Grosvenor Prints 19 Shelton Street Covent Garden London WC2H 9JN

Tel: 020 7836 1979 Fax: 020 7379 6695 E-mail: [email protected] www.grosvenorprints.com

Dealers in Antique Prints & Books

Catalogue 68

February Listing

Item 369: The Grand Master or Adventures of Qui Hi? in Hindostan

All items listed are illustrated on our web site: www.grosvenorprints.com

Registered in England No. 1305630 Registered Office: 2, Castle Business Villlage, Station Roaad, Hampton, Middlesex. TW12 2BX. Rainbrook Ltd. Directors: N.C. Talbot. T.D.M. Rayment. C.E. Elliis. E&OE VAT No. 217 6907 49 Stock: 43657

4. [Wax and Candle Invoice.] Bo.t of W. & J. Barton, Wax & Tallow Chandlers, No. 26 Bishopsgate with opposite Threadneedle Street. [1834.] Engraved invoice with manuscript; pt watermark (18)32. Sheet: 125 x 200mmm (5 x 8"). Folds and creasing. £75 An invoice for candles and sooap from chandlers W. & J. Barton based in Bishopsgate. Stock: 43660

5. [Horses] R. Thwaiites, Ripon. To the 1. Design Adopted by the Council for the following places on Pleasure with a Pair of Univerity of London. Horses and Waiting [...] William Wilkins, M.A. R.A. Arch.t 1826. Printed by C. & Greaves sc Birmingham [c.1820] Hullmandel. Engraving, sheet 65 x 100mm (2½ x 4"). Trimmed. Lithograph. Sheet 260 x 320mm (10¼ x 12½"). mss ''D' £60 added top right, some soiling. £190 Billhead for a man based in Ripon, Yorkshire, with The designs by William Wilkins RA (1778-1839) for horses for hire. With unicorn vignette and list of the building of what is now University College distances to nearby towns. London. Work was started in 1827 but funds ran out iin Stock: 43236 1829; his design was not completed until 1985, 150 years after the foundations were laid. 6. [Hosier Invoice.] G. Gibbon, Hosier, Wilkins was also a classical scholar and archaeologist, Glover & Shirt Maker to the King and Royal who tour of the Mediterranean influenced his designs. Family 19, Coventry Streeet, opposite the Between 1832 and 1838 he designed the National Haymarket. Gallery in Trafalgar Square; in 1837 he became [n.d., c.1830.] Professor of Architecture at the Royal Academy, Engraved invoice with manuscript. Sheet: 195 x succeding Sir John Soane. 225mm (7¾ x 9"). Tears, follds and creasing. £75 Stock: 43300 An invoice for a variety of cllothing items including gloves, shirts and hose issued by D. Gibbon. 2. Promoli & Hausburg Liverpool Stock: 43661 Printed by Maclure Macdonald & Macgregor 1, Brunswick St. Liverpool [n.d., c.1860s]. 7. William Darwent, Royal Hotel, Engraving with hand-colouring, sheet 250 x 325mm Dewsbury. (9¾ x 12¾"). £160 Yale sc Liverpool [c.1830] The factory, warehouse and retail outlet of Promoli & Engraving, sheet 80 x 85mm (3 x 3¼"). Trimmed. £40 Hausburg in the Old Post Office Buildings, Church Billhead for the Royal Hotel in Dewsbury, Yorkshire, Street, Liverpool. The company described itself in its with the royal coat of arms. advertising as "Jewellers Watchmakers Manufacturers Stock: 43243 of Desks Dressing Cases Lamps Chandeliers etc". A display of mantelpiece clocks and chandeliers can be 8. Samuel Draper, Bllue Lion Hotel & seen in the many windows; figures and carriages in the Commercial Inn. Market Place, Grantham. street in front of the imposing building. For Wine & Brandy Merchaant.Good Stables. uncoloured impression see ref. 20664. Stock: 43606 Comfortable and Well aiir'd Beds [...] Smith & Greaves, sc Birmingham [c.1830] 3. To the Worths and Independent Electors Engraving, sheet 115 x 95mm (4½ x 3¾"). £50 of the City of London... I have the honour to Billhead for a hotel in Grantham, Lincolnshire, with vignette of the building. be, Gentlemen, Your most obedient humble Stock: 43241 Servant William Ward. London, December 30, 1834. 9. Will.m Black, Bell & Swan. Hotel Letterpress. Sheet: 165 x 150mm (6½ x 6"). £70 Posting House. Melton. A handbill advertising financier and cricketer William [Engraver's name illlegible, c.1829] Ward's (1787-1849) standing for Parliament as MP for Engraving, sheet 70 x 100mm (2¾ x 4"). Trimmed. the City of London in the 1835 general election, he haad £45 served as MP for the City between 1826-1831. Ward Billhead for William Black, pproprietor of a hotel in was a successsful cricket player playing from 1810 until Melton, Leicestershire. 1845, Ward also saved Lord cricket ground from being Stock: 43228 sold by Thomas Lord in 1825 paying £5000 for the pitch. 10. Tho.s Fieldhouse, and Royal Sussex Hotel, Commercial Inn & Posting House 16. Margaret Sykes, George Hotel, Excise Newport, Salop. Neat Post-Chaises, Good Office Wakefield. Neat Wines and Spirits. Horses & careful Drivers Hearse and [c.1830] Mourning Coaches [...] Engraving, sheet 75 x 85mm (3 x 3¼"). £50 Powell & Wakeman, Birm.m [c.1820] Billhead for a hotel in Wakeffield, Yorkshire, with Engraving, sheet 120 x 90mm (4¾ x 3½"). £50 George and the Dragon vigneette. Billhead for the Royal Sussex Hotel in Newport, Stock: 43234 Shropshire, with lion vignette and list of distances to popular locations. 17. White Horse Hotell & Commercial Inn, Stock: 43252 Coppergate, York. C. Harker. Post Chaise, Cabs, Gigs, etc. 11. James Veitch, Newport, Shropshire. [c.1830] Crown Hotel, Wines & Spirits of the First Engraving, platemark 75 x 855mm (3 x 3¼"). £50 Quality. Excellent & Well Air'd Beds. Good Billhead for the White Horse hotel in York, with horse Stabling and Lock-up Coach Houses [...] vignette. Baldwin sc Birmm [c.1844] Stock: 43251 Etching, sheet 80 x 115mm (3 x 4½"). £60 Billhead for JJames Veitch, a hotelier based in Newport, Shropshire. Stock: 43216

12. Charles Osburn. Commercial Hotel, Oswestry. Fine old Wines and Spirits [c.1829] Etching, sheet 40 x 80mm (1½ x 3"). Cut. £30 Billhead for Charles Osburn, proprietor of a hotel in Oswestry, Shropshire. Stock: 43225

13. S. Wild, Star Hotel. Shiffnal. [c.1820] Engraving, sheet 60 x 100mm (2¼ x 4"). £35 Billhead for a hotel in Shifnal, Shropshire, with star vignette inscribed with the motto 'Honi soit qui mal y pense'. The hotel, one of three coaching inns in the town, was situated in the home in which the chemist and physician Thomas Beddoes (1760-1808) had been born. It was destroyed following a fire in 1911. Stock: 43237 18. William Burn, George Inn & Post House, Alfreton. 14. C. Woosnam, Ship Hotel, Southend. Smith & Graves Birmingham. [c.1833] Licensed to Let Post Horses. Hot and Cold Etching, sheet 105 x 90mm ((4 x 3½"). £60 Baths. Billhead for William Burn, proprietor of a commercial [c.1860] inn and posting house in Alffrreton, Derbyshire, with Engraving, sheet 75 x 100mm (3 x 4"). Stained; surface George and the Dragon vigneette and list of distances to loss. £50 nearby towns. The inn was allso called the Angel at Billhead for Charles Woosnam, wine merchant and another time (see ref. 43250)). proprietor of the Ship Hotel in Southend, Essex, with Stock: 43222 vignette of a ship. Stock: 43247 19. William Burn, Angel Commercial Inn,

Alfreton. 15. R. Brooks, Talbot Commercial Hotel, J.C. Greaves & Son Birm.m [c.1835] Family, Coaching & Posting House. Etching, sheet 105 x 90mm ((4 x 3½"). £45 Stourbridge. Billhead for William Burn, proprietor of a commercial Devonshire sc. Birmingham [c.1850] inn and posting house in Alffrreton, Derbyshire, with Engraving, sheet 80 x 110mm (3 x 4¼"). Trimmed; angel vignette and list of disttances to nearbr y towns. staining. £35 The inn was also called the George Inn at another time Billhead for a hotel in Stourbridge, near Dudley in thhe (see ref. 43222`). Midlands, with "Talbot" dog vignette. The hotel was Stock: 43250 situated at Colley Gate (more precisely in Halesowen). Stock: 43239 20. William Lucas, Three Tuns. Commerciial 26. Thomas Evinson, Angel. Commercial Inn and Posting House, Atherstone. Inn & Post House. Market Place, Chesterfield. [c.1820] Superior Old Wine [...] Engraving, sheet 85 x 85mm (3¼ x 3¼"). Trimmed. Holland sc. Birm. [c.1820] £45 Engraving, sheet 70 x 90mm (2¾ x 3½"). £50 Billhead for an inn in Atherstone, Warwickshire, with Billhead for a commercial inn and coach house in vignette of three tuns. Tudor is believed to have Chesterfield, with angel vignette. The Angel later stayed at the inn in 1485; a pub of the same name is moved from the Market Placce to the High Street, where still in the town to this day. it closed in 1915. Stock: 43240 Stock: 43233

21. R. East's, Commercial Inn & Posting 27. John Hall. Castle Inn. Coventry House, Bawtry. Coaches daily to all parts of [c.1850] the Kingdom. Careful Drivers & Good Horsees Engraving, sheet 70 x 90mm (2¾ x 3½"). Stained. £35 [...] Billhead for the Castle Inn in Coventry, with vignette Isbas sc. Birm.m [c.1830] of a castle. In 1824 the Castle Inn was the meeting Engraving, sheet 65 x 90mm (2½ x 3½"). Nick out of pllace of the Provincial Grand Lodge of Warwickshire top edge. £30 (Freemasons), while Charless Dickens was honoured Billhead for a commercial inn and coach house in with a celebratory dinner theere in 1858. It closed in Bawtry, Yorkshire. 1882. Stock: 43231 Stock: 43242

22. John Tomkys, Kings Arms Commercial 28. Robert Bland, Crown Inn Denbigh. Neat Inn. Bilston Post Chaises, Gigs, Cars,, and Careful Drivers. Whitefield scr Birm.m [c.1800] Lock up Coach Houses [....] Etching, sheet 85 x 90mm (3¼ x 3½"). Old ms sums [c.1830] lower left. £40 Engraving, sheet 60 x 100mm (2¼ x 4"). £45 Billhead for JJohn Tomkys, innkeeper in Bilston, near Billhead for Robert Bland, prroprietor of a commercial Wolverhampton. An 1818 commercial directory lists a inn in Denbigh, Wales. japanner (japanning is a type of finish, based on Asian Stock: 43230 lacquerwork, applied to furniture) named John Tomkys as situated on Church Street, Bilston. Stock: 43221

23. John Chapman, Fox Inn & Commercial House, Bilston. [c.1829] Engraving, sheet 65 x 100mm (2½ x 4"). £45 Billhead for a commercial inn and coach house in Bilston, near Wolverhampton, with fox vignette. Stock: 43232

24. John Read, Twelve Years with the London & North Western Railway Company. American Inn. New Canal Street, (exactly opposite the Railway Terminus.) Birmingham. J. Tonks sc Hill St. [c.1840] Engraving, sheet 60 x 90mm (2¼ x 3½"). £65 29. [Harewood Arms Inn] Francis Sturdy Tradecard for an 'American Inn' in Birmingham. Harewood. Stock: 43246 [c.1829] Etching, sheet 85 x 90mm (33½ x 3½"). Trimmed. £50 25. T.H. Cooke, White Hart, Commercial Billhead for Francis Sturdy, iinnkeeper of the Inn. on Trent Harewood Arms coaching inn in the town of [c.1829] Harewood, near Leeds. The iinn is still open to this day. Engraving, sheet 60 x 85mm (2¼ x 3¼"). £40 Stock: 43218 Billhead for T.H. Cooke, proprietor of a commercial inn in Burton upon Trent, with deer vignette. 30. W. Kelsey, White Hart Inn Hatfield. Stock: 43229 Etching, sheet 65 x 105mm ((2½ x 4"). Trimmed. £45 Billhead for William Kelsey,, proprietor of a commercial inn and posting house in Hatfield, Hertfordshire, with deer vignette. Stock: 43224 31. Tomlinson. George Inn, Hinckley. Smith & Greaves, Birmingham. [c.1829] Engraving, sheet 90 x 95mm (3½ x 3¾"). Trimmed. £50 Billhead for the George Inn, which from 1671 to 1959 was situated at 18 Market Place, Hinckley, Leicestershire. After it was demolished, a new building, also named the George Hotel, was built to replace it. Stock: 43226

32. John Peake, Red Bull Inn, Lawton, Cheshire. CCoaches every Day to all Parts of 37. Ball, Queen's Arms Hotel, and the Kingdom. [c.1860] Commercial Tavern, Newgate Street, London. Lithograph printed in black and red, sheet 70 x 110mm Near the Post Office, Accommodation for (2¾ x 4¼"). £50 Large & Small Families.. Servants Attendance Billhead for an inn in Lawton, Cheshire, which Included [...] survives to this day. [c.1800] Stock: 43238 Engraving, sheet 80 x 115mm (3 x 4½"). Creased. £50 Billhead for an inn in Newgate Street, London, with 33. Sarah White. Dragon Inn, royal coat of arms. Mansfield. Good Beds. Excellent Stabling with Stock: 43245 Lock up Coach Houses. [c.1820] 38. J. Trubshaw, Crown & Anchor Lane- Etching, sheet 65 x 100mm (2½ x 4"). £45 End. Billhead for Sarah White, innkeeper in Mansfield, [c.1830] Nottinghamshire. Engraving, sheet 85 x 110mm (3¼ x 4¼"). Trimmed Stock: 43220 lower edge. £65 Billhead for the Crown and Anchor Inn in Lane End, 34. James Silvester, Corbet-Arms, Stoke on Trent, with vignette of the building and list of Commercial Inn and Posting House, Market- distances to nearby locations. The inn was an important stopping point for coaches trravelling across the Drayton, Salop. N.B. Neat Post Chaises, withh country. able Horses and Careful Drivers; Hearse, good Stock: 43249 Stabling, Lock-up Coach Houses, &c. &c. [c.1840] 39. Charlotte Kidd, Angel Commercial Inn, Wood engraving, sheet 85 x 115mm (3¼ x 4½"). £45 & Posting hotel, Tadcaster. Miles from Billhead for the Corbet Arms hotel in Market Drayton, Shropshire, with vignette of the building. Originally a Tadcaster to [...] 17th century coaching inn (it was known as 'The [c.1829] Talbot' until 1825), Thomas Telford stayed at the hottel Etching, sheet 75 x 100mm ((3 x 4"). Trimmed, losing in 1832 when working on the nearby canal. The text. £45 Billhead for Charlotte Kidd, proprietor of a commercial building still stands. Stock: 43248 inn and posting house in Tadcaster, Yorkshire, with angel vignette and list of disttances to nearbr y towns (trimmed). 35. Robert King, White Hart Commercial Stock: 43223 Inn and Posting House, Moreton in Marsh [...] [c.1860] 40. In.o Garle Red Lioon and Commercial Letterpress and embossed stamp, sheet 65 x 90mm (2½ x 3½"). £50 Inn Market Place Uttoxeter Billhead for Robert King, innkeeper in Moreton-in- [c.1840] Etching, 90 x 80mm (3½ x 3"). £45 Marsh, Gloucestershire. Stock: 43219 Billhead for an innkeeper bassed in Uttoxeter, Staffordshire. Stock: 43217 36. James Hulse, Globe, Commercial Inn. Newcastle, Staffordshire. 41. C.M. Robinson. Bulls Head Inn, Powell & Wakeman sc Birmingham Engraving, sheet 50 x 95mm (2 x 3¾"). Trimmed. £40 Wellington, Salop. Billhead for the Globe Commercial Hotel in [c.1830] Newcastle-under-Lyme, Staffordshire. The hotel was Engraving, sheet 75 x 75mm (3 x 3"). Trimmed. £60 built in Red Lion Square in 1834 and was demolished Billhead for a hotel in Wellington, Shropshire, with buull's head vignette. c.1898 when it was replaced by Globe Chambers. Stock: 43235 Stock: 43244 42. Jonaathan Shaw, Rotherham. Crown 44. "A Cockney" being John Minsheu's Commercial Inn and Posting Hotel Definition from his Guide into the Tongues as Smith & Greaves sc Birmingham. 1834 [ms] published in London, 1627 [....] Etching, sheet 70 x 90mm (2¾ x 3½"). £40 Engraved in the style of the original by Charles Sigrist Billhead for an inn in Rotherham. in London, 1948- an edition oof 70 copies only for sale; Stock: 43215 and published by B.F. Stevens & Brown Ltd in the same city Engraving, rare; platemark 210 x 175mm (8¼ x 7"), large margins. Signed by the artist with verses to the dedicatee Raymond Smitth. £140 The definition of a cockney: modern engraving of the definition from the lexicographer John Minsheu's magnum opus, the etymologiical dictionary 'Ductor in linguas: the Guide into Tongues'. Private Collection of Nigel Talbot Stock: 43364

45. North London Literary and Scientific Institution. No. [blank] From [blank] 18[blank] to [blank] 18[blank]. M[blank] sec.y. G. Guyer, sculp. 21 G.t Sutton St.t Clerkenwell. [n.d., c.1835.] Engraved membership certifificate. 80 x 120mm (3¼ x 4¾") very large margins. Edges soiled. £140 An unfilled membership certtificate. The institution was founded in 1832. Stock: 43299

46. The Jolly Bachanalians set by Mr. Galliard [Anon, c.1780] Engraving, platemark 210 x 160mm (8¼ x 6¼"). £120 Songsheet with copy of Hogaarth's painting 'A Modern 43. [Bookkplate of John Currer, etched by Midnight Conversation' (c.1732, New Haven, Yale Francesco Bartolozzi, 1795] Center for British Art). Private Collection of Nigel Etching, Proof impression before letters; platemark 145 Talbot; for another engraving of 'A Modern Midnight x 105mm (5¾ x 4") large margins. Glued to backing Conversation' see ref. 3230. sheet. £240 Stock: 43360 Woman dressed in antique clothing, sat beside a shield bearing coat of arms. Ex-libris of John Currer, book 47. To the Court of Queen , this collector. His collection was passed on to the Revd Portrait is dedicated by the Propretors of the Henry Richaardson (1758-84) and then Frances Mary Fly. Richardson Currer (1785-1861), book collector. Lithograph. Sheet: 70 x 150mm (2¾ x 6"). Trimmed, Etched by Francesco Bartolozzi (1725-1815), damage and hole in right side. £45 Florentine engraver who in 1768 was elected as a A death notice, seemingly innforming Queen Victoria founding member of the Royal Academy in London and her court of the death off Lady Flora Hastings. (the RA did not admit engravers at this time but made Lady Flora Hastings was a lady-in-waiting to Victoria's an exceptionn in his case). He was already hailed as the mother and part of the Kensiinngton System created by best engraver in Italy when he met George III's John Conroy for the protection of the young Victoria librarian Richard Dalton in 1763. Dalton invited only heir to the throne. In 18839 Hastings experienced Bartolozzi to London with a promise of an appointment paain and swelling in her lower abdomen but refused to as engraver to the king. In England he became the most bee examined by the Queen's doctor thus sparking a celebrated exponent of the 'stipple' technique whereby rumour that Hastings and Conroy were having an he produced prints using dots rather than lines. In 1801 affair. Once Hastings agreedd to a humiliating Bartolozzi was invited to Lisbon to reform the royal examination it was discovered that she was in fact printing press, and he spent his final years in Portugaal. dying of cancer, she died shortly after. Lady Hastings This impression from the collection of Dr. Augusto death prompted a very negatiive press campaign against Calabi of Milan, art historian who co-authored (with the new queen. A.B. de Vesme) the authoritative catalogue raisonné oof Stock: 43658 Bartolozzi's work. Calabi & de Vesme 1905 ii/vi Stock: 43133

48. [Anacreontic Society meeting ticket, museum was closed in 1775,, after which Cox tried to 1773] diversify into other markets. Lawrenson inv. F. Bartolozzi sc. Etched by Francesco Bartolozzi (1725-1815), Etching printed in sepia, rare, sheet 135 x 105mm (5¼ Florentine engraver who in 1768 was elected as a x 4"). Ms in iink "3rd meeting Wednesday 8 Dec 79 at 7 founding member of the Royal Academy in London in evening"; trimmed inside platemark; creased and (the RA did not admit engravers at this time but made glued to backing sheet; glue stains at corners. £240 an exception in his case). Hee was already hailed as the Ticket for a meeting of the Anacreontic Society, a club beest engraver in Italy when he met George III's for noblemen and professional singers, showing a man librarian Richard Dalton in 1763. Dalton invited and woman placing garlands around a bust of Bartolozzi to London with a promise of an appointment Anacreon. After a design by William Lawranson as engraver to the king. In England he became the most (bap.1742-d.1783 or after), painter and engraver who celebrated exponent of the 'sttipple' technique whereby also painted a portrait of Thomas Price with Anacreonn's he produced prints using dots rather than lines. In 1801 petition in front of him. Bartolozzi was invited to Lisbon to reform the royal Etched by Francesco Bartolozzi (1725-1815), prrinting press, and he spent his final years in Portugal. Florentine engraver who in 1768 was elected as a This impression from the colllection of Dr. Augusto founding member of the Royal Academy in London Calabi of Milan, art historian who co-authored (with (the RA did not admit engravers at this time but made A.B. de Vesme) the authoritative catalogue raisonné of an exceptionn in his case). He was already hailed as the Bartolozzi's work. Calabi & de Vesme 1979 i or ii/iv; best engraver in Italy when he met George III's foor another item relating to Cox's museum see ref. librarian Richard Dalton in 1763. Dalton invited 40010 Bartolozzi to London with a promise of an appointment Stock: 43132 as engraver to the king. In England he became the most celebrated exponent of the 'stipple' technique whereby 50. [Concert Ticket] University College he produced prints using dots rather than lines. In 1801 Musical Society / President- Lord Reay / Bartolozzi was invited to Lisbon to reform the royal Conductor Sig.r Albertoo Randegger / The printing press, and he spent his final years in Portugaal. Members request the pleasure of the company This impression from the collection of Dr. Augusto of [...] Calabi of Milan, art historian who co-authored (with [Anon, c.1900] A.B. de Vesme) the authoritative catalogue raisonné oof Etching printed in brown, rarre, platemark 110 x Bartolozzi's work. Calabi & de Vesme 1976 (state 165mm (4¼ x 6½"). £95 unknown); for Lawranson's portrait of Thomas Price Ticket for a concert conducted by Alberto Randegger see ref. 286887 (1832-1911), conductor, teacher and composer of Stock: 43131 German and Italian descent, to be held at the Royal Academy of Music under the auspices of the music society of University College London. Randegger did much to encourage a followiinng for Wagner's early operas, and those of Verdi (whom he had known in Italy). His greatest influence,, however, was as a singing teacher, through his tteaching at the Royal Academy of Music and the Royal College of Music, and his 1893 textbook 'Singinng'. Stock: 43499

51. Hearders Family Hotel, Torquay. House Agents. Etching, 45 x 75mm (1¾ x 3"). Rare. £65 Tradecard for the Hearders Family Hotel, which was 49. [Ticket for James Cox's museum] Mr. situated on Victoria Parade in Torquay, Devon. Cox's Museum, 1772 Stock: 43227 [B. Rebecca inv. F. Bartolozzi sculp.] Etching, in ink at bottom "Given me by my Aunt Lady 52. James Griffiths, Talbot Commercial Lucan"; sheet 90 x 140mm (3½ x 5½"). Folded, hole in Inn, Market Place, Welliington. Wines & middle; trimmed and glued to backing sheet. £240 Spirits of the Choicest Quality [...] Ticket for the museum which James Cox (c.1723- [Anon., c.1840] 1800) opened in 1772 at the Great Exhibition room in Etching, sheet 105 x 95mm ((4 x 3¾"). Trimmed inside Spring Gardens, Charing Cross, London. The pllatemark, losing text. £65 'museum', was planned as a way of publicising articles Tradecard for an inn in Welliington, Herefordshire. manufactured by Cox, including twenty-two Stock: 43511 spectacular automata. It immediately became one of London's fashionable sights (Dr Johnson recommended it to Boswell soon after it opened), and a lottery was run with exhiibits from the museum as prizes. The 53. General Ramsay illustration from 'Acts and Monuments' by Foxe, first G. Mochetti incise [c.1825] puublished in 1537 and reissuued, this copy is probably Engraving, rare & fine; sheet 75 x 100mm (3 x 4"). from the 1641 edition. BM Saatire 6. £140 Stock: 43731 Tradecard showing a dog among classical ruins holding in its mouth a sheet of paper inscribed 'General 56. A Map of the East Indies, Drawn from Ramsay'. Engraved by little-known Italian engraver the Best Authorities. Giuseppe Mochetti (1825-30, fl.). Jn.o Lodge sculp. London, Puublished as the Act directs, Stock: 43514 30th September 1780, by J. Bew, Pater Noster Row. Engraved map. Sheet 285 x 390mm (11¼ x 15½"). 54. [To his Grace the Duke of Trimmed close to neatline loower right for binding, Northumberland... this historical record of folds. £230 Female heroism inspired by humanity as A map of the East Indies from India to the Philippines, exemplified in the rescue on the 7th September, puublished during the Americcan War of Independence, 1838 on the Fern Islands of the nine survivors Anglo-French War, Second Anglo–Mysore War, and Fourth Anglo-Dutch War. of the wreck of the Forfarshire Steam packet, Stock: 43276 by Grace Darling and her father...] [Engraved by David Lucas after Henry Perlee Parkerr & 57. [Map of London hiighlighting its railway John Wilson Carmichael.] [Published September 7th 1839.] stations] A Plan of the most direct Roads from Mezzotint on india, proof before all letters. 520 x the Terminus of the Raillways, the Principal 715mm (20½ x 28"). Backing card with repairs, india Places of Business & Amusement in the paper slightly bubbling £280 Metropolis, to & from the Queen's Arms, The famous scene of William and Grace Darling Newgate Street, in the centre of the City of rowing out to rescue the survivors of a shipwreck, ann London. action that turned Grace into a national heroine. This [Anon., c.1850] print, published the year after the wreck, was dedicateed Engraving, rare; sheet 80 x 115mm (3¼ x 4½"). to the Duke of Northumberland, who had become Repaired damage on left. £120 Grace's patron. Grace died of consumption only three Small map produced as publiicity for the Queen's Arms years later, aged only 26. tavern on Newgate street, demmonstrating its position The original painting, with seascape by John Wilson almost equidistant from mostt of London's principal Carmichael and figures by Henry Perlee Parker, railway stations, with a key iidentifiying other major belongs to the RNLI Heritage Trust.] Ex collection of attractions of the city. Unusually the map rotates the the Hon. Christopher Lennox-Boyd. common orientation so that north is to the bottom of Stock: 43489 the page. For a billhead for tthe Queen's Arms tavern seee ref. 43245. Stock: 43310

58. Improvements in the Strand and Charing Cross. Gent. Mag March 1831 Pt. 1 p.201 R. Martin Lithogaph 124 High Holborn Lithograph, sheet 125 x 190mm (5 x 7½"). Glued to baacking sheet. £70 Plan showing improvements to the area of central London now occupied by Traafalgar Square, the National Gallery and Charing Cross Station. Until 1826 much of this area was occupiied by William Kent's Royal Mews (for which see rref. 39702). This print was published shoortly before construction beegan on the 'National Gallerry of Painting and Sculpture' (shown on the plan). Work on Trafalgar Square did not begin for several more years (here it remains a largely empty space), eventually opening to 55. [Presentation of the Bible to Henry VIIII.] the public in 1844. [n.d., c.1641.] Stock: 43586 Woodcut. Sheet: 185 x 170mm (7¼ x 6¾"). Trimmed and laid on album sheet. £480 59. Atlantic or Western Ocean. A scene showing Cranmer presenting Henry VIII with Drawn and Engraved for Thomson's New General a bible, Thomas Cromwell stands to his side. Henry's Atlas. [Edinburgh: John Thoommson, c.1815.] feet rest upon the crouching figure of Pope Clement Engraved map with original hhand colour. 530 x 650mm VII while a crowd of Cardinals, including Cardinal (20¾ x 25½"). Paper pasted aaround printed border at Pole, and monks gather behind in horror. An boottom to hide damp stains. £360 A map of the North Atlantic from Iceland to the Lithograph produced in aid of the war effort by a Equator, with the Gulf Stream according to Thomas student at the Twickenham School of Art. Private Pownall (1722-1805)', governor Massachusetts 1757- Collection. 60) and author of 'Hydraulic and .Nautical Stock: 43675 Observations', an early examination of the Gulf Stream. Also marked is 'Lord Nelson's Track to the 61. Jack's Trump of Defiance West Indies in Persuit of the French 1805' and 'Nelson G. Cruikshank fec.t London PPub.d April 1825 by J Returning', which culminated at the Battle of Trafalgaar. Robins & Co Ivy Lane P N Row Another route is that of 'the United States Ship Etching and aquatint with hand-colouring, sheet 190 x Insurgent', which operated in European waters during 250mm (7½ x 9¾"). £130 the 'Quasi-War' between the USA and France, caused One of twelve etchings by George Cruikshank by the US reneging on the loans given to them by illustrating 'Greenwich Hospital: a series of Naval France durinng the American War of Independence. Sketches, descriptive of the Life of a Man-of-War's Stock: 43581 Man. By an Old Sailor' (Lonndon: 1826). These illustrations were some of Crruikshank's first after the 60. H.M.S. Twickenham Designed and famous caricaturist began his second career as a book Lithographed at the Twickenham School of illustrator, in which he worked with Charles Dickens Art in Aid of our Warship Week March 21-28 amongst others. 1942 A related drawing is in the Morgan Library & Vernon P. Milner 1942 15/20 Museum, New York. Abbey 2226.2 Lithograph, rare, printed area 290 x 195mm (11½ x Stock: 43331 7¾"). £230

