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REFERENCES Bharucha Nilufer E. ,2014. 'Global and Diaspora
REFERENCES Bharucha Nilufer E. ,2014. ‘Global and Diaspora Consciousness in Indian Cinema: Imaging and Re-Imaging India’. In Nilufer E. Bharucha, Indian Diasporic Literature and Cinema, Centre for Advanced Studies in India, Bhuj, pp. 43-55. Chakravarty Sumita S. 1998. National Identity in Indian Popular Cinema: 1947-1987. Texas University Press, Austin. Dwyer Rachel. 2002. Yash Chopra. British Film Institute, London. ___________. 2005. 100 Bollywood Films. British Film Institute, London. Ghelawat Ajay, 2010. Reframing Bollywood, Theories of Popular Hindi Cinema. Sage Publications, Delhi. Kabir Nasreen Munni. 1996. Guru Dutt, a Life in Cinema. Oxford University Press, Delhi. _________________. 1999/2005. Talking Films/Talking Songs with Javed Akhtar, Oxford University Press, Delhi. Kaur Raminder and Ajay J. Sinha (Eds.), 2009. Bollywood: Popular Indian Cinema through a Transnational Lens, Sage Publications, New Delhi. Miles Alice, 2009. ‘Shocked by Slumdog’s Poverty Porn’. The Times, London 14 January 2009 Mishra Vijay, 2002. Bollywood Cinema, Temples of Desire. Psychology Press, Rajyadhaksha Ashish and Willeman Paul (Eds.), 1999 (Revised 2003). The Encyclopedia of Indian Cinema. Routledge, U.K. Schaefer David J. and Kavita Karan (Eds.), 2013. The Global Power of Popular Hindi Cinema. Routledge, U.K. Sinha Nihaarika, 2014. ‘Yeh Jo Des Hain Tera, Swadesh Hain Tera: The Pull of the Homeland in the Music of Bollywood Films on the Indian Diaspora’. In Sridhar Rajeswaran and Klaus Stierstorfer (Eds.), Constructions of Home in Philosophy, Theory, Literature and Cinema, Centre for Advanced Studies in India, Bhuj, pp. 265- 272. Virdi Jyotika, 2004. The Cinematic ImagiNation: Indian Popular Films as Social History. Rutgers University Press, New Jersey. -
Madras Cafe Movie Watch Online
Madras Cafe Movie Watch Online Madras Cafe Movie Watch Online 1 / 3 2 / 3 Watch Madras Cafe Online Full Movie, madras cafe full hd with English subtitle. Stars: John Abraham, Nargis Fakhri, Avijit Dutt, Prakash Belawadi, Raashi .... Top Rated Indian Movies #162 | 10 wins & 10 nominations. ... John Abraham and Nargis Fakhri in Madras Cafe (2013) John Abraham in Madras Cafe (2013) .... Currently you are able to watch "Madras Cafe" streaming on Netflix, Jio Cinema. It is also possible to buy "Madras Cafe" on Apple iTunes as download or rent it .... Madras Cafe is a 2013 Indian Hindi-language Action Drama film featuring John Abraham, Nargis Fakhri, Rashi Khanna, Siddharth Basu, Prakash Belawadi, .... Buy Madras Cafe (English Subtitled): Read 5 Movies & TV Reviews - Amazon.com. ... online video). Devices: Available to watch on supported devices .... Watch Madras Cafe, Hindi Movie directed by Shoojit Sircar, starring John Abraham, Nargis Fakhri and Raashi Khanna full movie online in HD subs on Netflix, .... Madras Cafe Madras Movie, Madras Cafe, Bollywood Songs, Bollywood News, ... Madras Cafe 2013 1080p HD #Download and #watchonline #Bollywood .... Yearning to watch 'Madras Cafe' on your TV, phone, or tablet? Discovering a streaming service to buy, rent, download, or view the Shoojit Sircar-directed movie .... Madras Cafe is a Bollywood action and spy movie, starring John Abraham, Nargis ... Madras Cafe to watch the full movie hd in this title please click http:/ ..... Koi Mil Gaya Indian Movies, Movies Online, Hd Movies, Hd Streaming, Streaming .... Is Netflix, Amazon, Hulu, Crackle, iTunes, etc. streaming Madras Cafe? Find out where to watch movies online now!. -
Meher Baba Text Section 26-4-06
