The Celtic Revival in Scotland Timetable

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The Celtic Revival in Scotland Timetable The Celtic Revival in Scotland Timetable Thursday 1 May 2014 1:00–1:30: Registration and Reception 1:30–1:50: Welcome and opening remarks Panel 1 Panel 2 2:00–2:30 Nicola Gordon Bowe, ‘Embroideries Liam Mac Mathúna, Douglas Hyde and out of old mythologies’: analogies between the wider world of the Gael inspiration and practice in the arts of the Celtic Revival in Dublin and Edinburgh 2:30–3:00 Sally Foster, Celtic collections and Wilson McLeod, Gaelic learners and the imperial connections: the V&A, language movement, 1870-1930 Scotland and the multiplication of plaster casts of ‘Celtic crosses’ 3:00–3:30 Elizabeth Cumming, Here Come the Rob Dunbar, Was there a Celtic Revival Celts! The Scottish National Pageant of in Canada? 1908 3:30–4:00 pm: Tea Panel 3 Panel 4 4:00–4:30 Stuart Eydmann, The harp as an Stuart Wallace, John Stuart Blackie and emblem of the Celtic Revival, with the Celtic Revival in Scotland particular reference to Scotland 4:30–5.15 John Purser, ‘The Lay of the Last Bernhard Maier, ‘Widening the Jacket’: Minstrel? Don’t count on it’: The Celtic John Stuart Blackie and Germany Revival in Scottish Classical Music 5:15–5:30: Break 5:30–6:30: Murdo Macdonald, The Art of the Scottish Celtic Revival Hawthornden Lecture Theatre, Scottish National Gallery 7:00–8:30: Drinks reception and private view of A Wide New Kingdom: The Celtic Revival in Scotland, Talbot Rice Gallery. Friday 2 May 2014 10:00–11:00: Donald Meek, The Celtic Revival and the beginnings of Celtic scholarship in Scotland Hawthornden Lecture Theatre, Scottish National Gallery 11:00–11:30: Coffee Panel 5 Panel 6 11:30–12:00 Natasha Sumner, Perceptions of Aonghus MacKechnie, Gaeldom’s Fianníocht: Sgeulachdan na Féinne in monuments and the Great War: why was a the wake of Fingal raw lump of rock used as Blair Atholl’s War Memorial? 12:00–12:30 Ersev Ersoy, Towards the Celtic Mairi MacArthur, ‘Two Island Notables’: Revival: Tracing William Sharp’s the founders of Iona Celtic Art Ossianic Inspirations 12:30–1:00 Frances Fowle and Heather Stana Nenadic, Scottish Artisans and the Pulliam, ‘Weakly imitative…’? Celtic Revival c. 1870-1914 Celtic sources for The Evergreen and the question of authenticity 1:00–2:00: Lunch Panel 7 Panel 8 2:00–2:30 Elizabeth Elliott, Old-World Calum Cameron White, ‘Fragments of an Verse and Scottish Renascence: the Ancient Polity’: the Radical Celtic Politics of influence of Allan Ramsay John Murdoch 2:30–3:00 Owen Dudley Edwards, Jake King, ‘Beyond the power of any one Stevenson and the Celts man’: the study of Scottish place-names during the Celtic Revival 3:00–3:30 Linden Bicket, ‘The Quiet Man’: a Aonghus Mac Leòid, Gaelic Nationalism reappraisal of Maurice Walsh, and Revival Imagery in the works of Donald forgotten revivalist Sinclair (1885–1932) and Angus Robertson (1871–1948) 3:30–4:00: Tea Panel 9 Panel 10 4:00–4:30 Fernando Fernández Palacios, Marion Löffler, The Scottish Celtic Revival The Role Of The Picts In Some and Wales Historical Works From 1860 To 1880 4:30–5:00 Martin Crampin, The visual culture Kate Louise Mathis, ‘An Ideal Wife?’ of the Celtic Revival in Wales Alexander Carmichael’s Deirdire & Revivalist ideals of beauty, dignity & death 5:00–5:30 Hugh Cheape, ‘Racy to the soil …’ Claudia Rosenhan, A Sublime Articulation of the Celtic Revival Deformation of Nature: Catherine Carswell’s through material culture Novels and the Celtic Revival Movement 6:00–7:00: Roy Foster, Yeats and Scotland Hawthornden Lecture Theatre, Scottish National Gallery 7:30 for 8:00: Conference Dinner, Rainy Hall Saturday 3 May 2014 10:00–11:00: Domhnall Uilleam Stiùbhart, The making of Alexander Carmichael’s Carmina Gadelica Hawthornden Lecture Theatre, Scottish National Gallery 11:00–11:30: Coffee Panel 11 Panel 12 11:30–12:00 Priscilla Scott, Female Interaction Matthew Jarron, ‘A Tinge of Precocity’: in Scottish Gaelic, Pan-Celtic and Art, Politics and the Celtic Revival in Celtic Revival Circles Dundee 12:00–12:30 Abigail Burnyeat, Anima Celtica: Margaret Stewart, High jinks at the Ella Carmichael as Revivalist and art school? ... surely not! scholar 12:30–1:00 Lesley Orr,‘To embrace the whole Susan Seright, George Bain’s Celtic Art world’: Annie H Small, the Women’s Revival Missionary College and the influence of the Celtic Revival (1894-1914) 1:00–2:00: Lunch Panel 13 Panel 14 2:00–2:30 Virginia Blankenhorn, Gaelic Michael Shaw, ‘Where Sorcerers Song and Songs of the Hebrides Swarm’: The Role of the Occult in Scotland's Celtic Revival 2:30–3:15 Per Ahlander, ‘The Seal Woman’: Mark Williams, Fiona Macleod and the A Celtic Folk Opera by M. Kennedy gods of the Gael Fraser and Granville Bantock 3:15–3:45: Tea 3:45–4:15: Panel discussion 4:15–4:30: Closing .
Recommended publications
  • The Celtic Revival in English Literature, 1760-1800
    ZOh. jU\j THE CELTIC REVIVAL IN ENGLISH LITERATURE LONDON : HUMPHREY MILFORD OXFORD UNIVERSITY PRESS The "Bard The Celtic Revival in English Literature 1760 — 1800 BY EDWARD D. SNYDER B.A. (Yale), Ph.D. (Harvard) CAMBRIDGE HARVARD UNIVERSITY PRESS 1923 COPYRIGHT, 1923 BY HARVARD UNIVERSITY PRESS PRINTED AT THE HARVARD UNIVERSITY PRESS CAMBRIDGE, MASS., U. S. A. PREFACE The wholesome tendency of modern scholarship to stop attempting a definition of romanticism and to turn instead to an intimate study of the pre-roman- tic poets, has led me to publish this volume, on which I have been intermittently engaged for several years. In selecting the approximate dates 1760 and 1800 for the limits, I have been more arbitrary in the later than in the earlier. The year 1760 has been selected because it marks, roughly speaking, the beginning of the Celtic Revival; whereas 1800, the end of the century, is little more than a con- venient place for breaking off a history that might have been continued, and may yet be continued, down to the present day. Even as the volume has been going through the press, I have found many new items from various obscure sources, and I am more than ever impressed with the fact that a collection of this sort can never be complete. I have made an effort, nevertheless, to show in detail what has been hastily sketched in countless histories of literature — the nature and extent of the Celtic Revival in the late eighteenth century. Most of the material here presented is now pub- lished for the first time.
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  • Celticism, Internationalism and Scottish Identity Three Key Images in Focus
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