62. The Chinese Junk, Keyring, [cantonesee of the vessel made to coincide with its arrival in British script] Captain Kellett. The first Junk that waters. ever rounded the Cape of Good Hope, or The ship subsequently sailed on to the US; even though appeared in British waters. As she appeared the ship’s captain Charles Allfred Kellett (b.1812) did off Gravesend 28th March 1848, 477 days from not plan to stop in New York City, he found himself off-course and eventually anncchored in Battery Park, a Canton [...] resort for racing, sports, ice-skating and fashion. The Published by Rock, Brothers & Payne, 11 Wallbrook, ship remained for nine days iin New York and over London, 20th May 1848 7000 people a day paid 25 cents each to board the boat Original aquatint hand coloured, scarce & fine, sheet to examine its cabins and obsserve the crew. The 280 x 370mm (11 x 14½"). £550 American publishers Currierr & Ives made a similar The Chinese junk, Keying, which sailed from China to prrint to this one to commemorate the arrival of the ship England and the United States (via the Cape of Good in New York. For another image of the same vessel see Hope) between 1846 and 1848. This print, with its ref. 41651. detailed rendering of the junk and listing of its Stock: 43256 specifications, was perhaps the finest of several prints 63. [Chinese Junk] William Smith (1825-78) was a civil engineer and [Anon., c.1850] prroprietor and editor of the ''AArtizan'' Journal. Wood-engraving, rare, printed area 85 x 125mm (3¼¼ x Stock: 43545 5"). £65 A junk, a sailling vessel used in Chinese waters and 66. [Lifeboat rescuing a steamer] The Sea characterized by a very high poop, flat bottom, and and had lost none of their force; and until square sails supported by battens. they got well round the North Foreland, the Stock: 43258 struggle to get back was just as hard as it had been to get there. [c.1874] Lithograph printed in colour,, sheet 125 x 195mm (5 x 7¾"). £65 Probably an illustration to an edition of 'History of the Lifeboat and its work' by Richard Lewis (1874), a paassage from which is quoted below the image. Stock: 43616

64. [Battle of Kinburn, 1787] Vue d'Oczakow et de Kinburn, à l'embouchure du Dnieper dans la Mer noire [....] [parallel text in German] Fr. Casanova ad Natur pinxit C: Schutz delin: Chr: a Mechel excudit Basilae 1788. Aquatint with fine hand-colouring, very scare & fine; sheet 365 x 480mm (14½ x 19"). Glued to backing 67. H.M.S. Thunderer. 84 Guns. To the sheet at edges; glue stains at bottom centre in margin. Honorable Capt.n. M.F.F. Berkeley C.B. this £520 print (from the original picture in his The Battle of Kinburn, fought on 1 October 1787 possession) is respectfullly dedicated by his during the Russo-Turkish War of 1787-92. The fortress obedient servant Edmund Fry. of Kinburn was situated opposite Ochakov (modern N.M. Condy del. T.G. Dutton lith. Day & Haghe Ukraine) at the Dnieper river delta. Ottoman forces Lith.rs to the Queen. London, Ackermann & Co., sought to secure a base from which to attack Ochakov, Strand, G. Foster, Fenchurch Street, _ E. Fry Plymouth. but they were defeated by the Russian fof rces of Tinted lithograph. Printed areea 345 x 405mm (13½ x Alexander Suvorov. 16"). Very slight stain top right. £480 From 'Tableaux et plans des evénements les plus HMS Thunderer, a two-deck, 84-gun second rate ship mémorables, de la guerre actuelle des autrichiens et des of the line, was built in 1831 at Woolwich Dockyard. russes contre les turcs' by Chrétien de Méchel (1790). In 1840 she fought in the batttle of Sidon, which was Stock: 43603 the last fleet action conducteed purely by wooden ships of the line under sail; in the same year she acted as 65. The Great Eastern. Designed by I.K. flagship at the bombardmentt and capture of the fortress Brunel Esq.r F.R.S. &c. &c. at St. Jean d'Acre, accompanied by steam vessels. W.m Smith, C.E. Salisbury Street. London, Published Hulked in 1863 she was fitteed with iron-clad plate as a by James 174 Strand, Sept.r 8th 1856. New target during trials for new arrmour-piercing guns. Edition July 18th 1857. Stock: 43349 Broadside, coloured wood engraving with letterpress, scarce. Sheet 470 x 630mm (18½ x 24¾"). Laid on 68. Fort St Mary, The Officers beating a album sheet. £450 Retreat in Order to Suppress the Outrages A sketch proofile of the ship, showing the six masts and Committed by the Soldiers and Sailors. the original five funnels, with longitudinal cross Hulett Sculp. section and a plan of the deck, with a letterpress Engraving, sheet 250 x 170mm (9¾ x 6¾"). Laid in description underneath. It was published the year album sheet. £160 before launch, when the public could pay 2s 6d to visit. Representation of the allied occupation of Port St By the time of publication the builder, John Scott Mary, which preceded the battle of Cadiz in 1702 , has gone bankrupt, delaying completion of the during the War of the Spanish Succession. After the ship until his creditors agreed to the use of his yards. allies landed, they marched on Rota and then entered the town of Port St Mary, annd looted the town's unguarded warehouses, convents and churches (as 72. S.W. Singer Esq.r.. shown here). This conduct both caused Prince George E.U. Eddis del.t 1831. Pr. by Graf & Soret 14, to send home a report despairing of the behaviour, and Newman St. [n.d, c.1831.] ended any chance of the local population supporting Lithograph. Printed area 1300 x 110 (5¼ x 4¼"). Crease the allies. The advance lost momentum thereafter, and in wide margins. £65 the allies' attempt to capture Cadiz ended in abject Samuel Weller Singer (1783--1858), Shakespearian failure. scholar and author of 'Researrches into the History of Plate to a volume on events during the reign of Queen Playing Cards; with Illustratiions of the Origin of Anne. Printing and Engraving on Wood', 1816, a pioneering Stock: 43432 work on the subject. See NPG 5822 for the original pencil sketch, dated 1831. Stock: 43166

73. [Portrait of William Upcott] A Collector. Engraved by T. BRagg fromm a Drawing by W. Behnes, March 1818. Engraving on india, very fine impression; platemark 285 x 185mm (11¼ x 7¼"). £160 William Upcott (1779-1845)), antiquary and autograph collector and son of the artistt Ozias Humphry (1742- 1810). Along with his early collecting of prints, coins and trade tokens, Upcott inherited his father's artworks and extensive correspondence. It was the latter which led Upcott towards his primary interest of collecting autographs. 69. [The Siege of Douai.] Upcott also catalogued the liibbrary at the Evelyn family Seb. le Clerc Sculp. home of Wotton in Surrey (in the course of which he Engraving, proof before title. Sheet 390 x 545mm acquired, possibly illegally, a number of items which (15¼ x 21½"). £360 he later refused to return), and compiled a biographical Louis XIV standing in front of a wounded soldier, dictionary of British authors and a bibliography of soldiers collecting firewood on right, and view of British topgraphical works (a volume of which he Douai in distance. Representation of the siege of Douai holds in this print). in 1667 during the War of Devolution (1667-8) in In later years Upcott negotiatted with various which Louis XIV's armies gained land in the Spanish institutions interested in acquiring his collection (from Netherlands and the Franche-Comté but were forced to the British Museum to the Liibrary of Congress) but give most of it back to a Triple Alliance of England, most of his collection remained with him at his Sweden and the Dutch Republic. Islington residence 'Autograph Cottage'. After his death From a series of five plates reproducing the the collections were dispersed in three sales: the British compositions invented by Charles Lebrun for a set of Museum purchased his collecctions relating to British tapestries celebrating the victories of Louis XIV. topography, while the Evelyn family repossessed items Stock: 43609 Upcott had taken from the library. Engraved after a drawing by William Behnes (1791x7- 70. Bataille de Waterloo [parallel text in 1864), who was second onlyy to Francis Chantrey as Dutch] England's most prolific and successful portrait sculptor Mangion del [?- in image lower left] at this time. Private Collection of Nigel Talbot Lithograph, scarce, printed area 215 x 290mm (8½ x Stock: 43354 11½"). Title cut out and pasted over border. £140 Popular print of the battle of Waterloo (1815), in 74. Lady Bingham. present-day Belgium in which Napoleon's French army Angelica Kauffman pinx.t. James Watson fecit. Printed was decisively defeated by the Anglo-led Allied army and Publish'd according to Act of Parliament 1st April of the duke of Wellington and Prussian led by Blucher. 1776, by James Bretherton, No 134 New Street. Dramatic image. Mezzotint. 500 x 380mm (19¾ x 15"). Small repaired Stock: 43157 tear top left & very few repaiired wormholes, small margins. £480 71. Tho.s Beckwith of York, Painter & Full-length portrait of Margaret Bingham (née Smith, F.A.S. London. c.1740-1814), a miniature painter, seated, leafing M.F. Quadal pinx.t. W.Humphrey fec.t. [n.d., 1777.] through a print portfolio on a table. The daughter of Sir Mezzotint, rare. 255 x 195mm (10 x 7¾"). Thread James Smith, she married Charles Bingham (1735- margins, mounted in album paper. £240 1799), 1st Earl of Lucan in 1760. Thomas Beckwith (1731-86), painter, genealogist and This portrait was first published by James Watson in antiquary, felllow of the Society of Antiquaries 1775. CS: 10. Goodwin: 1011. Alexander: 22. See Stock: 43551 27752 for a proof. Stock: 43487

75. [Hieronymus Bosch] Hieronymo The pencil drawing from whhiich this etching derives is Boschio, Pictori. Quid sibi vust Hieronyme in the Print Room of the Brittish Museum. BM Satires Boschi, / Ille oculus tuus attonitus? qui / Pallor 9569. Stock: 43108 in ore? velut lemures si, [...] 3. Th. exc [c.1600] Engraving, platemark 210 x 120mm (8¼ x 4¾") very 78. Hubert Maurer. Lehrer der large marginns. £190 Historischen Zeichnungsgrunde an der K:K: Hieronymus Bosch (1450-1516), Dutch painter and Academie der bildenden Kunste. draughtsman whose remarkable work, characterized by nach dem Leben gezeichnet von J. Merz gezzt von fantastic andd grotesque creatures, was unprecedentedd in J.J.L. Billwiller [c.1790] European art. Etching, platemark 235 x 190mm (9¼ x 7½"), very Later state of a plate first published in 1572 by the large margins. £120 widow of Hieronymus Cock. In this state it was Hubert Maurer (1738-1818),, German-born history published after 1600 in the Antwerp publisher Theodor paainter who spent four years in Rome and subsequently Galle's 'Illustrium Quos Belgium Habuit Pictorum settled in Vienna, where he became a member of the Effigies. Antwerpiae'. academy in 1783. Stock: 43316 Stock: 43526

76. Thomas Gainsborough, R.A. 79. [Hubert van Eyck] Huberto ab Eyck, Painted by himself. Engraved by Fra.s Bartolozzi R.A. Joannis Fratri; Pictori. Quas modo communes [Pub. Jan 1. 1798, by J & J Boydell, No.90, Cheapside cum fratre Huberte, merenti / Attribuit laudes & at the Shakspeare Gallery, Pall Mall, London as the nostra Thalia tibi [...] 1. Act Directs] Th. Galle exc [c.1600] Stipple, sheet 245 x 205mm (9½ x 8"). Trimmed to Engraving, platemark 210 x 120mm (8¼ x 4¾") very platemark. £160 large margins. £140 Thomas Gainsborough (1727-88), along with Sir Hubert van Eyck (b.c.1358-90, d.1426), painter and Joshua Reynnolds the leading British artist of his brrother of Jan van Eyck. According to the inscription generation. on the famous Ghent altarpiece, that great work was Engraved byy Francesco Bartolozzi from beegun by Hubert and completed by Jan. Other work by Gainsborough's late self-portrait, now in the Royal Hubert is hard to identify. Academy of Arts, London. Calabi & De Vesme 816 Third state of a plate engraved in 1572 after an iii/iii unidentified portrait by Michiel Coxie I. In this state it Stock: 43430 was published after 1600 in tthe Antwerp publisher Theodor Galle's 'Illustrium Quos Belgium Habuit Pictorum Effigies. Antwerpiae'. Stock: 43314

80. [Jan van Eyck] Joannes ab Eyck Pictor. Ille ego, qui laetos oleo de semine lini /Expresso docui princeps miscere colores [...] 2. Th. Galle exc [c.1600] Engraving, platemark 210 x 120mm (8¼ x 4¾") very large margins. £140 Jan van Eyck (c.1395-1441),, painter and illuminator beest known for his completion of the Ghent altarpiece and his double portrait of Giovanni Arnolfini and Giovanna Cenami ('the Arnolfini Marriage') now in London's National Gallery. Third state of a plate first published in 1572. In this state it was published after 16600 in the Antwerp puublisher Theodor Galle's 'Illlustrium Quos Belgium Habuit Pictorum Effigies. Antwerpiae'. Stock: 43315 77. James Gillray The Caricaturist. Very fine etching with hand-colouring, mint, platemark 81. [Rogier van der Weyden] Rogero, 175 x 125mm (7 x 5"). £490 Bruxellensi Pictori. Non tibi sit laudi, quod Self-portrait of James Gillray (1757-1815), caricaturist multa, & pulchra, Rogere, / Pinxisti, ut and printmaker, stood in front of a wall of his own poterant tempora ferre tua [...] 4. caricatures, including Thomas Paine measuring the Th. Galle excud [c.1600] crown (left) and 'A keen-sighted politician warming his Engraving, platemark 210 x 120mm (8¼ x 4¾") very imagination' (right), both reversed. large margins. £140 Rogier van der Weyden (1399-1464), one of the most renowned painters of the fifteeenth century, specialising in religious works and portraits. This engraving was 84. The Progente of Geffrey Chaucer. The made after an alleged self-portrait by van der Weyden, true portraiture of Geffrey Chaucer the part of a series of paintings in Brussels town hall now famous English poet as by Thomas Occleue is lost. described who lived in hiis time and was his Third state of a plate first published in 1572, in a seriies scholar. of twenty-three portraits of painters from the Low [after John Speed.] [n.d. c.1650.] but later. Countries. In this state it was published after 1600 in Etching. Sheet: 280 x 185mm (11 x 7¼"). Trimmed the Antwerp publisher Theodor Galle's 'Illustrium and laid on an album sheet. £360 Quos Belgium Habuit Pictorum Effigies. Antwerpiae'. A portrait of the medieval poet Geoffrey Chaucer Another edition was published in 1694. Stock: 43317 (1343-1400) depicted on the tomb erected for him in 1556 by Nicholas Brigham in Westminster Abbey. The poortrait is a copy of John Speed's portrait used in the 1598 Speght editions of Chaucer, the image was used throughout the sixteenth andd seventeenth centuries. Stock: 43733

85. Charles Dickens, his wife, & her sister. Drawn by Maclise in 1842. Maclise R.A. C.H. Jeens [c.1872-4] Soft-ground etching, sheet 155 x 100mm (6 x 4"). £70 Triple portraits of the author Charles Dickens, his wife Catherine and her sister Georrgina, after a drawing by his friend, the artist Daniel Maclise (bap. 1806- d.1870). Illustration to 'The Life of Charles Dickens' by John Forster (1872-4). Stock: 43517

86. Samuel Johnson. Sentimental and Masonic Magazine Sir Jos.a Reynolds Pinx.t 1756 H. Brocas Sculp. [c.1795] Stipple, sheet 210 x 115mm ((8¼ x4½"). £95 Samuel Johnson (1709-17844)), English writer who made lasting contributions to English literature as a pooet, essayist, moralist, novelist, literary critic, biiographer, editor and lexicographer. Johnson was a devout Anglican and political conservative, and has 82. [Samuel Butler.] beeen described as "arguably tthe most distinguished [After Soest.] [n.d., c.1670.] man of letters in English histtory". He is also the subject Mezzotint, proof before all letters. Plate: 350 x 250mm of "the most famous single work of biographical art in (13¾ x 9¾"). Crease. £320 the whole of literature": Jammees Boswell's Life of A three-quater length portrait of poet and satirist Samuel Johnson. After workiing as a teacher he moved Samuel Butler (1613-1680), famed for his satirical to London, where he began tto write essays for The poem 'Hudibras', leaning up against a pillar. Gentleman's Magazine. His llater works included Stock: 43738 essays, an influential annotatted edition of William Shakespeare's plays, and the widely read novel 83. Lord Byron. George Gordon Byron, Rasselas. In 1763, he befriended James Boswell, with Baron, was born about the year 1786, and is whom he later travelled to Scotland; Johnson described the grandson of Admiral Byron [...] their travels in A Journey to tthe Western Islands of Scotland. Towards the end off his life, he produced the London: William Darton, 58, Holborn Hill, 1823. massive and influential Lives of the Most Eminent Stipple, sheet 110 x 75mm (4¼ x 3"). £65 English Poets, a collection off biographies and George Gordon Noel Byron (1788-1824), British poet evaluations of 17th- and 18th-century poets. and archetypal Romantic figure. Byron was celebrated Engraving after the portrait by Sir Joshua Reynolds, in life for aristocratic excesses including huge debts, puublished in the Dublin journal, the 'Sentimental and numerous love affairs, rumours of a scandalous Masonic Magazine', published by John of incestuous liaison with his half-sister, and self-impossed Grafton Street between 1792 and 1795. Not in O'D; for exile. He travelled to fight against the Ottoman Empiire another engraving from the same Reynolds portrait see in the Greek War of Independence, for which Greekss ref. 26473. revere him as a national hero. He died at 36 years old Stock: 43326 from a fever contracted while in Missolonghi, Greece. Stock: 43384

87. Mr. Tho.s Paine 89. Tom Paine. Peel pinx.t Angus sculp.t Published as the Act directs 1 Eng. by K. Mackenzie from a Miniature by H. Sep.r 1791 by C. Forster No.41 Poultry Richards Published March 31 1800 by G. Cawthorne Engraving, sheet 160 x 100mm (6¼ x 4"). Trimmed British Library Strand London. and tipped into album sheet. £120 Stipple, sheet 145 x 105mm ((5¾ x 4"). Trimmed and Thomas Paine (1737-1809), author and revolutionary. tipped into album sheet. £95 A leading figure in the age of revolutions and an Thomas Paine (1737-1809), author and revolutionary. effective pamphleteer, Paine's works included A leading figure in the age of revolutions and an 'Common Sense' (1776), which inspired people in the effective pamphleteer, Paine''s works included 'Thirteen Colonies' to declare and fight for 'Common Sense' (1776), whiich inspired people in the independence from Great Britain; the hugely successfful 'Thirteen Colonies' to declare and fight for 'Rights of Man' (1791-2), which did much to restore independence frf om Great Brriitain; the hugely successful credit to the French in Britain and America; and 'The 'Rights of Man' (1791-2), which did much to restore Age of Reason' (1793), a trenchant attack on credit to the French in Britain and America; and 'The Christianity and all formal religions which stirred up Age of Reason' (1793), a trenchant attack on hostility for many years afterwards (in 1888 Teddy Christianity and all formal religions which stirred up Roosevelt described him as 'a filthy little atheist'). hostility for many years afterrwards (in 1888 Teddy Engraved after a portrait by Charles Willson Peale Roosevelt described him as 'a filthy little atheist'). (1741-1827), American painter and museum founder Stock: 43582 who served in the Pennsylvania militia and participated in radical politics during the Revolution. For another 90. Horatio Walpole Earl of Orford. engraving of Paine from the same portrait by Peale see Engraved by permission from the Original ref. 34441. Picture in the possessionn of the Marquis of Stock: 43584 Hertford. J. REynolds pinx G. Scharf lithog. London, Published byy Charles Knight, Pall Malll East, June 1825. Lithograph, printed area 215 x 155mm (8½ x 6"). Bit dusty. £65 Horatio Walpole, fourth earl of Orford (1717-1797), author, politician, and patron of the arts. The youngest son of the Prime Minister Sirr Robert Walpole, Horace Walpole was one of the eighhtteenth century's leading collectors and socialites. A pioneer of the Gothic taste in art, architecture and literatture, he formed an exceptional collection at Strawberry Hill, the 'little Gothic castle' which he designed in Twickenham. Lithograph based on the porttrait by Sir Joshua Reynolds (c.1756-7), which wwas given to the sitter by Grosvenor Bedford and noww hangs in the National Portrait Gallery. The sheet off paper prominently displayed on the left is a print of the ancient Roman marble eagle Walpole had acquired in1745. Stock: 43515

91. Paul Whitehead, Esq. of Twickenham. Obiit Dec.r 30 1774 Unhallow'd Hands, this 88. Thomas Paine 234 Urn forbear / No Gems, nnor orient Spoil, / Lie [n.d.] here conceal'd- but what's more rare / A Heart Etching, rare, platemark 75 x 50mm (3 x 2"). Trimmed that Knows no guile and tipped into album sheet. £140 Publishd as the Act directs Sept.r 1 1773 by T. Thomas Paine (1737-1809), author and revolutionary. Essex Street, Strand. A leading figure in the age of revolutions and an Engraving, sheet 205 x 120mm (8 x 4¾"). Trimmed. effective pamphleteer, Paine's works included £95 'Common Sense' (1776), which inspired people in the Paul Whitehead (1710-74), satirist in the vein of 'Thirteen Colonies' to declare and fight for Alexander Pope who also organised events such as a independence from Great Britain; the hugely successfful mock Masonic procession aloong the Strand which was 'Rights of Man' (1791-2), which did much to restore depicted in a satirical print. By the 1750s Whitehead credit to the French in Britain and America; and 'The lived at the elegant Colne Lodge on the north side of Age of Reason' (1793), a trenchant attack on Twickenham Common. At this time his friends Christianity and all formal religions which stirred up included the painters Francis Hayman and George hostility for many years afterwards (in 1888 Teddy , while his portrait was painted by Roosevelt described him as 'a filthy little atheist'). Gainsborough (now lost). Stock: 43583 Whitehead's last bequest was his heart to his patron A fine & attractive portrait of Elizabeth I (1533-1603) Dashwood, now Lord Le Despencer, with £50 for a as a girl shown holding a dove. There have been doubt marble urn in which it could be placed in Dashwood's cast as to whether the portraiit is actually of Elizabeth, mausoleum at West Wycombe. The urn containing the Holbein died in 1543 so coulldn't have painted the heart (shown here) was ceremoniously deposited in the original in 1551. Chaloner Smith calls it the 'The mausoleum at West Wycombe on 16 August 1775 but Perfect Wife'. CS 123. was later stolen by a tourist. For Whitehead's mock Stock: 43730 Masonic procession see ref. 40356; for Colne Lodge see ref. 15001. 97. His Late Most Excellent Majestry King Stock: 43524 George the Third. I hoppe the time will come when every poor child in my dominions will be 92. Anna Clivensis Henrici VIII Regis able to read the Bible. Angliæ Uxoe IIIIta. From an Original Drawing taken at the Age of 82 in H Holbein pinxit. Wenceslaus Hollar fecit Aqua forti the 60th Year of his Reign. Published 1 March 1820, ex Collectione Arundeliana Ao. 1648 but later. for the Proprietor and Sold by Mess.rs Cribb & Son Etching, rare. Plate: 260 x 180mm (10¼ x 7"). Holborn and R. Cooper No. 1 Edward Street, Trimmed and laid on album sheet. Small repair in title. Hampstead Road. £280 Etching, proof impression; sheet 425 x 275mm (16¾ x A portrait of Henry VIII's fourth wife Anne of Cleves 10¾"). £160 (1515-1557). Pennington 1343. Unusual portrait of George IIII (1738-1820) in old age. Stock: 43715 The king's last public appearrance was in 1810, a decade before his death, and was followed by a manic 93. Anna Bullen Regina Angliæ Henrici episode. His eyesight deteriorated until he was VIII. Uxor 2da Elizabethe Regine Mater, fuit completely blind, and he was increasingly afflicted by decollata Londini, 19 May Ao 1536. deafness. Treatment was leftt in the hands of mad- H Holbein delineavit. W. Hollar fecit, ex Collectionee doctors, with conventional physicians largely denied Arundeliana, Ao 1649 but later. access to the king. A regency was declared in 1811, Etching. Sheet: 135 x 105mm (5¼ x 4¼"). Trimmed which saw the future George IV act as regent until his and laid on album sheet. £160 father's death. A portrait of Anne Boleyn facing left shown headress Of all the many portraits of George III published after with brocade band and a necklace with a large pendant. his death, this is one of very few to depict the darkness Pennington 1342. of the king's final years. Stock: 43716 Stock: 43433

94. Her Royal Highness the Princess Carolina &c. P. Mercier Pictor Principis. J. Simon fec: et excud. Mezzotint. Sheet 475 x 305mm (18¾ x 12"). Trimmed close to plate. £180 Princess Caroline Elizabeth (1713-57), fourth child of George II. She died, unmarried and childless, on 28 December 1757, aged 44, at St James's Palace. CS 33.. Stock: 43553

95. Corruptibilem pro incorruptibile. W. Faithorne fec. E. Cooper. [n.d., c.1695.] Mezzotint. Sheet: 315 x 200mm (12½ x 8"). Trimmed and laid on card. £230 A portrait of Charles I shown standing with his hands raised as light eminates from his head, a hand holds a crown from a cloud above Charles's head. Lines of verse below criticise Ludlow and other critics of Charles I. C S 4 Stock: 43737

96. The most Illustraious Princess Elizabeth 98. His Royal Highness George Prince of Crown'd Queen of England. Anno. 1558. Wales, Regent of the Uniited Kingdom. H. Holbein pinx.t 1551. J. Faber fecit 1742. Publish'd Dedicated to Her Royal Highness the Princess by J. Gatliffe according to Act of Parliament April Charlotte of Wales, [by Her obliged and 1742. grateful Servant John P.. Thompson.] Mezzotint, rare. Sheet: 505 x 345mm (20 x 13½"). Painted by G.H. Harlow Esqq.r. Engraved by Will.m Trimmed and laid on an album sheet. Some small Ward Engraver Extraordinarry to the Princess of Wales repairs. £550 and Duke of York. [London. Published Feb.y 6th 1811 by J.P. Thompson, G.t Newport Street, Printseller to 102. Henricus VIII. Anggliæ Rex &c. his Majesty and the Duke & Duchess of York.] WF fe. [n.d., c.1672.] A large mezzotint. 690 x 555mm (27 x 21¾"). Engraving. Sheet: 190 x 120mmm (7½ x 4¾"). Trimmed Trimmed with the loss of c.2cm of inscription area, and laid on album sheet. £95 several repaired tears £450 A half-length portrait of Henry VIII set in an oval. An The future George IV astride a fabulous stallion, in illustration to Edward Lord Herbert of Cherbury's 'Life ceremonial hussar uniform with sabre unsheathed, and Reign of King Henry the Eighth' 1672. published the year he was made regent for his father, Stock: 43721 George III. The plate is dedicated to his daughter Charlotte, who died following childbirth at the age of 103. Henri VIII. 21. CS 40; Frankau 129; ex collection of the Hon. Adr. vander Werff pinx. G. Valck Sculp. [n.d., c.1707.] Christopher Lennox-Boyd. Engraving. Sheet: 305 x 175mmm (12 x 7"). Trimmed Stock: 43488 and laid on album sheet. £50 A half-length portrait of Henry VIII set in an oval. An illustration to Isaac de Larrey's 'L'Histoire de l'Angleterre'. Stock: 43722

104. Henricus VIII D.G. Angliæ Galliæ et Hiberniæ Rex Fidei Defensor. The most high and mightie Prince Henry the VIII by the grace of God King of Enngland France and Ireland. [n.d., c.1628.] but later. Engraving. Sheet: 170 x 110mmm (6¾ x 4¼"). Split in pllate. Trimmed and laid on album sheet. £95 An unusual portrait if Henry VIII holdinga sceptre and baall set within an oval. An illlustration from William Martyn's 'Historie of the Lives of the Kings of England' 1628. Stock: 43723 99. Familia Regia ab Holbenio picta. Geo. Vertue del. & Sculp. [n.d., c.1743.] 105. Henricus Dei Gartia Rex Anglie. Engraving. Sheet: 485 x 540mm (19 x 21¼"). Trimmed [Pub.d by W.J. White 14 Brownlow S.t Holborn and laid on album sheet with a vertical fold. £180 London.][n.d., c.1820.] A group portrait of Henry VII and Henry VIII with Engraving, rare. Sheet: 175 x 125mm (7 x 5"). their wives Elizabeth of York and Jane Seymour. The Trimmed and laid on album ssheet. £120 original Holbein painting was destroyed by fire in A portrait of Henry VIII (1491-1547) shown wearing a 1698, so this engraving is after a copy by van Leempuut large fur lined row, his hands before him. A nineteenth commissioned by Charles II in 1667. century copy of a 1544 portrraait by Cornelis Massijs. Stock: 43732 Stock: 43724

100. Henricus VIII. D. G. Angliæ Franciæ et 106. Uera Effigies Henrici VIII. Angliæ Hiberniæ Rex. Henrick de VIII. Coninck van Francæ et Hiberniæ Fidei Defensor. The Enghelant Vrancryck ende Irlant. migthy and most magnificent Prince... [n.d., c.1615.] Francisco Dolarum sculp. Arre to be sold by William Engraving. Sheet: 180 x 125mm (7 x 5"). Trimmed annd Peake. [n.d., c.1630.] but later. laid on album sheet. £140 Engraving. Sheet: 180 x 110mmm (7 x 4¼"). Trimmed A half-length portrait of Henry VIII (1491-1547) in and laid on album sheet. £90 armour, set in an oval. An illustration from Emanuel A portrait of Henry VIII (1491-1547) set in an oval van Meteren's 'Historie der Nederlandscher ende...'. holding a sceptre and ball. Originally printed in 1618 Stock: 43719 as an illustration to 'Bazilioggia a Booke of Kings'. Stock: 43725 101. K. Henry VIII. Vertue sculp. [n.d., c.1745.] 107. Henricus D.G. VIII Angliæ, Fran, et Hib, Stipple. Sheet: 165 x 90mm (6½ x 3½"). Trimmed and Rex &c... laid on album sheet. £30 [Crisijn de Passe.] [n.d., c.1620.] A half-length portrait of Henry VIII (1491-1547) set Engraving. Sheet: 155 x 120mmm (6 x 4¾"). Trimmed within an oval with a decorative border. An illustration and laid on album sheet. £160 from Rapin and Tindall's 'History of England.' A portrait of Henry VIII (1491-1547) shown holding a Stock: 43720 sceptre. An illustration from Henry Holland's 'Heroologia Anglica' 1620. Stock: 43726 108. King Henry VIII. From a Painting in the Stock: 43712 Royal Gallery at Kensignton. G. Vertue del. et sculp. [n.d., c.1733.] 114. Princeps Maria Henrici VIII Regis Engraving. Sheet: 290 x 185mm (11½ x 7¼"). Angliæ Filia. Trimmed and laid on album sheet. £65 H Holbein pinxit. W. Hollar fecit, ex Collectione A portrait of King Henry VIII (1491-1547) set within Arundeliana 1647 but later. an oval with a decorative border, a vignette below Etching. Sheet: 130 x 105mm (5 x 4¼"). Trimmed and shows Henry VIII standing with a sword while several laid on an album sheet. £160 figures bow befor him. An illustration from Rapin and A portrait of Henry VIII's firrst daughter Mary, later Tindall's 'History of England' 1733. Mary I as a princess shown wearing a peaked bonnet. Stock: 43728 Pennington 1465. Stock: 43713 109. Henricus. VIII Angliæ. Fr & Hiberniæ R.E.X &c. Fund.r. Coll: Trinit: Cantab: Ao. 115. Iohanna Seymour Regina Henri ci VIII D.t 1546. Regis Angliae Uxor 3rd J. Faber. [1714.] Hholbein pinxit. W. Hollar fefecit aqua forti, ex Mezzotint. Sheet: 265 x 200mm (10½ x 8"). Trimmed Collectione Arundeliana 1648, but later. and laid on album sheet. £160 Etching. Sheet: 130 x 110mm (5 x 4¼"). Trimmed and A three-quater length portrait of Henry VIII standing laid on album sheet. £160 holding a pair of gloves. One from a series of forty-five A half length portrait of Jane Seymour, third wife of portraits of the founders of Oxford and Cambridge Henry VIII after a portrait by Hans Holbein. Colleges. Pennington 1427. Stock: 43729 Stock: 43709