Preface When Meher Baba and me was first published I expected to be addressing a Baba lover audience exclusively. It turned out that a number of relatives and friends who were not Baba lovers liked the book very much and the lack of knowledge regarding Baba’s Life or ‘Cosmology’ didn’t seem to matter. This was a lovely surprise! For those readers who might want to know more about Baba, I’d like to recommend this unusual, amazing web site: http://www.meherbabadnyana.net/life_eternal/Life_Eternal.html Of course Googling Meher Baba will bring up dozens of interesting sites – but this one is quite special. Author’s contact: [email protected] Purchase book: Sheriar Foundation Bookstore 807 34th Ave. S. North Myrtle Beach, SC 29582 USA http://www.sheriarbooks.org/ Free ebook on-line: http://www.meherbabaandme.com/ ***Dear Jim, It just goes to show that it is possible to cross the Californian with the Aussie and come up with a winner! Your book makes life with Baba feel very real and immediate. We have both read it and enjoyed it immensely. It is full of good things and we are so grateful that you have gone to all the trouble to share them with us. Tian knows how much is involved (as she has published her Chinese translation of Discourses). We hope you can come up this way before long and drink some Queensland red with us. Jai Baba! Geoff and Tian ***By chance this is the second time I saw your name in a week so I decided to read your book. -
Delia De Leon with Mehera Irani
t'. C . DELIA DE LEON WITH MEHERA IRANI I DELIA DE LEON Born February 10th 1901, Colon, Panama Died January 21st 1993, Kew,England ALL MANDALI SALUTE DEAREST DELIA BELOVED BABA'S EVER FAITHFUL LEYLA AND HIS BIGGEST BLESSING TO ENGLAND NOW MERGED IN HIS OCEAN OF LOVE DELIA SUPREMELY HAPPY IN THE MANSION OF HER LORD AVATAR MEHER BABA MANI AND MEHERAZAD FAMILY January 22nd,1993 THE GUARDIAN Wednesday February 10 1993 Delia deLeon Head of theQ Delia DE LEON, who has died at the age of 91, founded cind ran the legendary Q Theatre, the first fringe try-out theatre, in 1924. The hst of actors who appeared atjthe Q, necir the Thames at Kew Bridge, in cluded Vivien Leigh, Dirk Bogarde, Peggy Ashcroft, Denholm Elliot, Margaret Lockwood, Donald Sinden, Sean Connery and Roger Moore. With her brother and sister-in-law, Delia contributed much of the origi nal capital and worked at the theatre, as an actress (under the stage name Deha Delvina). It finally closed in 1956 after a disastrous transfer of The Czarina to the West End con sumed most of her money and a great deal of nervous energy. Looking for respite, Delia read a magazine article by Charles Purdom, who later became a great friend, alx)ut a man named Meher Baba. It changed her life and career. "All my life", she wrote in her recent autobiography, The Ocean of teacher of ballet, and Kitty Davy, a included Pete Townshend of The Love, "I had two intense desires. The staunch, spirited and intensely prac Who, Ronnie Laine of The Faces and first.. -
Wn Basicolan (SBS Alumnus) Shoojit Sircar 2020
pT Cul 016 / wn www.alumni.du.ac.in The University of Delhi Alumni Edition Nine 2020 Basicolan ( SBS College alumnus ) Shoojit Sircar’s Gulabo Sitabo 2020 Kaym ( KM College alumnus ) Amitabh Bachchan BSc Gen 1962 KM Padma Vibhushan 2015 Dadasaheb Phalke Award 2019 Honorary Citizenship French town Deauville 2003 Kaym of the Millennium Award 2000 Alexandria International Film Festival Egypt Award 2015 Asian Film Award 2010 International Culture Honours UK, France, South Africa … Basicolan ( SBS College alumnus ) Shoojit Sircar BA 1987 SBS Film Director Producer and Filmmaker Madras Café 2013 Johny Walker 2014 Piku 2015, Pink 2016 Best Film Director Life OK Screen Award Piku 2014 National Film Award Vicky Donor 2013 Filmfare Best Director Award Piku 2016 This is not how Shoojit Sircar imagined it. His film Gulabo Sitabo was supposed to release in theatres on April 17. 2020 ; however, it was directly streamed to homes from 12 June 2020 . Amazon gave him “a big release” in 200 countries . His film had 15 dubbed versions and subtitles in several languages such as Indonesian, Hebrew and Polish. “We are going directly to the audience,” he says. “It’s not going to take away from what the film is all about .” The city, says Sircar, is one of the many characters in the film. “The film is soaked in the old Lucknow ” he adds. It is shot in actual locations, Hazratganj and Chowk areas. A devout fan of Satyajit Ray, Shoojit stayed at Hotel Clarion, the same place the great auteur had stayed in when shooting Shatranj Ke Khiladi. “It is always great to be inspired by him,” he says . -
