents Abstract ..................................................................................................................................5 0. Introduction .....................................................................................................................8 1. Historical Frameworks .................................................................................................. 12 1.1 Characterizing the Modern, the Postmodern, and their Continuation into the Twenty- First Century ..................................................................................................................... 12 1.2 Virginia Woolf and Zadie Smith ............................................................................. 20 2. Thematic Comparison -
A Practical Critique of Social-Scientific Reason in the Historical Study of Crime
A Practical Critique of Social-Scientific Reason in the Historical Study of Crime The Politics of Historical Criminology and its Place in the Historiography of Crime and Criminal Justice Roberto Catello 0000-0002-0812-5540 DR-PHILART – Doctor of Philosophy – Arts August 2019 School of Social and Political Sciences The University of Melbourne Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy ~ 1 ~ Abstract Significant conceptual, professional and institutional developments have taken place over the last fifty years or so at the crossroad of criminology and history that deserve critical scrutiny and examination. From the consolidation of a historiography of crime and criminal justice to the emergence of a historical criminology, the shaping of a historical dimension to the study of crime signals at once a ‘historical turn’ in criminology and a social-scientific turn in historical scholarship. Though historical sociology provides a plausible justification for both of these – incomplete – turns through the notion of a historical social science – which can be defined as a movement towards history ‘as’ social science and a movement towards history ‘in’ social science – it is analytically limiting to reduce crime historians and historical criminologists to sociological objects. Instead, it is possible to make sense of those who participate in the historical study of crime as political subjects and of crime histories and criminological histories as forms of political practice and modes of political participation. Borrowing from Hans-Georg Gadamer’s proposal for a social science modelled on the basis of Aristotelian practical philosophy, the thesis advances a practical critique of social-scientific reason in the historical study of crime and explores historical criminology’s current hopes in the historiography of crime and criminal justice. -
Posthumanism and Public Health: a Glossary
Postprint This is an Accepted Manuscript of an article published in Critical Public Health on 25 Sept 2013, available online: http://www.tandfonline.com/doi/abs/10.1080/09581596.2013.827325 PLEASE NOTE: This document consists of the authors’ version of a work accepted for publication in Critical Public Health, which is published by Taylor & Francis. This accepted version incorporates changes that ensued from peer-review and editorial guidance provided through this journal; it does not reflect any changes ensuing from copy-editing or formatting under the auspices of the publisher. Kindly write ([email protected]) prior to citing this version. Toward stronger theory in critical public health: Insights from debates surrounding posthumanism Melanie J. Rock, Chris Degeling, Gwendolyn Blue, 2013 Keywords: Social Sciences, Humanities, Technology, Animals, Public Health Acknowledgements: The writing process was supported by a New Investigator Award from the Canadian Institutes of Health Research, an Alberta Innovates – Population Health Investigator Award (funded by the Alberta Heritage Foundation for Medical Research Endowment), and Visiting Scholar Awards from the Canadian Institutes of Health Research – Institute for Population and Public Health (to MR). We gratefully acknowledge the insights of two anonymous reviewers for Critical Public Health, the patience demonstrated by Judith Green, Editor-in-Chief, and the guidance of the Kirsten Bell, Associate Editor. ABSTRACT The “posthumanist turn” in critical theory comprises efforts to recognize and analyze the interdependence of human existence with non-human entities, including other animals, spaces, and technologies. Scholarship aligned to and debating posthumanism pertains to public health, but has yet to be clearly articulated for a public health audience. -
An Investigation of Collage in Postmodern Narrative Illustration
Framing the Text: An Investigation of Collage in Postmodern Narrative Illustration Joanne Halse Thesis submitted in partial fulfilment of the requirements for the degree of MASTER OF ARTS OSCH April 2006 Stellenbosch University http://scholar.sun.ac.za Declaration I, the undersigned, hereby declare that the work contained in this thesis is my own original work and that I have not previously in its entirety or in part submitted it at any university for a degree. Stellenbosch University http://scholar.sun.ac.za Abstract Collage, as a verbal and visual medium, epitomises the heterogeneity, indeterminacy and fragmentation of the postmodern moment. In this thesis I argue that visual collage - in the context of book illustration - presents an ideal form with which to illustrate the state of contemporary (postmodern) narrative. Postmodernism, as a term or concept, evades any form of absolute or definitive account. Hence, in my discussion of the postmodern condition I move towards an understanding of this complex theoretical and cultural phenomenon. Postmodern cultural artifacts reflect the state of a modernised, Western-orientated, globalised consciousness, which resists arborescent structures in past and contemporary texts. In both postmodern narratives and in literary fictional narratives the condition of artifice is amplified. Thus, this thesis explores various characteristics evident in postmodern fiction in order to understand and demonstrate the changes manifest in contemporary narratives in general. Many of the stylistic and figurative devices employed in the postmodern novel foreground the excessive appropriation and self-reflexive textualism of contemporary texts - these literary devices often reflect particular collage-like tendencies or characteristics. Contemporary literary theory, in addition, provides many useful terms and concepts with which to describe visual texts and, for the purposes of this discussion, narrative illustration. -
Postmodernism
POSTMODERNISM OR, THE CULTURAL LOGIC OF LATE CAPITALISM FREDRIC JAMESON POSTMODERNISM, or, The Cultural Logic of Late Capitalism Post-Contemporary Interventions Series Editors: Stanley Fish and Fredric Jameson POSTMODERNISM, or, The Cultural Logic of Late Capitalism • FREDRIC JAMESON VERSO London· New York First published in the UK by Verso 1991 and in the United States by Duke University Press First printing in paperback 1992 791086 © 1991 Duke University Press All rights reserved Verso UK: 6 Meard Street, London WIF OEG USA: 180 Varick Street, New York, NY 10014-4606 Verso is the imprint of New Left Books British Library Cataloging in Publication Data Jameson, Fredric Postmodernism, or, The cultural logic of late capitalism. 1. Culture. Postmodernism. 1. Title 306 ISBN 0-86091-314-7 ISBN 0-86091-537-9 Printed in the United States of America on acid-free paper A number of chapters, or parts of chapters, of this book have appeared in previous publications, sometimes in an earlier form. Chapter 1.1984, "Postmodernism, Or, The Cultural Logic of Late Capitalism." New Left Review, no. 146 (July-August): 59-92. Chapter 2.1984, "The Politics of Theory: Ideological Positions in the Debate." New German Critique, no. 53 (Fall): 53-65. Chapter 4. 1990, "Spatial Equivalents: PostmodernistArchitecture and the World System," The States of Theory, ed. David Carroll (Columbia University Press): 125-48. Chapter 6. 1988, "Postmodernism and Utopia." Institute of Contemporary Artpublication (Boston) (March): 11-32.Chapter 8.1990, "Postmodernism and the Market," in The Retreat of the Intellectuals: Socialist Register 1990, ed. Ralph Miliband and Leo Panitch (London: Merlin): 95-110.