110. [Henry VIII.] Regem dedi iratus eis. T. Cecill Sculp. [n.d., c.1630.] Engraving. Sheet: 140 x 90mm (5½ x 3½"). Trimmed and laid on album sheet. Engraver's details excised and glued below image. £140 A half-length portrait of Henry VIII (1491-1547) holding a sceptre and ball. The frontispiece to Francis Godwin's 'Annales of England'. Stock: 43727

111. Henricus VIII Angliæ Rex etc. H Holbein pinxit. Whollar fecit ex Collectione Arundeliana Ao 1647 but later. 116. Her Most Graciouus Majesty The Queen. Etching. Sheet: 135 x 105mm (5½ x 4"). Trimmed and [&] Prince Albert, of Saxe Cobourg and Gotha laid on album sheet. £160 Engraved by H.T. Ryall Esq..r from the Original A half-lenth portrait of Henry VIII wearing a fur robe, Portrait in the possession of H.R.H. Prince Albert.[...] feathered cap and large chains. [Victoria] Drawn on Stone by R.J. Lane Esq. A.R.A. Stock: 43711 Lithographer to the Queen [...] [Albert] London, July 1 1840, Published by Mess.rs Colnaghi & Puckle, 112. [Unkown Woman] Printsellers to the Queen, the Queen Dowager, H.R.H. H Holbein pinxit. W. Hollar fecit, ex. Collectione the Duchess of Kent, &c. &c. 23, Cockspur Street. Arundeliana, Ao 1647 but later. Printed by McQueen [Victorria] London Jan.y 1840 Etching. Sheet: 125 x 100mm (5 x 4"). Trimmed and Published by Messrs. Colnaghi [...] [Albert] laid on album sheet. £160 Stipple, sheet 345 x 280mm ((13½ x 11") [Victoria] A portrait of a woman, facing forward in a circle. lithograph, sheet 340 c 280mm (13¼ x 11") [Albert]. Identified as Anne of Cleves below, also been £270 identified as Katherine of Aragon and Lady Lister. Portraits of Queen Victoria and Prince Albert Pennington 1549 puublished to coincide with their marriage in 1840, both Stock: 43714 after miniatures by William Charles (1794-1860). Victoria had a series of sittings with Ross in 1837and 113. Princeps Maria Henrici VIII Regis declared the resulting portraiit 'very like and very well Angliæ Filia. paainted', leading to his appoiintment as 'Miniature H Holbein pinxit. W. Hollar fecit, ex Collectione Painter' to the Queen. In subsequent years he was Arundeliana 1647. employed constantlyin paintiing the queen's immediate Etching. Sheet: 130 x 105mm (5 x 4¼") but later. family, including Albert (in 11839 and 1840). Trimmed and laid on an album sheet. £160 Stock: 43434 A portrait of Henry VIII's first daughter Mary, later Mary I as a princess shown wearing a peaked bonnet. Pennington 1465. 117. Henry Simons the Polish Jew. the series 'Königlich Baierischer Gemälde-Saal zu [by Thomas Worlidge.] [n.d., c.1751.] München und Schleissheim iin Steindruck'. Etching, rare in this state. 165 x 110mm (6½ x 4¼"). Stock: 43532 Old mss marginalia relating to the event. £240 Portrait of Henry Simons, an Ashkenazi Jew who waas 120. Miss Lewis. beaten and robbed by James Ashley. He eventually J.S. Liotard pinx.t. C.Spooner fecit. Printed for Rob.t received compensation, but only after being convicted Sayer Printseller in Fleet Street. of perjury for his accusations. The pamphlet 'The Case Mezzotint. 150 x 110mm (6 x 4¼"), very large of Henry Simons, a Polish Jew Merchant; and his margins. £160 Appeal to the Public thereon' (1753) brought his case A three-quarter length portrait of a seated woman, to a wider public. By Thomas Worlidge (1700-66), 'the reading a letter. The BM suggests it is likely to be English Rembrandt' and a pupil of Alessandro Maria M.lle Lavergne, niece of the painter. CS 27. Grimaldi, whose daughter Arabella he married. State Stock: 43302 i/ii, before the addition of background and text under the title.; D146. 121. [Monk holding crucifix] Stock: 43296 H. MD[?] [c.1800] Soft-ground etching, rare, platemark 190 x 150mm (7½ x 6"). £95 Stock: 43186

122. [Portrait of a gentlleman] D. Martin Pinx.t J. Wright Fec. 1769 Mezzotint, Scratched-letter proof with 1795 watermark, in pencil under A. Ferguson; platemark 390 x 280mm (15¼ x 11") large margins. £320 Fine mezzotint engraving off an unidentified portrait by the portrait painter and engraver David Martin (1737- 97). Born in Fife, Martin was a pupil of Allan Ramsay, with whom he toured Italy in 1756-7. He painted over 300 portraits, including the painting of Benjamin Franklin which hangs in the WWhite House and figures of the Scottish Enlightenment such as David Hume. After time in London, Martin returned to Scotland in 1780, living in Edinburgh forr the rest of his life. CS: 7 Stock: 43596

123. Richardus Cooperr Pictor. [G.] Schroider Pinx. [n.d., c.1750. Mezzotint, scarce. Sheet 3055 x 230mm (12 x 9"). Trimmed, losing c.3cm at top and the 'G' of the artist's name. £180 Richard Cooper the elder (c.11705-64), leading engraver of Edinburgh, left to study painting in Rome but returned in 1735. It is possibblle he engraved this portrait 118. The Dishabille. himself. CS: Not ascertained 23. Metzu pinxit. Ja.s Watson Sculp. [n.d., c.1776.] Stock: 43550 Mezzotint, scratched-letter proof. 330 x 230mm (13 x 9"). Small margins. £300 124. A woman in plain 17th century dress, including white Capt. W.m Edw.d Parry R.N F.R.S. cloth bonnet, fichu and apron, sitting before a mirror Who in the Years 1819 & 20 made a Voyage on her dressing table. for the Discovery of N.W. Passage from the The original painting by Gabriel Metsu, c.1665, is in Atlantic to the Pacific Ocean: and in the Years the Harold Samuel collection of the Guildhall. Ex 1821, 22, 23 made a 2.ndd Voyage for the same collection of the Hon. Christopher Lennox-Boyd. BM Discovery. 1861,1109.149, dated 'June 21 1776' in pencil. Drawn from Nature on Stone & Pub.d by Henry Perry Goodwin: 179 iii of iii. Hanover St. Hanover Sq. & Sold at 747 in the Bazaar Stock: 43548 Soho Sq. Lithograph on india, very rarre, printed area 110 x 119. [Lady wearing hat and ruff] 80mm (4¼ x 3"). £140 AC 1577 pinx: N: Strixner del: [c.1823] Sir William Edward Parry (11790-1855), naval officer Lithograph and tintstone, sheet 600 x 470mm (23½ x and Arctic explorer. As a lieutenant in the navy, Parry 18½"). Slight foxing. £160 served on the North American station following the Lithograph of a 1577 painting by the Dutch artist War of 1812 (1813-7) and in 1818 was commissioned Adriaen Crabeth, by Johann Neopomuk Strixner from to command a ship under the orders of Captain John Ross in his Arctic expedition, searching for a north- Italy when he met George IIII's librarian Richard Dalton west passage to the Pacific. While his voyages did not in 1763. Dalton invited Bartolozzi to London with a succeed in their ultimate aim, Parry gathered much prromise of an appointment as engraver to the king. In scientific material, setting the pattern of Arctic England he became the mostt celebrated exponent of exploration for a generation (many of Parry's young the 'stipple' technique whereby he produced prints officers, such as James Ross, went on to become using dots rather than lines. IIn 1801 Bartolozzi was famous explorers themselves). The Queen Elizabeth invited to Lisbon to reform the royal printing press, and Islands in the Canadian Arctic Archipelago were until he spent his final years in Poortugal. 1953 known as the Parry Islands after Parry's visit to This impression from the colllection of Dr. Augusto them as part of his exploration. Calabi of Milan, art historian who co-authored (with Parry later triied to reach the north pole from A.B. de Vesme) the authoritative catalogue raisonné of Spitsbergen using sledge-boats (1826) and served as Bartolozzi's work. This state is not listed in the Commissioner of the Australian Agricultural Company catalogue. Calabi & de Vesme 1860 iv/iv based at Tahllee on the northern shore of Port Stephens Stock: 43141 New South Wales, Australia from (1829-34). Parry was subsequently selected for the post of comptroller of the newly-created department of steam machinery of the Navy, annd held this office until his retirement from active service in 1846, when he was appointed captaiin- superintendent of Haslar Hospital. He attained the rank of rear-admiral in 1852, and in the following year became a governor of Greenwich Hospital, and retained this post until his death. Stock: 43498

125. Rev.d W.m Scoresby. J.S. Colman del.t 1824. Rare lithograph. Printed area 170 x 170mm (6¾ x 6¾"), wide margins. £130 A portrait in profile of English Arctic explorer, scientist and clergyman, William Scoresby (1789- 1857). Working for his father's whaling business, Scoresby began the study of the meteorology and natural history of the polar regions, publishing sixty papers in the Royal Society list, including 'On the Anomaly in the Variation of the Magnetic Needle'. In 1822 Scoresby surveyed and charted with remarkable accuracy 400 miles of the east coast of Greenland. He left whaling iin 1823, aged 33, to train for the ministry, but continued to study aspects of science, including 127. The French Giant.. optics. In 1850 he published a work calling for a search Etching, rare. Sheet: 285 x 2225mm (11¼ x 9"). for the Franklin expedition. Trimmed, paper tone and staaining. £140 Stock: 43163 A portrait of The French Giant, Louis Frenz, born in France he decided to make his fortune in England and 126. Ophelia. There's rue for you, and here''s started exhibiting himself from 1822 and he returned to some for me France in about 1828. James Nixon pinx.t F. Bartolozzi Sculp.t. [London, Stock: 43663 Publish'd April 8th 1784 by W. Dickinson] Stipple printed in red, sheet 190 x 145mm (7½ x 5¾"). 128. Justice Welch From an Original Sketch Trimmed inside platemark, losing publication line; by Hogarth in the Collection of Sam.l Ireland £160 1781 The portrait was began & finished within The tragic Ophelia's last appearance in Shakespeare's an hour by which a Considerable bet was Won 'Hamlet' before her death from drowning. Stipple S.I. sculp London, Publish'd May 1st 1788, by Molton engraving after the miniature painter James Nixon & Co. 132 Pall Mall (bap.1741-1812). This may be engraved from Nixon's Etching, sheet 175 x 125mmm (7 x 5"). Trimmed. miniature of Mary Bowles (née Elton) as Ophelia, in £230 the collection of the Elton family seat, Clevedon Court, Saunders Welch (1711-84), grocer and magistrate. Somerset. Originally a greengrocer (in tthe sense of a wholesale Stipple engraving by Francesco Bartolozzi (1725- rather than retail business), Welch became a magistrate 1815), Florentine engraver who migrated to England, through his friend, the noveliist and magistrate Henry and in 1768 was elected as a founding member of the Fielding, who before his deaatth, asked that his salary be Royal Academy in London (the RA did not admit split between his half-brotherr Henry and Welch, who engravers at this time but made an exception in his beecame the two leading metrropolitan magistrates. His case). He was already hailed as the best engraver in social circle iincluded Hogarth (after whose sketch this print was made by Samuel Ireland), Samuel Johnson, and Welch's son-in-law, the sculptor Joseph Nollekens. Stock: 43103

131. The Hon.ble Thomas Wentworth Esq.r Brigadier General of His Majesty's Forces Colonel of One of His Regiments of Foot, & Commander in Chief of HHis Majesty's Forces in America. A. Ramsay pinx.t A. Van Haecken fecit [c.1747] 129. Sebaastianus Munsterus, Prof. Ebr. L. in Mezzotint, sheet 365 x 260mm (14¼ x 10¼"). Small Acad. Basil. nat 1489. den.d.23 Maji 1552. tear. £360 Ioh. Iac. Haid exc. Aug. Vind. [n.d., c.1747.] Mezzotint of a British soldieerr serving in America, Mezzotint. Plate: 215 x 145mm (8½ x 5¾"). Slight engraved after Allan Ramsay by Alexander Van marking and laid on album sheet. £230 Haecken, younger brother off the drapery painter A portrait of German academic and cartographer Joseph Van Haecken who worked for some time as Sebastian Munster (1488-1552). An illustration from Ramsay's studio assistant. CS: 19; Ex Collection of Brucker's "Ehren-tempel der Deutschen Hon. C. Lennox-Boyd. Gelehrsamkeit". Stock: 43183 Stock: 43656 132. Wm. Desesch 130. Major-General Sir Charles Shipley A. Soldi pinxit F. Morellon le Cave Sculpsit 1751 [facsimile signature] Engraving, platemark 240 x 195mm (9½ x 7¾") very Painted by Eckstein. Engraved by H. Cook. Fisher, Son large margins. £240 & Co. London, 1833 William Desesch (1680-1750), German composer and Engraving on india, platemark 230 x 145mm (9 x 5¾"). organist. Engraved after a portrait by Andrea Soldi £65 (1703-71), Italian painter who worked in England Sir Charles Shipley (1755-1815), army officer and following a spell in the Middle East painting portraits colonial governor in the West Indies, burning building of British merchants. seen in background. In 1813 he was appointed Stock: 43107 governor of Grenada, and in 1815, after Napoleon's return from Elba, Shipley and others were sent to 133. Haydn, The Celebrated Musician secure the French West Indian islands for Louis XVIIII [Anon., c.1790] (against whom they had revolted). The most difficult to Engraving, sheet 195 x 125mm (7¾ x 5"). £80 secure was Guadeloupe, and although the island Joseph Haydn (1732-1809), Austrian composer. eventually surrendered, Shipley's exertions are believed Famous by the mid-1760s, Haydn had become the to have brought on the illness which led to his death in most celebrated composer off his time by the 1780s, and Grenada, where he was buried. in the last two decades of his life he was revered as a Engraving published in the 'National portrait gallery of culture hero throughout Europe and, along with Mozart illustratious and eminent personages'. and Beethoven, one of the three 'Viennese Classics' He Stock: 43385 is often referred to as the "Father of the Symphony" and "Father of the String Quartet". He was instrumental 137. G Spontini, Chevalier de l'Ordre Royal in the development of the piano trio and the evolution de la Legion d'Honneur eet de l'Ordre Royal of sonata form. d'Hesse Darmstadt, Compositeur Dramatique Contemporary engraving possibly produced to coincide [...] with Haydn's stay in London from 1791-5. AP. Vincent del. Bourgeois de la Richardiere sculp. Stock: 43521 Déposé à la Direction Aquatint, sheet 310 x 220mm (12¼ x 8¾"). Trimmed. 134. M. Giacomo Meyerbeer. £160 Engraved byy D.J. Pound from a Photograph by Mayall Gaspare Spontini (1774-18511), Italian composer who [1859] dominated serious grand opera of the early 19th Engraving, sheet 310 x 230mm (12¼ x 9"). £75 century in Paris and later in Berlin. Portrait bust Giacomo Meyerbeer (1791-1864) was a German opera surrounded by the names of SSpontini's operas in composer from a wealthy Jewish banking family who medals. played an important role in the development of French Aquatint engraving after a miniature by Antoine-Paul music. He was the most frequently perfoormed opera Vincent. composer in the nineteenth century, linking the Stock: 43105 traditions of Mozart and Wagner. Meyerbeer's work established French grand opera as a dominant theatrical form, making possible works such as Berlioz's 'Les Troyens' and Verdi's 'Don Carlos'. Published in 1859 in the 'Drawing Room Portrait Gallery of Eminent Personages' of engravings made from photographs by John Jabez Edwin Mayall (1813- 1901). Harvard 9 Stock: 43313

135. Madame Clara Novello Engraved byy D.J. Pound from a Photograph by Mayall [1859] Engraving, sheet 310 x 230mm (12¼ x 9"). Crease lower left. Slight marking at top. £70 Clara Novello (1818-1908), singer and daughter of the music publisher Vincent Novello. Born at 240 Oxford Street, London, Novello made her public debut at the Theatre Royal, Windsor in 1832 after studying in Paris. Following her marriage to Count Giovanni Baptista Gigliucci in 1843 Novello put her career on hold to raise a family and assist her husband in the fight for Italian independence. However, when Count Gigliucci lost his property in the 1848 uprisings, Novello returned to the stage, performing both in the UK and on the continent. Novello retired, while still popular, in 1860, to live with Count Gigliucci in Rome and Fermo. Published in 1859, shortly before Novello's retirement, in the 'Drawing Room Portrait Gallery of Eminent 138. Personages' of engravings made from photographs by Cap Durell took ye Princess a Spanish John Jabez Edwin Mayall (1813-1901). Harvard 7 m.n of worr. Stock: 43312 Printed for R. Sayer opposite Fetter Lane Fleet Street [c.1760] 136. Sir William Parsons Knt. European Engraving, extremely rare; sheet 230 x 165mm (9 x 6½"). Trimmed; lower right ccorner missing; glued to Magazine. baacking sheet. Damaged. £280 Engraved byy Ridley & Blood from an Original Portrait of Captain Thomas Durell of the HMS Kent, Drawing by Francis Wilkins Jun.r. Published by J. celebrating his achievements in capturing a Spanish Asperne at the Bible, Crown & Constitution, Cornhilll, vessel. Soon after (1741) he ddied off Spithead. 1st September 1808. Later printing of a plate first issued by George Foster Stipple. 140 x 100mm (5½ x 4") large margins. £65 in 1740. Not in O'D. Private Collection of Nigel Sir William Parsons (c.1745-1817), Master of the Talbot King's Musick under George III, 1786-1817, and the Stock: 43379 first musician to be honoured with a knighthood, although more for his connections with the Royal Family than his compositions. Stock: 43404

139. Edward Earl of Sandwich. Engraved for the Universal Magazine.. Printed for J. Hinton, at the King's Arms in Paternostter Row. Engraving, platemark 165 x 110mm (6½ x 4¼") large margins. Cut to plate at right. £60 Edward Montagu, first earl of Sandwich (1625-72) army and naval officer and diplomat. Despite being a Parliamentarian officer in the Civil War and one of Oliver Crommwwell's Council of State, Sandwich was instrumental in the Restoration of Charles II, commanding the fleet that brought him back from exile in May 16600. Two months later, on 12 July 1660, he was created Baron Montagu of St Neots, Viscount Hinchingbrooke, and Earl of Sandwich. Sandwich's career as an admiral was his most enduring achievement. He died in the Third Anglo-Dutch War when, in the Battle of Solebay his ship was attacked by a group of fire ships and was destroyed with the loss of many lives, including Sandwich himself. Stock: 43520

140. A Sea Officer. The Original Painted by William Hogarth Esq.r in possession of Sir 143. David Hartley Esq. Member of Alexander Schomberg Knight. Parliament for Kingstonn upon Hull, and His W.m Hogarth pinxit. C. Townley fc.t. Publishd as the Britannic Majesty's Minnister Plenipotentiary, Act directs by J. Flight, N.o 400, Strand. [n.d., c.1765.] appointed to treat with thhe United States of Mezzotint, rare. Plate: 385 x 280mm (15¼ x 11") very America. large marginns. Creases in margins. £360 Engraved by Ja:s Walker. Painted by Geo. Romney. A half-length portrait of Royal naval officer Sir Published by S. Watts, No 50 (opposite Old Round Alexander Schomberg (1720-1804) after a painting by Court) Strand, London. William Hogarth. Mezzotint, sheet 505 x 355mm (19¾ x 14"). Trimmed Stock: 43736 to platemark. £380 David Hartley (1732-1813), statesman, scientific 141. Arthur Beardmore Common Council- inventor, and son of the philosopher David Hartley. In man of the City of London. Teaching his Son 1776 the first MP to speak for the Abolition to the Magna Charta [...] Slave trade. He was MP for Kingston upon Hull, and R.E. Pine pinx.t Ja.s Watson Fecit Printed for J.no. also held the position of 'His Britannic Majesty's Smith at Hogarth's Head, Cheapside, and Robert Sayeer, Minister Plenipotentiary', appointed by George III to at the Golden Buck in Fleet Street. As the Act Directs treat with the United States of America, where he May 20th 1765. negotiated with Franklin for US independence (hence Mezzotint, pllatemark 395 x 280mm (15½ x 11") very the scroll in this portrait labelled "definitive Treaty large marginns. £260 with the United States of America Sepr 3 1783"). He Fine mezzotint after a portrait by Robert Edge Pine was also a signatory to the Trreaty of Paris, and (1730-88), who was one of the leading portrait painters inventor of fireproofing systems. It was for his in London during the 1760s, when this print was fireproofing that a commemorative obelisk was erected published. Pine's political convictions later led him to near a house at Putney Heath where he held emigrate to America; he opened a gallery in demonstrations, setting fire tto various parts of the Philadelphia in 1784 and painted George Washington house to demonstrate to his audience that the fire at Mount Vernon the following year. would not spread to other paarrts of the house. Horne: Stock: 43701 63, ii/ii. CS: 7; for first state see ref. 29085. Stock: 43184 142. Sir Thomas Cromwell Knight, etc. H. Holbein inv. 144. The Right Hon.ble William Pitt, Etching, rare. Sheet: 215 x 140mm (8½ x 5½"). Chancellor of the Exchequer 1789. Trimmed and laid on album sheet. £240 [Engraved by J. Jones.] Pub.d as the Act directs [May A half-length portrait of Thomas Cromwell seated at a ye 20th 1789 by J. Jones N. 75 Great Portland] Street. desk. Portrait by an unknown engraver but lettering Mezzotint, scratched-letter prroof. 505 x 355mm (19¾ x below is by Hollar. Pennington 1386 II of II. 14"). Thread margins, title arrea (only) rubbed, most of Stock: 43717 engraver's and publisher's inscription illegible. £280 A portrait of William Pitt the Younger (1759-1806) dressed in his Chancellor's robes, after George Romney. Pitt served as Chancellor three times (1782- 83, 1783-1801 & 1804-06), the last two terms while he Company in 1876: the compaany's salesman, Philip was also Prime Minister. CS 63, i of ii. Lace, said that the shoes werre water-tight as long as Stock: 43445 they were not immersed above the level of the band, and that this reminded him of the Plimsoll line. 145. [William Pitt, 1st Earl of Chatham.] Stock: 43684 Tom Trueblue fec.t Engrav'd for the British Antidote: Printed for E. Sumpter in Fleet Street. [n.d. c.1755.] 149. Josiah Wedgwood.. Mezzotint, scarce. Plate: 130 x 85mm (5 x 3¼") very Engraved by W. Holl [after George Stubbs.] William large marginns. £240 Mackenzie, London, Edinburrgh & Glasgow. A portrait, set in a circle of William Pitt, Earl of Steel engraving. 250 x 190mm (9¾ x 7½"). Trimmed Chatham (1708-1778) after a portrait by the artist to platemark. £130 William Hoare. The text below comes from the epitaph A half-length portrait of Josiiaah Wedgwood (1730-95], written for Siir William Trumbull by Alexander Pope. paatron of the artist, George Stubbs. Stock: 43623 Stock: 43401

146. Samuel Plimsoll, M.P. "The Sailor's Friend." Entered at Stationers Hall, by Alfred Taylor, New Court, Farringdon St, London E.C. [c.1875] Lithograph, printed area approx. 180 x 135mm (7 x 5¼"). £95 Samuel Plimsoll (1824-98), politician and shipping reformer. An M.P. for Derby, Plimsoll's six-year campaign against overloaded 'coffin-ships' (over- insured and then deliberately overloaded in the hope of collecting insurance money) resulted in the 1876 Merchant Shipping Act. This introduced the 'Plimsoll Line', a load line reflecting a vessel's buoyancy. Plimsoll's name was also bestowed on the rubber-soled canvas shoes manufactured by the Liverpool Rubber Company in 1876: the company's salesman, Philip Lace, said thhat the shoes were water-tight as long as they were not immersed above the level of the band, and that this reminded him of the Plimsoll line. Stock: 43685

147. Samuel Plimsoll, Esq., M.P. ('The Sailors' Friend.') Entered at Stationers Hall, by Alfred Taylor, New Court, Farringtdon Street, London E.C. [n.d., c.1875.] Lithograph. Printed area 175 x 120mm (7 x 4¾"). Bit 150. Josiah Wedgwood Esq.r. Done from an dusty. £120 original Picture Painted in Enamel as large as M.P. for Derby, whose six-year campaign against Life. overloaded 'coffin-ships' (over-insured and then George Stubbs pinx.t. Geo: Townly Stubbs sculp.t deliberately overloaded in the hope of collecting Engraver to His R.H. the Prince of Wales. London, insurance money) resulted in the 1876 Merchant Published Feb.y 10. 1795, by Geo:Townly Stubbs, Shipping Act. This introduced the 'Plimsoll Line', a No.86 High Street, Marybonne. load line reflecting a vessel's buoyancy. Stipple engraving. 225 x 175mm (9 x 7"). Trimmed Stock: 43351 almost to plate. £260 A half-length portrait of Josiiaah Wedgwood (1730-95], 148. Samuel Plimsoll [facsimile signature] paatron of the artist, George Stubbs. Wedgwood first [Anon., c.1875] commissioned Stubbs to paint himself and his wife in Chromolithograph, rare; printed area approx. 205 x 1780 and the artist painted in oil a family picture with 190mm (8 x 7½"). £130 nine figures, four being on hoorseback, also a large Samuel Plimsoll (1824-98), politician and shipping poortrait in enamel on earthenware; both these works are reformer. An M.P. for Derby, Plimsoll's six-year now in the possession of Mr.. Godfrey Wedgwood. This campaign against overloaded 'coffin-ships' (over- prrint was published by George Townly Stubbs within insured and then deliberately overloaded in the hope of three months of Wedgwood's death in 1795 as a collecting insurance money) resulted in the 1876 memorial, probably taken from the enamel in his Merchant Shipping Act. This introduced the 'Plimsoll father's studio. Lennox-Boydd: 97, II of II. Line', a load line reflecting a vessel's buoyancy. Stock: 43291 Plimsoll's name was also bestowed on the rubber-soled canvas shoes manufactured by the Liverpool Rubber 151. Josiah Wedgwood. Engraved byy W. Holl [after George Stubbs.] William Mackenzie, London, Edinburgh & Glasgow. Steel engraving on india. 250 x 190mm (9¾ x 7½"). Trimmed, slight foxing. £130 A half-length portrait of Josiah Wedgwood (1730-95]], patron of the artist, George Stubbs. Stock: 43400