Page16.Qxd (Page 1)
THURSDAY, JANUARY 16, 2014 (PAGE 16) DAILY EXCELSIOR, JAMMU Deepika, Farhan bag best actors at 20th Screen Awards MUMBAI, Jan 15: While the Most Popular Choice Award (male) Actress Deepika Padukone, who gave the indus- was handed over to Shah Rukh Khan for try four blockbusters last year, was awarded the Best ‘Chennai Express’. Actress while Farhan Akhtar walked away with the Megastar Amitabh Bachchan was given the Best Actor for his power packed performance in Lifetime Achievement award. The special jury ‘Bhaag Milkha Bhaag’ at the 20th Screen Awards. award went to director Anand Gandhi for ‘Ship Deepika bagged two honours—the Best Actor Of Theseus’. The Ram Nath Goenka Memorial award (female) for ‘Ram-Leela’ and the most award went to John Abraham’s ‘Madras Café’. popular choice award (female) for ‘Chennai Aditya Roy Kapur and Shraddha Kapoor of Express’— at the ceremony here last night. ‘Aashiqui 2’ were given as the Best on-screen She began the year with ‘Race 2’ and followed Jodi of the Year. it up with ‘Yeh Jawaani Hai Deewani’, ‘Chennai The Best Film Award went to ‘Bhaag Milkha Express’ and ‘Ram-Leela’, all of which raked in Bhaag’ and Shoojit Sircar won the Best Director box-office success entering Rs 100-crore club. Award for ‘Madras Café’.(PTI) MADR-E-MEHARBAN CAMPUS OF HEALTH SCIENCE B.PHARMACY (2013-14) (Approved by J& K Govt & Affiliated to Jammu University) Candidates who have applied for B. Pharmacy Course are advised to complete the required for- malities by January 18-2014 positively. Aspirant candidates who have not applied for being consid- ered for the course may also contact the city office of the college at Chirag Lane, Chinor Chowk, Bantalab, Jammu immediately-personally or on Phone /Mobile No. -
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VRGR '%&((!1#VCEB R BP A"'!#$#1!$"#0$"T utqBVQWBuxy( , ; H5 2 ! I I I 5#$7589-, C, )34 <"556 #= C- 0- ! 5%#67 '%189: %#/4 4* 4/O50/*,*-5*.(/0./5E N*(2*-(0.(.&F .1*(*( /- -(01-(55. &[email protected]*.&0A-@ *(-&-F40/00-/ 0/ .7/054/(*(5.(./&-,FO !" + 9/+/2/2: 9/;,8 $ %'( $) ! "" 1--(2-45- # $ % & ' P (0120, * noticed in the contested nature of this face-off site, the the banks of the high-altitude 5 * “Finger 4” area along the banks Corps Commanders of the two Pangong Lake in Eastern he Chinese have finally of Pangong Lake. armies next week will discuss Ladakh. India maintains that - Tstarted to withdraw troops They also said while the the issue, officials said, adding the LAC here lies at “Finger 8” from the Pangong Tso (lake), Chinese had also removed India will insist that the while China believes it lies one of four face-off sites at the tents and makeshift bunkers Chinese remove their boats as further to the West. 5 ! 5 L7 8M Line of Actual Control (LAC) from the Indian side, scores of soon as possible to facilitate The de-facto boundary in Eastern Ladakh. While the tents and other infrastructure smooth disengagement. presently lies at Finger 4 ! other three “friction points” — was still intact close to the LAC As of now, the Chinese beyond which Chinese forces ! " Q * the Galwan Valley, Hot Springs on their side. Similarly, the continue to dominate the spurs have prevented Indian soldiers ! $% ! ! 5 ! and Gogra — witnessed the Chinese have also not removed (referred to as ‘Fingers’) in from patrolling. -
Meher Baba's Last Sahavas
Meher Baba’s Last Sahavas by Dr. H.P. Bharucha An Avatar Meher Baba Trust eBook May 2014 Copyright © 2014 by Dilmeher Bharucha-Bhola Source and short publication history: This eBook reproduces the edition of Meher Baba’s Last Sahavas published by Dr. H.P. Bharucha (Gujarat, India) in 1969. eBooks at the Avatar Meher Baba Trust Web Site The Avatar Meher Baba Trust’s eBooks aspire to be textually exact though non-facsimile reproductions of published books, journals and articles. With the consent of the copyright holders, these online editions are being made available through the Avatar Meher Baba Trust’s web site, for the research needs of Meher Baba’s lovers and the general public