152. Granville Sharp Esq.r. Engraved byy T. Blood, from an original Drawing by Geo. Dance Esq.r R.A. Proof. London. Published for the European Magazine by James Asperne No.32, Cornbill 1st. Jan.y 1817. Proof stipple. 205 x 155mm (8 x 5") large margins. 157. Miss D__ple The Pious Preacher [John £60 Wesley] Granville Shharp (10 November 1735 - 6 July 1813) Publish'd as the Act directs by A. Hamilton Jun.r near was an English campaigner for the abolition of the St. John's Gate Jan.y 20 1775 slave trade, regarded as one of the founding fathers of Engraving, sheet 125 x 175mm (5 x 7"). Trimmed to Sierra Leone. pllatemark. £60 Stock: 43397 Two portrait busts in ovals: tthe 'pious preacher' on the right is undoubtedly Methoddiist preacher John Wesley 153. [Jesus Christ] Ecce Salvator Noster (1703-91). The figure on the left has not been Tiziano Pinx. Vitalba S. appo Wagner Ven.a C.P.E.SS. identified but is presumably aas Miss Dalrymple. From 1781 the 'Histories of the Tête à Têête annexed...' series that Engraving, platemark 230 x 170mm (9 x 6¾") very appeared in 'Town and Country Magazine', a monthly large marginns. £140 magazine which featured artiicles on the scandals and Jesus Christ, taken from a detail of a painting by the romantic affairs of the nobiliity. great Venetian painter Titian (?1485-90-1576). Stock: 43111 Stock: 43593 158. John Wesley, A.MM. 154. George Comb, Pastor of the Baptist J. Tookey del et sculp. Publisshed by W. Bent April 2 Church, Oxford Street. 1791 G. Phillips pinxt. C.Phillips Sculp.t [c.1820] Engraving, platemark 175 x 110mm (7 x 4¼"). Aquatint on india, very rare, sheet 290 x 230mm (11½ Creases, small margins. £65 x 9"). £85 John Wesley (1703-1791), Church of England Stock: 43435 clergyman and a founder of Methodism. Under Wesley's leadership Methodiism grew from the 'Holy 155. Illustrissimus ac R.dus admod: Dominus Club' of his Oxford friends into a sizeable organisation. D: Ioannes de Gauarelle Eques Militiæ An indefatigable traveller, prreacher and writer, Wesley averaged 8,000 miles a year oon horseback and gave 15 Christi... sermons a week. The movement took form from its W. Hollar fecit. [1645] third rise in the early 1740s with Wesley, along with Etching. Plate: 130 x 200mm (5 x 8"). Thread margins. £260 others, itinerant field preachiing and the subsequent A scene showing John de Gavarelle lying in his coffin founding of religious societies for the formation of on a chapel floor. John de Gavarelle was a Spanish beelievers. This was the first widely successful government official in the Netherlands, he founded a evangelical movement in the United Kingdom. Carmelite chapel in Antwerp and made a pilgrimage tto Wesley's Methodist Connexiion included societies Jerusalem. Pennington 2293. throughout England, Scotlannd, Wales, and Ireland Stock: 43739 beefore spreading to other parrts of the English-speaking world and beyond. He divided his religious societies 156. D. Geeorg Christian Knapp. further into classes and bandds for intensive gemalt von Caroline Bardua gestochen von F.W. accountability and religious iinstruction. Bollinger Berlin 1817 He was the brother of Charles, the divine and hymn- Stipple, sheet 385 x 275mm (15 x 10¾"). Trimmed writer, and uncle of Samuel Wesley, the composer and inside platemark. £75 organist. George Christian Knapp (1753-1825), German Stock: 43516 Protestant theologian. He was a professor of theology and author of a book on the Psalms and biographical 159. The Rev.d George Whitefield A.M. sketches of Piestist theologians. [Anon., c.1780] Engraved after a portrait by Caroline Bardua, Berlin- Engraving, platemark 145 x 115mm (5¾ x 4½"). Small based painter who exhibited at the academy there margins. £80 (1822-40) and also painted a portrait of Goethe. George Whitefiield (1714-17770) Calvinistic Methodist Stock: 43527 leader who broke with John Wesley in 1741. The Anglican Chhuurch had not assigned him a pulpit so he 163. [The Virgin holding a book] began preaching in parks, fields and open spaces in J. van Eyk pinx: Nep: Strixneer del 1820 ged: von Selb England, earning respect and favour in Wales, Scotland Lithograph and tintstone, sheet 640 x 385mm (25¼ x and America. His sermons were often published, 15"). £160 advertised before he arrived to ensure large turnouts. In Lithograph of a panel of the GGhent altarpiece by Jan 1738 he established an orphanage in Georgia and van Eyck. opened Moorfields Tabernacle in 1741, and the Chapel Large lithograph by Johann Neopomuk Strixner from in Tottenham Court Road in 1756. the series 'Königlich Baierischer Gemälde-Saal zu Stock: 43519 München und Schleissheim iin Steindruck'. Stock: 43531 160. [Chrrist as the Man of Sorrows] H. Memmlink pinx: Nep: Strixner del. 1818 164. [Saint Nicholas] Vera S. Nicolai Magni Lithograph and tintstone, sheet 630 x 450mm (23¾ x Archiepiscopi Myrensis Effigies Ex Bariana 17¾"). Slight foxing. £160 Acclesia Desumpta [...] Large lithograph by Johann Neopomuk Strixner after [Anon., c.1720] Quinten Metsys (although formerly attributed to Hanns Engraving, platemark 270 x 2205mm (10½ x 8") very Memling) from the series 'Königlich Baierischer large margins. Folds; hole loower left. £140 Gemälde-Saal zu München und Schleissheim in Saint Nicholas (270-343), Grreek Bishop of Myra in Steindruck'. Asia Minor (modern Demre, Turkey). Stock: 43534 Stock: 43687

165. [St. Barbara.] HHolbein inv. Whollar fecit,, ex Collectione Arundeliana, 1647. Etching. Scarce; Sheet: 190 x 120mm (7½ x 4¾"). Trimmed and laid on album ssheet. £380 A portrait of a woman, weariing long robes, holding a chalice and wafer and standing by a lake. Pennington identifies her as Saint Barbarra on account of her resemblance to a portrait of tthe saint in the stained glass at Bale. The Strawberrry Hill Catalogue 1842 lists this as Ann Boleyn. Pennington 176. Stock: 43708

166. Michael Faraday Esq.r F.R.S. E.U. Eddis del.t 1831. Pr. by Graf & Soret 14, Newman St. Lithograph. Printed area 1300 x 110mm (5¼ x 4¼"). £65 Michael Faraday (1791-1867), chemist and physicist who contributed to the fieldss of electromagnetism and electrochemistry. His work on electricity provided the foundation of modern electriical applications; a brilliant lecturer and one of the greatest of all experimental scientists. Stock: 43164 161. [Jesus Christ surrounded by angels] J. Smith ex: [[c.1720] 167. Dr. W.m Hunter, F.R.S. To the Mezzotint, rare, platemark 130 x 90mm (5 x 3½") large Gentlemen of the Faculty this Plate Engraved margins. £180 from the Original Picture in the Council Stock: 43595 Chamber of the Royal Academy; Inscribed by their Obed.t Hum.le Serv.t 162. [John the Baptist in pelt, holding a book M. Chamberlin R.A. pinx.t J. Collyer sculp. Published and raising his right hand in blessing] as the Act directs by J. Collyer 28th April 1783 J. van Eyk pinx: Nep: Strixner del 1820 ged: von Selb Stipple printed in colours, sheet 150 x 90mm (6 x Lithograph and tintstone, sheet 640 x 385mm (25¼ x 3½"). Trimmed. £140 15"). £160 William Hunter (1718-83), physician, anatomist and Lithograph of a panel of the Ghent altarpiece by Jan man-midwife, seen holding a replica human body. van Eyck. Stock: 43518 Large lithograph by Johann Neopomuk Strixner from the series 'Königlich Baierischer Gemälde-Saal zu München und Schleissheim in Steindruck'. Stock: 43533 168. Charles Konig Esq. Thomas Southwood Smith (1788-1861), physician and E.H. Eddis del 1831. Printed by J.M. Johnson, sanitary reformer. Despite hiis belief in the miasma Norwich. theory his reports on quaranttine (1845), cholera (1850), Lithograph. Printed area 130 x 110 (5¼ x 4¼"). £65 yellow fever (1852), and on tthe results of sanitary Charles Dietrich Eberhard Konig (1774-1851), a improvement (1854) were off international importance. German naturalist who came to England in 1800 to However he is best known for his highly controversial organize the collections of Queen Charlotte. He then puublic dissection of Jeremy Bentham in 1832 and his became assistant to Dryander, librarian to Joseph correspondence with Charles Dickens, wrote the life & Banks, before beoming assistant keeper of natural letters of Dickens. history in the British Museum in 1807 and keeper in Stock: 43393 1813. In 1837 the Department of Natural History was divided into three branches; Konig took charge of 173. Very truly yours Southwood Smith Geology and Mineralogy, a post he held until his deaath. [facsimile handwriting]. His 'Icones fossilium sectiles' (1820-5) is a classic text Miss M. Gillies. J.C. Armytage. Published by Smith, in that field. Elder & Co., 65, Cornhill. 'E.H. Eddis' is likely Eden Upton Eddis. Stipple engraving on india. 210 x 130mm (8¼ x 5¼") Stock: 43165 very large margins. Backing paper spotted. £60 Thomas Southwood Smith (1788-1861), physician and 169. John Parkinson The Herbalist. sanitary reformer. Despite hiis belief in the miasma [n.d., c.1800.] theory his reports on quaranttine (1845), cholera (1850), Engraving. 180 x 115mm (7 x 4½"). Thread margins. yellow fever (1852), and on tthe results of sanitary £95 improvement (1854) were off international importance. John Parkinson (1567-1650), the last of the great However he is best known for his highly controversial English herbalists and active in the new science of puublic dissection of Jeremy Bentham in 1832 and his botany. He was apothecary to James I and a founding correspondence with Charles Dickens. member of the Worshipful Society of Apothecaries; he Stock: 43392 was later Royal botanist to Charles I. His botanic garden was off Long Acre. This portrait is copied from the frontispiece of his 'Theatrum Botanicum', 1640. Stock: 43396

170. Professor John Playfair. Ja.s Thomson, sculp. London, Published Sept.r 1st 1819 by Henry Colburn, Conduit Street. Fine stipple impression. Sheet 235 x 150mm (9¼ x 6"). £65 John Playfair (1748-1819), Scottish scientist, mathematician and professor of natural philosophy at the University of Edinburgh. Stock: 43394

171. William Siemens [facsimile signature]. Rudoph Lehmann pinx. Swan Electric Engraving Co. [n.d., c.1883.] Photogravure. 220 x 170mm (8½ x 6¾"), very large 174. [Thomas Tredgold] One Hundred margins with a sheet of letterpress biography. Slight impressions of this engraving of the late Tho.s foxing. £75 Tredgold, M.J.C.E. are taken off and presented Half-length portrait of Sir Charles William Siemens to eminent men, professors of Civil & (originally Karl Wilhelm, 1823-83), electrical engineeer Mechanical Engineeringg, and of Architecture and entrepreneur. Godalming in Surrey had the world's in Great Britain, and is Inscribed to Them by first street lighting, powered by a Siemens AC their grateful and humblle serv.t John Weale. Alternator driven by a watermill. [London: John Weale, 1832.]] Rudolf Lehmann's oil, painted in 1882, in in the Engraved portrait with facsimile handwriting, with National Portrait Gallery. NPG 2632. dedicatory text printed from separate plate on the same Stock: 43389 sheet of india. Total 360 x 220mm (14¼ x 8¾"). Foxing, mainly to backing sheet. £160 172. Very truly yours Southwood Smith Thomas Tredgold (1788-1829), engineer and author of, [facsimile handwriting]. among many others, 'A Practtical Treatise on Railroads Miss M. Gillies. J.C. Armytage. Published by Smith, and Carriages' (1825) and 'The Steam Engine' (1827). Elder & Co., 65, Cornhill. The handwriting is advice on how to waterproof a wall. Fine stipple engraving on steel. 210 x 130mm (8¼ x Weale also used this portrait as a frontispiece to his 5¼") large margins. £60 editions of Tredgold's 'Steam Engine'. O'Donoghue 25 1; BM: 1861,0810.146. Stock: 43211 175. Joseph Whitworth [facsimile signature]. 177. The R.t. Hon.ble Lord St Helens. [after Vernon Heath.] Cassell, Petter & Galpin. Lith Painted by J.W. Chandler. Engraved by W. Ward. London E. London Published Nov.r 16 1793 by W. Ward. Chromolithograph. Sheet 265 x 195mm (10½ x 7¾")). Winchester Row Paddington. £75 Mezzotint. 505 x 350mm (19¾ x 13¾"). Small Sir Joseph Whitworth (1803-87), an English engineer margins. £380 famed for the creation of the Whitworth rifle and the Alleyne FitzHerbert (1753-1839, created 1st Baron St funding of the Whitworth Art Gallery. Although the Helens for his diplomatic serrvices. His successes rifle was rejected by the British Government as too included embassies to Catherrine the Great (1787) and expensive, the French army took them, as did the Alexander I (1801) of Russia; avoiding war with Spain Confederate Army; their 'Whitworth Sharpshooters' over trade at Nootka Sound ((1791), causing George specialised in sniping at Union gun crews. Vancouver to name Mount St Helens in his honour; Stock: 43403 and a treaty of alliance between Great Britain and Spain (1793). CS 71, ii of ii. Ex Collection of the Hon. Christopher Lennox-Boyd. Stock: 43493

178. Ann Holme Aet suuae 77. J. Smith pinx 1782 P. M Morrland delin 1799 Caroline Watson engraver to her Majesty sculp Stipple, platemark 240 x 200mm (9½ x 8"). Small margins. £75 Portrait engraved by Carolinne Watson (1760/1-1814), prrintmaker specializing in thhe stipple technique, and daughter of the Irish mezzotiinter James Watson. Watson was made engraver tto the queen in 1785, and was also patronized by the Bute family. While she did not exhibit in public exhibitioons, Watson was one of few women who maintained an independent prrintmaking practice, signing her name rather than working unacknowledged, and seemingly operating a successful business judging ffrom her wealth at the time of her death. Stock: 43523

179. William Holme Essq.r. Proof. Painted by T. Stewardson Esq.r _ Engraved by W. Ward A.R.A. Engraver to Hiis Majesty & to H.R.H. the Duke of York. [n.d., c.1820.]] Mezzotint. 355 x 255mm (14 x 10"), very large 176. [Richard, Earl of Barrymore, as Cupid..] margins. Margins spotted. £130 Painted by R. Cosway. Engraved by I. Jehner. A half-length portrait of a man wearing a dark coat and Published Juune 24. 1778, by John Boydell Engraver in cravat. Ex collection of the Hon. Christopher Lennox- Cheapside London. Boyd. Frankau 159 & CS 488 (cursory mentions with no Very fine mezzotint, scratched-letter proof. 380 x inscription quoted); BM 1913,1015.113; NPG D3036 280mm (15 x 11"). Small tear in bottom margin. £520 ''exhibited 1820''. None give a biography. Richard Barry (1769-1793), 7th Earl of Barrymore, Stock: 43538 pictured as a small child dressed as Cupit, with wings and harp. After these apparently angelic beginnings he 180. Hook and Eye. found infamy as a rake, beginning at school at Eton, [Count D'Orsay.] Published by M. Humphrey, St. from where he would hire cabs to London to visit James St. prostitutes. The Prince of Wales nicknamed him Lithograph. Sheet: 365 x 265mm (14¼ x 10½"). £85 'Hellgate'. He married the daughter of a sedan chair A satirical double portrait off Tory supporter Theodore man: after he accidently killed himself with his own Hook (1788-1841) and Tory politician Sir Charles musket aged 23, she turned to prostitution and bare- Manners Sutton (1780-1845)). knuckle boxing before becoming a matron of the Stock: 43627 female prisoners at the Tothill Fields Bridewell. CS 1. Ex collection of the Hon. Christopher Lennox-Boyd. Stock: 43549 181. [Catherine Howardd?] W Hollar fecit 1648, but lateer. Etching. Sheet: 75 x 60mm ((3 x 2¼"). Trimmed and laid on album sheet. Some losses to edges. £70 A portrait of a young woman shown in profile, her hair tied back on the top and styled in loose curls on the sides. Identified as Catherine Howard, daughter of The original painting by Van Dyck in the National 22nd Earl of Arundel due to resemblance to other Gallery. CS: 174. Goodwin: 122. Russell: 174. See Ref: named portraits. 29026 for an eara lier reversed version published by Stock: 43718 Tompson. Stock: 43451 182. Lady Charlotte Johnstone. Reynolds pinx.t. Thomson sculp.t. Printed for John 185. Foster Powell. Was born at Horseforth, Bowles at the Black Horse in Cornhill. [n.d., c.1762.] near Leeds in Yorkshire.. 1734. Mezzotint. 150 x 110mm (6 x 4¼") very large margins. S. Harding fecit. London Pub.d June 30. 1788. for the £160 sole benefit of Foster Powelll & Sold by Mr Marshall. Charlotte Montagu, daughter of 1st Earl of Halifax, St Clements Church Yard. married Colonel Johnstone in 1747. CS 1. Engraving. Plate: 310 x 185mm (12¼ x 7¼"). Staining Stock: 43303 and foxing. Small margins. £280 Foster Powell (c.1734-1793)), pedestrian whose great 183. Samuel Smith Esquire. walks were undertaken for trrifling wagers: in 1792 he E. Gouge Pinxit. G. White fecit. [n.d. c.1740.] walked again from Shoreditch to York Minster and Mezzotint, fine & rare; platemark 345 x 247mm (13½ baack in 5 days 15¼ hours (135¼ hours), earning £10, x 9¾"). Glued to backing sheet in corners. Small said to be the largest fee he ever received. Powell died margins. £170 in poverty, having failed to benefit financially from his Samuel Smith (d.1732), of Weald Hall, son of Erasmus walks to the extent of the popular interest his Smith. Portrayed three-quarter length, wearing a long athleticism aroused. Originall etching by Silvester coat, belt, sword, cravat, long white wig and a cloak Harding (1745x51-1809), arttist and publisher who around his back and drawn under left arm across his mainly drew theatrical celebrrities and copied earlier chest with one end held under right hand. NPG D9152; poortraits CS 46; for a different state see ref. 28101. Stock: 43624 Stock: 43707 186. Mr. Berry in the Character, of Dominic, in the Spanish Friar. T. Worlidge pinx.t R.d. Houston fec.t [London, Printed for John Bowles and Son, at the Black Horse, in Cornhill.] [n.d. c.1760.] Mezzotint. 355 x 254mm (14 x 10"), large margins. Publication line scratched out. Slight rubbing. £260 Edward Berry (1697-1750), aactor, shown in character for Dryden's 'Spanish Friar' ((1681), wearing a Dominican habit and holding a large rosary in left hand at waist level. CS: 10. Russelll: 9. Stock: 43552

187. James Bick ye Famous Mimick, Trumpetter of Oxford 1712. [&] James Bick ye Famous Mimick, Trumpetter of Oxford 1712. [Sold by Tim: Iordan & Tho:: Bakewell at ye Golden Lion in Fleet Street.] Mezzotint. Each sheet: 120 x 100mm (4¾ x 4"). Trimmed and laid on card. £520 A pair of portraits of Oxfordd mimic James Bick, set in an circle. A rare combination of 1st & 2nd states of the very rare print. 184. Lord John & Lord Stuart Sonns Stock: 43734 of Esme Duke of Lenox. Done from the Original in the Collection of the Right Hon.ble 188. Colley Cibber, Esq.r. late Poet-Laureat. Lord Royston and the Marchioness Grey. J.B. Vanloo Pinx 1740. Edww.d Fisher fecit 1758. Vandyke pinx.t. J.s McArdell fecit. [n.d. c.1760.] Printed by John Spilsbury, Enngraver, Map & Print Mezzotint. 500 x 350mm (19¾ x 13¾"). Small tear in Seller in Russell-Court, Covent-Garden London. bottom margin. Time stained. £360 Mezzotint. 355 x 255mm (14 x 10"). Thread margins Portrait of the two sons of Esmé Stuart, 3rd Duke of with a few chips. £180 Lennox, who both fought for the Royalist cause in the Colley Cibber (1671-1757), aactor-manager, poet Civil War: the elder, Lord John Stuart (1621-1644), laureat from 1730, shown seated, quill in hand. CS 9, was killed at the Battle of Cheriton; the younger, Lorrd sttate iii. Stock: 43547 Bernard Stuart, Earl of Lichfield (1622-1645), died at the Battle of Rowton Heath. 189. Costume d'un Colin, dans Gustave III ou byy the American painter Matther Brown (1761-1831). le Bal Masqué. Opéra. Acte V. Academie Exhibited at the Royal Academy in 1786 it shows a Royale de Musique. happy ending to Romeo and Juliet, with the lovers Maleuvre s. Chez Hautecoeur Martinet, M.d emerging from the tomb. CSS II of II. The original oil is dEstampes rue du Coq No.13 et 15 à Paris. [n.d., in the University of Bristol Theatre Collection. 1833.] Stock: 43485 Engraving with hand-colouring, sheet 190 x 125mm (7½ x 5"). £50 193. Costume de M.lle Noblet en Folie, dans Portrait of a dancer in Aubert's opera 'Gustav III'. Gustave III ou le Bal Masqué. Opéra. Stock: 43263 Academie Royale de Muusique. Maleuvre s. Chez Hautecoeur Martinet, M.d 190. Signor Di Giovanni Stage Manager of thhe dEstampes rue du Coq No.13 et 15 à Paris. [n.d., Italian Opera [ms] 1833.] [Anon, c.1833] Engraving with hand-colouriing, sheet 190 x 125mm Lithograph, very rare; sheet 285 x 220mm (11¼ x (7½ x 5"). £75 8½"). £110 Portrait of French dancer Lise Noblet (1801-52). Caricature (as a dog wearing a top hat) of the stage Stock: 43261 manager of the Italian Opera in London. Private Collection of Nigel Talbot 194. Mrs. Oldfield Decus et Deliciae Theatri. Stock: 43353 Fashion'd alike by Nature & by art / To please, ingage, & Interest ev'ry hheart [...] 191. Lucile Grahn. Galerie de la Presse. de la J. Richardson pinx.t J. Simon fec. et Ex. [c.1730] Littérature & des Beaux Arts Mezzotint, platemark 355 x 250mm (14 x 9¾"). Ch. Vogt Juillet 1840 [in image lower right] Chez Collector's stamp of Henry Ralph Mowbray Howard Aubert gal. Vero. Dodat. verso; wormhole in title area. Thread margins. £240 Lithograph on india, printed area 230 x 145mm (9 x Anne Oldfield (1683-1730), actress. Oldfield was 5¾"). £180 greatly renowned in her lifetiime: she was painted by Lucille Grahhn (1825-1907), dancer who in 1845 was leading artists including Jonathan Richardson (after part of the famous 'Pas de quatre' with Marie Taglioni, whose portrait this print was engraved) and Godfrey Carlotta Grisi and Fanny Cerrito. Not in Harvard Kneller, was buried at Westminster Abbey, and was the Stock: 43321 subject of two biographies within a year of her death. This impression was once in the collection of Henry Ralph Mowbray Howard (b.11883), specialist in the work of Wenceslaus Hollar. LL.1318; CS: 113 II Stock: 43703

195. Mrs. Oldfield the celebrated Comedian. Richardson pinx.t Edw.d Fishher fecit [c.1750] Mezzotint very fine, platemark 355 x 250mm (14 x 9¾") large margins Collectorr's stamp of Henry Ralph Mowbray Howard verso. £360 Anne Oldfield (1683-1730), actress. Oldfield was greatly renowned in her lifetiime: she was painted by leading artists including Jonathan Richardson (after whose portrait this print was engraved) and Godfrey Kneller, was buried at Westminster Abbey, and was the subject of two biographies within a year of her death. This impression was once in the collection of Henry Ralph Mowbray Howard (b.11883), specialist in the work of Wenceslaus Hollar. LL.1318; CS: 49 II Stock: 43702

192. M.r Holman and Miss Brunton in the 196. Mrs. Siddons from a Picture of the same Characters of Romeo and Juliet. Act 5. scene size, in the Possession of The Honble Mrs. last. O'Neill; to whom This plate is most Painted by M. Brown. Engraved by T. Park. London respectfully dedicated by her most obliged & Published by T. Park, No 106 Pall Mall, Jan.y 1st most obedient humble Servant Horace Hone 1787. H. Hone A.R.A. pinx.t F. Baartolozzi sculpsit London Mezzotint, 655 x 450mm (25¾ x 17¾"), with title on 1785 Publish'd as the Act dirrects by F. Bartolozzi for separate plate, 40 x 450 (1¼ x 17¾"). Small margins. H. Hone in Dublin £550 Stipple printed in sepia, platemark 230 x 170mm (9 x Portraits of Joseph George Holman (1764-1817) and 6¾") large margins. £240 Ann Brunton Merry (1769-1808) as Romeo and Juliet, Sarah Siddons (1755-1831), actress. The most renowned throughout Europe by the time she first acclaimed tragic actress of her own age, and since appeared in London in 1829.. The toast of many writers widely regarded as the greatest female performer in (including Victor Hugo, Thaackeray, and Théophile English theatrical history, Siddons became a popular Gaultier), Taglioni retired in 1847 when Jenny Lind icon in her own lifetime. She played a key role in thee threatened her position as the preeminent diva of the social legitimation of the acting profession, moving day. Thereafter she spent much time in Italy, although from the reputedly disreputable world of provincial she returned to live in London from 1874, working as a touring theatre to the salons of the aristocracy, and teacher of deportment, where she would be seen amassing substantial personal wealth. Her public escorting schoolgirls in Hyde Park or Brighton. Not in success, however, was attended by a great deal of Harvard personal sadness: her marriage to the philandering and Stock: 43259 feckless William Siddons was unhappy and ended in separation, and she outlived five of her seven children. 199. Costume de M.lle Taglioni, role de Zoloé, Stipple engraving by Francesco Bartolozzi after a dans le Dieu et la Bayadère. Opera Academie watercolour miniature by Horace Hone (1754-1825), Royale de Musique. now in the National Gallery of Ireland. Calabi & De Maleuvre s. Chez Hautecoeur Martinet, M.d Vesme 1103.iii/iii; from the collection of Dr. Calabi. dEstampes rue du Coq No.13 et 15 à Paris. [n.d., Stock: 43679 1833.] Engraving with hand-colouriing, sheet 190 x 125mm 197. Edward Snape. (7½ x 5"). £130 Whitby pinx.t. Godby sculp. London, Publish'd by thhe Marie Taglioni (1804-84), dancer, in 'le dieu et la Author, May 1, 1791. baayadère', specially written ffor her by Scribe and Stipple. 195 x 150mm (7¾ x 6") very large margins. Auber, a role which confirmed her stardom. Born in £75 Stockholm into a family of dancers, Taglioni made her Portrait of Edward Snape, a farrier, holding an debut in Vienna in 1822 and was renowned throughout illustrated book. Europe by the time she first appeared in London in Stock: 43391 1829. The toast of many writters (including Victor Hugo, Thackeray, and Théophile Gaultier), Taglioni retired in 1847 when Jenny Lind threatened her poosition as the preeminent diiva of the day. Thereafter she spent much time in Italy,, although she returned to live in London from 1874, working as a teacher of deportment, where she would be seen escorting schoolgirls in Hyde Park or Brighton. Harvard 55; for a portrait of Auber see ref. 34594 Stock: 43260

200. [Dr Butts?] H Holbein inv. Whollar fecitt 1649. Adam Alexus Bierling ex: but later. Etching. Sheet: 135 x 95mmm (5¼ x 3¾"). Trimmed, some damage to edges and paper loss. Laid on album sheet. £50 A portrait of Henry VIII's doctor Dr Butts, shown in a feathered cap and fur-lined roobe. The portrait has also beeen identified as Charles Brrandon. Pennington 1554. Stock: 43710

201. [Cotrot.] DB 1770. Etching. Plate: 200 x 160mm (8 x 6¼"), large margins. Foxing. £130 198. Costume de M.lle Taglioni role de A portrait of Cotrot a dyer frroom Lyon by French artist Nathalie, dans la Pièce de ce nom. Academie Jean Jacques de Boisseau (1736-1810). Royale de Musique. Stock: 43655 Maleuvre s. Chez Hautecoeur Martinet, M.d dEstampes rue du Coq No.13 et 15 à Paris. [n.d., 202. J. Lackington, who a few years since 1833.] began Bookselling with five Pouns, now sells Engraving with hand-colouring, sheet 190 x 125mm One Hundred Thousandd Volumes Yearly. Or (7½ x 5"). £130 The Cobler Turner Bookseller. Marie Taglioni (1804-84), dancer, in the ballet E. Maybry Pinx.t Goldar sc. Published by C. Johnson 'Nathalie'. Born in Stockholm into a family of dancerrs, [c.1790] Taglioni made her debut in Vienna in 1822 and was Engraving, platemark 175 x 110mm (7 x 4¼"). £50 James Lackington (1746-1815), bookseller and 204. Sir Titus Salt, Bartt. publisher. Raised in Somerset, Lackington moved to Engraved by W. Holl, from a Photograph by Appleton London at the age of twenty-seven and shortly after & Co., Bradford. [n.d., c.1870.] opened his first bookstore, using an interest-free loan Steel engraving. Printed area 200 x 115mm (8 x 4½"). of £5 from Methodists to purchase stock (in later life £60 he gave a great amount of money to Methodist causess). Sir Titus Salt (1803-76), texttile manufacturer, Within a year he moved to a shop on Chiswell Street poolitician & philanthropist. Based in Bradford, Salt set where he stayed for fourteen years before moving to up a wool business with his ffather and by 1850 owned his famous 'Temple of the Muses' on nearby Finsbury five mills. He set up the model village Saltaire for his Square in 1794. One of the wonders of London (the workforce which was considdered a remarkable premises was so large and spacious that a coach and experiment in industrial and social relations. It is four horses were driven around it on the opening day)), estimated that over 100,000 people lined the streets for it reputedly stocked over a million books. For the his funeral. 'Temple of the Muses' see refs. 18970 and 33716. Stock: 43390 Private Collection of Nigel Talbot Stock: 43357 205. Titus Salt [facsimille signature] [Anon, c.1870] Chromolithograph, sheet 275 x 205mm (10¾ x 8"). £65 Sir Titus Salt (1803-76), texttile manufacturer and poolitician. Based in Bradford, Salt set up a wool buusiness with his father, and by 1850 owned five mills. He set up the model village Saltaire for his workforce which was considered a remarkable experiment in industrial and social relationss. Stock: 43386

206. John Smeaton. Civil Engineer. F.R.S. Died Oct. 28. MDCCLXXXXII Aged 68 Years. Painted by Mr. Brown for All.r Aubert Esquire. Engraved by Mr. Bromley and Published for the Society of Civil Engineers, by W. Faden Feb. 1st 1798 Engraving, platemark 215 x 165mm (8½ x 6½") large margins. £90 John Smeaton (1724-92), civil engineer,, portrayed here with Eddystone Lighthouse (which he designed in 1755-9) in the background. SSmeaton was responsible for numerous bridges, canals and harbours. Stock: 43613

207. To the younger braanches of his Family this Portrait of their latee Father W.m Strong Esq.r is dedicated by their affectionate Brother F.G.S. Wm. Strong [facsimile signature] From memory by F. Strong [[c.1837] Stipple, rare, sheet 210 x 130mm (8¼ x 5"). £95 William Strong (1767-1837), tulip amateur. Varnish

maker in Long Acre, Coventt Garden. O'D 1. 203. Mr John Love, Bookseller, of Weymouth, Stock: 43612 The Fatest & Heaviest Man ever known in England. 208. Ralph Walker. [Anon, c.1805] Eckstien del. Ridley, sculp.t. Pub by Ja.s Asperne 32, Engraving, platemark 200 x 120mm (8 x 4¾"). £75 Cornhill Dec.r 1, 1803. Portrait of bookseller John Love (1793, fl.). Weighing Stipple. 160 x 110mm (6¼ x 4¼") large margins. around twenty-six stone, Love was in fact only a Edges spotted. £60 fraction of the size of his contemporary Daniel Ralph Walker (1749-1824), Scottish civil engineer. He Lambert of Leicester (1770-1809), who weighed 52¾ was appointed resident engineer of the West India stone! Docks in August 1799; engineer to the East India From the 'Wonderful Magazine', which included Docks Company (working with John Rennie) in 1803; numerous portraits of eccentric and remarkable engineer for the Surrey Commmmercial Docks Company individuals. O'D 1; For a portrait of Lambert see ref. in 1807; and engineer to the EEast London Waterworks 17776. Private Collection of Nigel Talbot Company, 1807-24. Stock: 43358 Stock: 43395

Account of the famous drivee in June 1906, which saw Angus Shaw and Frederic Eastmead drive the Sunbeam 16/20 (the first Sunbeam dessigned by Shaw) from John O’Groats to Land’s End, covering 1756 miles, without stopping the engine. Stock: 43204

212. The Monument Thhis Pillar was set up in perpetual remembrance of ye most dreadful Burning of this City, anno 1666 [...] Sutton Nicholls sculp Londoon Sold by John Bowles Print & Map Seller over agaiinst Stocks Market [c.1750] Engraving, sheet 465 x 350mm (18¼ x 13¾"). Fold through centre. Trimmed to platemark. £260 The west side of the Monumment to the Great Fire of London of 1666, designed by Christopher Wren and Robert . The base holds a sculpture, by Caius Gabriel Cibber, in alto and bas relief, representing the destruction of the City; with Charles II and his brother, James, the Duke of York, surrrounded by Liberty, Architecture, and Science, giiving directions for its restoration. Constructed between 1671-1677 the monument is the tallest free-standing stone column in the world. Wren & Hooke designed the column to be 209. Thomas Jonathan Wooler. of scientific use: they intended the central shaft to be From a Drawing by Cha.s Landseer. Pubblished 24th used with a zenith telescope;; and each step is exactly 6 Nov.r 1817 by W. Hone, Old Bailey, and Sold by E. inches, allowing barometric preassure to be measured Wilson, Royal Exchange, amd all the Print dealers inn at known heights. the United Kingdom. Stock: 43605 Etching. 2800 x 230mm (11 x 9"). £160 Thomas Jonathan Wooler (1786-1853), publisher 213. Bullock's Museum, 22, Piccadilly. active in the Radical movement. He is best known for No.18 of R. Ackermann's Repository of Arts, &c. Pub his satirical journal 'The Black Dwarf', published as a June 1 1810 at 101, Strand, London. response to the Gagging Acts (Treason Act 1817 andd Engraving with hand-colouriing, sheet 155 x 245mm (6 Seditious Meetings Act 1817). He was soon charged x 9½"). Tear at top. £65 with seditious libel, but was acquitted on the grounds Interior view of the museum housing the collection of he was the publisher, not the author, of the offending William Bullock (bap.1773, d.1849), naturalist and articles. This portrait would have been issued at the antiquary, on Piccadilly in Loondon. Bullock first time of the trial. opened his museum, comprising artworks, armoury, Stock: 43398 objects of natural history and curiosities from Captain Cook's voyage, in Liverpool in 1795. This print was 210. Mr T.J. Wooler. Editor of the Black made soon after Bullock moved the museum to London Dwarf. in 1809. [n.d., c.1817.] In 1812 Bullock installed the collection in his newly- Stipple. 125 x 180mm (5 x 7") very large margins. £80 buuilt Egyptian Hall on Piccadilly. The museum was a Thomas Jonathan Wooler (1786-1853), publisher great success and Bullock augmented his collections active in the Radical movement, shown with a copy of with Roman displays and Napoleon memorabilia, his satirical journal 'The Black Dwarf' in his hand. It eventually auctioning off hiss collection in 1819 and was published as a response to the Gagging Acts letting out the Egyptian Hall for other exhibitions. (Treason Act 1817 and Seditious Meetings Act 1817). Stock: 43585 He was soon charged with seditious libel, but was acquitted on the grounds he was the publisher, not the 214. Library of H.R.H. the Duke of Sussex author, of the offending articles. This portrait would Kensington Palace. have been issued at the time of the trial. Drawn & Engraved by Tho.s Onwhyn. [c.1820] Stock: 43399 Engraving, sheet 185 x 275mm (7¼ x 10¾"). Foxing. £75 211. From End to End and Back Again An The library of Augustus Frederick, duke of Sussex Unprecedented Performance by Car, Tyres, (1773-1843), at Kensington Palace. Because of his and Drivers. asthma, Augustus never held a full-time position and [c.1906] devoted his energies to building up his library, which Book, card wrappers with original binding, rare, 24pp., filled ten rooms and comprissed over fifty thousand 220 x 290mm (8½ x 11½"). £220 volumes. Stock: 43695 215. Looking Over the Dam. 218. A View of Westminster Bridge, with Phillip Brannan del._ R. Carrick lith. Day & Son lith.rs parts adjacent as in the Year 1760. Engraved to the Queen. London, Published June 9th 1851, by from the Original Paintinng. Ackermann & Co. 96 Strand, by Appointment to The Sam.l Scott Pinx.t P:C: Canot Sculpt. London, Printed Queen, H.R.H. Prince Albert and the Royal Family. for R. Wilkinson, R.H. Lauriie and Bowles & Carver. Lithograph with tintstone, printed area 320 x 470mmm Engraving, platemark 340 x 5570mm (13½ x 22½") (12½ x 18½"). Margins bit messy. £320 large margins. £480 The Crystal Palace viewed from under the dam of the FIne view of Westminster Brridge and the riverside, Serpentine in the year it was erected to house the Great after a painting by Samuel Scott (1701/2-1772), who Exhibition in Hyde Park in 1851. Following the paainted repeatedly from a haanndful of favoured success of the exhibition, the palace was moved and locations along the river Thames. For a hand-coloured reconstructed in 1854 in a modified and enlarged form impression in period frame see ref. 15842. in the grounds of the Penge Place estate at Sydenham Stock: 43528 Hill, south London; this structure was later destroyed by a fire on 30 November 1936. 219. The Army And Navy Club House, Pall From a set of large lithographs commemorating the Mall. Great Exhibition. Drawn by J. Marchant. Engraaved by H. Adlard. [n.d., Stock: 43607 c.1865.] Steel engraving on india. 255 x 440mm (10 x 17¼"), very large margins. £260 A view of the Army and Navy Club on the corner of Pall Mall and StS James's Square, with the crest of the Stationers' Company above tthe image. The view was originally published as the Sttationers' Almanack for 1853, but this example appears to be from a later compilation. Stock: 43280

220. [Big Ben.] Sydney R. Jones. [signed in pencil.] [n.d., c.1930.] Etching. Plate: 390 x 180mm (15¼ x 7") very large margins. £320 A view across the Thames towards Elizabeth Tower 216. The Quadrant, Regent Street. which houses the famous belll Big Ben. T. H. Shepherd del.t. J. Bluck sculp.t London, Pub.d Stock: 43564 May 1. 1822. at Ackermann's Repository of Arts, 101 Strand. 221. The South Front of The British Museum. Colour printed aquatint with some fine hand colour; Drawn by F. Mackenzie. Engraved by H. Adlard. [n.d., Sheet: 410 x 540mm (16 x 21¼"). Trimmed to c.1865.] platemark. £800 Steel engraving on india. 255 x 440mm (10 x 17¼") A view of Regent Street from Piccadilly Circus in very large margins. £260 which a group of cavalrymen process as other carriages A view of the south front of tthe British Museum, and figures make their way across the street. Bloomsbury, facing Great Russell Street. Above the Stock: 43566 image is the crest of the Statiioners' Company. The view was originally published as the Stationers' 217. South Front of Somerset-Place, taken Almanack 1852, but this exaample appears to be from a from the River Thames. later compilation. Stock: 43282 Re-Published 1.st Jan.y 1800 by Laurie & Whittle, No. 53 Fleet Street London. Engraving, watermarked W. King; platemark 290 x 222. The New Extended Front Of 440mm (11½ x 17¼"). £260 Buckingham Palace. Somerset House on the bank of the river Thames, built Drawn by J Marchant. Engraved by H. Adlard. [n.d., to designs by Sir William Chambers from 1776 c.1865.] onwards following the demolition the royal residence Steel engraving on india. 255 x 440mm (10 x 17¼") which previously occupied the site. very large margins. £260 Stock: 43529 A view of the East Front of Buckingham Palace, facing St James's Park, designed by Edward Blore and built byy Thomas Cubitt, completed in 1850. Above the image is the crest of the Statiioners' Company. The view was originally published as the Stationers' Almanack c.1850, but this example appears to be from a later compilation. Stock: 43281 223. The New Coal Exchange, Thames Street, buuilding housed four separatte government at the Ceremony of its Opening in 1849. departments: the Foreign Offffice, the India Office, the Drawn by J. Salmon. Engraved by H. Adlard. [n.d., Colonial Office, and the Home Office. c.1865.] Above the image is the crest of the Stationers' Steel engraving on india. 255 x 440mm (10 x 17¼") Company. The view was originally published as the very large maargins. £240 Stationers' Almanack 1852, but this example appears to The opening of the Coal Exchange by Prince Albert bee from a later compilation. (seen in the foreground). Above the image is the crest Stock: 43284 of the Stationers' Company. The view was originally published as the Stationers' Almanack 1852, but this 228. View of Mr. Hatchetts Capital House in example appears to be from a later compilation. Long Acre. European Mag. Stock: 43283 Millar del Walker sc Publish'd Feb.y 1st 1783 by J. Fielding, Pater noster row, J.. Sewell, Cornhill & J. Debrett, Piccadilly. Engraving, platemark 190 x 2210mm (7½ x 8¼"). Folds. £120 The premises of carriage-maakker John Hatchett on Long Acre, the main thoroughfare in London's Covent Garden. Hatchett was one off the leading carriage- maker of the period, providing carriages foor several prrestigious clients. Another carriage-maker, Samuel Hobson, later took over the premises. An unusual Covent Garden street view of this period. Stock: 43696 224. A Perspective View of Covent Garden. Vüe de Covent Garden. 229. Plate XXVI. Entrance into the J. Maurer de. & sc. London 1746. Metropolis at Hyde Park Corner, from a Engraving and etching. 170 x 280mm (6¾ x 11"). design made and exhibiteed 1817. Trimmed to platemark. £240 [n.d., c.1820.] View of the Covent Garden Piazza looking north, with Etching. 250 x 350mm (9¾ x 13¾") large margins. St Paul's Church on the left. See 43298 for 1753 £110 version. A sketch of a design for a coommplex of four triumphal Stock: 43297 arches at Hyde Park Corner, at the time the main entrance into London from the Knightsbridge tollgate. 225. A Perspective View of Covent Garden. It appears to be a rival scheme to that of Decimus Vüe de Covent Garden. Burton, whose Wellington Arch and Hyde Park Screen J. Maurer de. & sc. London 1753. were built in the 1820s. Engraving and etching, 18th century watermark. 170 x Stock: 43301 280mm (6¾ x 11"). Small margins. £240 View of the Covent Garden Piazza looking north, with 230. Scaffolding round the Nelson Column, St Paul's Church on the left. See 43297 for 1746 1847 [ms] version. [Anon., c.1847] Stock: 43298 Pen lithograph, sheet 240 x 180mm (9½ x 7"). Crease. £70 226. The Gem of the Thames Embankment Unusual lithograph of Nelson's column in Trafalgar Edwin Roffe [1878-80] Square, London, four years after the monument was Etching, platemark 125 x 190mm (5 x 7½") very large completed; Hoarding adverts in foreground. The margins. Signed in pencil lower left, with Roffe's installation of the four bronzze reliefs on the pedestal stamp. £75 did not begin until 1849, with the four bronze lions View of the Palace of Westminster with Big Ben and designed by Sir Edwin Landsseer following in 1867. Westminster Bridge, from the Thames. Stock: 43512 Etching by EEdwin Roffe (1852-80, fl.). L.969 Stock: 43697 231. [The 1919 rebuildiing of Swan & Edgar, Piccadilly Circus.] 227. New Government Buildings, Parliament W. Walcot [pencil signature..] [n.d., c.1919.] Street. Etching with drypoint. 130 x 200mm (5 x 8"), wide Drawn by Joohn O'Conner. Engraved by H. Adlard. margins. £190 [n.d., c.1865.] The original facade of the Swan and Edgar can still be Steel engraving on india. 255 x 440mm (10 x 17¼") seen, with today's building unnder construction behind. very large maargins. £260 In 1917 the last Zeppelin raid in Britain damaged the The Whitehall facade of what is now the Foreign and buuilding, with this work undertaken in 1919. To the Commonwealth Office, designed by George Gilbert right is the statue of Anteros (popularly known as Scott, begun in 1861, finished 1868. Originally the Eros), still in its original posiition, before it was moved to Embankment Gardens when work started on the new 236. Greenwich Hospitaal. tube station in 1922. Drawn & Printed by C. Burton 18 Pickett Str.t London, William Walcott R.E (1874 - 1943) was described by Published 1832 by R. Ackermann. Furst as 'next to Brangwyn the greatest decorative Lithograph, very rare; printed area 185 x 290mm (7¼ x etcher this country has produced'. 11½"). Unidentified collectoorr's stamp verso. £260 Stock: 43212 Greenwich Hospital from the river Thames, with the 'Royal Adelaide' and 'Harleqquuin' steam ships passing. 232. Theatre Royal Covent Garden Greenwich Hospital was completed in 1694 to designs Drawn & Engraved by Daniel Havell London, byy Christopher Wren and Niccholas Hawksmoor and Published by J. Taylor, High Holborn 1826 functioned as a hospital for sailors until 1873. The Aquatint, sheet 140 x 215mm (5½ x 8½"). £95 distinctive split design was adopted to allow the The second Theatre Royal Covent Garden, opened in already existing Queen's House to keep its view of the 1809. It was designed by Robert Smirke and modelleed Thames. The Royal Observaattory can be seen on the hill on the Templle of Minerva at Athens, with a frieze by in the background. John Flaxman under the portico. In 1855 this theatre, Stock: 43409 like the previous incarnation, burned down. Only Flaxman's frieze survived, and this was incorporated 237. The Church of St. Alphege, Greenwich, into the third theatre on the site, designed by E.M. and the Intended New "Mitre Tavern". Barry, which survives to this day as the Royal Opera Lithographed by John Shove, from a Sketch by Mrs. House. George Mathew [c.1840] Original print designed and engraved by Daniel Havell Lithograph, rare, printed area 175 x 195mm (6¾ x (d.1825/6), Reading-born artist active in London whose 7¾"). Staining to margins. £190 other projects included Henry Salt's 'Twenty Four View in the centre of Greenwich, south-east London. Views Taken in St Helena' (1809-10). The church of St Alphege, designed by Nicholas Stock: 43587 Hawksmoor (1662?-1736) and built in 1712, is on the right, with the Mitre Tavern oon the left. The latter, built 233. [Trafalgar Square and St Martin-in-the- in around 1840, still stands, and has been Grade-II Fields] listed for its architectural and historic interest. A. Brunet-Debaines [c.1888] Stock: 43408 Etching, image 165 x 245mm (6½ x 9½"). £160 Trafalgar Square in London, showing (l-r) one of Sir Edwin Landseer's lions, the National Gallery, the equestrian statue of George IV by Sir Francis Chantrey, and the church of St Martin-in-the-Fields. Etched by Alfred-Louis Brunet-Debaines (1845-1939), French painter & printmaker. From 1884 to 1897 he lived in Britain, and in 1878–9 and 1887–8 his viewss of London, Oxford and Edinburgh appeared in 'Portfolio'. Stock: 43328

234. The Sanctuary at Westminster, From a sketch by Doctor Stukeley made before its destruction in 1775. The Santuary at Westminster 1775 [in image lower right] 238. View of the New Church of St. Mary, Pen lithograph, scarce, sheet 210 x 250mm (8¼ x 9¾") Greenwich. Taken from the Roof of the Parish large marginns. £180 Church of St. Alphege. Copy of a sketch by the antiquary and natural Painted and Drawn on Stonee by J.D. Harding from a philosopher William Stukeley (1687-1765), of a Sketch by Mrs. George Mathew. Printed by C. sanctuary in Westminster which Stukeley claimed Hullmandel belonged to Westminster Abbey. Lithograph, rare, fine proof iimpression, printed area Stock: 43589 230 x 300mm (9 x 11¾"). £240 The church of St Mary, Greenwich, London (then 235. The Youth of the Garden See the club-- Kent), built in 1823-4 and destroyed in 1935. Designed room full crowded, / The lads they all run, / To byy the architect George Basevi (1794-1845), who hear a rum chant [...] attended Dr Charles Burney's school in Greenwich Published Aug.t 2 1793 at No 22 Golden Lane London. beefore becoming a pupil of John Soane, the church Later. with its impressive portico off Greek Ionic columns was Etching, platemark 270 x 175mm (10½ x 7"). £140 similar to Basevi's earlier church of St Thomas, Ballad about young men looking for love, leaving a Stockport. 'bagnio' with women and bags of money. The image The church stood at the St Mary's Gate entrance to suggests a Covent Garden setting. Greenwich park. It is viewed here from Hawksmoor's Stock: 43330 St Alphege church, to the noorrth-west. Greenwich Park is in the background, with the Royal Observatory 242. [Kensington Palacee.] visible in the distance. The University of Greenwich's Robt. T. Pritchett. Herbert Sedcole. [pencil signatures.] Stockwell Street building now stands between the [n.d., c.1890.] church of St Alphege and the site of the church of St Etching on india, signed by tthe artist and engraver. 250 Mary. x 420mm (9¾ x 16½") very llarge margins. A few Stock: 43407 foxing spots and a small tearr, all in the backing paper. £260 239. A View of the English Grotto, near the A view of the east facade of Kensington Palace, the New River Head. 'Round Pond' of Kensington Gardens in the [after Jean Baptiste Chatelain.] [n.d., c.1750.] foreground. Behind is the spiire of St Mary Abbots Etching. 2000 x 260mm (8 x 10¼"), very large margins. Church. Slight horizonatal crease. £190 Stock: 43286 A view of the English Grotto, a tavern in Rosoman Street, Islington. 243. The Bear Garden. From an enlarged The Crace catalogue (in the British Museum) attributes Drawing of a very scarce View of London, this print to Chatelain; another impression in the Marx called ''the Antwerp View,'' in the Possession Pennant suggests it is after Chatelain, engraved by of John Dent Esq.r. Francis Vivares and published by John Rocque. BM: [after Claes Janszoon Visscher.] London, Published 1880,1113.4869. Oct.r 11th 1810, By Rob.t Wilkinson, No 58, Cornhill. Stock: 43293 Coloured etching. Sheet 255 x 215mm (10 x 8½). Trimmed and mounted in album paper. £95 240. [Aubrey House.] Notting-Hill House. The Beargarden, London's bllood-sport arena in Drawn on Stone by E. Shepheard from a Sketch by J. Bankside, in existence when the first plans of London Maisey. Printed by Graf and Soret. [n.d., c.1850.] were drawn in the 1560s. Thhiis view is derived from Rare lithograph on india. 215 x 270mm (8½ x 10½"). Claes Janszoon Visscher's prrospect of 1616. £230 Stock: 43264 A view of Aubrey House in Campden Hill, Holland Park. From 1830 to 1854 the building was a boarding- 244. [Ten Trinity Square.] P.L.A. London. [in school for young ladies so perhaps the artist, Emma pencil.] Shepheard, was a pupil. Kenneth Ames [? pencil signature] [Kenan Ltd, n.d., Stock: 43288 c.1922.] Etching in original mount and gilt-lettered folio. Plate 175 x 250mm (7 x 9¾"). Scuffs to covers, faint mount buurn around image. £180 A view of the fof rmer headquarters of the Port of London Authority on Tower Hill, probably at the time it was opened, by Prime Minister David Lloyd George, in 1922. At present there are plans to convert it into a Four Seasons Hotel. This print was published as a corporate Christmas card: the cover reads 'With the Compliments of the Season and Best Wishes for the New Year from Kenan Ltd. Reg 5653. Stock: 43213

245. View from the Conservatory Garden,

241. A View of the Royal Hospital at Chelsea Bromley Hill. and the Rotunda in Ranelagh Gardens. ~ Vüe AL Printed by Rowney & Forster [c.1820] Lithograph with hand-colourring, printed area approx. de l'Hôpital Royal de Chelsea et de la Rotunde 280 x 205mm (11 x 8") veryy large margins. £140 des Jardins de Ranelagh. View by the artist Amelia Long, Lady Farnborough Printed for John Bowles at the Black Horse in Cornhil, (1772-1837) from Bromley Hill House, the property & Carington Bowles in St. Pauls Church Yard, which she and her husband Charles Long (1761-1838) London. [n.d. c.1750.] puurchased in 1801. They enlarged the original 1760s Engraving with fine hand colour. 272 x 418mm (10¾ x house to their own designs and improved the much- 16½"). Slight toning on left edge; unexamined out of admired garden which, by 1809, had two picturesque frame. £320 walks, each a mile long. Ammeelia Long exhibited four A view of the Royal Hospital at Chelsea, with the views taken in the grounds of Bromley Hill at the Thames in the foreground. To the right is rococo Royal Academy between 18111 and 1817. Rotunda designed by William Jones for the Ranelagh The gardens have long since disappeared but the house, pleasure gardens: in 1765 the nine-year-old Mozart much altered, survives as the Bromley Court Hotel on played there. See Collage: p5367633. Bromley Hill. Stock: 43459 Stock: 43698 246. 2.e Vue de Twickenham. Angleterre. 249. The Clifton Suspension Bridge. Sites historiques Drawn by S. Jackson. G. Hawkins Lith. Day & Haghe H. Vander-Burch lith. Paris Turcis Jeune Imp.e Lith.rs to the Queen. Published by G. Davey, 3 Broad Editeur, rue des Ecoles 80. Street, Bristol. [n.d., c.1840.]] Lithograph, rare, sheet 285 x 335mm (11¼ x 13¼"). Tinted lithograph. Printed areea 215 x 290mm (8½ x Crease throuugh centre. £240 11½") Crease in bottom righhtt corner of margin. £230 The distinctive Ferry House and adjacent buildings on A fine view from the side off the Avon looking up to Riverside, Twickenham, with the river Thames in the the bridge. foreground. The houses are very near to Orleans House Stock: 43279 (now the Orleans House Gallery), so named because in 1815, after Napoleon's return to power in France, Louis 250. View of Taplow, taken from Maidenhead Philippe, duc d'Orleans became tenant of the house. Bridge. Louis Philippe was accompanied by a large retinue, Drawn by W.m Havell. Engrraved by R. Havell. including two aides de camp who lived at Ferry House. London, Published August 1 1818 by Thomas McLean. It is probably for this reason that this French print Aquatint. 425 x 550mm (16¾ x 21½"). Small tear in focuses on this uncommon view. Not in Gascoyne title area, very small margins. £450 Stock: 43169 A view looking from Maidenhead in Berkshire up the Thames to Taplow in Buckinghamshire, painted by 247. [North East View of Sir Charles Asgill's William Havell (1782-1857) and engraved by his Villa.] cousin Robert Havell jnr. (1793-1878), famed for [Thomas Malton.] [1791.] engraving most of Audubon's monumental 'Birds of Aquatint, scarce. Sheet 330 x 430mm (13 x 17"). America'. The paper around tthe image has been Trimmed, creased. £260 coloured to mimic board, the usual presentation of a Asgill House (formerly Richmond Place), a Grade I- watercolour. listed Palladian villa built 1757-8 by Sir Robert Taylor Stock: 43446 for Sir Charles Asgill, who was Lord Mayor of Londoon in 1761-2. Although it was restored to its original 251. The Old Tithe Barn, Borobury, appearance in 1970, which involved removing the Peterborough. Victorian extensions, nothing could be done to remove Drawn & Lith.ed by Charles Moore. Day & Haghe Richmond Railway Bridge which crosses the Thames Lith.rs to the Queen. [n.d., c..1840.] nearby. Tinted lithograph, scarce. Sheet 315 x 415mm (12¼ x Stock: 43622 16¼") Some wear in margins; bit dusty. £240 The interior of Peterboroughh Abbey's tithe barn, built in the 13th century for the orriginal abbey. In 1898 Rev. W.D. Sweeting wrote: "Untill a very few years ago there was a mediaeval buildiinng at Peterborough of the greatest interest. This was thhe old Tithe Barn of the Abbey, situated in the Manorr of Boroughbury, on the Lincoln Road. It was much the finest in the kingdom. Unhappily the ''enterprising builder'' has obtained poossession of it, and it has been pulled down, the materials, all Barnack stone, having been employed in buuilding houses. It was of good thirteenth century work, and in perfect condition. On the east side were two large porches, by which a waggon fully laden 248. The Royal Botanic Gardens at Kew. could enter the barn. The roof was supported by very Drawn by Joohn O'Conner. Engraved by H. Adlard. massive timbers rising from tthe ground, the whole [n.d., c.1865.] arrangement resembling a wooden church with aisles". Steel engraving on india. 255 x 440mm (10 x 17¼") Sweeting: The Cathedral Chuurch of Peterborough. very large maargins. £320 Stock: 43290 The Palm House of Kew Gardens, built 1844-48) by architect Decimus Burton and iron founder Richard 252. [Source of the Tamar and Torridge] Turner, the first large-scale structural use of wrought Drawn by J.M.W. Turner Esqq.r R.A. Engraved by iron. Originally the glass was tinted green with copper W.B. Cooke. 1816 oxide to reduce heat from the sun. Engraving on india, rare, fine early impression, Above the image is the crest of the Stationers' pllatemark 280 x 400mm (11 x 15¾") very large Company. The view was originally published as the margins. £380 Stationers' Almanack 1852, but this example appears to The source of the rivers Tamar and Torridge in north be from a latter compilation. Cornwall. One of four engravings after Turu ner Stock: 43285 engraved by W.B. Cooke as ppart of a projected series of prints of 'The Rivers of Devon'. The series was advertised by Cooke in 18188 but never published, prrobably due to the commercial failure of Cooke's 'Views in Sussex' after Turner around the same time, 257. Tunbridge Castle. and the platees were instead sold separately. This P. Sandby Fecit 1787. Publish'd by P. Sand St Georges engraving, while begun in 1816 (as shown by the date Row facing Hyde Park, Mayy 1st 1788. on early proof impressions), was, according to Hand-coloured aquatint. Platte: 370 x 540mm (14½ x Rawlinson, not completed until around 1850. 21¼"). Small margins, bit meessy. £420 A related drawing is at the Yale Center for British Art A view of the Norman Motte and Bailey castle at (B1977.14.4689). Rawlinson 140 i/ii Tonbridge in Kent in which sseveral labourers fill carts Stock: 43410 with stone from the ruin, a woman walks past with her children and three men stand in conversation. The 253. Royal Albert Bridge, Saltash The above owner at the time, John Hooker sold stone from the Engraving of the "Royal Albert Bridge," castle in order to build locks in the river Medway and across the River Tamar at Saltash, represents a in 1791 his son Thomas builtt a house adjoining the wrought-iron structure, 2,200 feet, or nearly gatehouse. Stock: 43565 half-a-mile, in length [...] Printed and Published by W. Wood, 52, Fore Street, (opposite the Banks) Devonport. Wood-engraving with hand-colouring, sheet 225 x 300mm (9 x 11¾"). £180 The Royal Albert Bridge, which crosses the Tamar at Saltash in Cornwall. Isambard Kingdom Brunel (1806- 59) was chief engineer and designer of the bridge, which replaced the ferry across the river to carry the new railway line linking Cornwall to the rest of England. The bridge opened shortly before Brunel's death in 1859, and this print, with its detailed information about the bridge, was one of several published shortly after it opened. Stock: 43614 258. Belvoir Castle from between the Stables and the Garden. 254. Suspension Bridge over the river Tees at F.W. Trench Aug.t 1819. Whorlton. Lithograph, fine. Printed area 260 x 425mm (10¼ x Green Arch.t Lambert [c.1831] 16½") large margins. £280 Engraving on india, platemark 130 x 170mm (5 x 6¾") Belvoir Castle in Leicestershire. Amateur lithograph by very large maargins. Paper tone to india; foxing. Rare. the army officer and politician Frederick William £75 Trench (c.1777-1859). In December 1819 he was The suspension bridge in the small village of returned as an MP for Cambrridge in an election Whorlton, County Durham, designed by John Green oof controlled by the Duke of Rutland, owner of Belvoir. Newcastle. Opened in 1831 it was the earliest such Trench was also keenly interrested in architecture: in road bridge in England. 1815 he proposed a vast monument to British naval Stock: 43619 and military victories over Frrance on the site which beecame Trafalgar Square, and in 1824 he launched a 255. Bon church, Isle of Wight, from the Seaa. prroject for an embankment on the north side of the R. Carrick, lith. Day & Haghe Lith.rs to the Queen Thames (in conjunction with which a long print of the [c.1830] prroject was produced). Lithograph with tintstone, rare, 255 x 290mm (10 x Stock: 43334 11½") very laarge margins. £160 The small village of Bonchurch on the southern part of 259. Hetton Staiths. the Isle of Wight, near Ventnor. Not in Abbey. Drawn on Stone by J.D. Harding. Printed by C. Stock: 43510 Hullmandel Lithograph on indea, india diimensions 225 x 305mm 256. Ryde Pier, from St Clare (8¾ x 12") very large margins. £160 Printed at the General lith Establishment, 70, St Hetton Staiths, part of the port of Sunderland. Martins Lane [c.1830] Stock: 43615 Lithograph with tintstone, rare, printed area 175 x 250mm (7 x 9¾"). Uncut sheet. £170 260. near Shiffnal [ms] The early 19th century pier built at Ryde, on the Isle of [Anon., c.1830] Wight, viewed from St Clare Castle, a mansion in Lithograph, scarce, printed area 180 x 280mm (7 x nearby Appley (since destroyed). From a volume of 11"). £130 topographical lithographs Not in Avbey Evocative industrial scene near Shifnal in Shropshire. Stock: 43170 Stock: 43618

263. Booker's Tower. Guilford. Erected 1839. Sketched & Drawn on Stonee by E.C. Duncumb. Printed by W. Clerk, 202 High Holborn. Published by E. Andrews, 61 High St. Guiilford. Lithograph. Sheet: 280 x 225mm (11 x 9") very large margins. £120 A view of Booker's tower built by mayor of Guilford, Charles Booker in memory of his sons completed in 1839 it was used to commemorate the wedding of Queen Victoria and Prince Albert. It was also used by scientist John Rand Capron iin his experiments with light. Stock: 43664