around the world. Again, the eBooks reproduce the text, though not the exact visual likeness, of the original publications. They have been created through a process of scanning the original pages, running these scans through optical character recognition (OCR) software, reflowing the new text, and proofreading it. Except in rare cases where we specify otherwise, the texts that you will find here correspond, page for page, with those of the original publications: in other words, page citations reliably correspond to those of the source books. But in other respects—such as lineation and font— the page designs differ. Our purpose is to provide digital texts that are more readily downloadable and searchable than photo facsimile images of the originals would have been. Moreover, they are often much more readable, especially in the case of older books, whose discoloration and deteriorated condition often makes them partly illegible. -
NATIVE ADVERTISING HIDDEN PITCH New Age Content Publishers Have Warmed up to This Clever Way of Advertising
May 1-15, 2015 Volume 3, Issue 23 `100 22 NATIVE ADVERTISING HIDDEN PITCH New age content publishers have warmed up to this clever way of advertising. Will the mainstream publishers too bite? 26 6 36 PLUS MSM-BBC WORLDWIDE Fact of the Matter 10 BIG MAGIC Laughing On 18 IAA LEADERSHIP AWARDS Feting Leaders 24 PROFILE MICROSOFT LUMIA INTERVIEW Carlton D’Silva Face to Face Harindra Singh PARLE Hungama Digital’s CEO is a Making it happen with All about Sunburn and what builder. Skype. the festival stands for. Operation Clean-up 28 Reach out to an audience that can help grow your business. To advertise, call Puneet Bali at +91 9669727000 (',725,$/ This fortnight... Volume 3, Issue 23 EDITOR f you know a medium with more jargon than online publishing, I’d love to hear Sreekant Khandekar Iabout it. A new term doing the rounds is ‘native advertising’, which was virtually PUBLISHER May 1-15, 2015 Volume 3, Issue 23 `100 unheard of until last year. It is a form of content marketing (that is, the use of content Prasanna Singh 22 to talk to or engage with brand consumers). What makes it different is that native DEPUTY EDITOR advertising on a publishing platform resembles the content around it. Ashwini Gangal SENIOR LAYOUT ARTIST Native advertising has its origins in the ‘advertorial’, which, by the way, is at least Vinay Dominic 50 years old. The idea then was to create flowing text that was more akin to editorial PRODUCTION EXECUTIVE than advertising. Native advertising goes one step further in that the ad resembles the Andrias Kisku content – something print publishers wouldn’t allow. -
Westminsterresearch the Digital Turn in Indian Film Sound
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The Digital Turn in Indian Film Sound: Ontologies and Aesthetics Bhattacharya, I. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr Indranil Bhattacharya, 2019. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] THE DIGITAL TURN IN INDIAN FILM SOUND: ONTOLOGIES AND AESTHETICS Indranil Bhattacharya A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Doctor of Philosophy March 2019 ii Abstract My project maps film sound practices in India against the backdrop of the digital turn. It is a critical-historical account of the transitional era, roughly from 1998 to 2018, and examines practices and decisions taken ‘on the ground’ by film sound recordists, editors, designers and mixers. My work explores the histories and genealogies of the transition by analysing the individual, as well as collective, aesthetic concerns of film workers migrating from the celluloid to the digital age. My inquiry aimed to explore linkages between the digital turn and shifts in production practices, notably sound recording, sound design and sound mixing. The study probes the various ways in which these shifts shaped the aesthetics, styles, genre conventions, and norms of image-sound relationships in Indian cinema in comparison with similar practices from Euro-American film industries. -
I Am the CHANGE 101-Hour National Filmmaking Challenge 2014 YES!
YES! i am the CHANGE 101-Hour National Filmmaking Challenge 2014 YES! i am the CHANGE (YIAC) is a nationwide film project that aims to inspire, engage and empower youth to participate in India’s social transformation, through the impactful medium of films. The 101-Hour National Filmmaking Challenge, where filmmakers and amateurs make short films of up to 5 minutes duration on various social issues is the flagship event of the program. Aim: • Engage with 5 lakh youth pan-India • Mobilise participation of 50,000 youth for filmmaking challenge Salient Features: • Last date of registration: August 7, 2014 o Participants register online as a team (max. 7 members per team) o Two categories for participation- Professional and Amateur • Filmmaking Challenge : August 15 to 19 o Participants receive the topic at 6 a.m. on August 15 , Independence Day. They have a challenge to make a short film in 101 hours o Topics are based on Social Causes, Everyday Heroes and Random Acts of Kindness • The film is submitted online by 11 am, on August 19 • 7- member Jury to select the winners: o Guneet Monga (Producer of The Lunch Box and the Gangs of Wasseypur) o Kailash Surendranath (Veteran Ad filmmaker) o Nina Lath (Managing Director, National Film Development Corporation) o Shoojit Sircar (Director of Vicky Donor and Madras Cafe) o Vikramaditya Motwane (Director of Udaan and Producer of Queen) o Pritish Nandy (Poet, Journalist and Film Producer) o Dr. Nagesh Rao (President and Director, MICA) • Online donation platform for participants to use their film to raise funds for a Not-for- Profit (NGO) of their choice: September 1 to October 2, 2014 • Awards ceremony on October 10 to felicitate the best filmmakers • Total grant of Rs 25 lakhs to be given to the winners. -
Glimpses of the God-Man, Vol.5, Part 1
GLIMPSES OF THE GOD-MAN MEHER BABA Volume V (January 1 – March 6, 1954) By Bal Natu An Avatar Meher Baba Trust eBook June 2011 Copyright © 1987 by Avatar Meher Baba Perpetual Public Charitable Trust, Ahmednagar, India Source: This eBook reproduces the original edition of Glimpses of the God-Man, Meher Baba, Volume V, published by Sheriar Press (North Myrtle Beach, South Carolina) in 1987. eBooks at the Avatar Meher Baba Trust Web Site The Avatar Meher Baba Trust’s eBooks aspire to be textually exact though non-facsimile reproductions of published books, journals and articles. With the consent of the copyright holders, these online editions are being made available through the Avatar Meher Baba Trust’s web site, for the research needs of Meher Baba’s lovers and the general public around the world. Again, the eBooks reproduce the text, though not the exact visual likeness, of the original publications. They have been created through a process of scanning the original pages, running these scans through optical character recognition (OCR) software, reflowing the new text, and proofreading it. Except in rare cases where we specify otherwise, the texts that you will find here correspond, page for page, with those of the original publications: in other words, page citations reliably correspond to those of the source books. But in other respects—such as lineation and font—the page designs differ. Our purpose is to provide digital texts that are more readily downloadable and searchable than photo facsimile images of the originals would have been. Moreover, they are often much more readable, especially in the case of older books, whose discoloration and deteriorated condition often makes them partly illegible.