264. [Epsom Races. View taken in balloon. Courses d'Epsom. Vue prise en ballon.] [Drawn from nature and on stone by Jules Arnout. Printed by Lemercier in Pariss.] [London, pub.d 25th June 1846 by Gambart, Junin & Co, 25 Berners St Oxf. St. Paris, publié par Jeannin, Place du Louvre 20] Lithograph with hand-colourring, sheet 285 x 445mm (11¼ x 17½"). Trimmed to image, losing all text. £240 One of a series of aerial views capitalising on the excitement offered by the neew technology of baallooning in the early nineteenth century. 261. Lansdown Tower, Bath. To Wm. Stock: 43185 Beckford Esqr, whose Talents and Fortune have been dedicated to the Promotion of the 265. [Stonehenge.] Fine Art of his Country; this View is most [J. Blaeu.] [c.1665.] respectfully inscribed by his obedt and humble Etching. Plate: 200 x 250mm (8 x 9¾"). £190 servant. H. E. Goodridge. A view of the prehistoric monument of standing stones Drawn on Stone by V. Bartholomew. H. E. Goodridge , on Salisbury Plain in Wiltshiire in which a group of Archt. Bath, Printed by C. Hullmandel. three people stand in conversation in the centre of the Lithograph. £240 stones and three men dig bones in the bottom left. An Beckford’s Tower was designed by Henry Edmund illustration from a German eddition of J. Blaeu's 'Atlas Goodridge [1797-1864] in 1825 and completed in 18227 Maior Sive Cosmographia Blaviana' first published for William Beckford (1760-1844), one of the nation’s 1662-1668. most accomplished and interesting characters. The Stock: 43577 120-foot neo-classical Tower, which enjoys uninterrupted views of the countryside, was 266. [Stonehenge.] constructed as a study retreat and to house Beckford’s I. Kip Sculp. [n.d., c.1722.] precious collection of art and rare books. Fittingly the Engraving. Plate: 230 x 190mm (9 x 7½"). Sheet tower is now home to a museum, owned by the Bath slightly torn. £130 Preservation Trust, displaying furniture originally A view of the prehistoric monument of standing stones made for the Tower, alongside paintings, prints and on Salisbury Plain in Wiltshiire with a key in the objects illustrating William Beckford’s life as a writer, boottom edge. An illustration from the 1722 edition of collector and patron of the arts. The Tower is an Edmd und Gibson's English edition of Camden's extraordinary building that stands today as the only 'Britannia', first published in 1695. surviving example of William Beckford’s great Stock: 43576 architectural achievements. Stock: 14029 267. Stone Henge. Drawn by T. Hearne. Engraved by W. Byrne & T. 262. Gypsum Quarry at Fauld. Medland. London: Published as the Act directs, 2 Feb Printed in coolors by Hullmandel & Walton London, 1786 by T. Heanre & W. Byrrne. John Van Voorst, Paternoster Row. Engraving. Plate: 195 x 305mm (7¾ x 12") very large Chromolithograph, rare; sheet 155 x 250mm (6 x 9¾"). margins. Slight foxing. £90 Crease top left. £95 A view of the prehistoric monument of standing stones Gypsum quaarry in Fauld, Staffordshire. Fauld Mine on Salisbury Plain in Wiltshiire in which a shepherd sits now supplies cement rock for the cementn industry. on a fallen stone while his sheep graze.. Stock: 43333 Stock: 43574

268. North East View of Stonehenge- The 270. Dunsford Bridge Grand Entrance- From an Origial Drawing in W. Spreat [in imagre lower left] Printed by C. Risdon, the Collection of Rob.t. Duke Esq.r. [&] South Exeter [c.1830] West View of Stonehenge- From an Original Lithograph and tintstone, rarre; sheet 225 x 325mm (8¾ Drawing in the Collection of Rob.t. Duke Esqq.r. x 12¾"). £160 G. Keate Del. 1770. H. Roberts Sculp. The hamlet of Dunsford Bridge, on the north fringe of Pair of engravings. Sheet: 155 x 230mm (6 x 9"). the Peak Distrct. Angler holding a fishing rod on right. Stock: 43700 Trimmed within plate and tipped into an album sheett, some marking. £75 A pair of view of the prehistoric monument of standing 271. Quarry Bridgee. In Swinton Park stones on Salisbury Plain in Wiltshire. Yorkshire the Seat of W.. Danby Esq.r It was Stock: 43578 commenced in 1811 & finished in 1822. Drawn by Anne H. Danby. [c.1830] 269. Stone Henge. Lithograph, sheet 215 x 290mm (8½ x 11½"). Rare. Drawn by W. Westall. A.R.A. Engraved by Francis. £130 [n.d., c.1840.] Gothic bridge built to designs by John Foss at Swinton Engraving. Sheet: 135 x 200mm (5¼ x 8"). £45 Park near Masham, Yorkshirre. Swinton Park remains A view of the prehistoric monument of standing stonees the seat of the Danby family (one of whom made this on Salisbury Plain in Wiltshire. prrint). Stock: 43569 Stock: 43621

272. Political Sketches of Scarborough: (1769-1842), and William Coombe (1741-1823). In this Illustrated by Twenty-One Engravings of edition the contributions werre anonymous; for the Humourous Subjects, Coloured from Original second edition (also 1813) initials were added at the Designs, Made upon the Spot by J. Green, and end of most of the chapters, as well as a dedication to Etched by T. Rowlandson. Wrangham. The sketches, according to the 'Advertisement', were ''madee as souvenirs of the place London: Printed for R. Ackermann, 101, Strand, by J. during a visit to Scarborough in the season of 1812. Diggens, Saint Ann's Lane. 1813. They were not intended for publication, but being FIRST EDITION. Small 4to, contemporary full found to interest many persoonns of taste, several of maroon morocco gilt, all edges gilt, marbled whom expressed a desire to possess engravings of endpapers; ppp. (4)+ xv + 215, with 21 aquatints with them; and some gentlemen having offered to add fine hand colour. Hinges rubbed, a couple of marks on metrical illustrations to each,, the present form of boards. £380 puublication has been adopted''. Thomas Rowlandson A fine example of this collection of poems relating to etched the plates, which were then aquatinted by other Scarborough by various writers including John etchers. Abbey 297. Buonarotti Papworth (1775-1847), Francis Wrangham Stock: 43568 273. Sebury Hall, the Seat of Sir Robert knitting here. According to a note on an example in the D'Arcy Hildyard Bar.t Cardiff City Library, the woman carrying a basket and G. Cuit fecit 1795 poouch is Peggy Dennis, Beaumaris post woman for 20 Aquatint, rare, platemark 150x 220mm (6 x 8½") large years, who walked 12 miles a day to the surrounding margins. £130 villages. Sedbury Hall near Richmond in Yorkshire. https://welshhat.wordpress.com/images/drawings-and- Stock: 43680 paintings/john-cambrian-rowland/ Stock: 43448 274. A Tower in the Grounds of Sir Rob.t D'Arcy Hildyard Bar.t at Sedbury Yorks: 278. [John Duke of Argyll. Hereditary Great J. Foss Inv.t G. Cuit Aquatinta [c.1795]. Master of the Household in Scotland, Colonel Rare aquatinnt, sheet 150x 220mm (6 x 8½"). Trimmed, of His Majesty's Grey Dragoons, Governor of damage top left. £80 Limerick, General of Horse & Kn.t of the most Tower in the grounds of Sedbury Hall near Richmond Antient Order of the Thiistle.] in Yorkshire. Tho.s Gainsborough Pinx.t. J. Watson fecit. J. Boydell Stock: 43681 excudit Jan.ry 12th 1769. Fine mezzotint, scratched-lettter proof before title. 620 275. Elizabeth Castle, Jersey. x 390mm (12½ x 15¼"). Trimmed into plate at bottom, On Stone by W.m Gauci. From a Sketch by N. de thread margins elsewhere, mounted on album sheet, Caris. Pub.d by M. Moss, Bookseller, Guernsey, 1831. some creasing. £450 Lithograph. Printed area 200 x 250mm (7¾ x 9¾") Full length portrait of John Campbell (General John large marginns. £160 Campbell (c.1693-1770), 4th Duke of Argyll, wearing A view of Elizabeth castle, Jersey, from the shore. peeer's robes, the chain of the Order of the Thistle, one Stock: 43450 hand on his coronet, the other holding the baton of Hereditary Master of the King's Household. 276. Dovey Furnace. Gainsborough's original oil iis part of the National Drawn & Etched by J.G. Wood London Published by Galleries of Scotland's collection at Duff House. CS 4 i Jno. Geo. Wood 1813 of ii. Etching, platemark 180 x 250mm (7 x 9¾") very large Stock: 43495 margins. £65 Dyfi Furnace, near Aberystwyth in Wales. The furnace 279. David Scott Esq.r MM.P. was constructed in around 1755 for smelting iron oree, Painted by Geo. Romney Esq.r. Engraved by Jn.o and was already abandoned by the time this print was Young, Engraver in Mezzotiinnto to his Royal Highness made. It is still in existence and open to the public. the Prince of Wales. Londonn, July 16.th 1798, Stock: 43617 Published by Jn.o Young, No.58, Upper Charlotte Street, Fitzroy Square. Mezzotint. 616 x 410mm (24¼ x 16¼") lara ge margins. Repaired tear through inscription area, other small nicks, creases. £320 David Scott (1746-1805) of Dunninald, a very successful Scottish merchantt in Bombay, director of the East India Company and a Member of Parliament. The original oil, painted 17800, is in the collection of the Fine Arts Museums of San Francisco. CS: 61. Ex collection of the Hon. Christtoopher Lennox-Boyd. Stock: 43497

280. Bell Rock Light House During a Storm from the North East. Drawn by J.M.W. Turner R.A. Engraved by J. 277. Welsh Peasantry, Drawn from Living Horsburgh [1824] Characters in 1850. Engraving, verso in pencil finne india proof Finberg March 1930; sheet 185 x 255mm (7¼ x 10"). Bottom [after John Cambrian Rowland.] Published as the Act right corner missing. £140 [directs] by William Pritchard Bookseller, Carnarvon, The famous Bell Rock Lightthhouse, off Arbroath on the June 18[**]. east coast of Scotland, during a storm. Designed by Tinted lithograph, extrememly rare Printed area 335 x John Rennie and Robert Stevenson, the lighthouse was 445mm (13¼ x 17½"). Edges bit messy. £520 buuilt between 1807 and 1810 and is still in existence. Full-length portraits of five Welsh women and a baby, Engraving after a drawing by J.M.W. Turner, which standing with 'Llanberis Slate Quarries' and 'Dolbadern served as frontispiece to Stevenson's 'An account of the Tower' in the background. Bell Rock Lighth -house' (1824). Rawlinson 201 John Cambrian Rowland (1819-90) specialised in Stock: 43694 costume illustrations. Sometimes the same figures appear in different plates, for example the woman 281. Ancieenne Porte a Stirling. Old Gate-way Collège de France and keeper of the national archives at Stirling. from 1840. Dess. par F.A. Pernot. Lith. par Bonington Lith. de Lithograph by Louis Dupré ((1789-1837), court painter Villain. [1826] to the king of Westphalia from 1811. Lithograph, sheet 200 x 260mm (8 x 10¼"). Trimmed. Stock: 43522 £140 Lithograph by Richard Parkes Bonington (1802-28), the precociously talented landscape painter and lithographer, after François Aleandre Pernot (1793- 1865). Pernot travelled in Scotland in 1824 and while there made the drawings which later became the set of views 'Vues pittoresques de l'Ecosse, d'après nature'. These were published by Gosselin in 1826-28 and were originally accompanied by a text written by Amédée Pichot. Stock: 43444

282. Vue de la Chapelle Dediée a Mr de Guillonville par son Epouse 1771 Etching printed in red ink, very rare & fine; platemarrk 95 x 130mm (3¾ x 5") large margins. £160 Small etching by Madam de Guillonville and dedicatted to her husband. Private Collection of Nigel Talbot Stock: 43356

283. Chateau Lafite (Médoc) Regi par M.r. M.ir Goudal G. de Gallard Lith. Légé à Bordeaux [c.1820] Lithograph, sheet 180 x 230mm (7 x 9"). £160 The wine estate Château Lafite Rothschild in the Médoc region of France. Most of the vineyard was planted in the late seventeenth century, and the estate's wine grew throughout the eighteenth century, counting the likes of Thomas Jefferson as regular customers. In 286. [Geoffroi II de Lusignan.] Insignis fama 1868 the château was purchased by Baron James et felicibus armis. Virg. Aen. l.7. Mayer Rothschild. Private Collection of Nigel Talbot [after Claude Vignon] I.I. Haid exc. A.V. [Augsburg, Stock: 43359 c.1760.] Mezzotint, 400 x 270mm. 15¾ x 10½" very large 284. [Marie Leszczynska] Marie Princesse de margins. Three holes lower left. £460 Pologne, Reine de France et de Navarre. Geoffroi II de Lusignan (c.11186-1246), Seigneur of Peint par L. Tocqué. Gravé par J. Daullé Graveur du Vouvant and Mairevant. Roi et de la Société Imperiale d'Ausbourg. A Paris ches From a series of mezzotint poortraits copied from a set la v.e Daullé Quay des Augustins. [n.d. c.1750.] of small engravings after Claude Vignon published in Very large engraving. Sheet 630 x 485mm (24¾ x the early seventeenth century. for another in the series 19"). Trimmed to printed border, title and inscriptionns seee ref. 10488. (as above) pasted on reverse, a few small tears. £420 Stock: 43706 Marie Leszczyńska (1703-68), queen consort of France, in an ornate dress and wearing the royal 287. Vue du viaduc a Borcette près d'Aix-la- mantle, decorated with fleuur-de-lys and trimmed with Chapelle. Passant devant le Grand Hotel & ermine, pointing to her crown on an adjacent table. Bains de la Rose. Daughter of King Stanislaw I of Poland, she married N. Ponsart lith. Imp. de Degobert & Spelle à Bruxelles Louis XV and became the longest-serving queen [c.1830] consort of France. The original oil, painted 1740, is Lithograph, sheet 150 x 340mm (6 x 13¼"). £130 now in the Louvre. BM: 1866,0113.61 Viaduct near Aachen, Germany, showing trains Stock: 43490 crossing. Stock: 43620 285. A.J. Letronne, L. Dupré 1833 Lith. de Lemercier 288. [Eighteen views off Berlin] Lithograph on india, rare, printed area 205 x 175mm (8 [P. Haas after L. Serrurier and Friedrich Calau, 1800] x 7") large dusty margins. £70 Eighteen engravings, numberred successively 1-18, Jean-Antoine Letronne (1787-1848), French each platemark approx. 145 x 205mm (5¾ x 8") very archaeologist and Hellenist, who held a chair at the large margins. £600 Stock: 43442 289. [Forest landscape] assassination of her husbandd in 1913 she returned to J. Primavesi inv. f. [c.1810] Russia, although the Russian Revolution of 1917 and Etching, platemark 220 x 255mm (8½ x 10") very large deposition of her son King Constantine I (whose margins. £130 eventual restoration was itsellf followed by Greek Etching by Johann Georg Primavesi (1776-1855), defeat in the Greco-Turkish War of 1919-22) meant painter to the court in Heidelberg and etcher of views that she was unable to spendd her final years in either of Heidelberg and the Rhine. Russia or Greece. Stock: 43610 Stock: 43508

290. [Forest landscape] 295. [Six nineteenth-century views of Bologna J. Primavesi inv. f. [c.1810] by Luca Basoli after Antonio Basoli, in Etching, platemark 220 x 255mm (8½ x 10") very large presentation wrapper from 1939] margins. £130 Six aquatints printed in brown, each platemark approx Etching by Johann Georg Primavesi (1776-1855), 205 x 280mm (8 x 11"). £250 painter to the court in Heidelberg and etcher of views Set of engravings by Luca and Antonio Basoli, who of Heidelberg and the Rhine. were amongst the few artistss active in Bologna after Stock: 43611 Napoleonic legislation in the 19th century led to stagnation of art practice in tthhe city. They are presented 291. [Johann Schweikhard von Kronberg] for publication in a folder cellebrating the anniversary Joannes Schwichardus D.G. Archiep Mogun of the Bolognese business Laboratorio Zarri in 1939. Sac Rom Imp Per Germaniam [...] The prints were issued in an edition of 500, of which [n.d., c.1650] this set is numbered 89. Engraving printed from two plates, sheet 275 x 215mm Stock: 43441 (10¾ x 8½"). Trimmed. £130 Johann Schweikhard von Kronberg (1553-1626), 296. [General Giuseppe Garibaldi.] Archbishop-Elector of Mainz, 1604-26. [after Eduardo Tojetti.] [n.d.,, c.1880.] Stock: 43182 Chromolithograph Sheet 330 x 235mm (13 x 9"), mounted on card as issued. Edges of card chipped. 292. Vue de la Montagne & de la Ville de £360 Gibraltar Giuseppe Garibaldi (1807-82), a general during several [n.d., c.1800] Italian wars of independence from Austria. A fine Engraving, scarce, platemark 205 x 270mm (8 x 10½") example of the chromolithographic method of printing large marginns. Creasing. £190 in colours, after Eduardo Tojjetti (1851 – 1930). View of Gibraltar, probably during the Great Siege of Stock: 43542 1779-83 during the American War of Independence, during which Spanish and French forces unsuccessfuully attempted to capture the rock from the British. With extensive key identifying elements of the composition. Stock: 43160

293. Athénienne Guérard del. Imp. par Lemercier, a Paris. Régnier lith. Paris, Jeannin, Place du Louvre, 20 et chez Desmaison- Cabasson, Quai Voltaire, 15. London, 15th November E. Gambart & Junin, 12 Denmark St Soho [c.1844]. Lithograph and tintstone with fine hand-colouring, printed area 295 x 205mm (11½ x 8") very large margins. Jeannin and Desmaisons blindstamps. £160 Woman in Athenian dress, from a series of costume prints showing national dress. For another print in the series see ref. 23946. Stock: 43601 297. Garibaldi G. le Gray [c.1865] 294. The Queen of Greece [Olga Photo signed in plate as normal, approx 280 x 200mm Constantinovna of Russia] The Whitehall (11 x 8") Image and text cut out separately and Review 30th November 1878 attached to backing sheet. £450 Judd & Co. Lith. Doctors Commons London The Italian revolutionary Giuseppe Garibaldi. Portrait Lithograph printed in sepia with tintstone, sheet 370 x byy French photographer Gusstave le Gray (1820-84), 255mm (14½ x 10"). Foxing. £65 who arrived in Sicily in 1860 when Garibaldi was in Olga Constantinovna of Russia (1851-1926), a member the midst of liberating it from Bourbon rule. Le Gray's of the Romanov dynasty who married King George I of poortrait of Garibaldi was widely distributed in Greece in 1867 and played a prominent role in social engraved form, thus publicissiing Garibaldi's enterprise. and charitable work in her adopted country. After the Stock: 43210 298. Athénée de Luxembourg. 302. Collège philosophiique à Louvain Bertrand del Lith. de Jobard. [n.d., c.1830.] De Marbaix del. Roux. Lith. de Jobard [c.1830] Lithograph, printed area 160 x 205mm (6¼ x 8"). £90 Lithograph, printed area 1600 x 200mm (6¼ x 8"). £80 The Athénée de Luxembourg, a high school situated iin Buildings of the State Univerrsity of Louvain in Luxembourg City, founded by Jesuits in 1603 and still Belgium, which having been closed in its previous in existence, although its location has changed. incarnation by the French Republic in 1797, opened in Originally next to Notre Dame cathedral in the Ville 1816. Haute quarter of the city, after World War II it moved Stock: 43437 to a new building in the Hollerich quarter. The old site is now occupied by Luxembourg's National Library. 303. Vue de Maestricht. Stock: 43439 [Anon., c.1830] Lithograph, printed area 155 x 205mm (6 x 8"). £130 The town of Maastricht in thhe Netherlands. Annexed to the First French Empire from 1794-1814, it became paart of the Netherlands in 18815, and was made the capital of the new Province of Limburg. Stock: 43423

304. [Woodland near Haarlem] Aan D. ingang Vanden Hout 2 [Jan Vincentsz. van der Vinne, c.1690] Etching, sheet 155 x 180mmm (6 x 7"). Trimmed to pllatemark on left border; and glued to backing sheet on left. £220 Etching from a series of 'Gesigten buijten Haarlem, Gedaan door. J.V.V.' (Views in the surroundings of Haarlem by J.V.V.'). Etched by Jan Vincentsz. van der Vinne (1665-1740), part of a Mennonite faamily from Haarlem, around ten of whom were artists. Stock: 43189

305. [Noordeinde Palace, the Hague] Palais du Roi, à la Haye. [Anon., c.1830] Lithograph, printed area 165 x 205mm (6½ x 8"). £70 The Noordeinde Palace in thhe Hague, the Netherlands, 299. [Knight of Malta] Chevalier de Malthe one of the three official palaces of the Dutch royal Maltois. family. This lithograph was probably made while King [Anon., c.1650] Willem I lived there (1817-440). Engraving, sheet 160 x 95mm (6¼ x 3¾"). £130 Stock: 43422 A knight of Malta, part of the medieval Catholic military order which began as the Order of Knights of 306. Tombeau du majoor Arthur Rowley, à the Hospital of Saint John of Jerusalem before moving Waterloo its headquarters to the islands of Rhodes and then A. de Peellaert del. Roux. Liitth. de de Jobard [c.1830] Malta. Following Napoleon's capture of Malta in 1798 Lithograph, printed area 1600 x 200mm (6¼ x 8"). £65 it became dispersed throughout Europe and Russia. Major Arthur Rowley Heyland (1781-1815), soldier, Stock: 43676 was killed by a shot to the neck during the battle of Waterloo. He was buried near a farm in the village of 300. Société Phylarmonique è Anvers 1826. Mont St Jean, where the monument shown here was Lith. Roy. erected, surrounded by iron rrailings. In the twentieth Lithograph, printed area 160 x 205mm (6¼ x 8"). £90 century the monument was reemoved for safekeeping to Musical society in Antwerp (Anvers), Belgium the Wellington Museum in Waterloo. Stock: 43440 Plate from a series relating to the Napoleonic wars. Stock: 43420 301. Serres du Jardin botanique de l'Uni.é de Louvain 307. Tombeau du majoor Ed. Stables, à De Marbaix del. Lemaitre. Lith. de Jobard [c.1830] Waterloo Lithograph, printed area 160 x 205mm (6¼ x 8"). A. de Peellaert del. Roux. Liitth. de de Jobard [c.1830] £110 Lithograph, printed area 1600 x 200mm (6¼ x 8"). The botanical garden of the university of Louvain in Diagonal crease. £45 Belgium, founded in 1738, making it the oldest The tomb of Edward Stabless, in Joli-Bois near botanical garden in the country. Waterloo, of a soldier who diied in the battle of Stock: 43438 Waterloo. Like many British casualties of the battle, he was buried nearby, but whereas other tombstones have since been relocated to the gardens of the Waterloo 309. The Emperor of Russia [Alexander II] Museum, Stables' tomb remains in its original location The Whitehall Review 13th July 1878 (although having been dismantled and restored in thee Judd & Co. Lith. Doctors Commons London meantime). Lithograph with tintstone, sheet 370 x 255mm (14½ x Plate from a series relating to the Napoleonic wars. 10"). Foxing. £65 Stock: 43421 Alexander II (1818-81), Emperor of Russia. Known as 'Alexander the Liberator' for his emancipation of Russia's serfs in 1861, Alexander also carried out many other reforms. He oversaw the sale of Alaska to the United States, fought a brieff war with Turkey in 1877- 8, and incorporated Poland into Russia in response to the uprising of 1863. He was assassinated by revolutionaries in 1881. Stock: 43504

310. The Czarewich [Allexander III] The Whitehall Review 14th September 1878 Judd & Co. Lith. Doctors Commons London Lithograph with tintstone, sheet 370 x 255mm (14½ x 10"). Foxing. £60 Alexander III (1845-94), Emperor of Russia, King of Poland, and Grand Duke of Finland, as a Tsesarivich (heir apparent). Three years after this portrait was puublished, Alexander succeeeded his father Alexander II as emperor, ruling the countrry in a highly conservative way, reversing some of his ffaather's liberal reforms but also avoiding Russian involvement in any major wars. Stock: 43505

311. The Grand Duchess Michaelovna The Whitehall Review 19th October 1878 Judd & Co. Lith. Doctors Commons London 308. [Manuel Jorge Gomes de Sepúlveda] Lithograph printed in sepia, ssheet 370 x 255mm (14½ Sepulveda em Bragança Alçando Amao Disse x 10"). Foxing. £65 Pelo Principe Regente D. Joao. [...] Grand Duchess Anastasia Miikhailovna of Russia Ignacio da Silva Valente pinx. F. Bartolozzi sculp em (1860-1922), daughter of Graand Duke Michael Lisboa em 1812 Nicholaievich of Russia and granddaughter of Tsar Engraving, platemark 270 x 205mm (10½ x 8") very Nicholas I. In 1879 she marrriied Friedrich Franz III of large marginns. £120 Mecklenberg-Schwerin and moved to Germany, Manuel Jorge Gomes de Sepúlveda 1735-1814), although she disliked the country and spent little time Portuguese soldier and governor of Capitania do Rio there after the death of her husband in 1897. Anastasia Grande de São Pedro in Portuguese-governed Brazil. Mikhailovna was embroiled in a scandal when in 1902 Engraving by Francesco Bartolozzi (1725-1815). Born she fathered a child with her personal secretary, and in Florence, Bartolozzi was elected a founding member she spent her last years in Switzerland after moving of the Royal Academy in 1768 (the RA did not admit there during World War I. engravers at this time but made an exception in his Stock: 43506 case). He was already hailed as the best engraver in Italy when he met George III's librarian Richard Dalton 312. Prince Gortchakoff The Whitehall in 1763. Dalton invited Bartolozzi to London with a Review 18th May 1878 promise of an appointment as engraver to the king. In Judd & Co. Lith. Doctors Commons London England he became the most celebrated exponent of Lithograph, sheet 370 x 255mm (14½ x 10"). £50 the 'stipple' technique whereby he produced prints Alexander Mikhailovich Gorrchakov (1798-1883), using dots rather than lines. In 1801 Bartolozzi was Russian statesman. A talenteed scholar and linguist who invited to Lisbon to reform the royal printing press, and attended school with Pushkin, Gorchakov entered the he spent his final years in Portugal. foreign office, becoming amaabassador at Vienna This was one of Bartolozzi's final prints; its rarity can during the Crimean War andd then minister of foreign be deduced from the fact that when Calabi and de affairs. In 1863 he was appoiinted Chancellor of the Vesme included the print in their Bartolozzi catalogue Russian Empire, a post he held during a period which raisonné it was without having actually seen an included the sale of Alaska to the United States, the impression. Calabi and de Vesme 904.i [states Franco-Prussian War of 1870-1 and the Russo-Turkish described incorrectly] Campaign of 1878. Stock: 43525 Stock: 43502 313. General Ignatieff. The Whitehall Review with financial irregularities, oof receiving bribes and 15th June 1878. embezzling money from the government. Following Judd & Co. Lith. Doctors Commons London. the assassination of Alexanddeer II and succession of Lithograph, sheet 370 x 255mm (14½ x 10"). Foxingg. Alexander III (who had littlee respect for his uncle), £50 Nicholas Nicholaevich was deprived of all influence. Count Nikolay Pavlovich Ignatyev (1832-1908), Stock: 43507 Russian statesman and diplomat. Ignatyev's diplomattic career began at the Congress of Paris in 1856, which 317. Russian Empire negotiated the Russo-Ottoman border following the Drawn and Engraved for Thomson's New General Crimean Waar. After short assignments in London and Atlas. [Edinburgh: John Thoommson, c.1815.] central Asia, Ignatyev was sent to China where he Engraved map with original hhand colour. 530 x 630mm obtained for Russia Outer Manchuria in the Treaty of (20¾ x 25½"). Paper pasted aaround printed border at Peking. This success secured him the post of boottom to hide damp stains. £360 amabassador at Constantinople (Istanbul) which he A map of showing the Russian empire, from the parts occupied from 1864-77. His work there culminated in of Poland taken during the Three Partititions to the Russo-Turkish War of 1877-8, after which he fell Kamchatka and the Bering Strait. out of favour with Alexander II and retired from active Stock: 43580 service. Stock: 43503 318. [Margarita Teresa] The Infanta by Velasquez. 314. H.R.I.H. The Duchess of Edinburgh [in Engraved by Luderitz of Berrlin. London Published image lower right] Leaders of Society. The Octo.r 1 1832 by Colnaghi Sen.r & Dominic Colnaghi, Whitehall Review 2.nd December 1876 Printsellers to the Royal Family, Pall Mall. A. Maclure Del.t Mezzotint. 225 x 175mm (9 x 6¾"). Slight glue stain in Lithograph printed in sepia, sheet 370 x 260mm (14½ corners. £65 x 10¼"). Very slight foxing. £65 Margaret Theresa of Spain (1651-73), daughter of Grand Duchess Maria Alexandrovna of Russia (18533- Philip IV. The painting, now in the Louvre, is now 1820). In 1874 Maria Alexandrovna married Prince attributed to the Studio of Velázquez. Ex collection of Alfred, duke of Edinburgh and second son of Queen the Hon. Christopher Lennox-Boyd. Victoria and Prince Albert. After Alfred's death in Stock: 43541 1900 she lived in Coburg, Germany, which Alfred had inherited, but after World War I the duchy of Saxe- Coburg ceased to exist and Maria Alexandrovna's final years were spent living in reduced circumstances in Switzerland. Lithograph from a portfolio of 'Leaders of Society'. Stock: 43500

315. The Empress of Russia [Maria Alexandrovna] The Whitehall Review 11th May 1878. Judd & Co. Lith. Doctors Commons London. Lithograph printed in sepia, sheet 370 x 255mm (14½ x 10"). Foxing. £60 Maria of Hesse and by Rhine (1824-80), German princess who became Empress of Russia and first wife of Alexander II under the name Maria Alexandrovna. 319. [Siege of Khotyn ciitadel, 1788] Vue de la Stock: 43501 Forteresse de Choczim suur la Rive droite du Dniester assiégée en 1788 [...] [parallel text in 316. The Grand Duke Nicholas. The German] Whitehall Review 23rd November 1878. C: Shutz delineavit Chr: a Mechel excudit Basilae Judd & Co. Lith. Doctors Commons London. 1788. Lithograph with tintstone, sheet 370 x 255mm (14½ x Aquatint with hand-colouringg, very scarce & fine; 10"). Foxing. £65 sheet 365 x 480mm (14½ x 19"). Glued to backing Grand Duke Nicholas Nikolaevich of Russia (1831- sheet; glue stains at edges. £520 91), third son of Tsar Nicholas I and brother of The citadel of Khotyn in Bessarabia (modern Ukraine) Alexander II. Trained for the military, as a Field beesieged by the Austro-Russsian forces of Prince Josias Marshal he commanded the Russian army of the of Saxe-Coburg-Saalfeld in 1788 during the Russo- Danube in the Russo-Turkish War of 1777-8, which Turkish war of 1787-92. concluded shortly before this print was made. He didd From 'Tableaux et plans des evénements les plus not distinguissh himself in the war, however, and was mémorables, de la guerre acttuelle des autrichiens et des removed from command following a series of reverses russes contre les turcs' by Chrétien de Méchel (1790). and unsuccessful attacks. Furthermore, he was charged Stock: 43604 320. [Scrap album sheet of photographs and 324. [Scrap album sheet of photographs and sketches made in Yemen, Mauritius, South sketches made in South Africa and Mauritius] Africa and the Seychelles] [Anon., c.1890] [Anon., c.1890] Album sheet, 355 x 245mm ((13¾ x 9½"), with four Album sheett, 355 x 245mm (13¾ x 9½"), with three phhotographs and two sketches attached. £130 photographs and five sketches attached. £180 Album sheet comprising fouurr photographs labelled: Album sheett comprising three photographs labelled: 'Kaffir Kraal Natal'; 'Isandlhana Battle Field' (probably 'Port Louis' (Mauritius); 'The gardens, Pamplemouse, in reference to the Battle of IIsandlwana in 1879 during Mauritius'; 'The tanks Aden' (Yemen); and five the Anglo-Zulu War); 'Umgeni River Durban'; 'Port sketches: 'The Port Bourbon' (Mauritius); 'Seychelles Louis Mauritius'; and two skketches. One is labelled Islands'; 'East London South Africa'; 'From the Crater 'Agricultural Show, Port Elizabeth, March 1890', and Cure Pipe Mauritius'; and 'Tamatave' (Toamasina, another show the various forrmms of transport used by Madagascar). the artist while in South Afriica. Stock: 43208 Stock: 43205

321. The Valley of Porto-Cruz, from the 325. Buffalo Hunting on the W. Prairies. Portella Madeira [1848] Drawn from Nature by J.B. On Stone by W. Gauci Lithograph with hand-colourring and gum arabic, rare, Printed by Engelmann Graf Coindet & Co. [1827] prrinted area 215 x 310mm (8½ x 12¼"). Paper tone; Lithograph, printed area 255 x 305mm (10 x 12") large originally printed on sheet with 'Forcing a passage margins. Scuff marks. £140 through the burning prairie'. £380 Porto da Cruz, in the north-east of Madeira, viewed Plate from 'Sketches in North America and the Oregon from the lookout of Portela and showing the Penha da Territory' by Captain Henry JJames Warre (1848). Águia. Plate from 'Views in the Madeiras executed on Warre (1819-98), aide-de-caammp to the Commander-in- Stone' (1827) by the Rev James Bulwer (1794-1879), Chief of the forces in Britishh North America, made the amateur watercolourist and antiquary. Not in Abbey sketches for the book in 1845-6 while undertaking a Stock: 43168 secret military reconnaissance tour of what is now Oregon and Washington, asssessing the strategic value 322. Funchal. From the Anchorage of the region. The land dispute between America and Drawn on Stone by W. Westall, A.R.A. From a Sketch Britain which occasioned the mission was resolved by by J.B. Printed by Engelmann Graf Coindet & Co. the Treaty of Oregon in 1846. Abbey 656.16 [1827] Stock: 43413 Lithograph, printed area 240 x 305mm (9½ x 12"). £260 A view of the city of Funchal, the largest city and capital of the island of Madeira. Plate from the scarce volume 'Views in the Madeiras executed on Stone' (1827) by the Rev James Bulwer (1794-1879), antiquary and amateur watercolourist (he was taught by John Sell Cootman while at Cambridge). This lithograapph was made by the well-known William Westall (1781- 1850), who unlike many printmakers working from travellers' topographical views, had visited Madeira himself (in 1801 and 1805). Not in Abbey Stock: 43171 326. Camp Meeting of the Methodists in N. 323. [Threee watercolours:] 'Drunken America. Hottentot Woman' [&] 'Drunken Hottentot J. Milbert Del. M. Dubourg Sculp. Pub. as the Act Man' [&] 'My first and only Love, A beautiful Directs March 1. 1819. [by R. Martin.] Hottentot Woman [additional text verso] Coloured aquatint, scarce. Sheet 260 x 405mm (10¼ x 16"). Trimmed to platemark.. Faint damp stain on left [Anon., c.1843 (one dated 16th March 1843 verso). margin. £420 Three watercolours, each approx. 160 x 100mm (6¼ x A contemporary eye-witnesss view of the 'Second Great 4"); in ink verso of My First Love "By a Cameronian Awakening', the Protestant religious revival movement Ship Baltan 16 March 1848". Two glued to backing of the early 19th century, showing a 'camp meeting' sheets. £450 prrobably in Virginia, centre of Methodism in the Three watercolours of people of the Khoikhoi race of United States. At these camps people would come from Southern Africa. Now almost extinct, they formerly the surrounding regions to camp on the grounds of a occupied the region near the Cape of Good Hope. Stock: 43209 church for several days at a ttime. Jacques Gérard Milbert (17666-1840) drew a set of four views of these religious meettings. The others are: 'American Methodists Proceeding to their Camp Meeting'; 'Anabaptist Ceremmony in N. America'; and 'Camp Meeting of the Methodists in N. America' (a Survey' which was determiniing the border after the different view of the same meeting as this print) The Mexican–American War (18846-8). His sketches, Library of Congress has three of the four views, including this one, appeared in William H. Emory's (95504527, 95504484 & 98508274, lacking this one. 'Report on the United States and Mexican boundary Stock: 43294 survey'. They were reproduceed in the 'Illustrated London News' in 1858. Stock: 43342

330. Lipan Warrior. A. Schott del.. Lith. of Sarony & Co. New York. [Washington: Department off the Interior, 1857.] Hand-coloured lithograph. Image 230 x 140mm (9 x 5½"). £95 A Lipan Apache warrior on horseback. The tribe is spread through Texas, New Mexico and Arizona. Arthur Carl Victor Schott (1814-1875), a StS uttgart- boorn artist, topographical engineer and cartographer, joined the 'The United States and Mexican Boundary Survey' which was determiniing the border after the Mexican–American War (18846-8). His sketches, including this one, appeared in William H. Emory's 327. Sleigghing in North America. 'Report on the United States and Mexican boundary H. Alken [ms] London, Pub.d 1844 by J.W. Laird, 1 survey'. They were reproduceed in the 'Illustrated Leadenhall St. London News' in 1858. Aqautint with hand-colouring, rare, platemark 250 x Stock: 43337 325mm (9¾ x 12¾"). Repairs. £480 Sleighing scene by Henry Thomas Alken (1785-1851), 331. Yumas. Figure to the left ''Portrait of one of a famous family of painters and engravers. Leoch''. Beginning in 1813, Henry designed prints for London's A. Schott del.. Lith. of Sarony & Co. New York. leading sporting printsellers, specializing in field sporrts [Washington: Department off the Interior, 1857.] and coaching scenes. While Alken occasionally Hand-coloured lithograph. Image 230 x 140mm (9 x provided illustrations for travel books (including one 5½"). £95 on Rio de Janeiro), this American scene is an oddity in A Quechen warrior and two wwomen, the Colorado his work as a whole. Not in Abbey River behind. The recent Yuumma War of 1850-3 had Stock: 43411 ended the tribe's military power. Arthur Carl Victor Schott (1814-1875), a Stuttgart- 328. Areneños (subtribe of the Papagos). boorn artist, topographical engineer and cartographer, A. Schott del.. Lith. of Sarony & Co. New York. joined the 'The United States and Mexican Boundary [Washington: Department of the Interior, 1857.] Survey' which was determiniing the border after the Hand-coloured lithograph. Image 230 x 140mm (9 x Mexican–American War (18846-8). His sketches, 5½"). £95 including this one, appeared in William H. Emory's Two Hia C-eḍ O'odham ('Sand Dune People), also 'Report on the United States and Mexican boundary known as Areneños or Sand Papagos, after a fishing survey'. They were reproduceed in the 'Illustrated expedition. Today the tribe is based in Arizona. London News' in 1858. Arthur Carl Victor Schott (1814-1875), a Stuttgart- Stock: 43339 born artist, topographical engineer and cartographer, joined the 'The United States and Mexican Boundaryy 332. Noco-Shimatt-Tashh-Tanaki. Grizzly Survey' which was determining the border after the Bear. Seminole Chief. Mexican–American War (1846-8). His sketches, A. Schott del.. Lith. of Sarony & Co. New York. including this one, appeared in William H. Emory's [Washington: Department off the Interior, 1857.] 'Report on the United States and Mexican boundary Hand-coloured lithograph. Image 230 x 140mm (9 x survey'. They were reproduced in the 'Illustrated 5½"). £130 London News' in 1858. A Seminole chief holding a musket. He lived on the Stock: 43338 prrairies west of the Arkansas River. Arthur Carl Victor Schott (1814-1875), a Stuttgart- 329. Co-Co-Pas. boorn artist, topographical engineer and cartographer, A. Schott del.. Lith. of Sarony & Co. New York. joined the 'The United States and Mexican Boundary [Washington: Department of the Interior, 1857.] Survey' which was determiniing the border after the Hand-coloured lithograph. Image 230 x 140mm (9 x Mexican–American War (18846-8). His sketches, 5½"). £95 including this one, appeared in William H. Emory's Three Cocopah, Arizona. 'Report on the United States and Mexican boundary Arthur Carl Victor Schott (1814-1875), a Stuttgart- survey'. They were reproduceed in the 'Illustrated born artist, topographical engineer and cartographer, London News' in 1858. joined the 'The United States and Mexican Boundaryy Stock: 43340 333. Thlinkit and Man from Copper River. A plan of the French fortification of Louisbourg, drawn A. Hoen & Co. Lith. Baltimore. [New York: Julius during the first British capturre of the settlement, during Bien & Co., 1880.] the War of the Austrian Succession. It was handed Chromolithograph. Sheet 260 x 195mm (10¼ x 7¾")). baack in the Treaty of Aix-la--Chapelle of 1748, but was Paper toned. £60 targeted again during the Briitish advance on Quebec, Two tribesmmen from the Alaska/British Columbia during the French and Indian Wars, when this map was region. The plate was published to accompany the puublished. 'Map of Alaska and Adjoining Regions compiled by Richard Gridley (1710-96) was born in Boston, Ivan Petroff, Special Agent, Tenth Census 1880. Massachusetts; although he worked for the British Showing the Distribution of Native Tribes. Army at the two attacks on Louisbourg and at the Fall Stock: 43343 of Quebec, he sided with thee colonists during the American Revolution. As Chief Engineer in the New 334. Papagos. Grizzly Bear. Seminole Chief. England Provincial Army hee fought at Bunker Hill, A. Schott del.. Lith. of Sarony & Co. New York. then became Chief Engineer (artillery) of the [Washington: Department of the Interior, 1857.] Continental Army, after which he retired in 1781 at age Hand-coloured lithograph. Image 230 x 140mm (9 x 70. A monument to Gridley at Canton Corner has an 5½"). £95 inscribed quote by General Washington: ''I know of no Two Tohono O'odham women harvesting cactus fruits, man better fitted to be Chieff Engineer than General Arizona. Gridley''. Arthur Carl Victor Schott (1814-1875), a Stuttgart- Stock: 43735 born artist, topographical engineer and cartographer, joined the 'The United States and Mexican Boundaryy Survey' which was determining the border after the Mexican–American War (1846-8). His sketches, including this one, appeared in William H. Emory's 'Report on the United States and Mexican boundary survey'. They were reproduced in the 'Illustrated London News' in 1858. Stock: 43341

335. Canada and Nova Scotia. Drawn and Engraved for Thomson's New General Atlas. [Edinburgh: John Thomson, c.1815.] Engraved map with original hand colour. 530 x 650mm 338. [American Revoluttion.] A New and (20¾ x 25½"). Paper pasted around printed border at Accurate Map of the North Carolina, with the bottom to hide damp stains. £360 Field of Battle between Earl Cornwallis and A map of the British Colonies in North America east of General Gates. Lake Winnepeg, showing the Great Lakes. Stock: 43573 Jn.o Lodge sculp. London, Puublished as the Act directs, Nov.r 30th 1780, by J. Bew, Pater Noster Row. Engraved map. Sheet 285 x 390mm (11¼ x 15½"). 336. Halifax, Nova Scotia, from the Narrows, Trimmed close to neatline loower right for binding, Dartmouth. folds. £480 J.S. Clow delt. W. Douglas Sculp.t Published by C. A contemporary map of the ttheatre of the Mackenzie & Co. Halifax N.S. [c.1830] Revolutionary War in the Carolinas, published less Steel engraving, rare, sheet 85 x 195mm (3¼ x 7¾"). than four months after Charlees Cornwallis's route of the £160 Continental Army under Horration Gates at the Battle of View of Halifax, Nova Scotia, Canada from Dartmouth Camden. Point, which grew in terms of prosperity throughout Published in the 'Political Magazine', a monthly the Napoleonic Wars and the War of 1812. newspaper. The accompanying text is available at: Stock: 43588 https://babel.hathitrust.org/cgi/pt?id=mdp.390150673 21755;view=1up;seq=479 337. Plan of the City & Fortifications of Stock: 43270 Louisburg, from a Survey Made by Richard Gridley, Lieu.t Col. of the Train of Artillery in 339. [American Revoluttion.] A New and 1745 [on sheet with] A Plan of the City and Accurate Map of the Chiief Parts of South Harbour of Louisburg, with the French Carolina, and Georgia, from the Best Batteries that Defended it, and those of the Authorities. Englosh shewing that part of Gabarus Bay... Jn.o Lodge sculp. London, Puublished as the Act directs, Universal Magazine for J. Hinton in Newgate Street. 30th June 1780, by J. Bew, Pater Noster Row. [n.d., 1758.] Engraved map. Sheet 285 x 390mm (11¼ x 15½"). Engraving. 285 x 365mm (11¼ x 14½"). Trimmed Trimmed close to neatline loower right for binding, lower right for binding, tears, split in folds. £330 folds. £480 A contemporary map of the theatre of the Revolutionary War around Charleston, as Sir Henry Clinton and Charles Cornwallis were besieging the city. Major General Benjamin Lincoln surrendered Charleston and 5,000 troops on 12th of May, less thaan seven weeks before this map was published. Published in the 'Political Magazine', a monthly newspaper. The accompanying text is available at: https://babell.hathitrust.org/cgi/pt?id=mdp.390150673 21755;view=1up;seq=479 Stock: 43272

340. [American Revolution.] An Accurate Map of Rhode Island, Part of Connecticut and 342. [American Revoluttion.] A New and Massachusets, shewing Admiral Arbuthnot's Accurate Map of Virginiia, and Part of Station in Blocking up Admiral Ternay. Jn.o Lodge sculp. London, Published as the Act directs, Maryland and Pennsylvania. Nov.r 30th 1780, by J. Bew, Pater Noster Row. Jn.o Lodge sculp. London, Puublished as the Act directs, Engraved map. Sheet 290 x 400mm (11½ x 15¾") 31st December 1780, by J. Bew, Pater Noster Row. Trimmed close to neatline lower left for binding, folds Engraved map. Sheet 285 x 390mm (11¼ x 15½"). and some creasing. £420 Trimmed close to neatline loower right for binding, A contemporary map of the theatre of the folds. £480 Revolutionary War in the Carolinas, centred on A contemporary map of the ttheatre of the Newport, where Admiral Mariot Arbuthnot was Revolutionary War in Virginia, showing west to the blockading the naval forces of the 'Expédition Alleghany Mountains, the south parts of New Jersey Particulière', the Comte de Rochambeau's French army and Philadelphia. The month this map was published sent to help the Americans. The chevalier de Ternay Benedict Arnold had led a force of 1,600 troops into died during the blockade (two weeks after this map Virginia; less than a week latter Arnold burned was published), but in July the following year the Richmond. French marched south to join Washington's army in the Also marked on the map are events from the French- decisive Yorktown campaign. Indian Wars, including forts Duquesne & Necessity; Published in the 'Political Magazine', a monthly next to Fort Necessity is ''Washington taken here newspaper. The accompanying text is available at: 1754'', a reference to the future president's only https://babell.hathitrust.org/cgi/pt?id=mdp.390150673 military surrender. Published in the 'Political Magazine', a monthly 21755;view=1up;seq=479 Stock: 43271 newspaper. The accompanying text is available at: https://babel.hathitrust.org/cgi/pt?id=mdp.390150673 21755;view=1up;seq=479

341. [American Revolution.] A New and Stock: 43273 Accurate Map of the Province of New York and Part of the Jerseys, New England and 343. Spanish America. Canada, Shewing the Scenes of our Military Drawn and Engraved for Thomson's New General Operations during the present War. Also the Atlas. [Edinburgh: John Thoommson, c.1815.] New Erected State of Vermont. Engraved map with original hhand colour. 530 x 640mm Jn Lodge sculp. London, Published as the Act directs, (20¾ x 25¼"). Paper pasted aaround printed border at Oct.r 31st 1780, by J. Bew, Pater Noster Row. boottom to hide damp stains. £360 Engraved map. Sheet 390 x 290mm (15¼ x 11½"). A map of Mexico in the early 19th century, which Trimmed to neatline lower left for binding, folds. included parts of Texas, Arizona, New Mexico and £480 Louisiana. At the top of the map is an attempt to depict A contemporary map of the theatre of the the Salt Lake of Utah. Revolutionary War in the north east, from the St. Stock: 43571 Lawrence River and Lake Champlain down to Long Island and west to Lake Ontario. Despite the military 344. Panoramic View from the Summit of subject (it marks Ticonderoga, Saratoga and Santa Lucia, (Santiago.).. Bennington) the map also shows the boundary disputes Drawn from Camera Sketches by E.R. Smith. T. between the provinces, particularly between New Sinclair's Lith. [Washington:: A.O.P. Nicholson, 1855.] York, Vermont and New Hampshire. Tinted lithograph with touchhes of original hand colour, Published in the 'Political Magazine', a monthly on three sheets conjoined, tottal 290 x 1750mm (11½ x newspaper. The accompanying text is available at: 69"). Folded as issued. £360 https://babell.hathitrust.org/cgi/pt?id=mdp.390150673 A view of Santiago, capital of Chile, from Santa Lucía 21755;view=1up;seq=479 Hill in the centre of the city. The touches of original Stock: 43269 colour highlight two Chilean flags and a Stars and Stripes, clothing on the stafffaage and one cactus. The plate fails to be a true panorama by about 3cm, the 347. Paracoussi Rex Plattae. Hic tamen width of one end margin. sceptro populos regebat // Quos videt condens It was publisshed in the first volume of 'The U. S. Naval radios subundas [...] Astronomical Expedition to the Southern Hemisphere, [after Claude Vignon] I.I. Haid exc. A.V. [Augsburg, During the Years 1849-'50-'51-'52', titled 'Chile: its c.1760.] geography, climate, earthquakes, government, social Mezzotint, 400 x 270mm. 15¾ x 10½", very large condition, miineral and agricultural resources, margins. £360 commerce, etc.', written by James Melville Gilliss, Paracoussi, the sixteenth century Patagonian king. superintendant of the expedition. From a series of mezzotint poortraits copied from a set Stock: 43262 of small engravings after Claude Vignon published in the early seventeenth century. for another in the series 345. Caraccas and Guiana. seee ref. 10488. Drawn and Engraved for Thomson's New General Stock: 43704 Atlas. [Edinburgh: John Thomson, c.1815.] Engraved map with original hand colour. 530 x 650mm 348. A Map of South Ammerica, Drawn from (20¾ x 25½"). Paper pasted around printed border at the Latest and Best Authorities. bottom to hide damp stains. £260 Jn.o Lodge sculp. London, Puublished as the Act directs, A map of the north coast of South America from 31st December 1780, by J. Bew, Pater Noster Row. Maracaibo in Venezuela south to the Amazon River. Engraved map. Sheet 285 x 285mm (11¼ x 11¼"). Sir Walter Raleigh's 'Lake Parima' is still marked. Trimmed close to neatline loower right for binding, Stock: 43579 folds. £150 A map of South America published during the American War of Independennce and the Fourth Anglo- Dutch War, when Britain was fighting both the French and Dutch for control of colonies in the area. Stock: 43275

349. Silas Deane Esq.r Commissioner from Congress in France. B.B.E. Pub.d May 15th 1783 by R. Wilkinson No. 58 Cornhill London. Stipple and etching pt printed in colour, platemark 140 x 105mm (5½ x 4"). Thread mmargins on 3 sides. £250 Silas Deane (1737-89), revollutionary politician and diplomat in America. Born in Connecticut, Deane graduated from Yale in 1758 and rose rapidly in Connecticut politics. He wass an active member of 346. Pure-Piapa. congress and in 1776-8 was iin France to solicit arms Drawn from the Original Sketch by Charles Bentley. and supplies and seek supporrt for an independent On Stone by P. Gauci. [London: Ackermann and Co., United States, a mission whicch had mixed results. He 1841.] was regarded with suspicion by Benjamin Franklin and Coloured lithograph, very fine colour as usual. Sheet Arthur Lee, and on a return ttrrip to Europe in 1780, by 345 x 450mm (13½ x 17¾"). Trimmed at bottom, which time Deane was disillusioned with the American losing publication line, top edge creased, margins cause, he called for the Amerricans to abandon the soiled. £380 French and reach a reconciliation with Great Britian. A pair of bowmen stalking savanna deer under Puré- From this point on most Americans regarded Deane as Piapa, a fifty-foot natural basalt pillar, from 'Twelve a traitor, and he never returneed to the country, living in views in the interior of Guiana: from drawings Ghent and London before dying on a ship en route to executed by Mr. Charles Bentley, after sketches during Canada in 1789. the expedition carried on in the years 1835 to 1839'. Mixed-media print after Pierrre Eugène Du Simitière The original sketch was by James Morrison, (1737-84), American painterr of Swiss birth. Based in draughtsman on a British Government expedition to Philadelphia from 1770-84, Du Simitière arranged for survey Guiana and fix its eastern and western 14 of his profile portraits to be sent to Paris for boundaries. The expedition has headed by Robert engraving in 1779, although pirated copies and the Hermann Schomburgk, who gave his name to the failure of many sets to return to him made the project 'Schomburgk Line', the border between British Guiana unsuccessful. and Venezuela. Borba de Moraes: ''This album is quite Stock: 43113 rare''. Stock: 43265

350. W.H. Drayton Esq.r Member of Congress. 351. B. Franklin, L.L.D. F.R.S. B.B.E. Pub.d May 15th 1783 by R. Wilkinson No. 58 Pollard sculp [c.1790] Cornhill London. Engraving, rare; sheet 210 x 120mm (8¼ x 4¾"). Stipple and etching pt printed in colour, platemark 140 Offset. £140 x 105mm (5½ x 4"). Thread margins on 3 sides. £280 Benjamin Franklin (1706-1790), one of the Founding William Henry Drayton (1742-79), planter and Fathers of the United States. He was a noted polymath revolutionary leader in America. Born in South and a leading author, printer,, political theorist, Carolina, Drayton was educated in England but then poolitician, postmaster, scienttiist, musician, inventor, returned to America., and in 1776, soon after he was satirist, civic activist, statesman, and diplomat. He was elected to the revolutionary first provincial congress, the only person to sign the Declaration of he began advocating independence from Great Britain. Independence in 1776, the Peace Treaty in 1783 and Drayton was president of the second provincial the United States Constitution in 1787. The study of congress and was one of the most active members of electricity was also a particullar interest and he the second continental congress before unexpectedly puublished 'Experiments and Observations on dying (probably from typhus) in 1779. Electricity' in 1751. Mixed-media print after Pierre Eugène Du Simitière Bust in profile with vignette of military action during (1737-84), American painter of Swiss birth. Based in the War of Independence, prroobably published in a Philadelphia from 1770-84, Du Simitière arranged foor magazine. 14 of his profile portraits to be sent to Paris for Stock: 43327 engraving in 1779, although pirated copies and the failure of many sets to return to him made the project unsuccessful. Stock: 43112

352. The Hon.ble John Hancock. of Boston in Neww--England; President of the American Congress. Done from an oriiginal picture painted by Littleford. London. Published as the Act directs 25 Octo.r 1775 by C.Shepherd. Mezzotint. Plate:: 355 x 255mm, (14 x 10"). Creases. Collector's ink stamp on verso, unrecorded in Lugt. £750 A half-length porrtrait set in an oval of American merchant, statesmen and prominant figure in the American Revolution, John Hancock (1737-1793). As this portrait was published in London during the Revolutionary war it is likely that the names off artist and publisher are both pseudonyms. It has been suggested that the engraver was Purcell. CS: ENA III, 5. S.V. Henkels ((wwriting in 1904) 'Of extreme rarity'. Ex: Collection of The Hon. C. Lennox-Boyd. Stock: 43740

353. His Excellency John Jay President & not recognize American independence). After the Minister Plenipotentiary from Congress at American victory at Yorktown, Benjamin Franklin Madrid. called upon Jay to assist in negotiating the peace treaty. B.B.E. Pub.d May 15th 1783 by R. Wilkinson No. 58 After the publication of this print he went on to become Cornhill London. secretary for foreign affairs and secretary of state under Stipple and etching pt printed in colour, platemark 140 President Washington, and ffiirst chief justice of the US x 105mm (5½ x 4"), very large margins. £320 supreme court. John Jay (1745-1829), revolutionary and politician in Mixed-media print after Pierrre Eugène Du Simitière the United States of America. Born in New York City, (1737-84), American painterr of Swiss birth. Based in of French and Dutch ancestry, Jay served on the first Philadelphia from 1770-84, Du Simitière arranged for and second continental congresses, and wrote most of 14 of his profile portraits to be sent to Paris for the constitution that New York state adopted in 1777. engraving in 1779, although pirated copies and the He was made president of congress in 1778 , making failure of many sets to return to him made the project him nominally American head of state, until he was unsuccessful. elected American minister to Madrid (a difficult role, Stock: 43114 since the Spanish Bourbons, unlike the French, would

354. Charles Lee Esquier. Major Général d'Armee des XIII Provinces unies d'Amerique, Prisonier de Guerre, fait par les Anglois. peint par Thomlinson a Novelle Yorck. Se vend a Londres chez Thom. Hart. [n.d. c.1778.] Mezzotint, very large margins. 220 x 155mm (8¾ x 6"). Paper lightly toned, three small worm holes in frame and background. £790 Portrait of Charles Lee (1731-82), British-born general during the American Revolution. After successes at Charleston in 1776 he was captured by Banastre Tarleton and held as a prisoner of war until he was exchanged in 1778. Returning to the Continent army he led a frontal assault the Battle of Monmouth (1778), but ordered his men to pull back instead of attacking the retreating English. Washington had him court-martialed and dismissed. The artist's name 'Thomlinson' is regarded as a pseudonym for a plagiarist. BM Satires 5404. Ex: collection of the Hon. Christopher Lennox-Boyd. Stock: 43388

355. Southern Provinces of the United States. 356. Northern Provinces of the United States. Drawn and Engraved for Thomson's New General Drawn and Engraved for Thomson's New General Atlas. [Edinburgh: John Thomson, c.1815.] Atlas. [Edinburgh: John Thoommson, c.1815.] Engraved map with original hand colour. 530 x 620mm Engraved map with original hhand colour. 530 x 620mm (20¾ x 24½"). Paper pasted around printed border at (20¾ x 24½"). Paper pasted aaround printed border at bottom to hide damp stains. £380 boottom to hide damp stains. £360 A map of United States south of Pennsylvania and east A map of United States north east of Pennsylvania, of the Mississippi, with an inset 'Characteristic Scenery with a vignette illustration off Niagara Falls. of the Hudson River'. Stock: 43575 Stock: 43572 357. H94 WWashington's House at Mount of India,' 1826-30. Grindlay,, founder of the ANZ Vernon. [ms] Grindlays Bank, came to India in 1803, aged only 17, E Morin Del H Linton [c.1850] and worked with the East India Company, serving with Wood engraving, printed area 120 x 160mm (4¾ x the Seventh Bombay Native Infantry from 1804-1820. 6¼"), large margins. £130 Abbbey Travel 442. Mount Vernon, near Alexandria, Virginia, the Stock: 41316 plantation house of George Washington (1732-99), first President of the United States. After Washington's death, the mansion and its grounds passed through Washington's descendants, falling into disrepair due to the dwindling funds of the family. After the federal government declined to purchase it, the Mount Vernon Ladies' Association purchased the mansion and a portion of its land in 1858-9. It is now open to the public as a museum. wood engraving after Edmond Morin (1824-82), French artist. The print was made by Henry Duff Linton, with whom Morin established a journal, 'Pen and Pencil', in London. Stock: 43677

358. A Chart of the Island of Jamaica, with its Bays, Harbours, Rocks, Soundings &c. 361. North West View of the Fort of Bombay. Jn.o Lodge sculp. London, Published as the Act directs, Drawn by William Westall, A.R.A. Engraced by R.G. 31st August 1780, by J. Bew, Pater Noster Row. Reeve. [R. Ackermann.] [n.d., c.1826.] Engraved map. Sheet 285 x 390mm (11¼ x 15½"), Aquatint printed in colours and hand-finished. Plate: with 4pp. letterpress description of Jamaica. Trimmed 300 x 370mm (11¾ x 14½").. Trimmed to plate on top close to neatline lower right for binding, folds. £175 and bottom edges. £360 A map of Jamaica published during the American War The defences of Bombay faccing the sea. The fort was of Independence, which the French used as an excuse started by the Portuguse and improved by the British; to attack British colonies in the West Indies. Althouggh Grindlay considered them too extensive, needing too the text here relates to the economy of the island, a large a garrison. note states that the March issue of the 'Political From Robert Grindlay's (1786-1877) 'Scenery, Magazine' had a description of the defences. costumes and architecture, chiefly on the western side Stock: 43274 of India,' 1826-30. Grindlay,, founder of the ANZ Grindlays Bank, came to India in 1803, aged only 17, 359. Sketch of the Typa and Macao. and worked with the East India Company, serving with W.H. [engraved by William Harrison after William the Seventh Bombay Native Infantry from 1804-1820. Bligh.] [n.d., watermarked 1801.] William Westall (1781-18500) had travelled to Australia Engraved map with later colour. 275 x 220mm (10¾ x as artist for the Flinders expedition. Westall found the 8¾"). Trimmed to plate at sides, binding notches on Australian landscape boring,, and so, when the right. £160 expedition broke up after the lead ship, the A chart of thhe approaches to Macao, drawn by William 'Investigator', was condemned, Westall travelled to Bligh when he was Master of HMS Resolution, Cook's India. This was without the permission of his ship on his Third Voyage. The famous 'Mutiny on the employers, the Admiralty, who sacked him, although Bounty' was nearly 20 years later in Bligh's career. they still paid him to compleette nine full oil paintings of The chart was published in the Official Account, his sketches of Australia. Abbbey Travel 442. 'Voyage to the Pacific Ocean', first published in 1785. Stock: 41320 The watermarked 1801 is a sign of the enduring interest in Cook's discoveries. Bligh's original chart is 362. Scene in Bombay. [after Captain Robert now lost. Grindlay.] Stock: 43335 Engraved by R.G. Reeve. London Pub.d by R. Ackermann, & W. Sams, S.t James Street's Street, 360. Scene in Bombay. From a Drawing by 1826. Capt.n Grindlay. Aquatint, printed in blue & brown and handn -finished. Eng.d by R.G. Reeve. Col.d by J.B. Hogarth. London, Sheet: 295 x 350mm (11½ x 13¾"). £360 Pub.d by R. Ackermann, Strand, 1826 An open area, with workmen measuring and moving Aquatint printed in colours and hand-finished. Sheet: stonework on a building site on the left. 290 x 350mm (11½ x 13¾"). Trimmed within plate. From Robert Grindlay's (1786-1877) 'Scenery, £360 costumes and architecture, chiefly on the western side A square with native porters and palanquins. of India,' 1826-30. Grindlay,, founder of the ANZ From Robert Grindlay's (1786-1877) 'Scenery, Grindlays Bank, came to India in 1803, worked with costumes and architecture, chiefly on the western side the East India Company and served with the Seventh Bombay Nattive Infantry from 1804-1820. Abbey Aquatint from 'Views of Calccutta and its Environs' Travel 442. (1824-6) by James Baillie Frraser. Fraser (1783-1856), Stock: 41319 a traveller and artist, journeyed widely and published several illustrated books of his travels in Asia. Fraser 363. Approach of the Monsoon, Bombay made the drawings for 'Views of Calcutta' between Harbour. From a Drawing by William 1816 and 1820 while living tthere in the shipping Westall. A.R.A buusiness. Abbey 494.9 Eng.d by T. Fielding. Col.d by J.B. Hogarth. Londonn, Stock: 43172 Pub.d. by R. Ackermann, Strand 1826. Aquatint printed in colours and hand-finished. Sheet: 305 x 390mm (12 x 15¼"). Trimmed within plate on lower edge. £360 Dark clouds filling the sky across Bombay Harbour. From Robert Grindlay's (1786-1877) 'Scenery, costumes and architecture, chiefly on the western side of India,' 1826-30. Grindlay, founder of the ANZ Grindlays Bank, came to India in 1803, aged only 17, and worked with the East India Company, serving wiith the Seventh Bombay Native Infantry from 1804-1820. William Westall (1781-1850) had travelled to Austraalia as artist for the Flinders expedition. Westall found the Australian landscape boring, and so, when the expedition broke up after the lead ship, the 'Investigator', was condemned, Westall travelled to India. This was without the permission of his 366. [Calcutta] A View of Tank Square. from employers, the Admiralty, who sacked him, although the West they still paid him to complete nine full oil paintings of DrD awn by James B. Fraser. Engraved by Rob.t Havell his sketches of Australia. Abbey Travel 442. Jun.r 79 Newman Str. Oxford Str. Published by Smith, Stock: 41314 Elder & Co. 65 Cornhill London Aquatint with hand-colouringg, fine, sheet 380 x 364. [Calcutta] A View of Esplanade Row, 525mm (15 x 20½"). Small margins. £450 from the Chouringhee Road. Tank Square (since known as Dalhousie Square and Drawn by James B. Fraser. Engraved by Rob.t Havell currently Benoy-Badal-Dinessh Bagh) in Calcutta Jun.r 79 Newman Str. Oxford Str. Published by Smith, (Kolkata), India. It was creatted as the centre of the Elder & Co. 65 Cornhill London British East India Company's trading post along the Aquatint with hand-colouring, fine, sheet 380 x Hooghly River. The imposing Writers' Buildings 525mm (15 x 20½"). Small margins. £420 constructed by the British East India Company can be Esplanade Row in Calcutta (Kolkata), India, which see in the centre of the image, stretching along the marked the southernmost part of the city. It was home north side of the square. to many impressive public building including the Town Aquatint from 'Views of Calccutta and its Environs' Hall and Government House. (1824-6) by James Baillie Frraser. Fraser (1783-1856), Aquatint from 'Views of Calcutta and its Environs' a traveller and artist, journeyed widely and published (1824-6) by James Baillie Fraser. Fraser (1783-1856), several illustrated books of his travels in Asia. Fraser a traveller and artist, journeyed widely and published made the drawings for 'Views of Calcutta' between several illustrated books of his travels in Asia. Fraser 1816 and 1820 while living tthere in the shipping made the drawings for 'Views of Calcutta' between buusiness. Abbey 494.8 Stock: 43173 1816 and 1820 while living there in the shipping business. Abbey 494.2 Stock: 43174 367. The Rajah of Cutch with his Vassalls. Drawn by Capt.n Grindlay. Colored by J.B. Hogarth. 365. [Calcutta] A View of Government Engraved by R.G. Reeve. London, Pub'd by R. House, from the Eastward. Ackermann, Strand, 1826. Aquatint printed in colours and hand-finished. Sheet: Drawn by James B. Fraser. Engraved by Rob.t Havell 275 x 340mm (10¾ x 13½").. Light foxing and trimmed Jun.r 79 Newman Str. Oxford Str. Published by Smith, within plate. £280 Elder & Co. 65 Cornhill London Grindlay wrote comparing these 'picturesque' warriors Aquatint with hand-colouring, fine; sheet 380 x with those of the Scottish clans 'so vividly depicted by 525mm (15 x 20½"). Small margins. £450 Sir Walter Scott'. This view shows some of native The Government House in Calcutta (Kolkata), India, weaponry, including spears, swords and shields, and built in 1803 for the Governor of India (under the East chainmail armour. India Company). After 1858 it became official From Robert Grindlay's (1786-1877) 'Scenery, residence of the Viceroy of India and is now, as the Raj costumes and architecture, chiefly on the western side Bhavan, official residence of the Governor of West of India,' 1826-30. Grindlay,, founder of the ANZ Bengal. Grindlays Bank, came to India in 1803, aged only 17, and worked with the East India Company, serving with communication between the coast and the Deccan, in the Seventh Bombay Native Infantry from 1804-1820. the north of Maharashtra. Abbey Travel 442. From Robert Grindlay's (1786-1877) 'Scenery, Stock: 41312 costumes and architecture, chiefly on the western side of India,' 1826-30. Grindlay,, founder of the ANZ 368. Scene in Kattiawar. Travellers and Grindlays Bank, came to India in 1803, aged only 17, Escort. from a sketch by Capt. Grindlay. and worked with the East India Company, serving with Drawn by C. Stanfield. Eng.d by C.Bentley. London:: the Seventh Bombay Native Infantry from 1804-1820. Smith, Elder & Co., 1830. William Westall (1781-18500) had travelled to Australia Aquatint printed in colours and hand-finished. Sheet: as artist for the Flinders expedition. Westall found the 295 x 370mm (11½ x 14½"). Trimmed within plate and Australian landscape boring,, and so, when the light foxing around edges. £260 expedition broke up after the lead ship, the Kathiawar in Gujarat, between the Gulfs of Kachch 'Investigator', was condemned, Westall travelled to and Khambaat. Grindlay wrote of this scene: 'The India. This was without the permission of his progress of their caravans when in motion, and their employers, the Admiralty, who sacked him, although motley appearance when bivouacked for the night's they still paid him to compleette nine full oil paintings of halt are strikingly picturesque ... the varied figures of his sketches of Australia. Abbbey Travel 442. the mercantile travellers and their wild military escort, Stock: 41318 offer some of the richest subjects for the pencil that can be imagined'. From Robert Grindlay's (1786-1877) 'Scenery, costumes and architecture, chiefly on the western side of India,' 1826-30. Grindlay, founder of the ANZ Grindlays Bank, came to India in 1803, aged only 17, and worked with the East India Company, serving with the Seventh Bombay Native Infantry from 1804-1820. Abbey Travel 442. Stock: 41315

369. The Grand Master or Adventures of Qui Hi? in Hindostan. A Hudibrastic Poem in Eight Cantos by Quiz. Illustrated with Engravings by Rowlandson. London. Printed by Thomas Tegg, No 111, Cheapsidde. 1816. [but watermarks on plates 1825.] 371. View from the top of the Bore Ghaut. 8vo, contemporary full patterned calf gilt, top edge giilt, Drawn on the Spot in 18003 by William West, other edges uncut, marbled endpapers; pp. viii+252, A.R.A. errata slip; folding frontis., engraved title & 26 aquatiint Engraved by T. Fielding. Colored by J.B. Hogarth. plates, all buut one in original colour, as called for (buut Published by R. Ackermann,, Strand & W.m Sams, St transposed from Abbey's order). A fine binding. £950 James's Street, 1826. A stinging satire of British imperial rule in India, Aquatint printed in colours and hand-finished. Plate: especially Francis Edward Rawdon-Hastings (1754- 300 x 380mm (11¾ x 15"). Trimmed to plate on 1826), 1st Marquess of Hastings, known as The Earl of boottom edge. £240 Moira. Attributed to William Combe (1742-1823), it The Bhor (or Bhore) Ghat, the main pass over the tells the story of the experiences of a young man Western Ghats and the primary means of attempting to make his fortune in British India, who communication between the coast and the Deccan, in ends up a victim of the diseases of the East. 'Qui Hi?'', the north of Maharashtra. Bengalese for 'Who's there' was how the British gentry From Robert Grindlay's (1786-1877) 'Scenery, called their Indian servants. Abbey 437. See cover costumes and architecture, chiefly on the western side illustration. of India,' 1826-30. Grindlay,, founder of the ANZ Stock: 43570 Grindlays Bank, came to India in 1803, aged only 17, and worked with the East India Company, serving with 370. Approach to the Bore Ghaut. Drawn by the Seventh Bombay Native Infantry from 1804-1820. W.m West, A.R.A. from a Painting by L.t Col.l William Westall (1781-18500) had travelled to Australia Johnson, C.B. as artist for the Flinders expedition. Westall found the Engraved byy T. Fielding. Colored by J.B. Hogarth. Australian landscape boring,, and so, when the Published by R. Ackermann, Strand, & W.m Sams, St expedition broke up after the lead ship, the James's Street, 1826. 'Investigator', was condemned, Westall travelled to Aquatint printed in colours and hand-finished. Sheet: India. This was without the permission of his 300 x 370mm (11¾ x 14½"). Trimmed within plate. employers, the Admiralty, who sacked him, although £240 they still paid him to compleette nine full oil paintings of The Bhor (or Bhore) Ghat, the main pass over the his sketches of Australia. Abbbey Travel 442. Western Ghats and the primary means of Stock: 41317 372. Singapore. Suleyman I ('the Magnificenntt'), Ottoman Sultan. C. Graham del. A.H. Payne sculps. [London: Brain & From a series of mezzotint poortraits copied from a set Payne, 12 Paternoster Row, c.1860.] of small engravings after Claude Vignon published in Steel engraving, sheet 200 x 260mm (7¾ x 9½"). Cut the early seventeenth century. for another in the series to platemark. £85 seee ref. 10488. A view looking past the town of Singapore to the Stock: 43705 swarm of ships at anchor in the straits. Stock: 43678 375. A View of Botany BBay. R. Clevely delin.t. T. Medland sculp.t. Published June 373. Britissh Possessions in the Indian Seas. 17, 1789 by J. Stockdale. British Settlements in the Malay Peninsula and Engraving. 205 x 260mm (8 x 40¼"). Small margins. Coast of Borneo. Compiled from the Admiralty £220 and various other Surveys by J. Bartholomew A view of the First Fleet arriivving in Botany Bay, 1788, after Robert Cleveley (1747--1809) Jun.r. Island of Ceylon. By G.H. Swanston Stock: 43402 Edin.r. A. Fullarton & Co. London, Edinburgh & Dublin. 376. Illawarra, a Salt Lagoon. [n.d., c.1865,,] On Stone by W.L. Walton. From a Sketch by Coll. Tinted lithographic map. Sheet 470 x 315mm (18½ x Mundy. Printed by Hullmandel & Walton. London: 12¼"). Narrow margins as usual, nick in top right Richard Bentley, New Burlington Street, 1852. corner. £230 Tinted lithograph, sheet 140 x 220mm (5½ x 8½"). Seven maps on one sheet, surrounded by vignettes, Publication line missing. £110 published in 'The Royal Illustrated Atlas, Of Modern Illawarra, New South Wales,, Australia. Geography'. The largest map is Sri Lanka, with smaller Plate from 'Our Antipodes' (11852) by Lieutenant- maps of Malacca, Island of Singapore, Town & Colonel Godfrey Charles Mundy (1804-60), soldier Harbour of Singapore, Positions of the British and author. Following servicce in India, Mundy arrived Settlements in the Malay Peninsula, Penang and Island in Australia in 1846 as deputty adjudant general of of Labouan. The vignettes include Malay and Singalese military forces in Australia, staying there until 1851. dress, birds, boar and elephant hunting and a view of Abbbey 562.9 [Abbey gives artist line as 'FrF om a Sketch Colombo. Stock: 43336 by Mrs. G.C. Mundy] Stock: 43382

377. Summerhill Creek Near Langs Point. On Stone by W.L. Walton. From a Sketch by Coll. Mundy. Printed by Hullmandel & Walton. London: Richard Bentley, New Burlington Street, 1852. Tinted lithograph, image 110 x 180mm. 4¼ x 7". £95 Summer Hill Creek, Ophir, New South Wales, Australia. Plate from 'Our Antipodes' ((1852) by Lieutenant- Colonel Godfrey Charles Mundy (1804-60), soldier and author. Following servicce in India, Mundy arrived in Australia in 1846 as deputty adjudant general of military forces in Australia, staying there until 1851. Abbbey 562.14. Stock: 43380

378. Lower Wallabi Roocks. On Stone by W.L. Walton. From a Sketch by Coll. Mundy. Hullmandel & Walton, Printers London: Richard Bentley, New Burlington Street, 1852. Tinted lithograph, sheet 140 x 220mm (5½ x 8½"). £95 The dramatic rock formations at Wallabi point, New South Wales, Australia. Plate from 'Our Antipodes' (11852) by Lieutenant- 374. [Suleyman I] Solimannus Turcarum Colonel Godfrey Charles Mundy (1804-60), soldier Imperator. Parat ultima terra triumphos / and author. Following servicce in India, Mundy arrived Tigris et Euphrates Sub tua jura fluunt, Prop. in Australia in 1846 as deputty adjudant general of l.3. military forces in Australia, staying there until 1851. [after Claude Vignon] I.I. Haid exc. A.V. [Augsburg, Abbbey 562.15 Stock: 43383 c.1760.] Mezzotint, 400 x 270mm. 15¾ x 10½", very large margins. £460 379. [Woman from Tasmania] Femme du Cap de Diemen. Atlas du Voyage à la recherche de la Pérouse, No 6 Piron del Copia sculp. Dien scripsit. [Paris: H.J.Jansen, 1800.] Engraving, sheet 450 x 315mm (17¾ x 12½"). Creasing on lleft. £260 Plate from 'Relation du voyage à la recherche de La Pérouse', compiled by Jacques Julien Houtou de Labillardière. Labillardière was the botanist on board an expedition led by Chevalier Bruni d'Entrecasteaux which in 1791-3 attempted to find Jean-Francois de Galaup, comte de La Pérouse, who disapppeared in 1788 after setting sail from Botany Bay (Australia). Despite finding no trace of La Pérouse, losing its commander and many crew to scurvy, and finally splitting between Image taken inside the Te Rauru meeting house, royalist and republican factions, the expedition was Whakarewarewa, New Zealand. judged a success because of the important observationns One of a set of thirteen imagges by Thomas Pringle made by the expedition's scientists (and sketches by the (1858-1931) of Maori people. Other copies of the expedition's aartist Jean Piron) which were published in image can be found in the Brritish Museum and US this book. National Anthropological Arrchives (who list this image Stock: 43175 as being created by "New Zealand Gov't Tourist & Publicity Dept"). 380. Eagle Hawk Neck. Stock: 43201 On Stone by W.L. Walton. From a Sketch by Coll. Mundy. Printed by Hullmandel & Walton. London: 383. Te Hongi (Rubbing Noses). Richard Bentley, New Burlington Street, 1852. [Thomas Pringle, c.1905] Tinted lithograph, sheet 140 x 220mm (5½ x 8½"). Permanent Carbonette photoo, sheet 185 x 235mm (7¼ £130 x 9¼"). Mounted on backing sheet. £85 Eagle Hawk Neck, the narrow isthmus connecting the Portrait of two Maori women holding hands and Tasman Peninsula and Forestier Peninsula in south-eaast prressing noses (hongi); with albatross feathers in hair, Tasmania. wearing korowai (tag cloaks)); one with brooch in hair; Plate from 'Our Antipodes' (1852) by Lieutenant- in front of a marae (meeting house). The way the two Colonel Godfrey Charles Mundy (1804-60), soldier women in the photo are greetting one another is called and author. Following service in India, Mundy arriveed Te Hongi or rubbing noses. in Australia in 1846 as deputy adjudant general of One of a set of thirteen imagges by Thomas Pringle military forces in Australia, staying there until 1851. (1858-1931) of Maori people. Other copies of the Abbey 562.11. image can be found in the Brritish Museum and US Stock: 43381 National Anthropological Arrchives (who list this image as being created by "New Zealand Gov't Tourist & 381. "Mairie" The Arawa Beauty. Publicity Dept"). [Thomas Pringle, c.1905] Stock: 43202 Permanent Carbonette photo, sheet 185 x 235mm (7¼ x 9¼"). Mounted on backing sheet; tear to top edge. 384. Onehe Ra! (Deparrtted Days.) £85 [Thomas Pringle, c.1905] Image taken inside the Te Rauru meeting house, Permanent Carbonette photoo, sheet 185 x 235mm (7¼ Whakarewarewa, New Zealand. x 9¼"). Mounted on backing sheet. £85 One of a set of thirteen images by Thomas Pringle Portrait of seated Maori woman, with facial moko (1858-1931) of Maori people. Other copies of the (tattoo); wearing western-style dress, blanket and image can be found in the British Museum and US korowai (tag cloak); in front of a house. National Anthropological Archives (who list this image One of a set of thirteen imagges by Thomas Pringle as being created by "New Zealand Gov't Tourist & (1858-1931) of Maori people. Other copies of the Publicity Dept"). image can be found in the Brritish Museum and US Stock: 43192 National Anthropological Arrchives (who list this image as being created by "New Zealand Gov't Tourist & 382. A Pretty Maori Publicity Dept"). [Thomas Pringle, c.1905] Stock: 43203 Permanent Carbonette photo, sheet 185 x 235mm (7¼ x 9¼"). Mounted on backing sheet. £85 385. Maori Woman weaving Taniko Portrait of Mairie (see ref. 43192) wearing kahu kiwii [Thomas Pringle, c.1905] (kiwi feather cloak); hei tiki (neck pendant); with Permanent Carbonette photoo, sheet 185 x 235mm (7¼ albatross feather in hair. Backdrop of tukutuku panels x 9¼"). Mounted on backing sheet; nicks to edges. (of woven reeeds) and poupou (carved house panels). £85 In the negative for this image there is a man in Western Maori woman wearing a koroowai (tag cloak); leaning style clothing seated in the doorway of the house, this on a poupou (carved house panel); holding two poi has been blacked out in this image (British Museum (balls on woven cords); backdrop of tukutuku panels cataloguing). (of woven reeds); and poupoou (carved house panels). One of a set of thirteen images by Thomas Pringle Image taken inside the Te Rauru meeting house, (1858-1931) of Maori people. Other copies of the Whakarewarewa, New Zealand. image can be found in the British Museum and US One of a set of thirteen imagges by Thomas Pringle National Anthropological Archives (who list this image (1858-1931) of Maori people. Other copies of the as being created by "New Zealand Gov't Tourist & image can be found in the Brritish Museum and US Publicity Dept"). National Anthropological Arrchives (who list this image Stock: 43193 as being created by "New Zealand Gov't Tourist & Publicity Dept"). Stock: 43195

388. Maori Girls, Whakarewarewa. [Thomas Pringle, c.1905] Permanent Carbonette photoo, sheet 185 x 235mm (7¼ x 9¼"). Mounted on backing sheet; nicks to edges. £85 Portrait of two Maori women, one standing wearing a korowai (tag cloak), holding a hoe (canoe paddle), with shell inlay. The other girl is Mairie (see ref. 43192) seated wearing western-style blouse and blanket; baackdrop of tukutuku panels (of woven reeds); and pooupou (carved house panels); with shell inlay. Image taken inside the Te Rauru meeting house, Whakarewarewa, New Zealand. One of a set of thirteen imagges by Thomas Pringle (1858-1931) of Maori people. Other copies of the image can be found in the Brritish Museum and US National Anthropological Arrchives (who list this image as being created by "New Zealand Gov't Tourist & Publicity Dept"). Stock: 43196

389. Maori woman twisting flax. [Thomas Pringle, c.1905] 386. A Whakarewarewa Beauty. Permanent Carbonette photoo, sheet 185 x 235mm (7¼ [Thomas Pringle, c.1905] x 9¼"). Mounted on backing sheet. £85 Permanent Carbonette photo, sheet 235 x 185mm (9¼ Portrait of seated Maori woman, with facial moko x 7¼"). Mounted on backing sheet; nicks to edges. (tattoo); wearing western-style dress, with pipe, huia £85 feather in hair; with sleeping child, wearing western- Maori woman with huia feather in hair, wearing a kahu style dress, huia feather in hair; woman and child kiwi (kiwi feather cloak); with white feather border, seated on large whariki (fibre mat); in front of a marae hei tiki (neck pendant); holding a patu or mere (shortt (meeting house) with carving visible on whakawae club); with canoe prow behind. Backdrop of tukutuku (doorjamb). panels (of woven reeds); poupou (carved house One of a set of thirteen imagges by Thomas Pringle panels); and rafters decorated with kowhaiwhai (1858-1931) of Maori people. Other copies of the patterns. Image taken inside the Te Rauru meeting image can be found in the Brritish Museum and US house, Whakarewarewa, New Zealand. National Anthropological Arrchives (who list this image One of a set of thirteen images by Thomas Pringle as being created by "New Zealand Gov't Tourist & (1858-1931) of Maori people. Other copies of the Publicity Dept"). image can be found in the British Museum and US Stock: 43197 National Anthropological Archives (who list this image as being created by "New Zealand Gov't Tourist & 390. Kapai Te Torori. Publicity Dept"). [Thomas Pringle, c.1905] Stock: 43194 Permanent Carbonette photoo, sheet 185 x 235mm (7¼ x 9¼"). Mounted on backing sheet. £85 387. "Poi" dancer, Whakarewarewa. Portrait taken in Whakarewaarrewa, New Zealand, of [Thomas Pringle, c.1905] Maori woman with facial moko (tattoo), seated in front Permanent Carbonette photo, sheet 185 x 235mm (7¼ of house, holding pipe, weariing western-style dress and x 9¼"). Mounted on backing sheet; nicks to edges. bllanket. The phrase Kapai Te Torori means puffing up £85 a storm. Torori is also the word for Maori tobacco. One of a set of thirteen images by Thomas Pringle (1858-1931) of Maori people. Other copies of the image can be found in the British Museumu and US National Anthropological Archives (who list this image as being created by "New Zealand Gov't Tourist & Publicity Dept"). Stock: 43198

391. Maori women. [Thomas Pringle, c.1905] Permanent Carbonette photo, sheet 235 x 185mm (9¼ x 7¼"). Mounted on backing sheet. £85 Portrait of two Maori women; one seated, with facial moko (tattoo); wearing a korowai (tag cloak); with huia royalist and republican factions, the expedition was feather in hair; one standing wearing a piupiu (skirt); judged a success because of tthe important observations around her shoulders and waist, holding a hoe (canoe made by the expedition's scientists (and sketches by the paddle); with taiaha (ceremonial and fighting staff); expedition's artist Jean Piron) which were published in with hair attachment in background; backdrop of this book. For a British-publlished copy of this image tukutuku panels (of woven reeds); and poupou (carved seee ref. 20740. house panels). Image taken inside the Te Rauru Stock: 43179 meeting house, Whakarewarewa, New Zealand. One of a set of thirteen images by Thomas Pringle 394. (1858-1931) of Maori people. Other copies of the [Man and woman ffrom New Caledonia] image can be found in the British Museum and US Femme de l'Ile Beaupré Homme de l'Ile National Anthropological Archives (who list this image Beaupré. Atlas du Voyage à la recherche de la as being created by "New Zealand Gov't Tourist & Pérouse, No 34 Publicity Dept"). Piron del Copia sculp. Dien scripsit. [Paris: H.J.Jansen, Stock: 43199 1800.] Engraving, sheet 450 x 315mm (17¾ x 12½"). 392. A Tribal Belle Creasing on left. £160 [Thomas Pringle, c.1905] Man and woman from the islland of Beautemps- Permanent Carbonette photo, sheet 185 x 235mm (7¼ Beaupré, part of the French overseas territory of New x 9¼"). Mounted on backing sheet. £85 Caledonia in the Pacific Oceeaan. Portrait of Maori girl, seated, wearing a korowai (tag Plate from 'Relation du voyaage à la recherche de La cloak); holdinng a hoe (canoe paddle); backdrop of Pérouse', compiled by Jacques Julien Houtou de tukutuku panels (of woven reeds); and poupou (carved Labillardière. Labillardière was the botanist on board house panels). Image taken inside the Te Rauru an expedition led by Chevaliier Bruni d'Entrecasteaux meeting house, Whakarewarewa, New Zealand. which in 1791-3 attempted to find Jean-Francois de One of a set of thirteen images by Thomas Pringle Galaup, comte de La Pérouse, who disappeared in 1788 (1858-1931) of Maori people. Other copies of the after setting sail from Botany Bay (Australia). Despite image can be found in the British Museum and US finding no trace of La Pérouse, losing its commander National Anthropological Archives (who list this image and many crew to scurvy, and finally splitting between as being created by "New Zealand Gov't Tourist & royalist and republican factions, the expedition was Publicity Dept"). judged a success because of tthe important observations Stock: 43200 made by the expedition's scientists (and sketches by the expedition's artist Jean Piron) which were published in 393. [Dance on Tonga in the presence of this book. Beautemps-Beaupré was in fact named after queen Tineh] Dans des Iles des Amis, en the hydropgrapher and explorer Charles-François Beautemps-Beaupré (1766-1854), who was also part of présence de la reine Tiné. Atlas du Voyage à la the expedition. recherche de la Pérouse, No 27. Stock: 43176 Piron del Copia sculp. Dien scripsit. [Paris: H.J.Jansen, 1800.] 395. [Woman from New Caledonia] Femme Engraving, sheet 315 x 450 (12½ x 17¾"). Very slight crease. Small margins. £280 de la Nouvelle Calédonie. Atlas du Voyage à la Plate from 'Relation du voyage à la recherche de La recherche de la Pérouse, No 36 Pérouse', compiled by Jacques Julien Houtou de Piron del Copia sculp. Dien scripsit. [Paris: H.J.Jansen, Labillardière. Labillardière was the botanist on board 1800.] an expedition led by Chevalier Bruni d'Entrecasteaux Engraving, sheet 450 x 315mm (17¾ x 12½"). £160 which in 1791-3 attempted to find Jean-Francois de Plate from 'Relation du voyaage à la recherche de La Galaup, comte de La Pérouse, who disapppeared in 1788 Pérouse', compiled by Jacques Julien Houtou de after setting sail from Botany Bay (Australia). Despite Labillardière. Labillardière was the botanist on board finding no trace of La Pérouse, losing its commander an expedition led by Chevaliier Bruni d'Entrecasteaux and many crew to scurvy, and finally splitting between which in 1791-3 attempted to find Jean-Francois de Galaup, comte de La Pérouse, who disappeared in 1788 after setting sail from Botany Bay (Australia). Despite expedition's artist Jean Piron) which were published in finding no trace of La Pérouse, losing its commander this book. For a British-publlished copy of this image and many crew to scurvy, and finally splitting between seee ref. 32222. royalist and republican factions, the expedition was Stock: 43177 judged a success because of the important observationns made by the expedition's scientists (and sketches by the 397. [Man frf om the Admmiralty Islands, Papua expedition's aartist Jean Piron) which were published in New Guinea] Sauvage des Iles de l'Amirauté. this book. Atlas du Voyage à la rechherche de la Pérouse, Stock: 43178 No 3. Piron del Copia sculp. Dien scripsit. [Paris: H.J.Jansen, 396. [A Savage of New Caledonia Throwing a 1800.] Dart] Sauvage de la Nouvelle Calédonie Engraving, sheet 450 x 315mm (17¾ x 12½"). Thread Lançant une Zagaie. Atlas du Voyage à la margins. £220 recherche de la Pérouse, No 35 Plate from 'Relation du voyaage à la recherche de La Piron del Copia sculp. Dien scripsit. [Paris: H.J.Jansen, Pérouse', compiled by Jacques Julien Houtou de 1800.] Labillardière. Labillardière was the botanist on board Engraving, sheet 450 x 315mm (17¾ x 12½"). Crease an expedition led by Chevaliier Bruni d'Entrecasteaux through centre. £160 which in 1791-3 attempted to find Jean-Francois de Plate from 'Relation du voyage à la recherche de La Galaup, comte de La Pérouse, who disappeared in 1788 Pérouse', compiled by Jacques Julien Houtou de after setting sail from Botany Bay (Australia). Despite Labillardière. Labillardière was the botanist on board finding no trace of La Pérouse, losing its commander an expedition led by Chevalier Bruni d'Entrecasteaux and many crew to scurvy, and finally splitting between which in 1791-3 attempted to find Jean-Francois de royalist and republican factions, the expedition was Galaup, comte de La Pérouse, who disapppeared in 1788 judged a success because of tthe important observations after setting sail from Botany Bay (Australia). Despite made by the expedition's scientists (and sketches by the finding no trace of La Pérouse, losing its commander expedition's artist Jean Piron) which were published in and many crew to scurvy, and finally splitting between this book. For a British-publlished copy (in reverse) of royalist and republican factions, the expedition was this image see ref. 20744. judged a success because of the important observationns Stock: 43180 made by the expedition's scientists (and sketches by the

398. Chart of the North-West Passage Discovvered by Cap.t McClure, H.M.S. Investigator, 1850-1853. Second Edition with Sir E Belcher's Discoveries. Published by W. & A.K. Johnston. Edinburgh 24th Oct.r 1853. Engraved map with original colour, scarce. Printed area 320 x 630mm (12½ x 24¾"). Laid on linen as issued, paper toned, left and right ends chipped. £650 A map charting the route of Robert McClure across Arctic America, on one of the expeditions in search of Sir John Franklin, but the first confirmation of a North-West Passage. This second edition has been uppdated to include the last search for Franklin, headed by Edward Belcher, who had previously compiled the first British survey of Hong Kong. Stock: 43484